The Erinyes (Harlivy Style)
A collection of WWC posts that deal with more general writing advice, character creation and diversity topics applicable to most marginalized people, particularly People of Color and some more specific ethnic and religious groups.
Writing Research and Google Search Tips
WWC Research & Resources Guides (Compilation)
Character of Color Research Tracking Chart (Google Sheet)
On White Authors âGetting it Rightâ
The Doâs of Writing People of Color
Writing POC with Little Experience
Properly Coded: Creating Characters of ColorÂ
On âOverthinkingâ Writing Characters of Color
On White Writers Writing Characters of Color (I, II, III)
Researching PoC + Supporting Writers of Color
Words for Skin Tone
Words to Describe Hair
Describing Asian Eyes
Describing Wide Noses
Praising Beauty Without Fetishizing
Describing PoC and Avoiding Caricatures
Featured Description Guides (Compilation)
To Write (or not write) with Diversity
So You Want To Save The World From Bad RepresentationÂ
Diversity vs. Exploiting Cultures
Diversifying a Predominately-White Cast
On âDiversity Quotasâ
On Excluding Diversity Out of Fear
Different Heritage POVâs in a Story
Including Realistic Diversity Naturally
White-Dominant Rural Areas and Diversity
White Privilege, Publishing, and Diversity Quotas
Writing: Making Efforts in Diversity
More on Assigning Race after Writing
Tradition and Culture vs. Stereotype
Showing Culture Writing Advice
Character Creation: Culture or Character first?
Character Design and Assigning Race and Ethnicity
Charactersâ Races Added Last During DevelopmentÂ
Determining your Charactersâ Race and/or EthnicityÂ
Stereotyped vs Nuanced & Audience Perception
Writing Powerful Women of Multiple Races
A Discussion on Culture and Erasure
Western Neutral Characters
âWhitewashedâ Character of Color?
âCulturingâ Culturally-disengaged PoC
Characters of Color with âNo Cultureâ
Mixed Race + Disconnect from Culture
Reconnecting to Culture After Assimilation Attempts
Defining Coding (& Islam-coded Fantasy)
Denoting Race in Fantasy Setting
Fairy Tale Retellings with POC
Fairies of Color & Cultural Fairy Concepts
Fantasy Races Based off of People of Color
Naming People and Places, Avoiding Explicit Coding
Racially-coding Aliens
Real Religions in a Fantasy World
Religion in Fiction & Fantasy
South Asian-Coded Fantasy Caste System
Whitewashing in a Fantasy Setting
Including Racism in Fantasy
World-building: A Fantasy World without Racism
Representing PoC in Fantasy When Their Country/Continent Doesnât Exist
Avoiding Racism Allegories
Blue eyed people enslaved in story
Half Human as Allegory for Mixed Race Struggles
Avoiding Half-Human Allegory for the âMixed Race Experienceâ
Eye Color Discrimination as Racism: Story Concept
Everyday Racism, Friendship and White Allies
Incorporating Micro-Aggressions in Writing
Racist Characters +Â Including Racism in Stories Not âAboutâ Racism
The Pitfalls of Racist Character Redemption Arcs
PoC Educating White Privileged Friend (Context: Black Characters)
On âNormalizingâ Protagonists of Color: Writing Stories Where Racism Isnât in the PlotÂ
Slur use in stories
Racial Slurs and Webcomics
Portraying Racist Characters without Racial SlursÂ
Offensive Terminology and Historical AccuracyÂ
Stereotypes & Tropes NavigationÂ
Stereotyped vs Nuanced Characters and Audience Perception
When Diversity Is Bad by tropesaretools
Diversity Exists in the Real World by shiraglassman
How to Write WOC and MOC if you are White by kaylapocalypse
âI feel pressured to be inclusive in my writing!â by nimblesnotebook
On White Fear & Creating Diverse Transformative Works by saathi1013
Villains of Color
Family of Villains (Black)
Predominately White Villains
PoC Villains, Anti-Villains and Anti-Heroes
PoC in Crime Families & Black/Native Boss
Writing Flawed Black Characters is Okay
Dark and Light-skinned Characters, Black Villain and Avoiding Colorism
Black & White Symbolism: a look at that trope
Homogenization, Cultural Appropriation
How To Blend Cultures (Without Making Impossible Mixes)
Research:Large to Small Scale, Avoiding Homogenizing East Asian Cultures, & Paralleling Regions Appropriately
Interracial Relationships: Romantic | Writing Interracial Friendships
