Latest Posts by coralcatnumber2 - Page 2

vetted campaigns for gaza. 🍉🇵🇸

@ameera-anq : gofundme — €12,755/€20,000

@amnehsharif10 : gofundme — US$8,759/$90,000

@malkzaeem : gofundme — CA$19,540/$50,000

@burningnightgiver : gofundme — CA$5,596/$50,000

@salahaldinhor : gofundme — €784/€40,000

i urge everyone who sees this to share, at the very least, if you cannot donate. please, please, please do not scroll past without reblogging. this post will be updated as/if anyone else reaches out!

going to sleep & by sleep. heh. well. let's just say. phone in bed

How tf are y’all making masterpieces with ibis paint meanwhile I draw like ass on there

YESSSSSSSSSSSSSSSSSSSSSSSSS

HELP DISABLED GAZAN CHILDREN 💚

This is a list of fundraisers for disabled Gazan children with a variety of different needs. These children are suffering immensely - on top of bombings and starvation, many of them need immediate medical care not currently available in Gaza. I’ve matched each one with a unique item you can get in exchange for a donation.

Please do take the time to look through this list, and PLEASE donate to these kids if you can!!! It is extremely important that they get the help they need, and every single bit counts!!!

Abdulaziz Alostath is 12 and has a severe neurological disability

→ Verified by el-shab-hussein and nabulsi (line 37)

→ You can get an art commission from lubia-zenite if you donate

Anonymous child one is 5 and has cerebral palsy

→ Verified by el-shab-hussein and nabulsi (line 13)

→ You can get an art commission from kyra45 if you donate

Anonymous child two is 12 and has suffered a stroke

→ Verified by Operation Olive Branch (line 219)

→ You can get an art commission from oneleggedgiraffe if you donate

Adam Maqadma has cerebral palsy

→ Verified by Gofund(water)Me(lons) (line 197)

→ You can get an art commission from oliviasometimesdraws if you donate

Adham Alnhall has brain atrophy

→ Verified by Gaza Families (line 110)

→ You can get an art commission from jetskibubbles if you donate

Ahmed is 12 and autistic

→ Verified by Operation Olive Branch (line 89)

→ You can get an art commission from thecraftydragonc if you donate

Basel Ayyad’s daughter has a worsening visual impairment

→ Verified by el-shab-hussein and nabulsi (line 214)

→ You can get an art commission from werewolf-transgenderism if you donate

Fadi and Monda Younis’s daughter has a respiratory disability

→ Verified by Operation Olive Branch (line 91)

→ You can get an art commission from froggycakes if you donate

Farah Abu Shabana is 16 and has metabolic syndrome

→ Verified by el-shab-hussien and nabulsi (line 79)

→ You can get the chance of winning an art commission from 3-baekan if you donate

Hamza Abed is 9 months and has severe food allergies and intolerances [⚠️ GRAPHIC IMAGE]

→ Verified by nabulsi

→ You can get an art commission from Creatives For Palestine if you donate

Iman Abu Hasanein is 15 and autistic

→ Verified by Operation Olive Branch (line 168)

→ You can get an art commission from artflameball if you donate

Jana and Jehad have phenylketonuria [as of 6/28/24, donations are being matched!]

→ Verified by Gaza Funds

→ You can get an art commission from sillydogprints if you donate

Joan Al-Habil has an immune deficiency

→ Verified by el-shab-hussein and nabulsi (line 163)

→ You can get an art commission from rebecca-levin-art or rootoftaboo if you donate

Khaled Eyad is 8 and has suffered a brain tumor and a stroke, and is visually impaired

→ Verified by Operation Olive Branch (line 40)

→ You can get an art commission from badface if you donate

Lamar Khalaf is 14 and has severe asthma

→ Verified by Fundraisers - Gaza/Sudan/Congo & more (line 172)

→ You can get an art commission from Artists 4 Gaza if you donate

Lyin Fares is 13 and has asthma

→ Verified by el-shab-hussein and nabulsi (line 121)

→ You can get the chance of winning an art commission from kiirodora if you donate

Majdi Qraqai’s son is 12 and autistic

→ Verified by Operation Olive Branch (line 187)

→ You can get an art commission from petartforpalestine if you donate

Mohamed Harouda is 9 and has Down Syndrome

→ Verified by Operation Olive Branch (line 87)

→ You can get an art print from Kelsey Short if you donate

Mohammed Maliha is 13 and has severe respiratory issues

→ Verified by el-shab-hussein and nabulsi (line 160)

→ You can get the chance of winning an art commission from spidersarecannibals if you donate

Mohammed Ayad is 14 and has Down Syndrome

→ Verified by Operation Olive Branch (line 395)

→ You can get an art commission from hauntedparkinglot if you donate

Muhammad Asfour has Down Syndrome

→ Unverified but quite legitimate - I am in direct contact with his brother who is organizing the fundraiser and have every reason to believe it is 100% legitimate

→ You can get a writing commission from magnus-rhymes-with-swagness if you donate

Nai is 4 and has brain atrophy, which has caused a hearing impairment and muscle spasms

