DC’s Trinity In And Out Of Costume

Put your height in the tags

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ena was, in fact, not there for the lessons

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my favorite sopping wet beast

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transmasc rizas from twitter

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tubbo

tubbo

WWC - General Topics

A collection of WWC posts that deal with more general writing advice, character creation and diversity topics applicable to most marginalized people, particularly People of Color and some more specific ethnic and religious groups.

Tools

Writing Research and Google Search Tips

WWC Research & Resources Guides (Compilation)

Character of Color Research Tracking Chart (Google Sheet)

Writing Characters of Color: The Generals

On White Authors “Getting it Right”

The Do’s of Writing People of Color

Writing POC with Little Experience

Properly Coded: Creating Characters of Color 

On “Overthinking” Writing Characters of Color

On White Writers Writing Characters of Color (I, II, III)

Researching PoC + Supporting Writers of Color

Description 

Words for Skin Tone

Words to Describe Hair

Describing Asian Eyes

Describing Wide Noses

Praising Beauty Without Fetishizing

Describing PoC and Avoiding Caricatures

Featured Description Guides (Compilation)

Diversity & Representation

To Write (or not write) with Diversity

So You Want To Save The World From Bad Representation 

Diversity vs. Exploiting Cultures

Diversifying a Predominately-White Cast

On “Diversity Quotas”

On Excluding Diversity Out of Fear

Different Heritage POV’s in a Story

Including Realistic Diversity Naturally

White-Dominant Rural Areas and Diversity

White Privilege, Publishing, and Diversity Quotas

Writing: Making Efforts in Diversity

Characters - Creation & Culture

More on Assigning Race after Writing

Tradition and Culture vs. Stereotype

Showing Culture Writing Advice

Character Creation: Culture or Character first?

Character Design and Assigning Race and Ethnicity

Characters’ Races Added Last During Development 

Determining your Characters’ Race and/or Ethnicity 

Stereotyped vs Nuanced & Audience Perception

Writing Powerful Women of Multiple Races

Characters - Cultural Disconnect & Erasure

A Discussion on Culture and Erasure

Western Neutral Characters

‘Whitewashed’ Character of Color?

“Culturing” Culturally-disengaged PoC

Characters of Color with “No Culture”

Mixed Race + Disconnect from Culture

Reconnecting to Culture After Assimilation Attempts

Fantasy & Coding

Defining Coding (& Islam-coded Fantasy)

Denoting Race in Fantasy Setting

Fairy Tale Retellings with POC

Fairies of Color & Cultural Fairy Concepts

Fantasy Races Based off of People of Color

Naming People and Places, Avoiding Explicit Coding

Racially-coding Aliens

Real Religions in a Fantasy World

Religion in Fiction & Fantasy

South Asian-Coded Fantasy Caste System

Whitewashing in a Fantasy Setting

Including Racism in Fantasy

World-building: A Fantasy World without Racism

Representing PoC in Fantasy When Their Country/Continent Doesn’t Exist

Race Allegories / Symbolic Racism

Avoiding Racism Allegories

Blue eyed people enslaved in story

Half Human as Allegory for Mixed Race Struggles

Avoiding Half-Human Allegory for the “Mixed Race Experience”

Eye Color Discrimination as Racism: Story Concept

Racism, Micro-Aggressions & Slurs

Everyday Racism, Friendship and White Allies

Incorporating Micro-Aggressions in Writing

Racist Characters + Including Racism in Stories Not “About” Racism

The Pitfalls of Racist Character Redemption Arcs

PoC Educating White Privileged Friend (Context: Black Characters)

On “Normalizing” Protagonists of Color: Writing Stories Where Racism Isn’t in the Plot 

Racial Slurs & Offensive Terms

Slur use in stories

Racial Slurs and Webcomics

Portraying Racist Characters without Racial Slurs 

Offensive Terminology and Historical Accuracy 

Stereotypes & Tropes

Stereotypes & Tropes Navigation 

Stereotyped vs Nuanced Characters and Audience Perception

Useful Non-WWC Posts

When Diversity Is Bad by tropesaretools

Diversity Exists in the Real World by shiraglassman

How to Write WOC and MOC if you are White by kaylapocalypse

“I feel pressured to be inclusive in my writing!” by nimblesnotebook

On White Fear & Creating Diverse Transformative Works by saathi1013

Villains / Anti-heroes 

Villains of Color

Family of Villains (Black)

