Female / 25 / straight / not a native English speaker / if you wanna talk - text me
40 posts
There are a lot of bad things every day but I think standing in the sun and watering the strawberries really does make everything a little less bad đ
YEESSSS!! đ©đ©
And then youâre so excited about all your new ideas but youâre also so frustrated!! âčïž
What they don't tell you about writing is that as you write, you discover scenes and entire plots that you hadn't accounted for that need to be written. So you can spend two hours writing and editing only to realise you're further away from the finish line than you thought you were when you started
Being a writer is so nice because I just realized that all the headcanons I have about my OCs can easily become canon if I want to and that made me feel so ⊠powerful.
J-I-M-K-I-R-K [the kirk chappell roan edit]
I am crying. Iâm definitely crying.
So I saw No Way Home again, and thereâs this scene where Peter and Stephen first meet in the Sanctum that doesnât get talked about enough.
Peter: Iâm really sorry if I wasted your time.
Stephen: You didnâtâŠ
Just the way Stephen says that line drives home the the idea that not only did he genuinely want to help Peter, but he also wanted Peter to feel like he can trust him and to still come to him when he needs help. This and the insistence of not being called âsirâ really shows just how much Stephen has softened himself around Peter.
There are certain fics that I find myself always going back and re-reading, no matter how long itâs been since they were written/posted. Lately, Iâve been doing some re-reads.Â
I guess my comfort fics. My absolute faves, no matter when they were written. :) As always, no specific order.Â
(divider by @whimsicalrogersâ)
Call Me Baby by @angelwidowâââ Biker!Bucky x reader
âReturning to Brooklyn for the summer after a year of travelling from city to city, you hadnât expected to find your best friend, Peggy Carter, hopelessly in love with a biker, and when she decided to introduce you to the rest of his club, you hadnât expected to fall for one either â that was until you met one with pretty eyes and a habit of calling you baby.â
Sugar by @softlybarnesââ 40s Bucky x reader
âBy a miracle of fate, Bucky Barnes does not fall off of the train. He does not spend decades as a brainwashed assassin. Instead, he goes home to Brooklyn to spend his life with a girl he adores, a snarky nurse that he met during the war.â
Safe Place to Land by @sunlightdancesâââ Modern!Bucky x reader
âYou and Bucky are both standing up for Steve and Peggyâs wedding. Checking in at the hotel for the weekend, youâre horrified to realize thereâs been a problem. A big problem.â
Bud Light Bottle by @subtlebuckyâââ Modern!Bucky x reader âyouâre over guys and relationships, even if the stranger hitting on you at the bar is stupidly attractive and actually makes you laugh. luckily, he has a solution.â
Sleepy by @sunflowers-and-buckyââ Bucky x reader
âReader wakes up without Bucky at her side and goes on a quest to get him back to bed.â
Spilled Wine by @sunmoonandbuckyâââ King!Bucky x servant!reader
âYouâre nothing more than a servant who happens to warm the bed of the king. Â At least, thatâs what you thought you were.â
Howlinâ For You by @invisibleanonymousmonstersââ Biker!Bucky x reader
âWhen Y/N gets an unreal deal on her first home, she wonders why her neighbor scared away all the other buyers. Despite being cautious, she wonders why the town has given Bucky Barnes a bad name.â
Weiterlesen
SEBASTIAN STAN as Mickey Henry in MONDAY (2019) â Dir. Argyris Papadimitropoulos
this scene is purely sebastian stan
Words cannot describe how I feel about this (and how true this is) đđ©đ
Bucky really went from a cranky scowling old man who never smiles to that Cool (gay) uncle who pulls up 2 hours late to the family cookout with sunglasses, cake and level 100 swagger
Now that's character development
