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I got Death Note HTR13 recently and reading it made me realize how there's barely any thematic meaning put into this story intentionally. Same with political commentary. Even (most of) the discussion around morality. Everything remotely intellectual ppl discuss about this series isn't a conscious decision, to a point that both Ohba (creator/writer) and Obata (artist), admit they were surprised by how much ppl had to say and analyze abt it.

Example of what I mean:

Also during the interview sections, there's so many instances of Obata asking Ohba what his creative vision was for this and that and Ohba just nonchalantly admitting he barely put any thought into the story beyond "oh this would be cool" or "oh this kinda fits the vibe".

There's a whole page of the interview where Obata is befuddled how the apples didn't have any intended symbolism behind them after Ohba tells him they were purely an aesthetic choice. Obata is so shocked by this (bc he knows apples are a common religious motif in art) he actually keeps asking Ohba if he's joking, while Ohba keeps stressing he's being serious. (Context: they never interacted while working on Death Note, they only spoke through their editor who'd rely production notes)

Anyhow, I think this explains a lot.

The universe pushes them together without their knowledge in completely different projections.

Somewhere they are chasing a serial killer, and both dying from bullets and injustice. Here they listen to the catchy tune while applying enormous amounts of eyeliner.

This is so ironic, Matt thinks, looking at Mello.

Mello always carries a rosary on his pistol with him. Of course, the God that Mello honors so much wouldn't like it... Matt is always smoking a nervous cigarette with the calmest and most imperturbable face.

Their attributes seem to be the red thread between them. It doesn't break.

They will always find each other.

inspired by NA NA NA - MCR

another version, less saturated

No bc I know that this mf manspreads.

You had fun when you killed everyone here. Didn't you?You can kill anyone you want to kill and save anyone you want to save. It feels like being a deity. Babe, you and I can do anything together from now on. Aren't you excited already?

i want to post on wattpad but then it means i'll have to create a cover

thinking about how the hunger games were designed to prove that without society, order, government, someone to rule, we devolve into little more than animals, and how the games themselves prove over and over again that this is not true. We see it in every single game we witness.

Katniss placing flowers around Rue's body in the arena. Thresh sparing Katniss because she was kind to Rue, even though he was making it that much harder for himself to win.

Haymitch going back for Maysilee after hearing her scream even though their alliance had been broken. Haymitch holding her as she dies the same way Katniss did Rue.

Coral's "I can't have killed them all for nothing" when she realizes she's not going home. Lamina cutting down Marcus at great personal risk. And, my favorite moment in tbosas, Reaper collecting the bodies of his fellow tributes, his peers, even the ones who tried to kill him, into a pile. Taking the weapons from their hands. Closing their eyes and crossing their arms in the best approximation of a proper burial he can manage, covering them with the Capitol flag as a makeshift shroud.

The Games bring out the worst in people, yes. But despite the extreme circumstances, despite the exterior pressure of the Capitol, despite the fact that it could mean pain and heartbreak and death, it also shows that people have an enormous capacity for goodness. That even in a situation purposefully designed to make empathy impossible, people can't help but have it anyway.

Snow looks at the Games and all he can see is what's inside himself-- this pure animalistic drive to conquer and defeat. He kills and it feels good and he thinks that everyone else must feel that way too. He doesn't realize (maybe can't realize) that he is the exception, not the rule. He cannot see outside himself, outside his own warped perspective, to realize that the fact that people do show humanity in the games proves his entire worldview wrong.

I love that Zhu is like, "Let's go! Let's do this!" about getting into the caves with an underwater entrance when she can't even swim, and Ouyang is over there like, "This dude's crazy."

this was amazing

I think a lot about The Bathroom Scene™ and how Kaz's selfless actions towards Inej are contrasted with their discussion about whether he's any different from Pekka, but Chapter 26 as a whole also does a lot to show how much Kaz cares about all of his Crows and not just Inej. He spends a lot of time in that chapter thinking about how he's probably about to die, and yet he does everything in his power to make sure his Crows get out alive.

He specifically zeroes on Inej's safety, of course (because when isn't Kaz focused on her?) but his actions, dialogue, and internal monologue are all entirely centered around how guilty he feels for getting everyone into this mess and how desperate he is to make sure he's the only collateral damage of his own scheme at the end of the day:

Kaz sits down and (more or less) fully explains his entire plan to the Crows instead of keeping them in the dark

Kaz gives Jesper's dad the only protection he's still able to give: his own family's name and reputation

Kaz ruminates on why he called Jesper by his brother's name and implicitly acknowledges that it's because he's scared to recognize Jordie in Jesper (that he's afraid to lose another brother)

Kaz thinks "But they’d landed in a trap, and if he had to chew his paw off to get them out of it, then that was what he would do."

