I'm Trying To Prove A Point To My Brain: Reblog If You Think Fanfiction Does Not Need Sex To Be Good.

when in writers block (bc me too)

yes i realize this isn’t 100% foolproof and doesn’t work for everyone but it sure as hell helps me (at least a bit) when i don’t know where to start. good luck writing and may words flow from you faster than water in the largest waterfall ever <3

reread your old writing

revisit unfinished discarded projects

just write. everything. search up prompts and write your characters into them even if you’re not feeling it — which i know is easier said than done but we as writers need to realize that sometimes we gotta do what we don’t want to do

start a new book (ignore the pile of unfinished wips ok??!?!?!!!)

browse apps ((like pinterest) sounds anti productive but actually helps)

inspiration is literally everywhere and in everything u just need to know where to look, whether that be online or in person where you’re observing relationships w people and how humans act

on the opposite end of the spectrum: close that google doc… and just take a break. most ideas come when you’re not trying to force them out like ur life depends on it

ask a friend to read some writing and give their prediction of what will happen next… then use it !

just don’t give up!!!!!!! think about how an incredible book could be written and we wouldn’t even know because writers block kicked in & u gave up </3

Dragon Age Inquisition tarot, HQ: 9/10

Some truths about the publishing industry because I certainly got blindsided when going in. Now I'm so broken by this industry I struggle to encourage aspiring writers lmao

Neal Caffrey: ✨ arts & crafts ✨

105 “The Portrait”

211 “Forging Bonds”

301 “On Guard”

310 “Countdown”

415 “The Original”

501 “At What Price”

BONUS:

EXTRA BONUS:

Starting Strong Scenes in Your Writing

Scenes are the fundamental building blocks of novels and short stories, and each one should propel a story toward the climax.

Generally speaking, your scene structure should mirror the story structure. In other words, take a novel-writing approach to a scene, crafting a beginning, middle, and end. Like a story, the beginning of a scene should have a strong entry hook that pulls the reader in.

Start with the setting. Often a new scene signifies a change in time and location. Establishing the setting at the top of a scene helps your readers get oriented. It also sets the tone and mood of what will unfold in the coming pages. A setting can serve as much more than a backdrop in literature. Have your scene take place somewhere that builds tension and hinders your protagonist. If you’re writing a thriller, describe a dark and foreboding place where the worst might happen. Be descriptive and use sensory details to make your setting come alive before you jump into the action.

Use visual imagery. In screenwriting, writers have to think in pictures. What images will excite an audience at the top of a scene? Your approach should be the same when writing any kind of fiction. As you write the opening of a scene, use descriptive language to engage a reader through detailed imagery. Think like a screenwriter as you’re writing scenes.

Drop the reader into the middle of the action. Hit the ground running by starting a great scene in media res. It doesn’t have to be a fight scene or a car chase, but physical movement creates momentum and builds tension in a story. It’s also a way to instantly engage a reader. Be sure you begin the scene before the high points of the action so you build up to the scene’s climax.

Write a character-driven scene opener. A good scene starts by giving characters a goal. Start by putting your protagonist in a situation that creates an obstacle or opportunity for both the scene and the overarching storyline. Try starting with dialogue, like an intense conversation between your POV character and a mystery character whose identity is revealed later in the scene. If you’re writing from an omniscient third-person point of view, consider starting a scene with a secondary character, even the antagonist, and use it as a chance for deeper character development.

Summarize past events. You might choose to use the beginning of the scene to do a quick recap of what’s brought your main character to this place and moment in time. A summary is especially helpful if you’re writing in third-person and a new scene switches to a different character. Take the opportunity to remind the reader where we left off. Instead of a straight-forward update, get creative. Go into deep POV and let a character’s thoughts provide the summary instead of the narrator. Be sure to keep this summary brief—just a line or two—so you can get back into the action.

Introduce a plot twist. The start of a new scene is a chance to pivot and take your story in a new direction. Start a new scene at a turning point in your story. Dive into a flashback or character’s backstory, revealing critical information that changes the course of the story going forward.

Keep the purpose of the scene in mind. Effective scenes are clear about what they set out to accomplish and how they contribute to the overall plot. They might include plot points or reveal important information needed to move a story forward. Establish your scene’s intention from the very first word and keep the rest of the scene on point.

Rewrite until you’ve found the perfect scene opening. When you’ve finished the first draft of a scene, go back and read it through. If your scene needs something, but you can’t figure out what, it might be how the scene starts. The best way to know if your opening works is by reading how it plays with the rest of the scene. Review the last paragraph and see if it ties back to your beginning. If the intro feels weak, rewrite it. Maybe your real opener is hidden in plain sight somewhere else in the body of the scene.

Make sure your opening scene is your strongest. While your entire book should be filled with compelling scenes that start strong, the very first scene of your book needs to lead the pack. This is the reader’s introduction to your story and where you’re revealing the characters, the setting, and kicking off the plotline with the inciting incident. This first scene has to hook the reader from the first line so they keep turning the pages.

Read a lot of books. If this is your first novel and you need some inspiration and ideas to help you start off your scenes, start by reading other books. Choose a book by a bestselling writer like Dan Brown or Margaret Atwood. Study the different ways they approach every scene. Reading other authors is a great way to hone your scene-writing skills.

Follow like and reblog if you find these helpful!

So, there's a dirty little secret in indie publishing a lot of people won't tell you, and if you aren't aware of it, self-publishing feels even scarier than it actually is.

There's a subset of self-published indie authors who write a ludicrous number of books a year, we're talking double digit releases of full novels, and these folks make a lot of money telling you how you can do the same thing. A lot of them feature in breathless puff pieces about how "competitive" self-publishing is as an industry now.

