Reader: *Finally Snapping After Years Of Mental Abuse, Losing All Kinds Of Self Conservation Instinct,

writer’s block (dry) = no desire to write, no ability to write (bearable)

writer’s block (wet) = HUGE desire to write, no ability to write (very evil)

this happens to me at least three times on a daily basis

ghost character analysis

tw: spoilers from ghost mw2 comics, nsfw, dead dove do not eat, mature content.

this is pretty much a part 2 to ghost headcanons except with more lore and analysis (im still not sure if reboot ghost has the same backstory as the og ghost).

ghost is not a cold, calculated, ruthless man. maybe in a separate au or something, but theres a huge difference between ghost and simon riley. in fact, we need to understand that the reason he even chose ghost as a new name for himself is because of all that's happened to him. his family got killed, he got tortured by roba, and had to eliminate many men on his own. before that he was simon, not ghost. in the comic he literally calls the child hostages he was saving ‘sweetheart’ and ‘love’. hes not that mean and cold yall

we know that PTSD does shit to it's victims, ghost lost his entire family and had no one. think of it as a coping mechanism to have a new name to be known as.

ghost is a ruthless killer. simon is just some guy.

ghost sets himself to an incredibly high standard of discipline. i think it's intuitive that military boys will need to be punctual and organized to some degree, but ghost takes this to a whole other level. considering his father's abusive behavior (explained by his disturbing statements said to simon, is a drug addict, and beats simons mom) his home life was likely chaotic as a child.

in the mw2: ghost comic (issue #3) it specifically stated the following: "discipline, precision, control. these are what riley built his whole life on. break those down and the dark stuff begins to ooze out..." again, this is probably a form of trauma response to his childhood.

so what does this lead to? well firstly, this probably means his room is incredibly tidy and organized (monotone design i know :,c).

would never in his life touch drugs. this is a promise he made to himself.

also kinda proves that ghost aint a reckless guy. he thinks things through before doing it.

ghost isn’t that hypersexual. theres no way of knowing his history with women, but i like to think ghost is not that horny 24/7 and needs a fuckbuddy. in the mw2 comic, he was on a mission and was in an area full of prostitutes (wasn’t actively on duty, but on his way) when they tried to hit on him he politely rejects one of them, and later tells them to fuck off😀 so yea contrary to popular belief i dont think he really enjoys one night stands or the idea of being entertained by random women. in fact, i hc he might actually be a virgin or just a really low body count.

ghost is a feminist!😁 (misandrist too). ok let me reword that, ghost doesnt like men and respects women. one of the reasons why he doesn’t want to be around prostitutes and do one night stands (his father killed a hooker in front of him, very traumatic) is because he thinks the concept of quick, casual sex is not good for society and dilutes the value of meaningful relationships. but also, remember the discipline, precision, control thing? its apart of his principle. but also, in the comic, sparks (soldier he worked with) knocked out and attempted to rape a woman, ghosts literally looked disgusted and called the police (also why he’d never do that himself, i dont get the hcs that say he does). ghosts seen how his dad treated his mom and absolutely hates abusers. anyways onto misandry—i think ghost internally thinks men are violent and disgusting (ghosts would choose the bear over the man, even though hes a man) mainly because throughout his military career majority of the bad stuff hes seen was done by men, so hes much more relaxed in a room of women vs man. ghost thinks his dad is the epitome of pure evil (canon! he said this to his therapist). this doesn’t mean hes scared or hates all men tho!

ghost isn’t close with 141… including soap. now before you attack me let me explain. sure, he trusts them to some degree, but i dont think they naturally just hangout when they’re not deployed. in the end we need to understand they are SAS soldiers, they are working a real job that mainly consists of them shooting and dismantling others. considering ghosts betrayal in the past (in the comic, a few soldiers ghost previously worked with killed his entire family 😢) he isn’t gonna just trust his teammates because theyre his teammates. im also pretty sure they all live in different cities while not deployed, while also considering the fact that tf141 probably all want to separate their job from their personal lives, which includes co workers. but onto soap, i dont think him and ghost have a deep brotherly relationship. but i think they care about each other, but exchanging some dad jokes and bantering doesn’t mean they’re suddenly soulmates or brothers. think about it… you and you’re co worker joke around sometimes, never hangout outside of work, and now people are shipping you and calling the two of you besties. makes no sense.