→ Verified by Operation Olive Branch (line 106)

→ You can get an art commission from csuggsillustration if you donate

Omar Al-Laban has suffered brain damage and is a wheelchair user

→ Verified by Operation Olive Branch (line 185)

→ You can get an art commission from smallsmallwitch if you donate

Omar Shanna has cerebral hydrocephalus

→ Verified by Gaza Funds

→ You can get an art commission from pufffinn if you donate

Yahya Aziz Aziz is 12 and has a brain tumor

→ Verified by el-shab-hussein and nabulsi (line 181)

→ You can get the chance of winning an art commission by bocceclub if you donate

Yazan Alzaanin is 14 and has Down Syndrome

→ Verified by Gaza Funds

→ You can get an art commission from ezegerarts if you donate

Yusuf is 8 and has kidney failure

→ Verified by el-shab-hussein and nabulsi (line 177)

→ You can get the chance of winning an art commission from tortiefrancis if you donate

in terms of rock paper scissors, love wins

happy tdov my loves. don't let anyone else define your transness for you.

help trans women evacuate gaza

you cant woke anymore. because of sleep.

Saw someone here saying she just looks like a pissed off cat and 😭

reblog if you like pumpkin spice or if you’d fuck the xenomorph queen

Reblog to receive the transformation. Like to upgrade your power.

made this :D

I drew a little something for the Hiveworks micro comic summer~

Tumblr

Hiveworks Comics

It's time! Today is the day. Share the comic you've been working on all summer with the tag #MicroComicSummer

ok, so my prediction for the end of the game is 1. the trailblazer will find/ resurrect akivili 2. take the place of akivili or 3. the trailblazer will be revealed to have been akivili the whole time theres no way this games gonna end without them coming back some way

Fanon Lumine is just so bad. I won’t get into specifics but she’s just this weird sugar coated version of herself made just for shipping without the concrete ships usually need. There’s never much content of her rage, the fact that she’s angry at everything and herself. Never any content on the loneliness or the helplessness she feels. Never anything on her wings, her past before Teyvat, the fact that it’s implied she’s an eldritch primordial being of chaotic power

She’s surrounded by people but so alone, her surrogate little sister is what’s keeping her from going over the edge sometimes, she’s so sweet yet filled with anger, she cares about her friends so much but would drop everything for a mere second to see her brother, she probably hates certain people more than she lets on

Lumine is just so interesting as the Traveler and we need more content of her strange personality in Teyvat as someone so kind but so exhausted as well

When there’s never going to be another album like San Fermin’s Jackrabbit (2015)

It’s been a few months since Empires s2 came to an end and I wanted to make a piece reflecting on the time we spent with these characters 🥰✨ When season 1 ended I did a series of paintings set to the End Poem, and so I decided to revisit the concept once again, making sure to switch up which line corresponded to which person. This series means a lot to me—in fact, this is one of two big Empires s2 projects I’ve been working on! There’s another one still in the works :D

Man tragic yuri got me fucked up. Screw your doomed by the narrative looking plot can’t you just let them give each other little forehead kisses every morning while they snuggle up together in the warm light gently pouring into the bedroom as they wake up to a new and happy day knowing they have each other by their side

oh to be a crow, flying around, stealing shinies and screaming at the top of my lungs with no remorse.

Fuck the popular chilumi dynamic

Childe is not some himbo flirt and lumine does not reject each one of his advances

They are AWKWARD

They are SHY

They only allow HALF THEIR PERSONALITY TO SHOW because they are both HOPELESSLY IN LOVE and don’t know how to show it

genshin impact as a horror story, part 1/?

inspired by the works of em carroll & lyrics from the woods by san fermin <3

when stelle encounters yaoshi for the first time in simulated universe and they give her a little kiss,,,

My favourite part about Tumblr

HAS to be scrolling through all the cool art and discovering that the MCYT creators have accounts on here

Honestly, makes my day every time!

who is she ?

Siren Song

Had a dream the other night that I got turned into a mermaid. And as a gal who's loved merfolk since I was a kid, I couldn't resist 4.3k words

—

Grian grinned to himself. From his fishing dock, he could hear Gem on her little fishing boat belting sea shanties. She sounded like she was having fun, swinging around her rigging with a sword on her belt. She wasn't the only one who lived on their boat, but she was the only one who took such audible joy in it.

Grian let his feet dangle in the water, his overalls rolled up past his knees, and watched the sea as his lure bobbed. Early morning was one of his favorite times to fish. The quiet—apart from Gem's shanties—the sunrise on the clouds, the watery color of the sky. The calmness of the ocean. It was peaceful, like this. There was nothing else he needed to do but sit and fish. This early in the season, the ocean water was frigid against his bare skin. He didn't care.

"Morning Grian!" Gem called as she spun around a line of the rigging as though it was the hand of a dance partner. She waved from her boat's deck anchored a little farther out in the bay, not attached to a dock or wharf.

"Morning Gem!" Grian replied, raising a hand in response.