You ever think about how Tony probably wanted to meet Peter just as much as Peter wanted to meet Tony? Definitely not for as long a period of time, but Tonyâs in the middle of all the Accords shit, his life is kind of going to hell and his friends are basically abandoning him and heâs in the search for allies when he finds this new supe in Queens. And he and FRI do a little investigating and oh shit, new guy is a kid. A fifteen-year-old kid, an orphan whose uncle just died in a tragic accident, whoâs on a scholarship to genius science kid school and chooses to go out at night and stop car wrecks? Protect local bodegas? Beat up attempted muggers and rapists in alleys and web them up for the police?Â
At bad moments throughout Civil War, I just imagine Tony sitting back and like, pulling up the stupid YouTube Channel you just know Peter and Ned had when they were eleven. Tony looks up the articles on Peterâs science fair wins, heâs got FRIDAY constantly watching CCTV in Queens for this kid, trying to see what he does next. Trying to make sure he doesnât die.Â
All before Tony ever meets Peter.Â
And then, then Tony meets Peter and it all goes to shit, because goddammit, the kid is even more impressive, more wonderful and amazing and good in person, and Tony just sits back and accepts the fact that, fuck, yeah okay, I guess Iâm your dad now, deal with it.Â
Old Man
No idea where porn got the idea that men snorting and grunting like dying wild boars in quicksand during sex is hot, give me a guy who whimpers. Let a guy quiver and moan helplessly in my arms and watch me become consumed with lust for him. Last time I was I was in bed with a man and I got it just right, he made this high-pitched sort of sobbing moan and had the nerve to apologize for it like he was embarrassed and there I was so turned on I couldnât even tell him how much. The idea that male posturing must be maintained even while drowning in pleasure is so fucking stupid, I want to hear all those little sounds that are both super hot and telling me Iâm doing something right for someone I really want to make feel good.
Peter Parker really went from a âdonât tell me what to doâ 15 year old
To a âplease, for the love of god, tell me what to doâ 17 year old.
accurate representation of the teen to young adult transition
Deleted Scene - Peter & MJ on the Plane SPIDER-MAN: FAR FROM HOME (2019)
Love this đđ
throwback to this absolutely iconic and chaotic vid of chris and tom roasting the hell out of each other
I canât stop watching this đđ
i wish somebody looked at me like the way he looked at that onion
IâM CRYING
Peter struggles a lot with his memories of Tonyâs death. Heâs a little ashamed of how much it bothers him. Heâs an Avenger, after all. Death shouldnât leave these kinds of scars.
But it did. It had. The images of Tony slipping away, the smell of his charred skin, the way his breaths had wheezed in, out, then shuddered to a halt, arc reactor flickering into nothingnessâŠ
The memory of Tonyâs hand falling limply away from Pepperâs was always playing in the back of his mind.
But most of all, he couldnât stop replaying the fact that Tony hadnât said anything to him. Heâd just laid there, still and silent. Peter hadnât gotten any last words, final comforts. All heâd gotten was hazy eyes and a bucketful of trauma.
There was no escaping the memories, no running from the horror that bubbled in his throat whenever they resurfaced. And he knew he couldnât survive like this. Maybe even more so, he knew that Tony would never want him to.
So, he goes to Pepper.
There were only two people on Earth who truly understood. Sure, Steve and the others had watched from afar, but Rhodey, Peter, and Pepper had been on the frontlines. Theyâd been close enough to hear his last breaths, to see the life dwindle out of Iron Manâs eyes.
He couldâve gone to either Rhodey or Pepper, of course, but he chose her because the memory of Tonyâs death wasnât the only one that he could recall with frightening clarity.
In the settling moments, the ones that came in the shockwaves of that final breath, Pepper had kissed Tonyâs cheek. Peter had felt like throwing up. Rhodey had held him back, steel arms around his stomach.
âRhodey,â Pepper had gasped, âRhodey, let him come, now. Let him⊠Just let him come.â
Heâd been released, and he wouldâve face-planted if Pepper hadnât twisted around to grab his arm, steadying him as he sunk to his knees in front of Tonyâs body.
