The Witches Chair from the Mermaid Inn, Rye, East Sussex.
Judith Blincow the owner of the Inn has this to say about it, 'It is a seventeenth century chair which used to belong to a witches’ coven and has a curse on it.' We always tell people not to touch it.’
"S'Accabadora" is a figure from Sardinian culture. Until a few decades ago, euthanasia was practiced in Sardinia. It was the task of the female "accabbadora" to bring death to people in agony. Detailed studies and analyses of documentation found in Sardinian curiae, dioceses, and museums have confirmed the existence of this figure.
The "s'accabadora" was a woman who, called upon by the relatives of a terminally ill patient, would provide a compassionate death, ending their suffering. It was an act of mercy towards the dying person and also a necessary act for the survival of the family, especially for the less privileged social classes. In the rural areas of Gallura and in small towns far from a doctor, it served to avoid prolonged and excruciating suffering for the patient.
The "s'accabadora" would arrive at the house of the dying person always at night. After the family members who had called her had left, she would enter the room of death. The door would open, and the dying person, from their bed of agony, would see the "s'accabadora" dressed in black, with her face covered, and understand that their suffering was about to end.
The patient would be suffocated with a pillow, or the woman would deliver a blow with "su mazzolu" causing death. The "s'accabadora" would then leave quietly, as if she had completed a mission. The family members of the patient would express deep gratitude for the service she had rendered to their loved one, often offering her agricultural products in return.
Usually, the blow was directed at the forehead, which likely gives rise to the term "accabbadora," from the Spanish word "acabar" meaning to finish, literally giving a blow to the head.
"Su mazzolu" was a kind of specially constructed stick that can be seen in the Gallura Ethnographic Museum. It is a 40-centimeter-long and 20-centimeter-wide piece of olive wood, with a handle that allows for a secure and precise grip. The "su mazzolu" found in the Gallura museum was discovered in 1981. The "s'accabadora" had hidden it in a dry stone wall near an old farmhouse that had once been her home. The Su Mazzolu in questione see here is made from a single piece of wood (probably a fig tree) and is manageable and robust at the same time. It bears three notches engraved in the upper part, probably referring to the number of victims.
The practice of the "s'accabadora" existed in Sardinia until a few decades ago, mainly in the central-northern part of the island. The last known cases of "accabbadura" occurred in Luras in 1929 and in Orgosolo in 1952. In addition to documented cases, there are numerous stories passed down through oral tradition and family memories. Many people remember a grandfather or great-grandfather who had some connection with the woman dressed in black.
In Luras, in Gallura, the "s'accabadora" killed a 70-year-old man. The woman was not condemned, and the case was closed. The Carabinieri, the Public Prosecutor of Tempio Pausania, and the Church all agreed that it was a humanitarian act. In fact, everyone knew, and everyone remained silent. No condemnation seems to have ever been carried out against this missionary woman who physically and morally took it upon herself to end the suffering of the sick.
Her existence was always considered a natural fact. Just as there were midwives who assisted in childbirth, there was the "s'accabadora" who helped in dying. It is even said that they were often the same person, distinguished by the color of their clothing (black if bringing death, white or light if bringing life into the world).
This figure, representing a socio-cultural and historical phenomenon, is the practice of euthanasia. In the small rural communities of Sardinia, it was linked to the Sardinian approach to death. In the Sardinian community's culture, there has never been a real fear when facing the final moments of a person's life. It can be said that Sardinians had their own personal management of death, considering it a natural cycle of life.
Pedro Alonso López, more commonly known as the Monster of Andes, was born 8th October the seventh of thirteen child of Benilda López De Casteneda in Colombia 1948. He commonly caught his mum committing acts of prostitution and this would lead his mother finding him fondling his younger sister’s breast in ‘57 when he was eight. As a result he was kicked out of the house. The supposedly a polite boy who wanted to be a teacher (according to his mother), ran away to Bogotá, Colombia. He then said he had been kidnapped and raped. He was later taken in, aged 12, by a US immigrant family and enrolled in a school for orphans. He ran away again after two years either with a teacher or because he was being molested by a teacher.