Gem beamed and went back to whatever it was she was up to. Grian suspected she was trying to do chores and just decided to have fun instead. She was anchored far enough out that they couldn't easily talk. They had to shout. He tried not to shout this early though. It scared the fish.

The water, near the hull of Gem's ship, moved strangely. A movement Grian was familiar with. Something large not quite breaking the surface tension, sliding just underneath. Large and shimmery.

Grian perked up. That was either the largest cod he'd ever seen—or something else was near.

He pulled his feet out of the water and stood up. Snatching his binoculars from his pack of stuff, he held them up and peered toward where the shape moved.

The murk of the early-morning ocean prevented him from seeing what was under the surface.

"Shoot," he muttered. "What was that? Big fish don't come this shallow often..." He moved the binoculars up and down, looking through them and sweeping his gaze in the same area without the magnification. "Geeem?" he called, as loud as he dared to not scare the fish. "Is your sonar on?"

Gem stopped where she was dramatically stomping on the deck with a mop in hand while chanting her shanty. "No. I'm cleaning," she called back.

"Mind turning it on? There's something big here!"

"Grian, you don't have the equipment for deep sea fishing."

"Humor me," Grian said.

Gem made a face that was unimpressed—even from Grian's distance. "Fiiine," she said, vanishing into the cabin of her boat.

—

Pearl grabbed Scar's wrist as a noise traveled through the water. A sonar that was revving up, but not yet active.

"Hold on," she said. Scar twisted his arm and grabbed her arm in return. They snagged each other's other arms. Pearl built up some momentum with her tail and they shot toward deeper water. Scar's torn caudal fin trailed limply behind him as Pearl sped them both away. The pearlescent white tail for which she got her name glimmered in the weak, pale sunlight that hadn't yet broken over the horizon.

Pearl swam them both for several long moments—until they were most likely out of range of the sonar. Then slowed down. Scar's green eyes were wide. The scar over the bridge of his nose shimmered. "Did we just get caught?"

"Maybe," Pearl said, looking over her shoulder. Her long hair drifted in a cloud around her head. She brushed it aside to look behind her. "I don't think the sonar got turned on quick enough. But I can't say for sure."

Scar looked down at his tail. The base of his caudal fin was bent awkwardly and the fin itself was torn in such a way to render it useless. He couldn't swim. "I'm sorry, Pearl. I didn't mean—"

"Don't apologize, Scar. It's not your fault."

"Bu-bu-bu-bu-but..." Scar put on his pathetic voice that was overdramatic for the sake of comedy. "But I'm the one who got too close to the humans."

"Yeah, and got closer in the hopes that they'd help fix you. We know that human of Jimmy's knows about us and would help. But everyone else? That man on the dock could have very well hooked your tail if you got any closer. We don't know who we can trust."

"How... how do we get Jimmy's human to help fix my tail? We just don't have the materials to splint it underwater."

Pearl made a face. "Well, it was pretty stupid of you to come this close to shore on your own when you can barely swim. You're lucky I got here when I did to get you out before they thought a shark got close to shore."

Scar pouted, sticking his lower lip out.

"Look. I know your tail needs fixing. And Jimmy and Lizzie's humans will help. But we need Jimmy or Lizzie to contact them. How those two both managed to snag humans is beyond me."

"Must be ocean royalty twin charm or something," Scar said sarcastically.

Pearl smirked and bounced her eyebrows. "Must be. C'mon. Let's go ask Jimmy and Lizzie if one of them can ask their human for help."

Scar thought for a moment, then nodded.

—

Grian stood on the end of his dock at the end of the day. The sun had set behind him and the last few rays were starting to filter out.

Soft footsteps approached down the dock. "Whatcha doin'?" Gem asked. Her rowboat bobbed in the water just in front of them both. She had on her light, soft boat shoes.

"Looking to see if that fish came back with the sunset," Grian said, binoculars in hand.

Gem yawned and stretched. "Okay," she said through her yawn. "I'm heading back to the boat. Holler if you need anything."

"Yeah, yeah. Cheers," Grian said.

She hopped nimbly down into her rowboat, untied it, and started to row back to her boat. Grian watched her go, making sure she was safe. They'd both moved to this small fishing town within a year of one another. Gem's grandparents had given her their fishing boat when they passed away and she'd chosen to live on it, and Grian... well. He was running. Always running. A restless soul with people in his past that he needed to be far away from for his own sanity.

He told the good people in his past that he'd found the sea. But it was more like the sea found him. Called him. Beckoned. So here he stayed. In a small flat over a shop—a workshop, to be specific. Three mechanics ran it. And he fished before and after work.

His eyes tracked Gem to where she tied her rowboat to the ladder on the hull of her boat and climbed the rest of the way up before she disappeared inside. Grian was older than Gem by only a few years, and felt a brotherly protectiveness of her. The two who came to the small, sleepy town from the outside.

There was no sign of that large fish he'd seen earlier. The last rays of sunlight were snuffed out by the dark night sky. The orangey glow of streetlamps buzzed to life.

Grian sighed with disappointment. Maybe tomorrow morning...