âMister Stark?â He whimpered. Heâd reached for Tony like a child, hands grasping helplessly just inches from his motionless chest. It was a physical call for action, a plea to be held.
Tony hadnât answered it, was far past that, now, but Pepper had.
She had pulled him into her chest, chin resting on the crown of his head. âShh, sweetheart. Itâs alright now. Itâs over. Itâs⊠Itâs all over.â
âTony?â At any other time, he wouldâve been ashamed of how cracked and desperate his voice was, of his entire reaction in general. But then, heâd been strangely detached, out of control. âTony.â
Pepper had been the one to guide him as he tucked himself against Tonyâs chest, had been the one to rub his back as he sobbed. Eventually, sheâd been the one whoâd rocked him while Rhodey scooped Tony into his arms, to carry him back. To carry him home.
Although the memories were hazy, he knew that sheâd stayed with him once he slipped into shock, too. Sheâd filled the role of May, of Tony, without missing a step. And sheâd done it all while struggling under the weight of a loss that even Peter couldnât begin to comprehend.
And, sure, Pepper had always been kind to him, but sheâd taken more of an interest in him after⊠well, after. He knew it was probably only out of a lingering need to protect whatever Tony loved, but he clung to that connection all the same.
So he skips school, comes to the cabin when Morganâs at playgroup. The conversation he needed to have wouldnât feel right with her in the house. It would feel wrong.
As soon as the door opens, he can see Pepperâs surprise, see the reprimand on her lips, but then she takes in the look on his face, the bags underneath his eyes, and she ushers him in.
She makes him sit on the couch, offers him tea. He shakes his head, just curls into himself until she finally sits beside him.
âWhat do you need, Peter?â She asks, voice soft. Peter wonders if thatâs why Tony fell in love with her: because her ability to gentle was good for his rough edges.
âI⊠I keep thinking about it.â
Pepper didnât need clarification to at least understand the ballpark of his meaning. âOh, Peter. Itâs normal to feel the⊠the loss of presence in your life-â
He shakes his head. âNo, no. I mean I keep thinking about it. About the.. the moment. It wonât stop playing in my head.â
âThat moment that heâŠ?â
âYeah.â
The moment that he died.
âWhat bothers you about it?â
It feels like a ridiculous question at first. What bothers him about it? Well, the fact that Tony died, for one. The fact that he was just sixteen and confused and watching something horrific happen without the gravity of the moment really registering until after, until it was too late to really process it at all.
But then⊠but then he realizes that there was a reason behind why it bothered him so much. That despite the generic awfulness of the whole experience, there was one aspect that stung above everything else. One fact that he was constantly tangling himself up in.
âHe didnât say anything to me,â he whispers, voice breaking. âHe⊠I donât even think he knew that I was there.â
He wouldâve comforted me. He wouldâve said something stupid, smiled, cracked a joke. If heâd known I was there, he wouldnât have acted the way he did.
He wouldnât have just laid there.
âHe knew,â Pepper murmured, and she said it like she never once doubted that it was true.
He wanted to believe it. God, he really, really wanted to believe it.
âHow do you know?â
âBecause I saw him recognize you, Peter. He⊠He wasnât at peace until he saw your face. Didnât you notice him look at you?â
âI⊠I donât know.â
If he was being honest, he hadnât been seeing much of anything at the time, besides the blur-wobble of unshed tears.
âHe did.â Pepper tilts his chin up, the same way Tony used to, when he refused to look at him after a rough day at school or on patrol. âHe looked at you like heâd be alright if that was the last thing heâd ever see. And I donât think⊠I donât think he could talk, sweetheart.â
âHe talked to you.â
He hated how petulant it sounded, how childish and resentful. Of course Pepper deserved those final words. She was Tonyâs wife, the mother of his child, the love of his life. What right did Peter have to resent Tonyâs last gift to her?
