Drunkdrivingthedeathstar - You Don’t Go Around Killing People. It’s Not Nice.

Some Luke studies and doodles

My hand is hurting so bad so all look lazy sorry for that 🙏🏻 I will be drawing better ones when I recover

Star Wars: The Empire Strikes Back dir. Irvin Kershner | May 21, 1980

“Who do you think you would’ve turned out to be if you weren’t an intergalactic princess?” I’d be me. you know, Carrie Just me.

May The 4th Be With You!

Y'all depression is depressioning

and there is one blazing moment in which you finally understand that there was no dragon. that there was no vader. that there was only you. only anakin skywalker.

that it was all you. is you. only you.

you did it. you killed her.

there's thousands of layers

The End of the Jedi & Republic vs The End of the Empire Revenge of the Sith by Matthew Stover | Aftermath: Empire's End by Chuck Wendig

These institutions were both dead from the beginning due to self-inflicted wounds of corruption and ignorance. Destruction will continue in a vicious cycle if its mistakes are not obliterated from its foundations. The end of the Jedi and Republic warns of this. It became the Empire, then the New Republic, which failed as it only reinstated what the previous Republic was without uprooting its flawed systems. The Empire transformed into the First Order, but both were already doomed being led by power-hungry figures who end up trying to kill each other and force the world into an order utterly unnatural. Fascism is unsustainable and will always devolve into consuming itself in pursuit of selfish individualistic power.

There's also an interesting contrast between both of these passages. When speaking about the Jedi and the Republic, the supposed Light-Side, there's this tone of hopelessness and utter despair. Their corruption consumed them and you can't stop it or save it. Anakin will always be the dragon that burns thousands of years of legacy to the ground. But when speaking about the Empire's end, there's an underlying tone of hope even as the story closes on it's successor rebuilding in the shadows. Because even when the galaxy continues to rebuild kingdoms of oppression, hope and resistance will always coexist against it simultaneously. The Empire is doomed, and The First Order too, because it dared to rebuild while those willing to fight for justice still exist.

Was the galaxy saved or doomed the moment Anakin stepped onto the scene. Both? Neither? It’s about how hope and perseverance exist even as institutions continually seek power.

💚

luke hull, the production designer of andor, says it is a very visually light show, and he’s not wrong, but it is deeply interesting to me how the brightest and lightest part of andor is the empire.  in most other star warses, the empire is depicted as, well, dark; it’s vader’s looming shadow, the grimly lit death star. the empire is a creature of malice and hatred, a Bad force led by the shadowy darkness of palpatine - the empire reflects its morals and character. this is an effective way of queuing in to an audience primed by a lifetime of light versus dark good versus bad metaphors the situation at hand; in anh the tantive is visually very white, vader brings a darkness (literally) in with him. the light in star wars is the rebellion - leia’s pure white dress, mon’s r1 and rotj garb, luke’s white outfit. they are the hope, and so they are the lightest points of the movie. the rebel hq is white, blindingly so - look, you get my point.  in andor, however, this is flipped. luthen’s fondor is often shadowy and greyish, mon gives her speech disavowing the empire a primarily grey colourscape, the radio tower to luthen on ferrix is dark, the backroom of the gallery is dark, but the empire is a blindingly sterile white again and again and again. narkina-5, the isb building, dedra’s flat. it’s a very deliberate brightness, one that contrasts with the more naturalistic lighting at play in rebel-led scenes and places; the imperial need for control is so desperate because it is so unnatural. the empire has to continually signal its presence, has to continually signal what it claims to offer; Light, Order, Reason. it’s an inescapable brightness, a pervasive presence. you can retreat into the shadows but not the light.  and at the same time, that pretence is so deeply hollow! there’s a clinical aspect to the light of the empire, a constant oppressive artifice to it; it smothers mon in the embassy, isb uniforms and stormtrooper armour has to be perfectly smooth and pressed, in contrast to the aforementioned rebels. dedra’s torture of bix strips the bright and clinical facade away, revealing the empire not as a medical organisation, treating the illnesses of the galaxy, but as a cruel creature, fed by and greedy for the desire for power and control and harm that those that make it up embody. dedra and the false light of the empire are symbionts; in the light she must be composed (as the empire demands of its subjects), it is only in the dark that she can be vulnerable. the light is more intuitive than the dark, but that is the exact framing that andor’s empire relies upon. it is easier to comply than to resist, but that light is false and cold and will burn you in time.