He was a serial killer and child rapist who murdered a minimum of 110 young girls from the year 1969 to 1980 but claims to have murdered over 300 across Colombia, Peru and Ecuador. The monster of Andes claimed that during his imprisonment for car theft, he was brutally gang raped and then, still incarcerated he hunted down and killed the most brutal of his rapists. When he was released he moved to Peru and started murdering young girls. He claimed that by ‘78 he had killed over 100 girls before he was caught and captured by an indigenous tribe. They were about to execute him, before a missionary from the US persuaded them to hand him over to the state police, after which he was quickly released.
López claimed he returned to Colombia and the moved to Ecuador, during which, he claimed he had killed about three girls a week. He stated: “I like the girls in Ecuador; they are more gentle and trusting. More innocent.”
The nonce was arrested when an attempted kidnapping failed and he was trapped by market traders. The Associated Press (AP) reported his arrest to been in march 1980 and that he had boasted about killing anywhere from 200 to 369 young girls. According to CNN, López “Was arrested in 1980 but was freed by the government in Ecuador at the end of [1998]”. During an interview from his prison cell, the pedophile described himself as “the man of the century” (obviously disregarding his rapes and murders of young girls) and said he was being released for “good behaviour”. An A&E biographical documentary reported that he was released from an Ecuadorian prison on 31/8/199, then rearrested as an illegal immigrant and tossed him to the Colombian authorities, who pinned a 20-year-old murder on him. He was declared insane and held in the psychiatric wing of everyone’s favourite Bogotá hospital. In 1998, he was declared sane and released on a $50 bail, subject to conditions. He later absconded. The earlier documentary says that Interpol released an advisory for his rearrest by Colombian authorities over a fresh murder in 2002, he is currently wanted and whereabouts are unknown.
Aside from uncited local accounts, López’s crimes first received international attention from an interview with Ron Laytner, a longtime freelance photojournalist in his Ambato prison cell in 1992. According to Laytner’s story, López got his nickname Monster of the Andes in ‘80, when he purposely led the police to the graves of 53 girls between the ages 9 to 12 in Ecuador.
“The Hands Resist Him” - a haunted painting.
According to Stoneham this painting is of himself as a five year old boy. Those spooky hands on the door depict another world with other lives and possibilities. The glass panes represent the thin veil of separation between this world and the world of dreams. The doll is a guide who will take the boy through the veil to the other world.
In February 2000 the painting appeared for sale on eBay.com with a lengthy description detailing that the painting had been found abandoned, behind a building. The seller then went on to claim that whilst the painting was in their house, the family’s daughter started to see the boy and girl moving inside the painting, they soon took to leaving the painting, and appeared to be fighting. The owners then set up a motion detector camera, which happened to show the movement.
If the couple is to be believed, the characters in the painting became animated in the night, sometimes even left the canvas! The boy and the doll, however, didn’t disappear from the view. The painting doesn’t just affect the owners. Even those who saw the painting online reported that they started feeling sick and nauseated. Some claim that the children who saw the painting ran away screaming; while others were said to be touched by an invisible force. A person who tried to print the image had his printer malfunction.
Stoneham didn’t help the legends by adding that the gallery where the painting was originally displayed and sold at, and a Los Angeles Times critic, who reviewed the painting in an article both ended up dead within a year of the showing.
Many people report strange feelings and strange events after seeing the picture, some have reported children freaking out when seeing the painting or prints of it.
Follow @mecthology for more spooky lores and myths. DM for pic credit. https://www.instagram.com/p/CSha_bTImRg/?utm_medium=tumblr
disarticulation of the four fingers and metacarpals.
Jean-Baptiste Léveillé, from Précis iconographique de médecine opératoire (A text book of operative surgery), by Claude Bernard & Charles Huette, Paris, 1848.
(Source: archive.org)
The Sixth Swimmer by Kim Davidson (2014)
The family in this photograph had a rest in Murphy’s Hole, which is in southeast Brisbane, Australia. There were only 3 kids there that day, but looking at the photo we can also clearly see another child.
This photo of ghost was posted on Facebook and a random viewer commented on it, explaining that a 13-year-old girl drowned there in 1915 and that’s probably her image was captured by a camera
In September of 1990, the Dugard family moved from from Los Angeles to South Lake Tahoe in California under the presumption it was a safer community to raise a family. Unfortunately, they couldn’t have been more wrong. Jaycee Dugard was close to her mother, Terry, and her half-sister, Shayna. The couple lived with Jaycee’s stepfather, Carl, who was married to her mother. She never knew her birth father. He had no involvement in her life whatsoever.
