How to write kids, if you don't remember being one or haven't lived with any
1. Kids never feel as small as you see them. A three year old thinks a one year old is a baby and a six year old is grown up. A six year old thinks a three year old is a baby and a twelve year old is an adult. Age is about perspective. One year is a huge age difference to a little kid.
2. Little kids might not be conscious of their physical limitations, but they can still be frustrated by them. A seven year old might see an adult do something relatively simple, like draw a straight line or perfectly crack an egg, and try to do the same thing, only to be frustrated when it doesn't work.
Imagine suddenly having an injury that makes a skill you use every day become difficult- you feel you should be able to do the thing, and you understand the thing should be easy for you, but it isn't. It can be immensely frustrating to have a brain that grasps a concept that language or fine motor skills haven't caught up to.
3. You know when you forget a word, and have to make something up on the fly to describe the word? That's pretty much exactly what learning your first language is like.
You know what you intend, but you don't have a way to express it, and it can move you to tears with frustration when everyone around you is suggesting the wrong thing, or seems completely certain they understand what you mean, and they don't.
You don't have a word for "Later"? You might try saying "next time", or, "after", or, "before tomorrow".
This might result in saying, "Are we going to the park next time?", "Are we going to the park before tomorrow?", or, "Are we going to the park after?", all of which can result in different answers.
4. Kids feel like adults are a different species. They don't get why we do certain things, and they don't understand why we don't want to run around with them all the time.
If sitting still is boring, coffee tastes bitter, and long conversations only happen with weird-smelling strangers who talk to them like they're stupid, then they truly will not understand why anyone would *want* to be left to have coffee with a friend without welcome distractions to make it bearable.
Aren't you bored? You aren't doing anything. How could you possibly be stimulated without any food or toys or music or anything? Why don't you just leave? Do you *have* to be there, the way you had to go to work? Adults are weird.
5. Children have complex social relationships that are just as varied as yours.
A room full of third graders might look like indiscriminate chaos to an adult, but pick a well connected kid, and they'll tell you that Megan is the fashion icon who can do hair really well, Thomas is the athlete, Gray gets mean when he has to share so nobody wants to play with him, Paisley can't read and the boys make fun of her for it so don't make her work in a group with Anthony, Dillon put a bug in their food once so they'll never trust him again, and Matthew's parents let him watch family guy so he says bad words and makes grown-up jokes that make other kids uncomfortable.
You don't see this stuff because you aren't inside the society. They are, and they do.
6. Time. Moves. So. Slow. Five minutes really does feel like half an hour. Sit still for five minutes? That's like you sitting in a waiting room at the DMV for an hour. Wouldn't you get annoyed and impatient? They haven't learned to hide their irritation yet. That's really the only difference.
7. "Reading in your head" requires understanding that you have a Voice, which people can hear, and Thoughts, which are audible only to yourself. This can be a difficult concept to grasp. If a kid is reading out loud, and you tell them to read quietly, there's a good chance they're going to whisper or mouth the words instead of going totally silent the way you might. Splitting the self into multiples like "Internal monologue VS public perception" or "What I look like VS how I think I look" is alien and bizarre. If a kid thinks they look like a Dragon and you laugh at them? Ouch. They might be mad for a while.
8. Repetitive chores make no sense when your awareness of time doesn't extend beyond a week or so. Why should I wash my blankets? They don't look dirty and I don't smell anything bad. Blankets don't get dirty unless you put dirt on them. If you put a blanket in a washer, you can't use that blanket AT ALL the ENTIRE TIME it's being cleaned. That might be an hour, but it will *feel* like a week. And you have to do that every two weeks?? That's overkill. Why even bother?
9. Kids have opinions about adults. They will have a sense about whether an adult is "real-kind" or "fake-kind". An adult who listens respectfully to what they have to say, asks thoughtful questions, and takes their concerns seriously? That's a good adult. An adult that oversimplifies their struggles, ignores their complex social rules, and gives bullshit advice like "just walk away from bullies" and "turn your chores into a fun game"? That's not a trustworthy adult. That's an Adult™. An Adult™ doesn't consider them to be a real human being with thoughts and emotions. An Adult™ sees them as an inferior, amusing pet. And they will actively sabotage An Adult™ like that.
10. Emotions are physical at a young age. Joy might make their body buzz until they can't help but wiggle or jump around. Sadness might be a huge physical pain in their throat and heart. Everything they experience is still relatively.New to.them, so there is very little frame of reference to decide if this is a "big hurt that will last forever and ever and never go away", or a "small hurt, that can be fixed easily and won't matter in five minutes". If someone lies to them about getting a cookie, that very well might be all the betrayal of your best friend sleeping with your husband.
Fortunately, a child probably won't be able to burn all your clothes in the yard without your notice.
Your favourite person, now in pocket versions
But don’t worry, most writers are and I’m here to help because reading them is making me cRAzY.
I’m writing this because I’ve read three otherwise great romance novels back to back featuring characters dealing with PTSD (or PTSD symptoms) and each one of them made the same dream mistakes. I honestly can’t think of a fiction book I’ve read that didn’t make these mistakes, so I thought I’d compile a handy dandy list of mistakes and how to fix them.
Lucky for you, I have PTSD and a ton of fellow veteran friends who deal with these symptoms.
*This is based on my experience and things told to me by friends. This is not to say that the below doesn’t happen in real life, only that it’s not as common as you might think.
The issue with these dreams is twofold: on one side is the psychological accuracy of the dream and on the other side is how you’re using the dream within the narrative.
Oh an Black Sails spoilers-ish ahead.
1) Stop writing the dream as a shot-by-shot accurate retelling of Traumatic Event.