Predominately White Villains

PoC Villains, Anti-Villains and Anti-Heroes

PoC in Crime Families & Black/Native Boss

Writing Flawed Black Characters is Okay

Dark and Light-skinned Characters, Black Villain and Avoiding Colorism

Worldbuilding

Black & White Symbolism: a look at that trope

Homogenization, Cultural Appropriation

How To Blend Cultures (Without Making Impossible Mixes)

Research:Large to Small Scale, Avoiding Homogenizing East Asian Cultures, & Paralleling Regions Appropriately

White Saviors, White  - POC Interactions

Interracial Relationships: Romantic | Writing Interracial Friendships

How to Avoid Glorifying White Characters

Handling a White Female Savior in story

White Character Adopts Black Child in Apocalypse

White Villainous Cult Leader Uses Fascism to “Correct” Colonialism

How to write bigoted villains without coming off as a bigot yourself

Infantilization of white characters (At PoC’s expense)

Solving World Hunger: Changing Skin to Fantasy Color to Avoid the White Savior

Writing About Your Own Culture (Ownvoices)

Misrepresenting Your Own Culture

Why Insiders Can Write Their Experience

Writing Authentic Black Characters (as a Black writer)

Representing yourself in stories when “yourself” isn’t white

Braving Diversity: How to Write Yourself (and others) out of your Story

Building a Community for Fellow Sci-Fi/Fantasy [Black] Writers of Color 

Writing Authentically From Your Own Experiences When They Don’t Match Stereotypes 

Writing Sensitive & Controversial Topics

White Authors and Topics to Avoid/Tread Carefully

Do I Need Permission to Write About Marginalized People?

Writing a Genocide to which you have No Personal Connection

On Outsider-Written Stories About Issues Of Another Group

Writing About Diverse Cops (Cops of Color,  LGBTQA+)

Outsider-Written Stories, Issues of other Groups, Speculative Situation

Writing about Prejudice between People of Color

Reclaiming negative, dehumanizing stereotypes outside the group

Representing yourself when “yourself” isn’t white

Why do you need to tell this story right now? (Muslim monster focus)

Writing About PoC Trials and Tribulations

When Am I Writing an Identity Story?

To Write or Not to Write: Tackling The “Struggle Novel” as an outsider

–WWC

You’re writing PTSD dreams wrong

But don’t worry, most writers are and I’m here to help because reading them is making me cRAzY.

I’m writing this because I’ve read three otherwise great romance novels back to back featuring characters dealing with PTSD (or PTSD symptoms) and each one of them made the same dream mistakes. I honestly can’t think of a fiction book I’ve read that didn’t make these mistakes, so I thought I’d compile a handy dandy list of mistakes and how to fix them. 

Lucky for you, I have PTSD and a ton of fellow veteran friends who deal with these symptoms. 

*This is based on my experience and things told to me by friends. This is not to say that the below doesn’t happen in real life, only that it’s not as common as you might think.

The issue with these dreams is twofold: on one side is the psychological accuracy of the dream and on the other side is how you’re using the dream within the narrative.

Oh an Black Sails spoilers-ish ahead. 

1) Stop writing the dream as a shot-by-shot accurate retelling of Traumatic Event.

Listen, not only do dreams seldom follow reality, but our own memories are tricky at best. I don’t remember getting beaten up because a) it was horrifying and we block stuff like that out and b) I was going in and out of consciousness. It would be pretty strange for me to dream something I don’t even fully remember. Our brains are simply not wired to do these vivid factually-accurate cinematic retellings.

My friend dreams things that did happen, but in his own words those dreams are always wrong in some noticeable or bizarre way. For instance, he’s getting chased through the streets of Iraq by a werewolf. 

2) Dreams are informed by reality, not direct reflections of it. 

It’s entirely likely my friend dreamt of a werewolf in Iraq because I got him binge watching Supernatural and the two ideas merged in his dreamstate. But see, that’s how dreams work. 

The trauma event exists as a constant in his subconscious, but he has all this other information right there in his conscious mind all day, every day. In dreams, there isn’t a clear delineation between that information.

My dreams are often dependent on whatever I’ve fallen asleep watching on television. The themes are consistent, but not the content.