He turned and moved to stomp back up the dock to go back to his flat—

Before freezing.

A song floated across the surface of the water. The voice a warm baritone. Resonant enough that Grian felt his bones vibrate with the timbre of it, despite the obvious distance it was traveling. He found himself unable to move. Transfixed by the music. Entranced.

Slowly, he pivoted to face the sea again. The rocks that made up the outside barrier that sheltered the marina were dark. Except one spot that had a silvery glow on the far side. Not from moonlight.

Curiosity broke whatever spell he was under. He rushed to make his way around the perimeter of the marina. Toward the glow being cast on the rocks. Stumbling over rough terrain in the darkness.

—

A few tail-lengths down the rocky shore, Tango was crouched, elbows resting on his knees, as he smiled down at Jimmy. Who was on his stomach with his sky-blue tail bent up into the air. Caudal fin drifting up and down. He kept himself upright with his elbows on the ground, resting his chin on his hands as he talked to Tango.

A stone's throw away from those two, Lizzie and Joel were much closer. Joel sitting on the ground with Lizzie fully in his lap, her purplish-blue tail wrapped around him and his fingers lazily playing with her long pink hair.

Pearl and Scar rested as far away as possible. Pearl looked ready to drag him back into the sea at a moment's notice. Jittery and wound up. Scar, for his part, was trying to look relaxed. He was singing to keep himself calm. Tango's good friend and coworker, Etho, was helping splint Scar's tail and stitch his caudal fin back together. He had an intense sort of look to him, but his callused hands were remarkably gentle. Pearl was using what little magic she had to cast enough light for Etho to see and work by. Silvery moonlight from her palm dancing over the rocks where it reflected off the waves.

"You should probably go help Etho," Jimmy remarked to Tango.

"Probably," Tango agreed with a small nod and an unfocused look in his eyes. He didn't move. Didn't stand. Just stayed where he was crouched.

"Thank you for this, by the way," Jimmy said. "I know you would have done it yourself for him but—"

"It's fine. My hands are steady but Etho's are better," Tango remarked. "And he actually knows how to stitch up a wound and make a flexible splint. Or he's creative enough to figure it out. I'm not that creative."

"Sure you are!" Jimmy protested quietly. "You're very creative!"

"I mean, yeah, but not like this. I can make up a game for someone to play, but I can't invent a splint for a merperson's sprained tail. Those are different kinds of creativity and inventiveness." His eyes quickly flicked to the way Jimmy's scales glinted in Pearl's moonlight where scale met skin below his navel and back to Jimmy's eyes. "You're welcome, by the way. It's no problem. Happy to help where we can. For you or people you're close to." Impulsively, he reached out and tugged on the point of Jimmy's caudal fin, causing him to yelp—and dissolve into giggles.

"That tickles!" he protested, his fin sliding out of Tango's grip easily as it lashed back on instinct, clapping against the waves. Tango chuckled. He liked the way Jimmy screwed his eyes shut when he laughed. He liked Jimmy's broad smile. He liked Jimmy's easy personality and warm hazel-brown eyes. He wasn't sure yet what they were—and he hadn't talked to Jimmy about it either—but he wasn't worried. They shared space and conversation easily. He didn't care what they were.

Joel and Lizzie, for their part, didn't even look over at the splash of Jimmy's caudal fin striking the water.

Etho, Scar, and Pearl did. Only briefly.

Had they looked over for a little longer, they might have noticed a dark shadow moving closer, recklessly trampling over loose rocks. But they didn't.

—

Grian peered over the ridge of the rocks. And went stock still.

Etho, Tango, and Joel he recognized. Etho and Tango ran the shop below him with Impulse. Joel ran the small tree nursery up the road and taught painting in the evenings occasionally.

It was the other figures that made Grian freeze where he stood.

The woman in Joel's lap had long pink hair and a fish tail. The blond, athletically-built man staring at Tango like a golden retriever also had a tail. The two by Etho had fish tails as well. The male one, apparently, the source of the song that had drawn Grian around the marina. The female seemed to be the source of the light on the rocks. Etho had flexible metal instruments and some sort of straps that he was using to make some sort of brace at the end of the male's long, green tail flecked with yellows and oranges. There was a long row of stitches down the male's fin.

Grian stared, wide-eyed, his jaw slack. For a long time.

Merpeople?!

Gem was going to freak out, he decided.

A harsh wind blew off the sea. Grian took a step back to maintain his balance.

His heel caught on a loose stone. He careened, his arms pinwheeling.

Splash!

—

Seven heads snapped in the direction of the sound immediately. Pearl curled closer to Scar and bared her teeth in threat. Etho half-stood from his sitting position, looking around. Scar had grabbed Pearl's wrist and just held her there. He'd stopped singing.

Lizzie disappeared off Joel's lap and vanished into the water without so much as a sound.

Jimmy twisted and followed his twin sister into the surf. But instead of lurking in the murky darkness of the ocean at night, he swam around the ridge of the rocks to the back side, where the sound had come from. Tango bolted to his feet, standing upright.

