Ok so when YOU put on skits for your family, your parents think you’re cute and show you “love” and “affection.” But when I do it, it’s all “what means this play?” and “u have to go to england for committing treason”
SOME BOOKS RECOMMENDATIONS THAT I THINK ARE GOOD
psychic witch by mat Auryn
Secret teaching of all ages encyclopedia of esoteric teaching
weave the liminal by Laura tempest zakroff
six ways by aidan wachter
the grek magical papyri in translation edited by dieter betz
the complete grimoire by lidia pradas
witchery by juliat diaz
spells for change by frankie castanea
celtic witchcraft by mabh savage
the althlone hiatory of witchcraft and magic in europe
the spell book for new witches by ambrosia hawthorn
kate freuler of blood and bones by mat Auryn
the kitchen witch's spell book by cerridwen greenleaf
love spells by anastasia greywolf
encyclopedia of magic herbs by scott Cunningham
guided tarot by stefanie caponi
the witch's journal by selene silverwind
the casting of spells by Christopher penczak
sacred essential oils edited by claire waite brown
the crystal bible by judy hall
the magical household by scott Cunningham
wicca in the kitchen by scott Cunningham
the house witch by arin Murphy-Hiscock
the heart witch's compendium by anna franklin
the heart witch's kitchen herbal by anna franklin
a spell book for the season
the complete illustrated book of herbs
italian folk magic by mary grace fahrun
the complete illustrated guide to palmistry by peter west
apractical step by step guide to herbs for the home and garden by Shirley reid
top 50 edible plants for pots by angie thomas
the mystical magical marvelous world of DREAMS by wilda b. tanner
the eclectic witch's book of shadows by deborah blake
plant witchery by Juliet diaz
the witch at thd forest's edge
subtle energy by keith miller
protection&reversal magick by jason miller
curses,hexes&crossing by S. connolly
modern witch by devin hunter
the complete book of incense,oils&brews by scott Cunningham
encyclopedia of 5000 spells by judika illes
the good witch's journal by selene silverwind
inner magic a guide to witchcraft
spell crafting by arin Murphy
the green witch by arin murphy
moon magic by diane ahlquist
protection magick by cassandra eason
the little big book by ileana abrev
herbal remedies by andrew chevallier
witchcraft for healing by patti wigington
complete book of correspondences by sandra kynes
poppet magick by silver davenwolf
earth medicine by kenneth meadows
earth power by scott Cunningham
a century of spells by draja mickaharic
positive magic by marion Weinstein
1. Set Specific Check-in Times – Limit phone checks to designated times, like after a relaxing activity or during breaks.
2. Keep Your Mind Busy – Engage in activities like reading, exercising, listening to music, or creative hobbies.
3. Practice Mindfulness & Breathing – When tempted, take deep breaths and remind yourself of your well-being goals.
4. Remember Your Purpose – Stay focused on your inner peace and personal growth.
5. Redefine Your Focus – Visualize how you want your day to end—calm and fulfilling.
6. Find Alternative Activities – Replace phone-checking with reading, journaling, or relaxing exercises.
7. Create “Phone-Free Zones” – Avoid your phone during meals, walks, or before bedtime to be more present.
8. Use Reminders & Affirmations – Place visible notes or phone reminders like “I choose peace over uncertainty.”
9. Take a Mental Pause – If overthinking, focus on your breath or something positive to regain clarity.
Reposting this after adjusting a few things haha The old version was a bit too wide and I kinda want to emphasize how pointy she is
set your intention:
what use do you want to make of social media?
which apps do you want to keep using and which not (or reduce their consumption)?
how much time are you spending on it? how much do you want to spend on it?
establishes limits of use:
you can activate or deactivate certain applications when you are no longer using them so that they do not distract you or add a time limit depending on how much time or how many days a week you want to use the app.
how to set the time of use?:
ios:
settings > usage time > limit app usage > add limit
you can also limit apps only in focus, work, do not disturb or whatever mode you have set.
settings > focus > the category in which you want to activate it > focus filters
android:
settings > well-being and parental controls > set time for your apps
pros and cons:
make a list of where social media is good for you and where it is bad for you. anything that is hurting you stop watching or following.
value your real time:
not having social media or having control over it brings you more in your life and personal growth. for example, how many of us have woken up and the first thing we have done was to look at instagram or another social network and that has made us lose time of our morning? instead you can do a short meditation or breathing to start the day off right, it also reduces stress and anxiety.
just think about how much you spend a week being stuck in social media and imagine what activities you could develop in that time.
other tips:
look for an activity you would like to try
socialize more with your friends
keep your cell phone away from you or in a “do not disturb” or “concentration” mode when you are engaged in an activity
spend more time in nature
uninstall or deactivate those apps that no longer benefit you, try it for a while.
don't take anything personally from what people may share there.
conclusions:
when you have a routine, things to do, you don't pay as much attention to being online all the time, so it's not such a hard task. i'm not saying stop using your phone but i'm writing this post for all those people who spend all day scrolling or really spend a lot of time watching tik tok or instagram, that's not healthy in the end.
of course you can still use social media but with knowledge and in a way that does not harm you or does not compromise your time too much. the most important thing is not to be glued to a phone watching what others do but enjoy your life.
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.
Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.
Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beige…
As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
“He was tall and slim, his skin a russet, reddish-brown.”
Comparisons to familiar colors or visuals are also helpful:
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
Dark - Deep - Rich - Cool
Warm - Medium - Tan
Fair - Light - Pale
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.
pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver.
Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
-From my story “Where Summer Ends” featured in Strange Little Girls
Here the state of skin also gives insight on character.
Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.
Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them to.
Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”
Even creative descriptions tend to draw help from your standard words.
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.
You’ll definitely want to avoid purple-prose here.
Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”
Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“
I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.
“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”
Pictured above: Platinum, Copper, Brass, Gold, Bronze
Copper skin, brass-colored skin, golden skin…
I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
These also work well with modifiers.
“The dress of fine white silks popped against the deep bronze of her skin.”
Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually “fits” the book or scene.
Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.
Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
List of Color Names
The Color Thesaurus
Skin Undertone & Color Matching
Tips and Words on Describing Skin
Photos: Undertones Described (Modifiers included)
Online Thesaurus (try colors, such as “red” & “brown”)
Don’t Call me Pastries: Creative Skin Tones w/ pics I
WWC Featured Description Posts
WWC Guide: Words to Describe Hair
Writing with Color: Description & Skin Color Tags
7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
🎼 You would not believe your eyes, if 10 million fireflies ended up in the header of your AO3. 🎶
It's been a while since I tried glow effects, but I saw the fireflies and I couldn't resist.
CSS code under the cut.
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An Absolute Guide To Manage Your Time And Energy For School
If you struggle with time management and are still struggling, then maybe this short guide can help you become better, not perfect but better.
These are not time management techniques, no. None of the techniques personally worked for me because let's be honest. It's not that practical. I'm someone who does not get Pomodoro, nor can i get anything done if i write it down.
It's a mockery really but here are some adjustments that i made that helped me manage my time and energy.
Between classes/breaks/lunch
Have some incomplete work? Do it between classes. The short breaks. The teacher is 5 mins late? Complete at least some of the work, you might not believe it but you get a lot of things done when you add the spare time.
Travel
If you have a lot of travel time, do some of your studying then. If you get headaches, just do active recall or skim through notes, try to revise. You can even practice for tests, take your question paper and try answering the questions in your head.
Home=Studies
I personally only prefer studies at home. All written assignments, essays, extra curriculars, everything is only during school hours (If you don't have the "time". Do it during breaks). Because home is the one place you have minimal distractions beside your gadgets so use that opportunity in any way you can.
Mental lists and Accountability Partners
Normal to do list never work for me so i always keep a mental list of tasks i have to do every single day. It helps. An additional tip is to keep an accountability partner, share your tasks with each other and keep each other on track. Make it more challenging by making each other do something like a dare or something stupid if you don't complete your lists.
No time allotments
I personally feel that keeping a time allotted for every subject/topic is unnecessary like it doesn't work for me. I'll change the subjects when i'm bored. I'll take a break when i feel tired. Having time allotted is like a barrier. (At least for me) It will take time for you to understand difficult topics. Easy concepts can be fitted in the allotted time but difficult ones need more time and energy.
Only important things in the morning
Mornings are the best things that can possibly happen. I'm generally not a morning person, seriously but if you have to study complex topics or if you have some kind of important work then do it in the morning. Nobody disturbs you. Everyone is asleep. You can concentrate on your work and your mind is fresh, you can grasp more things and get your work done by the time everyone gets up.
Get in the flow
Learning things is not difficult. Making aesthetic lists and vision boards is not difficult. Anyone can do it, hell, everyone does it. Sticking to the process consistently is difficult.
You won't see results right away. It will take you time. It will take you energy so take a breath. Stick to the stuff longer than an hour and you'll actually see how difficult topics turn into easy ones. It normally takes 20 mins for you to actually get into "work" mode and it would take another 20 mins to actually get what you're trying to do.
Mindset Shift
What i realise when i look around me is that literally no one actually wants to do the hard work. Many of my friends literally give up after studying a hard topic, they don't put in the effort and the only thing i hear is "It's too hard and i don't have the time and energy right now" and that is the exact mindset that leads them to unwanted stress and cramming before a small test or an exam.
The thing is time is going to pass anyway so might as well get things done. And get it done in the best possible way. Period.
Get Assignment Done In Advance
My school gave me around 5 assignments every week or so, the only way i got them done was through doing all of the work during school hours. Complete them during breaks or free periods, after school or just between classes. And i know, sometimes you'll feel like "This is weird" because everyone else is relaxing and talking. You know what i did? I just sat with my group of friends and i just did my work (written work) while also talking to them. It's not as difficult as you think it is. It's more fun honestly. Honestly, after a while, they too joined me.
One Step Ahead
Look, it's really easy. Set what i call a "One In Advance". Your assignment is due in two weeks? Complete it by next week. Project due in one month. Complete it a week in advance. This is necessary because, when you start early, you finish it earlier than others so you can actually focus on some studying rather than wasting your time managing assignments and tests. You'll actually notice the difference in your stress levels when everything doesn't pile up. The trick is to complete everything before one week.
When You Feel Tired? Rest. Period.
This is non-negotiable. You don't force yourself to work when you are really tired. There is no use doing work when you feel exhausted.
The only thing i did for me to have a few extra hours per day is just allot my time. When i'm at school, it's fully work mode. Do your work and get things done. When i get back home, it's rest + study.
Hope this helps! :)
(By the way, in no way am i promoting toxic productivity. Rest when you need it and take time off. It is a crucial part. Don't. Forget. That. I'm providing you some daily adjustments that made my life easier and can do that to yours too)
Divine Love Jar
This spell can be used either to attract love to you, or help you better love yourself. Set your intent and focus on it while filling your jar.
You will need:
Rose petals
Lavender buds
Rosemary
Mistletoe
Basil
Rose quartz shards
Clear quartz shards
A jar
After cleansing yourself, the area, and all the items you'll be using, layer your herbs in the jar in whatever order you please, leaving the crystals for last. While filling your jar, chants the words:
If you don't have these herbs, feel free to make the spell your own! I create all my own spells through research and intuition. If it feels right, I simply let my instinct guide me. Would love to see how others make a jar with similar intent!