Deprived-and-sleeping - Mania

Absolutely hilarious to me that the ton is gonna be speculating on why and how Penelope and Colin ended up engaged and there’s definitely gonna be some entrapment/pity rumours going around but the actual truth of it is that Colin chased a carriage down, fell to his knees and went “please please please please please please please”

pokemons ur favs

ok so ninetales volo and zorua kieran & carmine isn’t that awesome. the sylveon is my oc caffiene!!! made kieran the hisuian variant since the sad eyes fit him more

these are pretty old but hey i’ll put them here

Long shots

Mickey 17 proposes a powerful addition to the 'would you fuck your clone debate', going so far as to ask 'what if you wanted to fuck your clone but your clone didn't want to fuck you?'

if i had a nickle for everytime kristin chenoweth and dove cameron played an evil mother and daughter duo, i'd have two nickels

which isn't a lot, but it's weird that it happend twice

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Star Wars Planets. Part 1 | Part 2 | Part 3 | Part 4

who wore it better?

A round-up of old friends

Yap sesh because I believe The Lost Boys NEEDED to die

I totally understand where some of y'all are coming from when you say that The Lost Boys shouldn't have died or they should have gotten a better ending, but that's kind of the whole point.

Their deaths were pointless. It didn't do anything, it didn't help anyone, it was meaningless, and that's why it happened.

I've talked a lot about The Lost Boys (1987) and how it relates to queerness, but as a refresher: it was directed by a gay man and came out during the height of the AIDS epidemic when queer people were left to die because they defied societal norms.

AIDS was medically recognized in 1981, but because it was primarily affecting queer people (sometimes referred to as "the gay plague"), it was left completely unacknowledged by the Reagan Administration until it took the life of Reagan's friend, the famous American actor Rock Hudson, in 1985. It still wasn't until 1987 that the epidemic was addressed because, as Reagan stated, "maybe the Lord brought down this plague."

(I fully believe that The Lost Boys (1987) is a criticism of the Reagan Administration, both their response to the AIDS epidemic and the ideal of the perfect nuclear family, and I WILL write an essay if prompted, but that is completely beside the point.)

Leaving queer people to die didn't get rid of AIDS or solve any of the world's problems because we were never the source of the problems. It was pointless, and that's part of why The Lost Boys also had to die. Because it solved nothing. Because we died, and we put ourselves in our art to highlight the injustice of it.

While I'm very pleased that we want justice for imperfect victims (because let's face it, The Lost Boys were NOT good people), I think that we should still recognize that the same message wouldn't have been conveyed narratively had they lived: we died and it was pointless, so take out the old man in charge to start fixing shit.