223 posts
Latest Posts by drunkdrivingthedeathstar - Page 12
Who are you? Someone who loves you.
CARRIE FISHER & HARRISON FORD STAR WARS: EPISODE VI - RETURN OF THE JEDI (1983)
"Light it up."
ANDOR (2022-2025) // ROGUE ONE (2016)
"The reason why I was so happy to play this role and so excited about the idea of being part of this universe because I thought it was so bold, so interesting, and so unique to have an ending like this. [...] It was one film and I knew what the end was going to be. And it’s one of the things that excited me the most, you know, that Star Wars was going to do that, was going to show what sacrifice means, and was going to go for it." — Diego Luna
ROGUE ONE: A STAR WARS STORY | 2016 dir. Gareth Edwards
I love you. I know.
CARRIE FISHER & HARRISON FORD STAR WARS: EPISODE V - THE EMPIRE STRIKES BACK (1980)
Ok hear me out.......... wlw Wilhuff Tarkin and Orson Krennic-
the dynamic very much is unhinged creative vs rigid control freak in a context of evil bureaucracy- and personally the context is why I love to read stories with imperials jdjdkd nothing is more crack cocaine literature for me than to make drama in a space office filled with awful people
More flavor text and me trying to sell you on why this ship of two truly terrible people is great below vvv
For Krennic, lean more into the evil genius artist. She's been up for 46 hours straight drawing schematics, she's rambling about incomprehensible shit, her only meals have been cigarettes and energy drinks, she's so full of herself she might one day think she's god, she's gonna die by 60. She doesn't care much about the politics of the empire, but they don't bother her either. She works for the imperials because they have a lot funds to give to engineers willing to build them a battle station the size of a moon capable of blowing up planets. Before that she worked on a lot a architectures on imperial center/Coruscant.
The imperial uniforms are a bit boring- so I'm taking full advantage of the fact Krennic is more of an engineer/architect to tweak her uniform a bit (and the cape was already not respecting regulations sooooo) For Tarkin I'm keeping it tho, this woman won't be caught dead without it.
For Tarkin, lean less into the whole buff survivalist aspect- she very much was in her youth, but she *is* a 65 year old woman based on *Peter Cushing*, and has been in a very high and prestigious position within the empire for the past 20 years. She still as an extensive knowledge on how to survive in nature, and fight with her bare hands or a knife, but that doesn't come up very often in her line of work anymore. She still killed a space bear unharmed when she was like 17 tho. She hates chaos and developed the main philosophy that drove the empire to this day : to govern with fear and impose order. She is a bloodthirsty woman in her sixties, with a never ending hunger for power, currently cheating on her wife with a coworker she hates.
They both love the death star more than they tolerate each other, but they did end up bonding over plotting the demise of one coworker they couldn't stand and digging out rebel spies. Make no mistake tho, this is very much a love triangle/trouple between two women and a giant battle station.
In the end, Tarkin killed Krennic by shooting her from orbit with the death star, the project was finally finished, she didn't need her anymore and she might have gotten in the way of her control of the station.
Tarkin dies a few days later during the battle of Yavin, along the death star, not willing to back down in her moments of glory.
PS : a lot of this is inspired by the fic "Propagating structure" by oneinspats ! it's what made me like and understand this pairing, and is truly a great work of fiction. I really think this fic is a masterful work when it comes to expending the character of Krennic, and extrapolating on existing things. Exploring his more creative side, his passion for his work, his truly abysmal lifestyle, giving him a hatred of nature and a background as an architect on Coruscant. While also keeping his horrific aspects, like reading his internal (or external) monologues sometimes makes my skin crawl with how disgusting his ideas are and how deep they run, but making him an interesting and compelling protag for the story. While all of it is surrounded by this delicious dramatic irony, because we know that no matter how hard they try to scheme (or fuck), the death star will blow up and it's incredible.
Darth Vader: Sith Lord | Randy Martinez & Rick Burchett
#THIS PARALLEL IS FINE EVERYTHING IS FINE I'M FINE
We don’t talk about Leia killing Jabba enough. Her grandmother and father were born into slavery. Her blood was that of the desert sand and the shackles of bondage. Leia was never more a Skywalker than the day she strangled her slave master with the very chains he used to bind her. The daughter of Anakin Skywalker was the one who killed Tatooine’s most notorious slaver, and I find that really beautiful.
I believe you. We'd like to volunteer. Some of us - well, most of us - we've all done terrible things on behalf of the Rebellion. Spies, saboteurs, assassins. Everything I did, I did for the Rebellion. And every time I walked away from something I wanted to forget, I told myself it was for a cause that I believed in. A cause that was worth it. Without that, we're lost. Everything we've done would have been for nothing. I can't face myself if I gave up now. None of us could.
DIEGO LUNA as Cassian Andor ⏤ ROGUE ONE: A STAR WARS STORY (2016) | dir. Gareth Edwards