But Pepper didnât seem upset. She just smiled, genuine and sad. âAnd you heard how it sounded, didnât you? He was trying not to scare you, Peter. At least, not anymore than he already had. You were so frightened. I think he knew that if he said anything, it would just make it harder for you to accept.â
He felt a sob threaten to crawl up his throat. When he spoke, his voice was strained with it. âHe just⊠he used to talk so much.â
âI know. But, honey,â Pepperâs thumb swiped under cheek, caught a tear he hadnât even known had fallen, âsometimes we donât need to say anything to tell someone we love them.â
âDid he⊠Do you really think heâŠ?â
âLoved you?â At his reluctant nod, Pepper laughed. âPeter, look outside. Half the birds, half the children, half of everyone: theyâre all there because of you. Tony stitched the universe back together just so that you could live in it. If that isnât love, what is?â
And for once, Peter didnât really know what to say, either.
Tony hates the 16th.
FF.net I ao3Â I masterpost
Sunday, December 16th: snowball fights
When his phone rings he considers, for at least two heartbeats, ignoring the call. Itâs F.R.I.D.A.Y. who ends up answering the phone for him with only a slightly judgmental jab in his direction. Most of all his A.I. sounds worried, though, and maybe a little helpless. He should stop trying to program himself friends, he thinks, theyâre still just ones and zeros not people.
It hits him how much he misses J.A.R.V.I.S. and the thought makes his mind spin more and more and more until it stumbles and screeches to a halt at Pepperâs voice.
âTony? Are you there?â Her concerned voice echoes through the speakers in the cold lab and heâs not sure how he feels about it. Heâs not sure whether he wants to be alone or wants to be held, whether he wants to break down or soldier on.
Heâs tired of existing. Just tired.
âPhysically?â he asks, trying to gather even an ounce of normalcy in his voice, âIâd say thatâs an affirmative.â
Weiterlesen
Somebody sent me a prompt for âDonât you own any Christmas decorationsâ and I canât remember who cos tumblr ate the ask! So whoever it was, this is for you! <3
also on ao3
*********
âMorning.â
Tony looks up from his coffee, giving Peter a smile as he shuffles into the kitchen. âMorning, Underoos. Sleep okay?â
Peter wiggles his hand in a so-so gesture as he slips into a seat at the counter. âManaged a few hours.â
Tony nods, grateful for the honesty in a way that he knows Peter can sense. âDreams again?â
âNot really,â Peter shrugs his shoulders, âjustâŠcouldnât sleep.â
Itâs hardly the worst thing in the world. Thereâs plenty of reasons why it can happen; something as simple as napping too long in the day or worrying about something that will ultimately be alright in the end.
But this isnât like that.
Tony knows what itâs like to be haunted, to be stretched so far between the space of restless and exhausted, and he can see the same stains of it all over Peterâs face, the way it presses into his shoulders and knots his posture.Â
Itâs inconsistent. Sometimes a light shines through the darkness; a smile here, a real laugh there, a sassy remark that has Tony raising his eyebrows and chuckling in relief to hear it.Â
And then sometimes, like today, the darkness surrounds Peter like trick glass, trying to taint him a shade of convincing that doesnât quite fool Tonyâs gaze.Â
Peter meets his eyes as Tony goes for another sip of coffee.Â
âItâsâŠuh, itâs the first of December today.â
Tony stills for a second, just enough for his coffee to gently splash against his lips and trickle into his goatee.Â
The first of December.Â
How could he not have noticed? How did he not realise it was approaching? Heâd just last week gone over a ridiculous amount of dates with Pepper for meetings, conventions and galas that he would in no way be attending, and somehow this had completely slipped his attention.Â
The first of December means that itâs been four months since Peter moved in.Â
Four months since May collapsed in the middle of the tinned food aisle at the grocery store.Â
Weiterlesen
1. Made a Stark Industries program to announce new scholarships for promising students from urban city schools like Midtown of Science and Technology only to get a chance to meet Peter.
