dearstcupid

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tlou & enjoyment vs. conscious enjoyment

im currently in the deepest throes of finals season and looking down having to travel for two back to back residencies so ive been highkey spaced out on here, popping in and out at my own leisure. but im showing up to add to the conversation. reminder that ive studied all of these concepts at the collegiate level for years, have experience running workshops for poc, etc. i know what im saying. blah blah blah im vetty im mexican chilean / nahua & mayan

i do not fault anyone for enjoying tlou. in fact, i encourage them to. it’s one of the most popular medias of the time with a hit hbo show and it’s one of the most successful playstation games of all time. tlou is simply something that is meant to be enjoyed. this is good! finding comfort in these times is important for all of us. but simultaneously, we need to be aware of where this comfort comes from; i.e. is it at the expense of someone else’s discomfort? consuming any storytelling is an act that cannot be apolitical. everything about writing, art, and television is political from a story’s inception to its delivery.

these critiques about tlou are not new! they’ve existed for years. many call into question in the first game the deaths of poc as an engine that powers the white characters’ stories. this is a problem that persists into the second game and the second season. tlou is also inextricable from the zionist mindset of its creator neil druckmann. once you look for these things as an audience member in a critical way, they begin to pop up everywhere.

for example, martyr’s gate. in abbys part you come across a setup where seraphites leave written prayers to their martyred leader. if the player interacts with the environment in a specific way, abby picks up one of the letters that asks for the fighting to stop. she says, offhandedly, “easy. stay on your fucking island.” this is colonizer mindset turned to the highest degree. when layered with the themes of martyring and idealism that neil is clearly critiquing, this is just one example of horrific worldviews that have wedged their way into the storyline. she also announces to her friends that killing children seraphites is acceptable and necessary if they attack first. remind you of anything?

i’ve made a separate post about show joels death, which can be found in my pinned. poc trauma is especially prevalent with abbys character: her entire storyline centers white saviorism. her past sins can be forgiven because she saves two asian kids from their evil religion, whose trauma directly propels the plot. (yaras amputation, lev killing his mom, yaras death). the game never actually considers abby’s past actions. she changes in the course of about two days and we are expected to see this as a well rounded character arc as if she wasn’t the right hand woman of someone who yall watched brutally torture someone on live television last sunday. ive also heard a sound bite from the show: “i don’t care if they’re women kids or fucking babies look what they did! kill them all!” manny — a full blown stereotype of mexican culture — has his eye shot out by tommy. tommy later loses his eye to show consequences. neils pivotal ideology of “an eye for an eye”

and that’s just in abbys part. in ellies part, she tortures and then kills nora. jesse dies at abbys hand.

if i can write 3 entire paragraphs without even scratching the surface of the games intrinsic, racist properties, there’s a problem.

the issue is not engaging with this media. the issue lies in how it is consumed, and how it is addressed in internet spaces. this is not a dogshit take. the torture porn and racism is EMBEDDED into the plot. there is not a tlou without it. this is undeniable. attempting to deny it is to make attempts to save your own skin in lieu of poc begging you to experience this content with some level of consciousness about its origins.

it hurts to see the people we poc share this platform with brushing over our trauma and using it as fodder for their fanfiction and entertainment. it just does. especially when the vast majority of all of us have experienced this trauma firsthand or generationally to a degree that most white people have been lucky enough to be spared from.

denying that tlou is racist is simply a racist take. interacting with tlou is not something that is inherently racist in and of itself. this seems to be where the mix up has occurred. the mix up has also occurred on our end; for thinking that our experiences would be empathized with. or that certain members of the fandom would move forward with a larger degree of awareness. we know better than to think we’ll be taken seriously these days.

ive seen arguments like: the actors knew what they were getting themselves into! other poc disagree with you!

1- acting is an industry. many of the tlou hiring stories happened quickly without the specifics of the storyline being shared. pedro had the first 3 scripts and confirmation that he’d die; likely not HOW he would die.

2- poc are not a monolith. we can also be racist. we can also partake in racist ideology. we can also have differing views on this. i think most of us agree, though, that neil is a piece of shit whose perspective inundates the game.

that’s my piece. im missing some stuff but i typed this on my phone between finals. so 🐛

poc you will always be safe on my blog and with me. we can enjoy parts of tlou while disgracing other parts of it.

you know, sometimes i'm having a good day and then i remember that eddie never got to graduate