The debate of all time
If you don't like brownies then this poll is not for you. Please move along
I am literally going to cry if the LGBTA Wiki gets merged
you need to read this and this too
Throwback to all these Jesus comics I drew in 2012…
"No one can love you until you love yourself" is like the worst possible way of articulating "if you don't respect and value yourself, it's very easy to become attracted to people who don't treat you right and then justify their mistreatment, so be careful."
to my usamerican people:
here is an article that details the status of abortion rights in each state. roe v wade being overturned does not mean that abortion is illegal across the u.s., just that it is now determined on a state by state basis. please stay safe and stay informed.
the un-hyperlinked link is under the cut
Keep reading
Since I watched Heartstopper, I've been trying to figure out what about it made it feel so different from other stories similar to it. When you just describe the plot of it, it sounds like something straight (har har) out of Glee or Sex Education or Elite or SKAM or Skins or Degrassi, or...you get my point.
But it felt so different to me, and I realized yesterday what it was. Hearstopper takes the pleasures of queer romance and eroticism as seriously as it takes the pains of it. By which I mean, it gives an incredible amount of screen time to the excitement of it, the thrill of it, the visceral good feelings of it. Pleasure drives Heartstopper, in a way that is still incredibly unusual in mainstream queer media.
In most other stories like this, the pain and the angst and the ambivalence and the negative social ramifications of the premise take up like 90-95% of the screen time. The pleasure aspect typically exists as minimally as possible to catalyze all the negative or difficult parts that are the 'real' story. And while Heartstopper doesn't shy away from those things, it gives a roughly equal amount of narrative and screen time to the two leads getting a lot of pleasure out of their relationship, too. The amount of time the show invests in showing Nick and Charlie enjoying each other romantically -- throughout the story, not just at the very end -- is just absolutely decadent (and I mean that 100% positively).
The first kiss is a perfect example. In any other TV version of this story, the boys would have kissed that first time for less than 2 seconds, and then IMMEDIATELY been interrupted by the other boys. Instead, Heartstopper lets them kiss once, take a breath, and then have a second, very extended kiss enhanced by animated embellishments designed to emphasize just how incredibly enjoyable this is for them...before finally disrupting it again with Plot™.
And the amazing thing is, from a pure narrative standpoint, you don't need the second kiss. It's completely unnecessary to the plot. You could completely eliminate it and the plot would hold together exactly the same. The second kiss is there exclusively to emphasize the intense pleasure of this experience for them. That's all it does.
Heartstopper is serious about foregrounding pleasure, and how important pleasure is in all of this. Which frankly, is a thing you usually only ever see in romance novels and fanfic.
***
One of the reasons I was hesitant to watch this show initially is because I have limited tolerance for coming out stories that are so focused on the unappealing parts of the experience. It's not that those things don't MATTER. But there is such a cultural allergy to making the pleasures of the experience a serious focus, particularly (yes I'm going to say it) the sexual pleasures of it.
Hearstopper, blissfully, refuses to shy away from pleasure, and from making it important.
It's not just that my tolerance for queer pain in media is limited (although admittedly that's true). I also grow so weary of popular culture treating queerness as mostly a political identity upon which we simply moralize about tolerance, and engage in self congratulatory yarns about ~being yourself~ and loving yourself. It's not that I think any of those things is BAD. But a) I've seen that story many times before and b) there's an ENORMOUS piece of this experience that we're still mostly skirting around the edges of because we're still very chickenshit about it, to be perfectly frank.
We, as a culture, are still scared as fuck to really say, very bluntly: queerness feels fucking good.
In the midst of this, Heartstopper does something wondrous. It says to the audience, in no uncertain terms: Queerness feels fucking good...so, let's spend some time actually talking about THAT for a while.
Just a reminder that we aren't gatekeeping Pride.
I know it's only April, but I just saw such a rancid take on Tiktok (and the person blocked me, woo!) That I need to vent somewhere.
The argument went "bi/pan/queer people with cishet partners shouldn't bring those partners into queer spaces/Pride because it makes those spaces unsafe for lgbt folks."
Which is a frankly awful take for many reasons.
First of all "makes a space unsafe" is not an identity. It is a behavior. And ANYONE who is making those spaces unsafe, regardless of their identity, *shouldn't be there.* Whether they are a cishet man or a lesbian, if you are making people unsafe, you shouldn't be there.
Secondly, it's blatantly unenforceable. You can't clock someone's identity at the door. You don't know if they are bi or trans or nonbinary. And no one should have to out themselves to a bouncer.
As a caveat to this, you also don't ever know *why* someone might bring their cishet partner to pride. Whether that's because this is an important part of their life they want to share with their partner, or they are disabled and need help managing their meds or mobility aides, or the partner is a designated driver. You just don't know. So even if you did know they were cishet, maybe they have a "good reason" for being there.
So between it not solving an actual problem to not being enforceable, all this discourse does is create an EXTREMELY hostile environment for, well, bi/pan/queer folks especially. Always. We always get targeted for this kind of stuff.
But also anyone who might worry that *they* aren't queer enough or not look queer enough. Trans folks who haven't socially transitioned, non-binary folks who aren't androgynous enough, ace and aro folks, people who are newly out- they see this rhetoric and think "Oh no. What is someone sees me and thinks I'm cishet? What if someone tells me I can't be there? What if I don't really belong?"
So we aren't doing it. It's shitty snd hostile and biphobic and exclusionary.
Everyone can come to pride.
Except cops.
Fuck cops.
[Image Description: A screenshot of a tweet from Alice Oseman's Twitter. It reads: if we get a season 2 of Heartstopper, I have (all caps) plans. Big asexual plans. End Image Description]
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