2. Made a user interface to the entire Stark Industries network, databases, and satellite systems for him. Practically his legacy and company.
3. The same interface allows Peter backdoor entrances to some of the worldâs largest telecommunications companies. Kidâs set for life.Â
4. EDITH contains incredible hacking capabilities to a large amount of communication systems. Peter has protection for life.Â
5. Built Item17A a.k.a the Iron Spider Armor by taking inspiration from his own Mark XLVI armor and similar to his Mark L armor incorporating miniature arc reactors and a neural-reactive interface that responds to Peterâs mental input. The suit has self-contained environmental protection and the capacity to be stored in a container larger than Tonyâs housing unit for the Mark L armor.Â
6. Made a natural-language user interface a.k.a. Karen, not only designed to work alongside and aid Peter but to provide comfort and safety in case Peter needs someone to talk while doing the superhero gig. Â
7. He practically gave all of his artificial intelligence interfaces and Iron Man armors to Peter given that the glasses he gifted him enable communication with FRIDAY, EDITH and can command any armor to protect Peter.Â
8. Installed and created security features such as the Baby Monitor and Training Wheels protocols to restrict, protect and aid Peter in any given situation.Â
9. 576 web-shooter combinations.
10. The first suit he made for him contained not only a reconnaissance drone, x-ray vision, a heater, a parachute function, and retractable wingsuit components but the suit tracks and records everything Peter does as Spider-Man so he can have protection 24/7.
11. He had a suit synthesizer suite full of schematics of various Spider-Man suits taking inspiration from Peterâs first homemade version to variants of suits in-between. He was ready to make more for him or build some of them with Peter.
12. Tony protected Peterâs identity and minimized his involvement as Spider-man so the Accords didnât affect him by not only asking for daily updates on Peterâs life but tracking his every move in the superhero gig, recording his lastest interactions with criminals/villains and overseeing/covering every mistake Peter made by using his joint venture with Damage Control. This means that if he was alive, Quentin Beck would be toast.Â
13. Built a nanite infinity gauntlet, a time machine, cracked time travel for Peter using him as his main motivation.Â
14. Tony second-guessed everything he did, even his own life as a superhero believing nobody could live up to Iron Man, not even himself but he never second-guessed Peter to the point that he didnât have a problem sacrificing himself because he was sure Peter was up to taking over the job and his legacy. Tony sees and will always see Peter as his better half.Â
15. Had a room ready for Peter at the Avengers Compound.
16. Years of trying to convince Tony to give up the superhero life, the suits, and all the madness, it wasnât Pepper the one that made Tony give it up. It was, unfortunately, Peterâs death. He officially walks out of the Avengers, retires, lives in the middle of nowhere and cuts himself off from civilization and only comes back when Peter gives him the inspiration to do it all over again.Â
17. Indirectly called Peter his first chance at parenthood and often refers to Peter as his kid. âMy guyâ, âI lost the kidâ.
18. Remembers random details about Peterâs life like his apartment floor, his daily reports and the clubs heâs attended in school.
19. He has invited Peter to his lab to show him stuff he thought Peter would be interested in.Â
20. Takes responsibility of Peter despite being afraid or damaged in any way. Taking Peter back to his apartment despite having one of the most heartbreaking fights of his life, laughs with Peter and makes sure heâs ok. Goes to space to get Peter despite that being one of his main fears for years.
21. Pulling out the biggest weapon ever at the first sight of Peter being in danger.Â
22. Vowing to protect Peter the same day he was willing to have another chance to love him.
23. Makes every experience a teachable lesson for Peter. Always taking him to school in every situation.
24. Cute nicknames like âPeteâ, âYoung buckâ and âSpiderlingâ.Â
25. Knighting him into an Avenger.
26. As stated by the directors, Tony considers his personal life becoming fuller and more important to him the moment Peter enters in it.
