havent posted in like a month now i think. so. have this sollux✌️
The Concept ™️
One thing that has been executed so well in Yellowjackets is Nat’s gradual evolution into the person we know her as in the adult timeline. When I first started watching the show, there was such a glaring disconnect between Teen and Adult Nat that had me really intrigued as to how they were going to bridge that massive gap and eventually connect the two timelines. And now, after Season 3, they’ve managed to bridge it in such a natural, subtle way that I didn’t even fully realize it until I looked back at Season 1.
Season 1 Nat and Season 3 Nat feel like completely different people, it’s striking. It’s more than just the grown-out roots or the loss of that grungy eyeliner; it’s in her posture, her expressions, the way she carries herself. You can see the loss of hope creeping in, the hardening around the edges. Her vulnerability and softness are still there, but they’re buried deeper, shielded by the beginnings of that detached, cynical armor we recognize in Adult Nat. By Season 3, she feels so much closer to Juliette Lewis’s version of the character than to the fiery bleach blonde version we first met in Season 1. She’s lost that spark/lightness/playfulness that she originally had. She’s shifted into something sharper, more serious and dry. Watching her transformation unfold so gradually makes it all the more heartbreaking, and all the more believable.
Shout out to mentally ill people who dropped out of school
- shout out to the kids who were “so bright” and ‘heading somewhere” and had to drop out because school was too much to handle along with mental illness
- shout out to the kids who struggled to get where they got before they dropped out
- shout out to the kids who tried and tried and tried and still couldn’t finish
you aren’t unintelligent because you dropped out of school, you aren’t a delinquent or a bad person because you dropped out of school, just because you did what you had to doesn’t make you a bad person
hello guys (read in the voice of a man whos dying)
I'm not a fan art guy but the demons are telling me to draw toriel...
she's special. she's a beautiful black woman to m. e
Dear humanity,
Please Help Me – My Son May Die at Any Moment.
I'm Amal, a mother of three children, living under the weight of the genocide taking place in Gaza. 🍉
Here’s my story, and I’m reaching out with a hopeful heart 💔✨, hoping someone will feel what my family and I are going through.
My son is suffering from a severe and life-threatening injury after being shot by Israeli drones. He urgently needs medical treatment outside Gaza.
Time is running out, and we are facing a critical situation. I am asking for your generosity to help us save him either through a donation or by sharing this urgent plea with others
I beg you, i kiss your feet, to help my son. My son may die at any moment.
I lost most of my family. I'm afraid to lose my son too 🥺
Mohammed deserves to live a happy and healthy life, just like every other child on this earth.
So I humbly ask you to donate even a little or at least reblog this appeal.
I'll donate $15 I hope it helps, if anyone can match, $10, $5, $1 to keep momentum or just reblog that could help. Hope you & your son will be okay 💛
I was doing some studying, but then it turned into Eridan
blatantly redraws my own drawing of eridan from 10 yrs ago… the classics are a classic for a reason 🌚
Well shit, the Republicans brought a certain anti-online porn bill back to the table.
The Interstate Obscenity Definition Act.
This should alarm you guys.
i love the way you draw dualscar, especially his beard,, hes so scruffyscrungly <3
sadfiadsgfduezsgfzus<33333 The beard is the part i have most fun drawing!!! When I thought how he might look like, beard with pointy ends is the first thing what came to mind haha
I like to think he prefers to keep it tidy with a clean cut and shaves almost everyday to keep the look, but sometimes he is too busy or tired to do so, either chasing MF trough the ocean or deep in paperwork or something similar. He is very fun to draw and also i love ear-fins tee-hee anyway, for you anon <3
Joshua Moritz, 'Is There a God-Shaped Hole at the Heart of Mathematics?' // Bluepoch Games, Reverse 1999 // Li C. Tien, "Right Triangle" // Proclus Diadochus // @lothmoth // Lisa Rosenberg, "Introduction to Methods of Mathematical Physics" // Wassily Kadinsky, watercolour abstract // Albert Einstein // see 4
more lesbian ally sollux doodles
eridan imagines i made like almost two months ago
i hate viruses so fucking much. literally getting attacked by a fucking shape. a concept. consumes no energy. responds to no stimuli. its only existence is to fuck with you. like fuck offf
Ok, this kind of breaks my heart, and I feel like it’s exemplary of something that I think is one of Hussie’s greatest strengths as a writer. Well, two things.
The first thing is that he has this incredibly strong grasp on the fact that for the people sad things are actually happening to, they are not dramatically resonant or bittersweet or poetic. They are just sad.
When Vriska and John meet in dream-bubbles, Vriska doesn’t consciously think about how heart-wrenching it is that, in death, she’s meeting the one person that she kind of tied her hopes of redemption to, only for him not to remember any of the stuff they shared that she remembers as meaningful. She’s just a little sad about it, and a little unsure, and trying to make the best of it all.
And just recently when Dave sees Dirk for the first time and we all went batshit trying to figure out what tender, tragic things might be going through his head, and then his reaction is basically “DO NOT WANT.” He’s not thinking about the godforsaken tragedy of it all, he’s thinking that he’s upset and wishes he wasn’t. Like real people do tend to react to stuff at first.
Which kind of brings me to the other thing I wanted to talk about. Which is that Hussie completely and totally gets that he doesn’t need to spell out what a character is feeling. He understands the power of audience empathy and he uses it to his advantage. When presented with an opportunity to make it crystal clear to us what a character is feeling, he will leave it vague almost every time.
And not only that, but when he does tell us how a character feels (as above) he keeps it general. He understands that he can tell us that WV feels sad, and we understand immediately that sad is a severe understatement of how WV must be feeling, without needing to be explicitly told. Hussie implies, rather than states, and he leaves it up to us to understand and imagine based on our comprehension of the characters involved and the situations they’re in.
What he expects of us is to fill in the blanks and flesh out the story with our own emotional reactions and with our empathy. He asks us to participate on an individual level in constructing the emotional resonance of the story, by embellishing it for ourselves as we go.
this SUCKS im NEVER DRAWING AGAIN
he's like a patron saint to me