ghost is extremely patriotic. in the comic (i reference this way too much but theres SOOO MUCH LORE i recommend reading it) ghost tells his teammates the reason for joining the military: queen and country, right after 9/11. he also said “the world has changed”. interestingly enough army enlistment did actually skyrocketed after 9/11 attacks, ghost was among them. he probably thought ww3 was about to happen, or that ‘theres no more peace’ or whatever. i hc being obsessed with soccer too lmao and getting mad if english teams dont win. also his playful banter with johnny “get us a tea?”. probably very proud of his british heritage.

ghost doesn’t have much friends. hes a really, reallyyyyy lonely guy. i hc him as an introvert in the first place, but trust issues make this worse. in the comic, he was literally in the newspaper for killing his family and then killing himself (he didnt, he was framed that way tho) so its likely most of his formers friends probably think hes dead. ghost likely got some sort of amnesty or exemption from the military after knowing he didn’t actually kill his family, but whats in the news stays true to the public. even if he does have friends he probably doesn’t share feelings with them or form a long term bond.

ghost is extremely cynical. this is obvious tbh, but i think ghost believes hes going to die in the middle of a battlefield, shot or stabbed, a painful death, body left to rot for weeks, and no one to remember him. just like that. and he accepts that fact too.

ghost isn’t a picky eater. growing up in an abusive household where his parents couldn’t hold a stable job, he had to eat what there was. some days he settles for cheap beans and toast and when people call him out for it, he tells em to fuck off😀

ghost is emotionally fucked up, probably kind of depressed. i mean this guys been through hell: got sa’d, buried alive, had to dig through underground dirt and worms with a jawbone, tortured in horrible ways, had his entire family killed, abusive dad, and the weight of his grey morales because he killed lots of people as a soldier. wow! would you look at that list, itd be more strange if he wasn’t emotionally fucked up after was has happened😅. even when tortured, seeing his family dead, ghost was never shown to have cried in the comic. i hc hes emotionally numb. however, i do think hes emotionally MATURE and able to communicate his emotions, but hes still emotionally fucked. for example a scene where he was talking about his experience with roba (guy who tortured ghost) and ghosts father to a therapist. i think ghosts may be traumatized, but this doesn’t stop him from attempting to get help and communicating how he feels and thinks about this world.

BUT WHAT ABOUT AN S/O???

i think ghost is the guy to not have one in the first place. obviously. but i lowkey think if he had one and really liked them, he would commit. in fact i find it hard to imagine hes a player or isn’t serious about relationships. when his brother tommy got addicted to drugs and fucked up his life, simon quit the military until tommy got 100% better and married. yup. he stayed to help him recover, for years. thats how loving and committed this man is🥹🥹.

more random headcanons:

simon prefers dogs over cats because dogs are loyal and stay with you until the end (stereotypically)

hates snakes and spiders

probably wouldn’t do 50/50 on dates, he pays!

avoids saying manchester slang when deployed

drinks and smokes. not always. he’s disciplined but he still does that stuff.. hes a british guy in his 30s whos kinda depressed, grew up with adults around him smoking 24/7, whatd you think😀😀 (its canon that most of tf141 smoke anyway)

listens to 80’s rock music. its canon that his mom enjoys the band siouxsie and the banshees :)), he probs does too

shaves his beard

is actually confident hes not bad looking. dude, hes 6’2, in shape with a jawline🙄

HEAR ME OUT SIMON "GHOST" RILEY BUT HE´S GOT STRETCHMARKS CAUSE HE GREW TOO FUCKIN FAST

also my anatomy is kinda wonky but arleast his ass is cute

Before reading, please check series masterlist to read the warning(s), disclaimer, and to make sure you’re on the right chapter. Minors do NOT interact.