Feel free to add more.
Not gonna lie, I cried writing thisÂ
That last comment is like... so wrong. It is NEVER okay to spank your children and it doesnât matter if you do it with or without a reason. My parents never laid a hand on me and my siblings, and we didnât grow up âthrowing tantrums in Walmartâ! Youâd never spank your (grownup) friend because he/she did something wrong, so why should it be allowed when the one whoâs being spanked ist a defenseless child?! Yes, disciplining your children is right and important but you can do that WITHOUT physical abuse - just with words. I know that children donât always listen to what you say and more often donât behave. But that canât and mustnât be an excuse for taking advantage of the fact that children are smaller and weaker than you and can easily be âcorrectedâ by physical âgesturesâ youâd hardly use for a misbehaving dog.
Beside that - maybe those people who spank their children or think that itâs okay to do so should think about what physical contact means to children. When they are small and canât talk physical contact is all theyâve got. They learn their worth and importance through this form of contact and itâs their only way to communicate. Imagine what it does to a little human being (or any kind of being) if you take that contact, that medium, that TRUST and use it against them - just because it acts in a way you donât like.
Spanking children isnât okay. And thereâs no excuse or reason that could change this.
(Sorry for writing so much in probably so bad English. Iâm not a English native, but I couldnât scroll past this without commenting on it.)
the spanking debate isnât all that complicated. youâre either ok with hitting small kids who are completely defenseless and literally at your mercy, or youâre not. supporting the first option makes you a bad and dangerous person, and unfit to be a parent, and im sorry to say but thereâs no way around this, no excuses or loopholes. it is what it is
Is there a specific Peter/Tony overprotective moment that warms your heart the most?
YES!
All of Infinity War.Â
He was so overprotective with him in this. Always standing between him and other people, standing close by, standing in front of him. Never taking his eyes off of him, getting defensive all the time for him, not minding the close contact at all (probably because he needed it too)
never taking his eyes off of himâŠ
Me basically. And literally.
I love this SO MUCH
Tony laughed as Peter came bounding in to the lab, cheeks flushed from the cold. It took Tony a second to realize that Peter was carrying something, a little too concerned with how red his cheeks were - making a mental note to readjust the heaters in the kidâs suit.Â
âWhereâs the fire, kid?â
Peter smiled, planting the package - a present, from the haphazard wrapping job - on the lab desk. âHappy Bossâ Day, Mr. Stark!â
Tony blinked, before turning to face him. âHappy⊠what?â
Weiterlesen
John: *wistfully wishing for a happy life*
life: *gives him sherlock*
john:Â
life: *takes sherlock away*
john: Â
life: *gives mary instead*
john: :/   :\    ok i guessâŠ
john: *in a stable domestic relationship with mary* :-)
life: *gives back sherlock*
john: *looks at mary* *looks at sherlock* *is conflicted* :|
life: *mary and sherlock gets along and both exist in johnâs life*
john: this is good compromise :-)Â
life: *mary shoots sherlock*
john: wtf :///
life: *sherlock is sent to excile*
john:Â
life: *excile canceled*
john:Â
life: *mary gets shot to protect sherlock*
john: oh ffs @life all i want is a peaceful lifeâŠ.
life: *gives rosie and co-parenting with sherlock*
john: finallyâŠ
Iâm crying about this
i feel cheated with that ending and with the movie in general. They didn't show tony's grief for peter at all! they made him move on and they only put that one scene we already saw on the spot. i'm so mad with the writers for this!
Hi!
Iâm going to respond only on this ask because Iâm guessing youâre the same anon because the other asks say the same thing.Â
First of all, I want to say this: I feel you. I really do. Iâm mad too. However, Iâve watched this movie too many times and I managed to pick up on some things about Tonyâs grief throughout Endgame. While I agree they shouldâve put more of Tonyâs grief on Endgame, I think RDJ made a great job at showing Tonyâs emotions regarding Peter. This man is so talented with his eyes and expressions, itâs incredible.Â
Letâs look at Tonyâs fears first. This is the man that constantly feared for Peterâs life on a daily basis since meeting him. He lived with this fear of losing him for two years of his life.