Jimmy saw the human man—young, smaller than Tango somehow (Jimmy was unaware that adult human males could be so small)—appeared to be shocked by the cold of the surf. After a moment, the human began to thrash, fighting to swim back to the surface, obviously struggling with his shoes—as Tango had called them—still on his feet.

Jimmy grabbed the human under his arms and hauled him upwards, breaking the surface and dragging the human onto the rocky shore.

The human coughed as Tango scrambled over the loose, uneven ground to get over to them.

"Holy smokes," Tango said, sliding down the ridge. "Are you okay?" His gaze flicked between Jimmy and the human. Who was facedown but keeping himself up on his elbows as he coughed.

The unknown human coughed again and looked up. His hair was wavy and light brown. His eyebrows scrunched. "Tango?"

Tango gasped and took a step back, nearly losing his balance himself. "Grian?! What are you doing here?"

"You two know each other?" Jimmy asked softly.

"He lives in the apartment above me and Etho's workshop," Tango explained. "He's a friend." Tango dropped to his knees in front of this Grian. "Hey. You okay, G?"

Grian coughed more seawater out of his lungs, but managed a nod. "Fine. Lost my footing." He cleared his throat—hard. "So. Who's going to explain to me what's going on?" He pushed himself to his feet. Drenched and shivering. Tango slid out of his thick bomber jacket and held it out. Grian accepted it and slung it on, shivering. "Tango—"

"Grian, we can explain—" Joel said, scrambling over the top of the ridge.

"I really hope you can," Grian retorted. "Because you were cuddling a mermaid."

Jimmy bristled a little, glowering at the stranger. "Don't talk about my sister like that," he growled.

Grian looked down at where Jimmy was still propped up on the shore. "Uh... sorry?"

"Jimmy," Tango said softly. Almost a warning.

Lizzie's head slid out of the surface, watching with wide eyes.

"Okay... so..." Tango began. "Merfolk exist?"

"Oh, no, really?!" Grian retorted sarcastically. "I hadn't noticed!"

"Listen, Grian. You can't tell anyone," Joel put in. "It's not our secret to share."

"Who would believe me even if I wanted to?" Grian shot back.

"Fair enough," Tango muttered, smirking down at Jimmy, who had not yet relaxed.

"Scar—Scar hold still!" Etho's quiet voice ordered from the other side of the ridge.

"But I wanna seeeeee!" Scar's voice put in.

"Scar," Pearl warned.

Grian peered between Tango and Joel's heads. "That's the voice I heard singing," he said, a touch of wistfulness laced through his voice.

"Oh shrimp," Pearl exclaimed. "Really, Scar? You had to use your siren magic?"

"I didn't mean to!" Scar protested. "I was just trying to distract myself! It's not my fault I'm this handsome and alluring."

The sound of damp skin striking damp skin and Scar yelping in surprise meant Pearl had probably whacked him in the arm. "Not the time to sound arrogant, mate!" she snapped.

Grian slid between Tango and Joel and approached the ridge to peer over it.

Scar shrunk back against Pearl's protective hug as the human got closer. Pearl bared her teeth. The soft moonlight coming from her hand turning from a small orb of light into a sharp-edged dagger. Grian didn't get any closer when he saw it morph.

Etho patted Scar's tail where a human's knee would be. "Go ahead and give that a try. Let me know if it's flexible enough to swim."

Scar looked between Etho, Grian, Tango, and Pearl. Pearl took his hand. The two scooted back into the water and disappeared under the surf.

"Scar!" Pearl said when they were safely deep enough that the others wouldn't hear them. "You can't go using siren magic when we're this close to a human town! You know your songs can be heard farther away than someone else's singing at the same volume. You have to be more careful!"

"I know, I know," Scar replied, looking defeated. "I didn't think anyone would hear."

Pearl sighed. "It's fine. It was just one. You will have to explain to Jimmy and Lizzie's mum what happened, but at least he's friends with the humans who already know." Pearl sunk lower and inspected the brace Etho made. "How's the splint working?"

Scar tested it out, swimming slowly.

—

"Okay," Grian said once the green-tailed male and the white-tailed female had vanished underwater. "So merfolk exist and apparently no one has figured that out yet?" He gave Etho, Tango, and Joel a look.

"We keep ourselves discreet," the pink-haired mermaid who'd been cuddling with Joel said from where she was a few meters out into the water. "Our cities hide from human technology with magic. And that's all you need to know." She spoke with a weight and gravitas to her voice that showed she was used to being obeyed and listened to.

"A few of us find connection with humans, but not many," the broad-shouldered blond merman who'd been making doe eyes at Tango added. "We're not supposed to, but it happens anyway. And you can't tell anyone."

Grian shook his head. "This is a lot to take in. So, wait. Was it one of you I saw earlier today? Near the hull of my friend's boat. I saw a large fish almost break the surface, but not quite."

The blond merman and his pink-haired sister met one another's eyes. "What color did you see?"

"I can't be sure. The sea was murky. Could have been blue, could have been green?"