In Black Sails, Captain Flint’s trauma dreams feature his dead partner and friend following him around his empty ship. You have an element of the trauma (the animated corpse of his friend) + his daily existence (his ship). The two things intersect to form these unsettling nightmares as expressions of his fears and grief. He never once relives the event itself in his dreams as shown on screen.

Speaking of…

3) Trauma dreams often revolve around feelings, not necessarily the events themselves.

The PTSD package generally includes heaps of shame, guilt, anger and fear. As someone who survived a beating when I should have had control of the situation, my dreams tend to revolve around fear that people will know I’m a fraud or being unable to act in a dangerous situation. 

Again, it’s entirely common for trauma victims to not remember large chunks (or the whole thing) of the trauma event. So why should their dreams be stunningly accurate? What we remember are feelings. Real strong feelings.

You cannot go wrong if you write your trauma dream around feelings, not a specific event.

4) If you present trauma dreams as expressions of themes, you can let go of the trauma dream as an exposition dump/way overused suspense trope.

You know you’ve read this: MC has dreams that are a shot-by-shot retelling of Traumatic Event that always cut off right before Traumatic Event, so that the Big Reveal must happen by a discovery later in the novel. 

If I were the MC in a book, the easy and common thing would be to use the “dream sequence” as an expository retelling of Traumatic Event as a way to give some backstory to why I might be surly, mistrustful, afraid to try something new, whatever, and to clumsily shoehorn in suspense where there doesn’t need to be.

The much more interesting thing might be if my dreams were inconsistent in content but consistent in theme. In one I’m on an alien planet (because I fell asleep watching the Science Channel again) and the ground opens up and I fall into a pit from which I can’t escape because I am helpless. In another a man is watching me while I sleep where I am again frozen and helpless. This would force the reader to think: what is the recurring issue in these dreams? Why is it important? What is this telling me about this character and what happened to her? 

It could be a personal preference, but I’d rather see the Traumatic Event either told in narrative flashbacks (not dreams) or verbally retold by the character in question. Let the dreams tell me something deeper about the character. It’s not that I was beat up, it’s that I feel like a failure because of it. One of these things is a shallow factual detail, the other tells you something about me as a person that I’m sharing with you, gentle reader, because talking about this stuff is healthy.

5) The Traumatic Event doesn’t have to be a big secret. 

In Black Sails, we know what happened to Captain Flint’s partner. It happened in real time in the show. That didn’t make his uber disturbing dreams less disturbing or mysterious. Fans still debate exactly what the symbolism was and what they were telling us about James Flint in those moments. We do know from the dreams that he was disturbed, obsessed, and also monumentally guilty and blaming himself for what happened. 

The mystery was perhaps more heightened by the fact that the dreams weren’t direct reflections of reality. We know who this person was, what she believed, and why she died. That Flint is imagining her screaming silently in his ear is horrifying and discordant with what we know to be factual. This adds emotional complexity to his character and the decisions he’s making while suffering these dreams. 

^^^this didn’t happen. It was a dream. A real unsettling dream.

Once you let go of the concept of the trauma dream as a literal retelling and exposition dump, you have the entire dreamscape to work in other narrative elements, like symbolism, metaphor, foreshadowing, etc. 

*1st gif source: @idontwikeit

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DC is releasing a new take on Harley Quinn's origin story in the upcoming The Strange Case of Harleen and Harley young adult graphic novel.

Announced as part of DC's young adult line, The Strange Case of Harleen and Harley comes from writer Melissa Marr (Wicked Lovely) and artist Jenn St-Onge (Bingo Love).

The synopsis for The Strange Case of Harleen and Harley reads, "When Harleen signs up to participate in a clinical research trial with her girlfriend, Pamela, the most she can hope for is extra cash in her wallet and a chance to get her anxiety under control. But what she gets instead are increasingly larger gaps in her memory and stolen mementos from some guy named Jack she’s never met. Soon, Harleen discovers she’s sharing her life with Harley—a take-no-prisoners, who-cares-about attendance, maybe-we-oughtta-save-the-bunnies kind of girl. She is the opposite of Harleen in many ways. She is anarchy in a cute dress. And in this Jekyll and Hyde story, Harleen discovers that maybe evil ain’t so bad—as long as she doesn’t get caught."

The Strange Case of Harleen and Harley releases on May 2, 2023