How to Avoid Glorifying White Characters
Handling a White Female Savior in story
White Character Adopts Black Child in Apocalypse
White Villainous Cult Leader Uses Fascism to âCorrectâ Colonialism
How to write bigoted villains without coming off as a bigot yourself
Infantilization of white characters (At PoCâs expense)
Solving World Hunger: Changing Skin to Fantasy Color to Avoid the White Savior
Misrepresenting Your Own Culture
Why Insiders Can Write Their Experience
Writing Authentic Black Characters (as a Black writer)
Representing yourself in stories when âyourselfâ isnât white
Braving Diversity: How to Write Yourself (and others) out of your Story
Building a Community for Fellow Sci-Fi/Fantasy [Black] Writers of ColorÂ
Writing Authentically From Your Own Experiences When They Donât Match StereotypesÂ
White Authors and Topics to Avoid/Tread Carefully
Do I Need Permission to Write About Marginalized People?
Writing a Genocide to which you have No Personal Connection
On Outsider-Written Stories About Issues Of Another Group
Writing About Diverse Cops (Cops of Color, Â LGBTQA+)
Outsider-Written Stories, Issues of other Groups, Speculative Situation
Writing about Prejudice between People of Color
Reclaiming negative, dehumanizing stereotypes outside the group
Representing yourself when âyourselfâ isnât white
Why do you need to tell this story right now? (Muslim monster focus)
Writing About PoC Trials and Tribulations
When Am I Writing an Identity Story?
To Write or Not to Write: Tackling The âStruggle Novelâ as an outsider
âWWC
A couple of funny little Silco's
granny smith taught her everything she knows
The majority of the projects I am asked to beta include blind characters who cover their eyes. Modern characters wear sunglasses. Other characters wear blindfolds for older settings. The story usually justifies the decision in some way, but I always ask: why?
I also neglected to include this in my post on Things I Want to See More of / Less of in Blind Characters. I donât think I considered it at the time. However, unlike my post on blind seers, I think this trope actually causes some harm in subtle ways and I usually encourage avoiding it. Iâll discuss why in this post.
Keep in mind that blind characters are not so common. Because they arenât very common and because not everyone in your audience knows a blind person in real life, the way the character is represented could lead audiences to believe that is how blind people are. This, coupled with a general lack of information given in everyday life, allows writers or artists to unintentionally influence how real life blind people are perceived.
Sure, blind people create blind characters as well. However, we donât usually get as much exposure or opportunities. We could be held back by other barriers, such as poverty. This means it can be hard to counteract tropes we donât like or that activity harm us.
Blind characters covering their eyes is potentially harmful for a few reasons.
One reason is that it is assumed that all blind people always cover their eyes. This means that in real life, blind people are not as easily recognized even when they have a cane. The white cane is supposed to be what alerts others that a person is blind. Instead, people get confused about why a blind person isnât wearing sunglasses if theyâre blind. This leads to unnecessary explanations, lost time, refusal to help, and sometimes hostility. Wearing sunglasses helps some blind people communicate blindness more easily. They may feel forced to adopt the stereotype.
Another reason is that it unknowingly touches on the pressure some blind people face to cover their eyes. This could be because they are self-conscious about them or because of pressure to make other people feel more comfortable. This pressure could originate from the way their eyes look or move, or even due to lack of eye contact. Sometimes, stories present these ideas as normal for blind people, which increases the idea that blind people should be ashamed of their eyes or that they should prioritize the comfort of others for something superficial.
While I am not sure about the exact origins, the stereotype probably comes from a few sources: shorthand symbolism and abled actors playing blind characters.