The pink-haired mermaid sighed. "Scar's being reckless, Jimmy," she said softly to her brother. "He's getting too close."

"You know him, Lizzie. He's curious," the brother said.

"Look," Grian interrupted. "I'm not going to tell anyone. I'm just... startled, I guess? I don't know—"

He was cut off by the green-tailed merman who'd disappeared with the white-tailed mermaid bursting out of the water and doing a flip. "Woohoo!" the man cried as he splashed back in before resurfacing and throwing his hair out of his face.

"Scar!" the white-tailed mermaid protested, her head breaking through the surface. "You have to be quiet!"

"But I can swim on my own again, Pearl! It worked!" He beamed at Etho. In the faint light from the town's streetlights, Grian could see a scar across the bridge of the merman's nose. "Thank you, man!"

Etho shrugged. "Just a little creativity. No big deal."

The white-tailed mermaid raised a brow. "Etho, I don't think you understand how dangerous a sprained tail is," she said. "Without your help, he could have been hunted. We really appreciate it." She pulled herself out of the water and back onto shore. Her eyes were noticeably bright blue and suspicious when they turned on Grian. "You're the one who always has the hooks in the water."

"I just like to fish for the cod."

"Well you've nearly torn Scar's tail! You're lucky he got it caught on something else that wasn't your hook because if that injury had been your fault, no one would have ever found you at the bottom of the sea."

"How is that my fault?!" Grian snapped back. Jimmy and Tango glanced at each other before looking back to Grian—who didn't have time to wonder why they looked so surprised that he was arguing. "If he can't stay away from a fish hook, that's on him. He appears to be a full grown adult and you all have human intelligence so that's not on me!"

The white-tailed mermaid growled.

The pink-haired one muttered, "He's got a point."

"Hey!" the green-tailed merman protested. "It had a shiny thing on the end of it! I wanted to see!"

"That's a lure you tadpole!" Jimmy said with a heavy sigh.

"Don't act like you're the one holding the braincell here, Jim," Joel teased. "Between you and Scar it's a wonder neither of you are in a human zoo."

"Oi!" Jimmy protested at the same time Scar said, "Hey!"

Etho chuckled.

Grian threw his hands up into the air. "I give up! Have a good night. I won't tell anyone. Goodbye. I'm going to bed." He spun, his wader boot heel crunching in the rocky beach, and he stormed off back toward the town.

—

The next morning, Scar surfaced just under the wharf, hidden from prying eyes and quiet. The human from the night before—Grian?— was dangling his feet off the end of the next dock over, fishing line cast out. His fishing rod was held loosely in one hand, the other holding a book he was reading.

Scar could hear the human humming the same siren song Scar had been singing last night in broken pieces.

Smirking, Scar dipped back under the water and pushed himself deep before shoving off the wharf's supporting poles to cross the gap to the human. He looked up at where Grian's bare toes drifted back and forth, kicking idly, and smirked.

Using his arms to swim upward to keep his tail as still as possible while it healed—Etho's brace was great but if he didn't have to use his tail, he didn't want to—Scar got close to the surface.

He snickered to himself and tugged on Grian's toe.

Grian screeched like a startled bird and tore his feet out of the water, scrambling back on the dock.

Scar slid his head out of the water, an easy laugh leaving his throat. "Well, hello there!" he greeted brightly.

"What are you doing?!" Grian hissed. "What was that?!"

"Can't a merman just say hello to a new friend?" Scar asked, pouring bravado into his voice with a smirk.

"Not if you're trying not to draw attention! Not like that, at least!" Grian snapped.

Farther out in the marina, on one of the boats anchored away from the docks and wharfs, a voice called out. "Everything okay, Grian?"

Scar immediately ducked under the dock Grian was on, hiding among the support structures.

"Everything's fine, Gem!" Grian shouted back. "Bit of kelp just brushed my foot."

From the boat, a feminine laugh rang across the water. Scar giggled too, quietly. "Alrighty! Be safe!" Gem called.

After a moment, Grian dropped to his knees at the edge of the dock. "Still here?" he whispered loudly.

Scar popped back out. "Of course!"

"I never caught your name."

"Most people just call me Scar. My full name is too complicated. You're Grian?"

"Yeah."

"Well, Grian, I can't help but notice that you were singing my song." Another smirk.

Grian's expression soured. "You got it stuck in my head."

Scar chuckled. "Well, I mean, if you want," Scar tried to sound confident, but was definitely blustering a little, "you can always meet me in the same place out on those rocks after dark tonight and I'll teach it to you properly. You can meet my cousin Pearl properly too!"

"Was she the scary one with the white tail?"

"That's my Pearlie!"

"Promise she won't try to drown me?"

"She would never!" Scar said, sounding a lot more promising than he felt.

Grian looked skeptical. "Fine. After dark over on the rocks. See you then."

Scar beamed. "See you then!" He moved to dunk back under, and paused. "Also will you tell Tango that Jimmy has a present for him?"

"Sure. Why not. I'll find a time when Impulse isn't there."

"Well, thanks! You have a good day!" He twisted and dove back underwater, heading for open waters.