Listen, not only do dreams seldom follow reality, but our own memories are tricky at best. I don’t remember getting beaten up because a) it was horrifying and we block stuff like that out and b) I was going in and out of consciousness. It would be pretty strange for me to dream something I don’t even fully remember. Our brains are simply not wired to do these vivid factually-accurate cinematic retellings.
My friend dreams things that did happen, but in his own words those dreams are always wrong in some noticeable or bizarre way. For instance, he’s getting chased through the streets of Iraq by a werewolf.
2) Dreams are informed by reality, not direct reflections of it.
It’s entirely likely my friend dreamt of a werewolf in Iraq because I got him binge watching Supernatural and the two ideas merged in his dreamstate. But see, that’s how dreams work.
The trauma event exists as a constant in his subconscious, but he has all this other information right there in his conscious mind all day, every day. In dreams, there isn’t a clear delineation between that information.
My dreams are often dependent on whatever I’ve fallen asleep watching on television. The themes are consistent, but not the content.
In Black Sails, Captain Flint’s trauma dreams feature his dead partner and friend following him around his empty ship. You have an element of the trauma (the animated corpse of his friend) + his daily existence (his ship). The two things intersect to form these unsettling nightmares as expressions of his fears and grief. He never once relives the event itself in his dreams as shown on screen.
Speaking of…
3) Trauma dreams often revolve around feelings, not necessarily the events themselves.
The PTSD package generally includes heaps of shame, guilt, anger and fear. As someone who survived a beating when I should have had control of the situation, my dreams tend to revolve around fear that people will know I’m a fraud or being unable to act in a dangerous situation.
Again, it’s entirely common for trauma victims to not remember large chunks (or the whole thing) of the trauma event. So why should their dreams be stunningly accurate? What we remember are feelings. Real strong feelings.
You cannot go wrong if you write your trauma dream around feelings, not a specific event.
4) If you present trauma dreams as expressions of themes, you can let go of the trauma dream as an exposition dump/way overused suspense trope.
You know you’ve read this: MC has dreams that are a shot-by-shot retelling of Traumatic Event that always cut off right before Traumatic Event, so that the Big Reveal must happen by a discovery later in the novel.
If I were the MC in a book, the easy and common thing would be to use the “dream sequence” as an expository retelling of Traumatic Event as a way to give some backstory to why I might be surly, mistrustful, afraid to try something new, whatever, and to clumsily shoehorn in suspense where there doesn’t need to be.
The much more interesting thing might be if my dreams were inconsistent in content but consistent in theme. In one I’m on an alien planet (because I fell asleep watching the Science Channel again) and the ground opens up and I fall into a pit from which I can’t escape because I am helpless. In another a man is watching me while I sleep where I am again frozen and helpless. This would force the reader to think: what is the recurring issue in these dreams? Why is it important? What is this telling me about this character and what happened to her?
It could be a personal preference, but I’d rather see the Traumatic Event either told in narrative flashbacks (not dreams) or verbally retold by the character in question. Let the dreams tell me something deeper about the character. It’s not that I was beat up, it’s that I feel like a failure because of it. One of these things is a shallow factual detail, the other tells you something about me as a person that I’m sharing with you, gentle reader, because talking about this stuff is healthy.
5) The Traumatic Event doesn’t have to be a big secret.
In Black Sails, we know what happened to Captain Flint’s partner. It happened in real time in the show. That didn’t make his uber disturbing dreams less disturbing or mysterious. Fans still debate exactly what the symbolism was and what they were telling us about James Flint in those moments. We do know from the dreams that he was disturbed, obsessed, and also monumentally guilty and blaming himself for what happened.
The mystery was perhaps more heightened by the fact that the dreams weren’t direct reflections of reality. We know who this person was, what she believed, and why she died. That Flint is imagining her screaming silently in his ear is horrifying and discordant with what we know to be factual. This adds emotional complexity to his character and the decisions he’s making while suffering these dreams.
^^^this didn’t happen. It was a dream. A real unsettling dream.
Once you let go of the concept of the trauma dream as a literal retelling and exposition dump, you have the entire dreamscape to work in other narrative elements, like symbolism, metaphor, foreshadowing, etc.
*1st gif source: @idontwikeit
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the girlies, the girly girls
uhg life has been so busy n stressful lately, this is all ive got atm.
ive been working on a proto viktor design for a couple of days now n i have so many thoughts on it - just hate how people will just copy n paste lol viktor or make him an overly sexy, streamlined n well designed cyborg man when he wouldn't ,, look like that ?? be creative!! make him look clunky and vile !! that's like half the fun of proto viktor.
tubbo
tubbo
something that i really like about blue eye samurai, now that im thinking about it, is that it discusses violence against women without becoming torture porn. like, in a lot of media that portrays women's issues, they show you that scene. like they give you this extended visual of a woman experiencing something traumatic and then laud themselves as feminist for doing so.
blue eye samurai doesn't do that. the whole show is set in a world that is extremely antagonistic toward women, and it makes a point to tell you that being a woman right now sucks, because they are property and are used sexually. but even though it doesn't shy away from this, it doesn't show you the violence itself, which you would almost expect it to because of how graphic the rest of the show is.
im thinking specifically of kinuyo. they very well could have shown us a scene of her being abused, but they didn't. they didn't show the abuse itself, but they did show how it affected her. they showed her seeing a doctor for her sores. they could have made this incredibly traumatic and grotesque scene a spectacle, showing us exactly how powerless she is and how powerful he is. they could have shown us this incredibly triggering event in full detail for our entertainment, but they didn't. they chose not to. and i think that's how it should be.
it is not necessary to have an extended visual and auditory reenactment of violence against women. we the audience understood the gravity of the situation and were able to empathize without needing that scene. having that scene would have completely detracted from the point they are trying to make. it would have turned something completely reprehensible that women everywhere fear because it's a very real issue into entertainment.