-Shorthand symbolism could be used in art or plays to indicate a characterâs blindness.
-Because films and shows are so popular and more easily consumed, audiences are more often exposed to blind people on the screen. Actors who arenât blind often wear sunglasses to make them appear blind to audiences who would perceive eye movements as breaking character. The actors in live-action material often wear sunglasses to hide their eyes. Why blind actors arenât hired initially is another story.
This page discusses the sunglasses trope in films.
-Some blind people who wear sunglasses for any reason may also simply be more recognizable as a blind person as opposed to blind people who donât wear sunglasses. This means others may not be aware that blind who donât wear dark sunglasses exist.
I should mention here that blind people are simultaneously expected to wear sunglasses as a signifier of blindness while also accused of faking for wearing them. The rationale is the idea that blind people canât see the sun and therefore would never need sunglasses. This, of course, depends on the stereotypes that all blind people are totally blind, which is not true. Most sources I have found over my time writing this blog state that less than 10 to 15% of blind people are totally blind, which means about 85 to 90% of blind people have light perception or some residual vision.
Many writers have characters cover their eyes because it feels right. Some assume the character would feel uncomfortable with the way their eyes look and that they prefer to hide them. In order to write this trope well, you must understand your reason behind it.
Letâs examine why blind people wear sunglasses in real life. This page is a good one to read and was very helpful in constructing this post.
Light sensitivity, or photophobia, occurs when people have sensitivity to light, usually sunlight. Blind people can also expirience this.
Sunglasses are used to shield their eyes from the sun when outdoors and from big windows when indoors. Some sources state synthetic lighting is not usually an issue and others state some people may want to wear their sunglasses indoors.
For characters who arenât modern, the equivalent of sunglasses would probably be a blindfold or eye patch.
Blind people like fashion just as the next person. They might enjoy wearing sunglasses occasionally. However, they donât wear them all the time.
Blind people might also want to protect their eyes from dust or injury, whether they can see or not. This can be accomplished with sunglasses or regular glasses.
This is one of those tropes I prefer people avoid. I say âavoidâ because I want to come across it less which means way less people need to use it.
Think about why you want your blind character to cover their eyes.
Is it because it simply feels right to you? Is it because you believe it will help audiences understand or accept that your character is blind? Is it because you canât imagine your character any other way? Is it because your feel deep down that your characterâs eyes would make other characters uncomfortable?
Think about where this idea comes from and whether you really want to use it.
If you have decided it makes sense for your character to cover their eyes, here are some tips for you to do it well.
1. If they use sunglasses for fashion, have the blind character go without the accessory periodically throughout the story. Consider avoiding them covering their eyes when they are first introduced, as first impressions can be memorable. Your blind character should not be the only one who happens to wear sunglasses as part of their style.
2. If they are sensitive to light, do research on photophobia. Consider where the character is when covering their eyes. Do they mostly wear sunglasses outside and near big windows? Do screens bother them? Make it clear in the story.
3. I always suggest having more than one blind character in a story. This is important for moments such as this. Having a blind character who doesnât cover their eyes shows that not all blind people cover their eyes. This, in addition to a writer understanding exactly why their character covers their eyes, will help immensely.
This trope is a problem when no reference to the alternative is made, usually because the writer doesnât understand what theyâre writing about. They havenât considered the reasons blind people cover their eyes and therefore arenât aware that not all blind people do so. Having more than one blind character in the story shows more than one experience, including covering or not covering eyes. Showing different experiences eliminates the idea that blind people âjust doâ certain things. It makes people think.
If you want audiences to think, you first need to ask: why?
When writing marginalized characters, remember that their marginalization decreases the amount of accurate information available about them. Audiences donât have as many resources to check. They may even lack the inclination to do so at all. This could be because of a desire to maintain biases or simply because they donât consider blind people much outside of entertainment or pity. Surprisingly, some people are even actively resistant or hostile to the idea of taking time to learn about the experiences of blind people.
This means your story could be more impactful than you realize.
When youâre writing, ask yourself the question: why? You might realize that it makes for a richer, more informed story.