Kaz pays off Inej's contract by liquidating "every asset he had" and explicitly tells her "I don't want you to be beholden to Per Haskell. Or me."

Kaz tells Inej about his emergency money stash and charges her with getting everyone out of the city safely if he doesn't come back from the Slat

Kaz tells her "Whatever happens to me, survive this city. Get your ship, have your vengeance, carve your name into their bones. But survive this mess I’ve gotten us into."

Kaz leaves on a suicide mission, telling Inej not to follow, because if he's going to die he wants to be the only one in active danger

And of course Kaz had already offered to serve himself up on a silver platter to the stadwatch and give them a way out even before he came up with the auction plan (though we don't get Kaz's point of view of The Clocktower Fight, I suspect it's also why he picked that fight with Jesper: he knew Jesper would never leave him to die unless he made him mad enough to "walk away" for once in his life).

What separates Kaz from other Barrel Bosses like Pekka isn't just that he would never sell a person or con/otherwise harm children. It's that at his lowest, when all the bravado and scheming and masks are stripped away, Kaz chooses to put himself on the line and sacrifice his own safety over putting his people in any more danger than they have to be. Because despite his ruthlessness and casual assholery, Kaz simply doesn't have it in him to watch those he cares about get hurt if he can prevent it. He ended Chapter 26 saying he intended to leave damage behind when he's gone, but also spent the entirety of the Geldrunner chapters spending time and effort and money he didn't have to minimize the damage as much as possible for his friends (his new family) if the worst should happen to him.

So he gives them a safe place to land where the gangs won't find them. He tries to push them away and make them mad enough that they won't grieve him when he dies. He gives them multiple ways out even if none of those options guarantee his own safety. He gives them money and as much safety as he can provide with the whole city out for their blood. He gives Inej her freedom. And he gives them time to rest, recharge, and prepare for whichever plan they end up doing while he goes off to stage a coup he's not sure he'll come back from.

This is all to say: Kaz could never be Pekka, no matter how tough of a game he talks about burning everything to the ground, because Kaz cares too much to ever become Pekka. Even as he continues to pretend not to care about anything but the money, his love for his city and his Crows are baked into every one of his thoughts and actions in those chapters. Unlike Pekka, who flees first Ketterdam and then Kerch entirely when his son is in (percieved) danger, Kaz stays to fight for the city he bent to his will. And unlike Per Haskell, who lets other people do his dirty work and sells out at the first opportunity for glory, Kaz puts himself on the front lines first even when doing so comes at a great cost to himself.

Pekka chases money and power for their own sake. Per Haskell chases money and power for the decadence, glory, and laziness it allows him to get away with. Kaz chases money and power because he knows what it's like to be powerless and wants to, in his own weird way, protect others from suffering his trauma and himself from losing anyone else he cares about. And that's why even at his most unhinged Kaz could never become Pekka Rollins: his quest for power and fame and riches comes from a fundamentally different place. Kaz Brekker doesn't need a reason, but he has at least five at all times during the course of the duology...and while those reasons are often filtered through his primary reason (Inej's freedom, safety, and happiness), none of them are ever far from his mind.

three is the only right answer im not sorry

how many "chugga"s before "choo choo" vote NOW on your phones (rb with your answer)

what do you mean 244 and seongjoon spent one month together on the ship and seongjoon probably wore 244s clothes all the time and when they were on land they went on a date and seongjoon wanted to know 244 because when they first fought he noticed how theyre the same but he realized 244 is completely empty and he thought he is just a tool to 244 but then he got hurt and one of the crew said 244 was worried about him and must care about him which he never does which means he was hovering over knocked out seongjoon worried sick because he was injured and they had yet another fight and seongjoon was in jail all the time but he went out with the only clothes he had which were 244 and he just came crawling back on his knees for 244 asking to be taken back by him even though all the shit they went through and 244 gently asked him if hes okay with being together even though one of them will end up date and seongjoon STILL agreed to it and they were together for so long being partners and being comfortable around each but probably still just waiting for the moment they will fall apart bc they went into the relationship knowing theyre toxic for each other and then 244 filed a divorce and just sent a bunch of killers after him and sabotaged him but told him he'll wait for him for coffee and then hE DID JUST FOR SEONGJOON TO NEVER RETURN AND THEIR GAME WAS JUST OVER LIKE THAT ?!??!