A lot of these authors aren't being completely honest with you, though. They'll give you secrets for time management and plotting and outlining and marketing and what have you. But the way they're able to write, edit, and publish 10+ books a year, by and large, is that they're hiring ghostwriters.

They're using upwork or fiverr to find people to outline, draft, edit, and market their books. Most of them, presumably, do write some of their own stuff! But many "prolific" indie writers are absolutely using ghostwriters to speed up their process, get higher Amazon best-seller ratings, and, bluntly, make more money faster.

When you see some godawful puff piece floating around about how some indie writer is thinking about having to start using AI to "stay competitive in self-publishing", the part the journalist isn't telling you is that the 'indie writer' in question is planning to use AI instead of paying some guy on Upwork to do the drafting.

If you are writing your books the old fashioned way and are trying to build a readerbase who cares about your work, you don't need to use AI to 'stay competitive', because you're not competing with these people. You're playing an entirely different game.

I think in the same way there's a 90/10 rule with horror and comedy (horror works best when it's 90% horror and 10% comedy and vice versa) there's a 90/10 rule for some relationships in fiction that's like. Wholesome and fucked up. A good friendship is at its most compelling when it's also 10% a bit fucked up. Fucked up relationship is at its most compelling when there's at least 10% of something actually sweet and substantive within. Do you get me

“Don’t wait until the last minute to do your assignments!”

listen. I don’t. But I am always trapped in a vicious cycle.

And the only thing that breaks this cycle is the dread of an imminent deadline

*opens word doc covered in blood* it doesn’t have to be good. it just has to be done.

Yusuf ibn Ibrahim ibn Muhammad Al-Kaysani,

Proud Citizen of the Zirid Dynasty: Part 2

Ok, so now we can confidently say that the Zirid Dynasty makes sense as the homeland of Yusuf. I was going to get straight into the history of the Zirid Dynasty but honestly, there's nothing straight about this blog. I wrote one line about the city of Kairouan being founded by the Umayyad's on the site of a former Byzantine outpost and came to the conclusion that some more context couldn't hurt. Let's zoom back out for a minute and get a feel for some of the regions historic context, it's relationship with "Italy", and also get some context for "the Franks" feeling of entitlement towards the Levant.

Keep your eye on the city of Carthage as we go, that's modern day Tunis. Phoenicians founded the city in 814 BC and it became the centre of the Carthaginian Empire. Carthage was the trading hub of the Ancient Mediterranean and was an incredibly rich city.

This is probably where a textbook would start, ignoring the Amazigh peoples that inhabited the region for at least 9,000 years before the Phoenicians sailed up the coast. We'll come back to that another day. For now, have a look at Phoenicia itself on the map. Doesn't that region look familiar? People sailing around the Mediterranean and claiming other parts of it was nothing new in 1096 AD.

The rise of the Carthaginian Empire and the rise of the Roman Empire brought them into conflict. This lead to the Maghrebi region of the Carthaginian Empire becoming the Roman province, Africa Proconsularis.*

*This link is not objective and contains blatant historical bias but it was the most accurate, least biased one I could find.

In the 4th century Christianity began to spread throughout the Roman Empire after Constantine I co-signed the Edict of Milan. He was the first Christian Roman Emperor, and he founded the new Roman capital city, Constantinople (now Istanbul not Constantinople).

Christianisation was messy and complicated. There was a rich diversity of indigenous religious beliefs throughout the regions beforehand, despite the uniform picture painted by the term "pagan", and the early adoption of Christianity was varied in its sincerity. But that's a whole other story. It seemed relevant to note that it's rarely ever as simple as "us" and "them".

After the fall of the Roman Empire in the 5th century, Africa Proconsularis became the Kingdom of the Vandals. Note that the Eastern Roman Empire (the Byzantine Empire) was still going strong. The fall marked the beginning of the Middle Ages, also known as the "the Dark Ages".

The Kingdom of the Vandals was conquered by the Byzantine Empire in the 6th century, when it became the Exarchate of Africa. The Byzantines held it until the Muslim conquest of the Maghreb in the 7th century. (Why yes indeed, those are both just links to Wikipedia. The other articles I could find were all a mess. The wiki entries at least acknowledge the existence of the regions indigenous peoples and both entries have referenced sources.)

As the Byzantine Empire expands and contracts during the Middle Ages you can see that it extends as far west as Carthage and southern Spain in the 6th century, that it includes Anatolia and the Levant in the 5th and 6th centuries, and that it recovered a portion of Anatolia and the Levant in the 12th century following the First Crusade.

In the 7th century Islam spread throughout the Arab peninsula, (the prophet Muhammad lived from 571-632 AD). Over the course of the next few hundred years Islam spread from the Arabian peninsula as far west as the Iberian peninsula and as far east as northern India.

By the late 7th century "Tunisia" was part of the Umayyad Caliphate. The caliphate mostly kept existing governments and cultures intact and administered through governors and financial officers in order to collect taxes. Arabic became the main administrative language. Non-Muslim subjects paid a special tax. Although many Christians migrated out of the region following the Muslim conquest there was a sizeable Christian community up until possibly as late as the 14th century.

And here we are, we've reached the 10 image per post limit so we'll finish working our way up to the 11th century next time!

Hopefully, dear reader, this gives you a slightly richer sense of the First Crusades historic context, some sense of "Tunisia's" historic cultural influences, and a sense of "Tunisia's" significance within the wider Mediterranean world.

maps: 1, 2, 3, 4

Proud Citizen of the Zirid Dynasty: Part 1