It's a cliché to say that Tolkien's experiences in WWI affected all aspects of his writing, how he wrote about friendship and grief, how he wrote about desolate blasted landscapes. But I wish someone who knows more about Tolkien's military career could help me understand how Tolkien related to retreats. His description of Faramir keeping his people together on the retreat from Osgiliath is one of the best-written sequences in the trilogy, and hardly anyone remembers it. It's about a desperate retreat, and a leader whose presence, whose strength manages to keep it from turning into a rout. There's something very vivid in the descriptions: don't break formation, don't start running or they'll pick you off one by one, keep together, keep moving, hold all of that fear at bay. Tolkien describes that retreat as genuinely heroic, a superhuman act of will, one that exhausts Faramir almost to death, and Denethor still does not accept it as heroic because it's a retreat. It saved men but it lost territory, therefore in his eyes it's a failure.
Tolkien has strong opinions about heroic retreats, in the Silmarillion he sometimes gives the retreat-through-the-dangerous-wilderness plotline to female characters (Emeldir, Idril), he always writes them with respect. Sometimes, getting out of there and keeping most of your people alive is a great act of valour. I feel like he must have had a personal experience about what it means to retreat, and what it means to hold a retreat together, and what it means to get no thanks for it.
Okay, today I used the phrase “we don’t want to throw the baby out with the bathwater” in a meeting, and my coworker (who is older than I) started laughing because he’d never heard it before.
Now I’m confused. I thought it was an admittedly old-fashioned but generally understood figure of speech. Am I wrong?
Feel free to reblog so this reaches people with different linguistic backgrounds from my own!
reblog if you wear glasses. too many mutuals don't know they have glasses wearers in their midsts
This is an interesting thing I'm noticing as I'm reading but it kinda seems to me like a lot of the Tolkien characters all seem to have elemental symbolism that seems to follow their characterization.
Like Gandalf and Bilbo both seem to have a lot of fire symbolism that follows them around. Gandalf uses light and fire as kind of his two go to weapons and he's the keeper of the ring of Narya which is the fire one. And of course Gandalf the White is forged out of flame. And then Bilbo's introduced in the middle of smoking, and he spends a lot of time hanging around campfires and hearths, like the campfire storyteller he is. He seems to like hanging out in the Hall of Fire at Rivendell, and his conflict with Smaug obviously also involves a lot of fire. He's also arguably the character who is closest to Gandalf.
Frodo on the other hand is like all water imagery. One of the first things we learn about Frodo is his parents were weirdos who hung out in boats and then drowned, and he's introduced filling drinks at Bilbo's party. He makes his stand against the Nazgul at the river. He himself nearly drowns like three times in the story, and spends a lot of time in boats, being haunted by dark waters, and the sound of the ocean (and of course ends the story going over the sea). Like the water symbolism with Frodo is nonstop and he shares that in common with Gollum, who specifically is characterized by pools, rivers, and lakes, as well as fish, worms, mud and roots and caves—very wet and slimy compared to Frodo's more mariner/wayfinder imagery. But they're still kind of two sides of the same coin.
Pippin and Merry get a lot of plant and tree symbolism. Besides hanging out with ents and drinking tree wine and that time they both got eaten by a tree, it's clear Merry grew up wandering forests and knows a lot about wild plants (and writes a book on it later) and Pippin gets a ton of association with Gondor, y'know, that place that is represented by a big ol' tree. Their tobacco leaves too actually kinda play a pivotal role, and are again, very plant focused.
You'd think Sam would also be more earth oriented, being he's a gardener, but not really? Unlike Merry who's out here spitting plant facts 24/7 and working on his plant book, Sam's interest in plants seems like to only be around when he's on the clock. His symbolism is all very celestial. He's the guy who ends up using the Star of Earendil. He sees Earendil while he and Frodo are walking through Mordor. He evokes Elbereth, the Star Goddess like multiple times. He names his daughter after the star-sun shaped flower Elanor which literally means "Sun and Stars." And if you think about it, Gardener is actually kind of a perfect role for a star-guy when you remember how dependent plants are on the sun. He also seems to share some kind of connection with Galadriel who is also caked in a lot of star imagery. It also tracks he'd be paired with Frodo thematically as he serves as a guiding light to a mariner, in contrast to how Gollum represents the depths.
IDK what all that means, I just think it's neat!
“You’re a hacker Skye, not Seal Team Six”
Give it two years Miles
someone on twitter is trying to claim that use of an em-dash is an indication of AI-generated writing because it’s “relatively rare” for actual humans to use it. skill issue
im not the first artist to give this a go but this scene is sooo pretty
I hate the term "religious guilt" because most people who use it are severely muddling up (a) religious OCD (b) some messed up heresy like "it's wrong to be happy" (c) religious doctorine you don't agree with but aren't sure whether you're right not to
rb to give your mutuals a silly little paper valentine card and a red heart shaped lollipop 💖
Christian FangirlMostly LotR, MCU, Narnia, and Queen's Thief
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