—

Grian stared at where Scar's long green tail disappeared.

"This is going to be more trouble than it's worth," he muttered. But curiosity was going to get the better of him, he already knew it.

Drawn in by the siren song.

Frustrated, he shook his head and abandoned his fishing for the morning. That would have to wait.

A dive into Vertin's core aspect of her character and it's impact through the story: Part 3

Part 1

Part 2

Matilda and Vertin

It's important to note that despite everything, Matilda and Vertin are good friends. 

Matilda had the same aspirations as Vertin did as children: the freedom of self expression in spite of being raised to abandon those values; to know their world around them than to just learn from the textbooks.

However, what sets them apart is that Matilda willingly chose to join the white marble.

What sets them apart is the extent they’re willing to go to achieve that, and how they help people at their positions.

What sets them apart is how they handle their own inner struggle.

Matilda finds Vertin, who is in a miserable state, utterly unresponsive to the people around her because Sonetto is no longer around.

In just a day, the girl had already reverted back to being a mess, a sight that shocks Matilda greatly, but also pity for the girl who she respected a lot as a friend and classmate.

Sonetto had already given her the lengthy details, but seeing it for herself still leaves a pit in Matilda’s stomach. It was awful, how low Vertin had let herself be.

Yet somehow, Matilda feels determined, approaching her old friend as she tries to talk to her.

It doesn’t work of course, Vertin doesn’t even look like she seems to acknowledge the girl’s presence. This is what Sonetto was fearing, that without her, Vertin has no one she can open herself to, no one she could vent her pain to, no one she can let herself be broken fully towards.

It’s almost painful in a way, that even though Vertin is as much of a mess as she is, she still hides herself away from others, to not trouble them in having to deal with her. Even though it only makes people more worried, Vertin refuses to let anyone in, to know the full extent of her pain.

If Matilda was similar to Sonetto, she would likely try to find comfort for her in any way, to try to be an emotional pillar for Vertin. But that was nigh impossible, she didn't know Vertin as long as Sonetto did, didn’t understand her as much as Sonetto does.

And besides, she isn't Sonetto anyways.

“You’re scared, aren’t you?”

Matilda doesn’t know Vertin as well as Sonetto does, so she doesn’t know what would be the best way to help Vertin. But she is more perceptive than she lets on.

“Not of others, but yourself. You’re terrified to let people in, because you don’t want them to bother having to worry over you. To not have to deal with you. For them to not have to care about you.”

Matilda can’t be like Sonetto, a girl too kind, too caring and too sweet to ever be harsh or direct on people she cares about, especially Vertin. But she is kind in her own ways too.

“Sonetto is worried sick for you, I don’t know if you knew that or not. But if you do, then get up. Get up and let me help you do something about it.”

Vertin, although surprised, didn’t respond. But even so, the girl still stands, following Matilda lifelessly, for as miserable as she was, a part of her also understood just how much trouble she was placing on Sonetto. How much of a burden it must be to care for someone like her. 

She feels sick of herself for doing that to her partner, and so she follows Matilda, to see if there’s something she could do.

But what can Matilda do? What does she even have that Sonetto doesn’t? How can she help Vertin when Sonetto, the person closest to her, couldn't even do that?

She can’t.

Of course Matilda can’t. They were only friends and not even close ones, it would be completely arrogant of her to think she could do anything for Vertin.

So instead, she will get Vertin to help herself, by using her divination skills and her own perceptive nature to guide the girl to her own answers.

Matilda drags Vertin’s inner thoughts out and lays it bare for her, forcing her to confront those memories and the regrets she holds within her mind. Some bad, some very bad, and all of it still hurts to this day as she constantly relieves them.

At first, Vertin is bombarded with toxic and painful thoughts of herself, but it’s through Matilda’s words and guidance that Vertin starts to see things a bit more clearly. By having Matilda offering her perspective, Vertin can see the events in a more objective manner.

Vertin had kept all these events warped against her. She wanted every reason to hate herself and so her memories were altered to fit into that narrative, to make it easier to put the blame on her and solely her. But Matilda will not let that happen, she will offer her own insights and keep Vertin from spiralling out of control.

Eventually, they do make progress, as Vertin starts to understand that she wasn’t responsible for everything. That there were things completely out of her control and she shouldn’t, couldn’t have known better. She was only trying her best in her own ways, even if it didn’t turn up well. 

But the catalyst that got Vertin to even begin to accept this was Matilda, for through her conversation with her, did Vertin start to notice something in her that she never before. Something that gave her a sense of comfort, knowing she isn’t alone; something that they both share in common.

They are both selfless individuals.

Vertin gave herself up to help those around her, disregarding her own safety and agency if it means the people around her can make it out safe. She has no inherent sense of worth, only existing to help others as a way to bring meaning to her life.

Matilda gave her life to her studies, her academics and for the constant grind to become the very best, to stand at the top amongst the top. She does it so she can be acknowledged by the people around her, so that she can convince herself that she is meaningful, that she has meaning, that she can help.