It was a prickling hot day on 10th of June, 1991, when Jaycee was 11-years-old. On that morning, Jaycee got up for school and left the family home to walk the short distance to the bus stop. However, she never made it. In full view of Carl, who was watching Jaycee from the garage, a man and woman pulled up alongside her in a grey car and rolled down the window. Assuming they were looking for directions, Jaycee walked over. Next, the man produced a stun gun and zapped Jaycee before bundling her into the car. Carl, who didn’t have a car at the time, jumped onto his bike and peddled as fast as he possibly could. It was no use, however, and Jaycee was gone.
Over the forthcoming days, weeks, months, and years, Jaycee was in the forefront of her families mind. Despite an exhaustive search, Jaycee could not be found. As the years passed, hope began to fade that she would ever be found. But then, on the 24th of August, 2009, 18 years after her disappearance, there was a breakthrough. A man and two young girls appeared at the University of California, where witnesses said they were acting very peculiarly and the two girls seemed sullen and extremely pale, as if they hadn’t seen sunlight in a prolonged period. The man told an employee he wanted to hold an event in which he would speak about “God’s Desire Church” which he explained involved mind control. After leaving his name, a background check was ran and it was discovered he was a registered sex offender and on federal parole for kidnapping and rape. The man was Philip Greg Garrido, who in 1976 had kidnapped and raped a young woman. As part of his parole, Garrido could not be around minors.
Thinking something was awry, the employee contacted police who drove to Garrido’s home and arrested him. On the 26th of August, Garrido went to the parole office with his wife, Nancy, and the two girls who had been with prior. Also in attendance was Jaycee who initially claimed her name was “Allissa” and defended Garrido. She was showing signs of Stockholm Syndrome in which she sympathised with her kidnapper. Eventually the truth came out - both Phillip and Nancy had abducted Jaycee on that hot summer’s day 18 years ago. The two young girls were Jaycee’s and were a product of rape from Garrido.
Over the past 18 years, Jaycee had been raped numerous times. Initially, she was kept in handcuffs and had to use a bucket as a toilet. Garrido would often go on methamphetamine binges in which he would tell Jaycee ludicrous tales of him being a chosen servant of god and that she was kidnapped due to “demon angels” granting him permission to use her as a sex slave. By the age of 13, Jaycee was pregnant. She gave birth while locked up and took care of her two daughters with information learned from watching tv. Eventually, Jaycee was granted more and more freedom. The handcuffs disappeared and the bolts on the doors were dismantled. Never did she once mention to anybody her true identity due to Stockholm syndrome.
After her eventual discovery, the Dugard family were ecstatic. While they had never given up hope on Jaycee, as the day’s passed, it seemed more and more unlikely that she would ever return home. Jaycee and her two daughters were in well health despite their living condition. In 2011, Jaycee wrote a book titled “A Stolen Life” in which she details her abduction. Phillip was sentenced to 431 years to life while Nancy was sentenced to 36 years to life.
Speaking to a Nicaraguan TV station Canal 10, the woman, named as Jasmina, said that as a kid, she had been playing outside her family home in Monte Oscuro, west Nicaragua, when she was approached by gnomes.
Jasmina insists that they convinced her to go with them to a hillside cave where she was holed up by her captors for five days and six nights.
She said: "They appeared one day when I was playing and they took me away."
A dakhma (Persian: دخمه), also known as a Tower of Silence, is a circular, raised structure built by Zoroastrians for excarnation (that is, the exposure of human corpses to the elements for decomposition), in order to avert contamination of the soil and other natural elements by the dead bodies.Carrion birds, usually vultures and other scavengers, consume the flesh. Skeletal remains are gathered into a central pit where further weathering and continued breakdown occurs.
Throughout the 1970′s, Rodney Alcala brutally raped and murdered at least eight women in New York and California. It is believed that he may have killed as many as 130 women due to the thousands of photographs of unidentified women found inside his home. He would post as a Playboy photographer and would take photographs of his victims before and after killing them.
In 1978, Alcala appeared on the TV show, The Dating Game. The purpose of the game was that a contestant could interview three eligible bachelors who were hidden behind a screen and then she had to choose a winner. Alcala won, but fortunately Cheryl Bradshaw, the contestant, refused a date with him because she found him “creepy” after meeting him backstage.
We do not romanticize or glorify criminals here. If you wanna fuck Jeffrey Dahmer gtfo.
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