And his fears became a reality in IW. He lost. This is Tony Stark, he doesnât give up. He tries and tries and he never rests until he gets things done. Until everything is alright. In this movie, he actually gives up. After losing Peter, he finally gave up. This is where the âPeterâs death is going to change him foreverâ comes to play. He changed.
Throughout IW, Tony went fear after fear, impact after impact on each scene. He was living a never-ending nightmare. One that he already had an idea on how it was going to end.
 Remember this scene? Strange told Tony that If it comes to saving him or the kid or the Time Stone, he wasnât going to hesitate to let either of them die. And this is Tonyâs reaction:
(YES, I actually made gifs for this)
He knows whatâs at stake. He doesnât really care about his life, heâs thinking about Peter here. Heâs aware that Peter might die and right after this, he makes the kid an avenger because what else can he do? And the rest of the movie is just like that. Him fearing for Peterâs life over and over again.Â
Until Peter actually dies at the end and his worst nightmare comes true. Keep in mind that this is the first time we see Tony Stark cry. This is the first time this man cries after all the things heâs been through.
Now, the first thing he says after he comes back is âI lost the kidâ. Tony, again, didnât care about his well-being, he was thinking about Peter. Thinking and repeating in his head the horrific nightmare over and over again. This is exactly what was on his mind the whole time he was on that ship. He desperately looks at Steve, trying to make him understand his loss.Â
Notice here how he avoids looking at Peterâs picture. This right here is what triggers him to lash out on Steve, to call Steve a liar, telling him he needed him and that he doesnât have any options for him anymore because they lost. Because he lost. Because he feels like thereâs nothing left to do.Â
He then marries Pepper and ta-da! Morgan. He cuts ties with the Avengers for 5 years and tries to live his life as peaceful as he can. Then Scott and the others come to his house and ask him for help with time travel stuff and Tony is in perpetual denial the whole time. This is his reaction when Natasha says thereâs a possibility to bring everyone back.
What is interesting for me in this scene is that Tony is the one that told Steve that he lost Peter and in this part, heâs telling him that heâs got his second chance right here (Morgan), who do you think it was his first chance? Peter. Heâs looking at Steve like heâs trying to make him understand. He told Steve he lost someone with as much importance as Morgan already and is very clear that heâs scared. Natasha said it herself.Â
Then this happens:Â
He starts getting hope. Since this part, he starts letting that same fear he felt those two years between hoco and iw come back. This is his reaction at the prospect of actually getting an opportunity once again.Â
Then he tells Pepper about it and she tells him they were really lucky and that not many people got that opportunity and he says this:Â âI canât help everyoneâ which can easily translate to this =Â âI couldnât help him, I failed himâ.Â
He then tells Pepper that he can stop it right there and I just want to say, this is Pepper, the same woman who tried to make him give up the suits and the superhero life a bunch of times. This is coming from her:Â âBut would you be able to rest?â I bet he hasnât really slept much in those 5 years. And the answer is on his face:
No, he wonât be able to rest. He canât.
And then throughout the whole process of time travel, you can see heâs starting to get his hopes up. This is him when Clint confirmed that time travel worked:Â
And this: This breaks my heart. This hopeful smile.
This is him when he managed to get the stones on his gauntlet. The relief on his face is heartbreaking. He is getting his boy back. Finally. Theyâre so close.
This part is very important and you might not see it well in here but maybe when the HD version is available you might be able to catch on his expression. When Thanos says heâs going to create a new world, one teeming with life that knows not what it has lost but only what it has been given. A grateful universe. The contempt, the rage, the grief, and the fear are back at full force. This is the alien that killed his kid, the last time Tony saw him Thanos wiped out his kid out of existence.Â
Then after EVERYTHING, he finally gets his kid back and he canât even believe it. And no, it was not necessary to kill him but this is the face of a man that knows he can finally rest. He got Peter back and that was the most important thing to him.