Her constant drive to better herself is so she could feel like she is useful, to feel like she matters, to feel like she can help anyone in need.

Her sense of value comes from other people’s perception of her, and she will go to great lengths to prove that she can be useful. She exists to be helpful to those around her, for her value comes from their perception of her.

The way they go about it may be different, but Vertin and Matilda share this trait between themselves. They were mirrors of one another, reflecting both ends of the extreme. And because of that, Vertin learned to trust the girl more, to start opening herself up for she now understands that the girl truly does sympathize with her, at least somewhat.

Finally, after a long and gruelling journey of unwinding all the events in her head, Vertin comes face to face with the thing that represents all her insecurities, all her doubts, all her hatred and pain that she has kept within her for years until now.

Vertin faces herself, the one that started it all.

Gazing at the girl that represented Vertin’s biggest regrets and mistakes. The girl who had wronged so many lives because of her own naivety and unwillingness to look past herself.

She admits to herself that after everything, Vertin still cannot forgive her. She can’t forgive the girl for what she had done, for the people she had lost, for the trust she had broken and for the mistakes she had foolishly wrought over and over. 

She admits that the girl was stupid, blinded by her own short-sighted and naive views on the world that caused others to suffer because of it. She admits that the things she has caused can never be erased, that the pain will never fade away no matter the decades that pass by.

And yet, Vertin admits that there is more to the girl, that in spite of all the bad she had done, some of it was good. 

The girl had saved lives, gave others a reason to keep going, gave others hope and the conviction to follow their own hearts and even became the reason for others to put their faith and trust and love in, because they truly believed in the girl, placing their hopes and faiths into her goal, but above all, because they genuinely cared about her.

Vertin admits it, she admits that she does not know if she could keep walking a straight path, that she would never make a horrible mistake again like she had done before. That she wouldn’t one way or another lose the most precious things to her, that she won’t falter and break again. 

But she has hope.

Because in spite of everything, there is still someone who loves her. And for that, she wants to have hope, to hold onto it as tightly as she could. 

Hope that through them and through her crew, she won’t fall back into her old ways, that she won’t break again. 

Hope that someday, maybe not now, maybe not tomorrow, maybe not in a long long time, but someday; she can learn to like herself a little more.

With that, Vertin finally concludes her session with Matilda, thanking the girl for what she has done. But most of all, she acknowledges that the two of them are alike, going through something similar albeit still very different ends of the spectrum; but if the girl ever needs help, she is willing to be there for her.

Vertin’s selfless nature never disappears, and it likely won’t ever.

Because that is who she is at her heart, a girl who cares far too much to ever let other’s lives sifted away. But she will try to include herself this time, to find things about herself that she can like, to learn to place a bit more value on herself, even if it will never be above others. For she now understands that there are those who care far too much to let the blazing life that is Vertin's soul fade away as well.

Her friends, her crew, her family has always welcomed her, yet she has always kept herself distant from them. She did it because she didn’t want to hurt them, and didn't want them to get too involved with her where they would inevitably get hurt by her. All because she fears that she might lose them again, that because of her, she will lose those precious to her once more.

But now, she is willing to knock on the door of that familiar home, to let herself be welcomed in, an invitation that has always been open to her. To meet their happy and warm gazes with her own. To let herself be not the Timekeeper, but just Vertin, a scared yet hopeful girl.

Reconnecting with friends:

Eventually, Vertin will gradually start being open again to her team, Slowly but surely, she’ll start taking the time to interact with them more and properly communicate with them on her own without an emotional crutch or trying too hard to keep up with a facade.

Vertin is willing to be vulnerable to those around her in spite of still harbouring doubts about herself, letting her thoughts and emotions be known to those that she cares about, and who Vertin also gradually starts to accept that they care about her too. 

After reuniting with Sonetto again, being surrounded by all the people she has grown so close to in just a short few months, Vertin laughs. 

A laugh filled with regret, sadness and underlying pain that she can’t ever forget; but also filled with joy and relief and happiness. That after so many years, Vertin finally feels like she belongs, to feel like she can belong in a family she can call her own again. 

She regrets that it took her so many mistakes, so many bad choices and so many lives lost just for her to finally reach this point, that resentment towards herself still clings to her every step of the way.

But Vertin has found hope again.

She has hope that if she continues the path she is now, to continue walking along with her new-found family and to rely on them just as they rely on her, to find the worth in herself that she refused to admit she has for so long; that one day, she can look at herself in the mirror, and smile at the girl she had become.

And that is how Vertin’s character development might look to us. At the very least, if the game goes towards focusing on her selflessness a bit more throughout the story. 

For those that read all the way to the end, we hope you enjoyed it. It’s a very self-indulgent analysis that we have been obsessed with for a week, and it took many tiring nights to get to this point. But this was our way of showing our love and appreciation for the character that is Vertin, and so no matter where the story will take her after this point, no matter how absolutely wrong we are in predicting her story(which I have zero doubts we very are wrong lmao), it would be a story that we would eagerly await all the same.

With that, I shall be signing off. I will keep rambling on, until we meet again.