As a rebuff to the “Harry Potter is a himbo running on adrenaline and dumb luck” take: the difference between how Hermione is smart and how Harry is smart is similar to the difference between how Sticky is smart and how Reynie is smart in the Mysterious Benedict Society (a great series that I highly recommend for its wonderful representation of different kinds of intelligence): one utilizes pure information and memorization, the other utilizes mental flexibility and deduction. Both are equally valid, albeit different, forms of intelligence.
To illustrate further: at the beginning of the Mysterious Benedict Society, Sticky aces a test because he had all the information on the test memorized. Reynie aces that same test by figuring out that the answers to each question were hidden in the other questions on the test.
Petition to start referring to Susan Pevensie's arc as "The Tragedy of Susan" rather than "The Problem of Susan." Her arc is not defined by the "problem" of growing up; it is the tragedy of forgetting she is a queen.
In Prince Caspian, we see the seeds of this. "It's no good behaving like kids now that we are back in Narnia," Peter tells her when she is afraid of entering the treasure chamber in the ruins of Cair Paravel. "You're a Queen here." Aslan does not chide her for being too grown-up to believe in him; he lends her his breath for bravery so that she can stop listening to her fears. Susan's "problem" in this book is in fact that she behaves more like a child than a queen.
In many ways, Susan's arc parallels Prince Rilian's in The Silver Chair. He is the Lost Prince; she becomes the Lost Queen. He is enchanted to forget who he really is. The Green Lady twists his birthright so that he is going to conquer his own land and rule as a usurper--the land where he is meant to be the rightful ruler! He unconsciously trades his role as the true prince for a false kingship (similar to Edmund trading his birthright as a true king of Narnia for the Witch's false promise to make him a prince ... hey, you'd almost think this was a theme or something).
Susan likewise trades her identity as queen for a false substitute in England, exchanging the substance for the shadow. She is a child pretending to be a grown-up, not actually being grown-up. Lewis never says there's anything inherently wrong with "lipstick and nylons and invitations," but they are merely the outward trappings of society. What makes a person a king or queen comes from inside. When Rilian returns to Narnia, he is instantly recognized for being a prince, despite his lack of a crown or any of the other formal trappings of royalty. He is recognized because he is no longer hidden by the armor of the Green Lady--and so he looks like himself. In fact, he not only looks like himself, he looks like his father. (Which is also how Lord Bern recognizes Caspian in the Lone Islands, despite Caspian not having any outward proof of his kingship--Caspian looks and sounds like his father. Shasta is recognized as a prince because of his resemblance to his brother--oh hey, we've got another theme going.)
Susan has put on the armor of the world, and in doing so has lost herself as queen. That is what makes her arc a tragedy. But! There is always, always hope. Rilian is rescued. Shasta is restored to his true identity as Prince Cor. Edmund is redeemed. Aslan breathes on Susan. Caspian's kingship restores right order to the Lone Islands. No one is ever irredeemably lost.
Once a king or queen of Narnia, always a king or queen of Narnia.
Even when they themselves have forgotten who they truly are.
YOU want to see that man in a fit of despair. I also would like that but I want him in a church about it
Normalize making AUs crossing 2 or more of your fav pieces of media together
sometimes a song is good because you saw it on a fan edit for your favorite ship like ten years ago
Hey I did the thing! How many of these have you read? (making this list took way longer than I thought it would and I kept myself strictly to fiction..... I am considering doing a second list of nonfiction lol.)
Ramble about ones you've read in the notes, I'd love to know! 😊
Anyone who wants to participate in the May Blind Fic Exchange can now sign up, from now until May 13th. Please refer to the pinned post for full instructions.
Below the cut is the official list of participants.
kuraiarcoiris
novelmonger
ao3 comments will be like “i like this line of your fic” and my reply will be like “fantastic thank you here’s my entire thought process about how i ended up with that particular line and also an outline for another fic i have and fifteen resources i used to research 1980s politics” and nobody asked for that chill
John's Passion narrative has a never-ending fascination for me, because it's where you get Jesus at his most divine--knowing everything that was going to happen, making the guards fall to their faces when he speaks the name of God--while the people around him are at their most human.
There's an entire political drama going on. Pilate the Roman pagan getting dragged into this provincial Jewish religious dispute. These Jewish leaders and Jesus providing different visions of truth to a politician who doesn't care what the truth is. There's extremely sharp political back-and-forth between the Roman and the Jewish authorities--the Pharisees trying to force Pilate's hand by saying that everyone who makes himself a king opposes Caesar, then Pilate backing them into proclaiming Caesar as their king and twisting the knife of pettiness by labeling Jesus as the Jewish king in four different languages while He hangs on the cross.
Petty, personal, political human drama taking up all their attention.
And meanwhile, God is dying.
Mod comment: I've been getting quite a bit of Anne content on my dashboard because of this tournament. Apparently they're making an anime that is coming out soon?
Christian FangirlMostly LotR, MCU, Narnia, and Queen's Thief
277 posts