Sorry, this was long but this is my interpretation of Tonyâs grief. We didnât get much but he loves Peter and that never is going to change.Â
This is beautiful and melancholic and unbelievable sad. But it sums up humanity in a perfect way and reading this gives me hope that there are still a few good people out there.
gosh but like we spent hundreds of years looking up at the stars and wondering âis there anybody out thereâ and hoping and guessing and imagining
because we as a species were so lonely and we wanted friends so bad, we wanted to meet other species and we wanted to talk to them and we wanted to learn from them and to stop being the only people in the universe
and we started realizing that things were maybe not going so good for usâ we got scared that we were going to blow each other up, we got scared that we were going to break our planet permanently, we got scared that in a hundred years we were all going to be dead and gone and even if there were other people out there, weâd never get to meet them
and then
we built robots?
and we gave them names and we gave them brains made out of silicon and we pretended they were people and we told them hey you wanna go exploring, and of course they did, because we had made them in our own image
and maybe in a hundred years we wonât be around any more, maybe yeah the planet will be a mess and weâll all be dead, and if other people come from the stars we wonât be around to meet them and say hi! how are you! weâre people, too! youâre not alone any more!, maybe weâll be gone
but we built robots, who have beat-up hulls and metal brains, and who have names; and if the other people come and say, who were these people? what were they like?
the robots can say, when they made us, they called us discovery; they called us curiosity; they called us explorer; they called us spirit. they must have thought that was important.
and they told us to tell you hello.
Peter Parker: -on meeting Loki, offers his hand- Hi, Iâm Peter!
Loki: -shakes his hand- Loki of Asgard.
Peter: Arenât you likeâŠa bad guy?
Loki: It varies from moment to moment.
Peter: So likeâŠon a scale of one to ten, ten being the worst evil imaginable, likeâŠkilling puppies, and one being Iâll spit on your hotdogâŠwhere are you right now?
Loki: âŠmaybe a three?
Peter: Cool. Lemme know if it gets above a six.
Loki: -thinking- I like him.
Wow... this is absolutely perfect âđ»
20 seconds. Two lines of dialogue, three gestures, a couple more camera angles. Episode 19, season 12 of a genre TV show âSupernaturalâ. A single strike of screenwriting and cinematic genius. The mixtape scene.
Robert Berens and Meredith Glynn, I bow before you.
This scene should be used as an example for future screenwriters how you can put maximum of meaning into minimal time and dialogue. Should be analyzed and taught at universities everywhere, how to achieve the most using the least. How to write for TV, where you only have less than an hour to built something spectacular.
WOW.
Letâs just peel off all the layers of these 20 seconds of footage and these 13 words. 13 WORDS.
(Cas knocks, Dean doesnât say anything. Cas opens the door, apologizes for disturbing Dean in his room, and then takes a cassette tape out of his left inside coat pocket, and puts it on the desk, while tapping the label on it that says âDeans (sic!) top 13 Zepp traxxâ.)
Cas: Um, I just wanted to return this.
Dean: Itâs a gift. You keep those.
13 tracks. 13 words. The future. So number thirteen is important for the future. I mean, are you trying to tell us something here, writers?
(Dean takes the tape, oustreches his arm, and gives it back to Cas. We see Casâ hand grabbing the tape, and taking it back.)
That tiny scene is ENORMOUS from the perspective of the narrative and the characterization. Letâs see what we can get out of it. (Prepare yourself: itâs gonna be long. Damn, how much meta can you write based on 20 seconds of television and two lines of dialogue?) (Hint: A lot.)
Weiterlesen
Please watch this video if your sad.
(No kitties were hurt.)