SOMETIMES, you'd like to know who your mother was before she became your mother.

You want to know where the acidic and corrosive elements that precede each of her statements come from. Perhaps she acquired it from your father—someone even more poisonous than she was. However, from how it blended with her expression every time she said: “a man’s heart is truly a wretched, wretched thing!” you can't be convinced otherwise that before she met your father, she wasn't like that—that she was once a loving girl before he wrecked her and made her your vengeful mother.

Time heals all wounds, they say. And yet, as far as you know, your mother's is still dripping with blood. Rotten. Maggot infested.

You believed it was exactly what she wanted—so that it wouldn't heal, so that she wouldn't forget how much it burned and constricted her. Those who forget the past are doomed to repeat it, and she will undoubtedly carry it with her until death. “A man's heart is truly a wretched, wretched thing,” she says, as if she's sure you'll forget what happened to her—to both of you. As if losing the love of her life was hereditary. “Don't you see, sweetheart? We are a paradox of contrasts and twins.”

You're still wondering whether it was a warning or a prayer. Good mothers ensure with all their body and soul that the past does not repeat itself, that their daughters do not embody everything they might become – their mothers. God forbid they dragged themselves across the floor, trembling fingers stretched stiffly clawing at doors that had been long since being slammed shut. However, your mother wasn’t always a good mother, and she often swore over her mother's grave that you would feel the same way she did.

And yet, despite her curses and how much you hate her as much as you hate your deadbeat father, apparently a sense of familiarity is what you're searching for.

Perhaps, that’s what made him catch your eye.

Soft footsteps were created when several pairs of ballerina pointe shoes came down the hallway after the performance ended. Smiles and laughter were among them—a familiar sight; the audience was satisfied with their performance, and they were sure that the ballet director had no more notes for them because, firstly, Marie, the main ballerina in the role of Giselle, had become the center of conversation thanks to her gifted movements, leaving no room for talking about little "building" errors for the other dancers. Second, this season has reached its end, which means they won't be showing "Giselle" again for at least the next few months.

“I saw you sneak chocolates before the show, El.” One ballerina teased.

“They're for energy!” Eloise insisted with a grin.

The ornaments on their heads moved as they both laughed. You flashed a smile but didn't dare enter into the conversation. Satin-clad feet kept moving in the direction of the corps de ballet dressing room door. More laughter and gossip ensued as you passed through the door to the small vanity you shared with another dancer.

"So where are you going after this?" someone at the next table asked, not at you.

You turned around, periodically glancing in the mirror to wipe away the last traces of makeup. "I don't know! Somewhere that can help me relieve stress, obviously. Soph?” Claudine directed her question at another, still not you.

“Sorry, girls, but I have to sit this one out. My mamma has been protesting about me coming home late lately ever since she saw some protests on TV. You two have fun without me.” Sophia declines—that leaves Jules and Claudine alone then. You were ready to return to your own thoughts when Sophia's hazel eyes fixed on you and called your name. "What about you?"

Claudine turned to you, her lips forming a teasing smirk. “Gonna go home and practice some more, no doubt,” she teased. “Live a little for once! Come out with us.”

You focused on untying your pointe shoes while the other two laughed. “No thanks, I'm tired. Think I'll just relax tonight.”

Rather than a teasing smirk, now Claudine's lips resembled a declaration that she was correct once more: "Look, I'm right, aren't I? She's still the same boring girl. No surprise that the best role she can get is dancing as a leaf in the background." It's no longer a myth. It is no longer a myth that other dancers—old and new—only see a robot prodigy, soulless in her single-minded pursuit of perfection. Your movements were full of precision, tempered by years of being under the training of a Russian coach your mother sought out for you. And yet your body is sharpened for nothing more than the purpose of being a vessel. Hushed jokes about you selling your soul to the devil for your skills.

“Aww, not even for one night? Loosen up that tight bun of yours?”

You shoved the last of your things hastily into your bag, not paying attention as someone else's hairbrush and chapstick were forced to sit on top of your toiletry bag—you can always return them tomorrow. The other girls are still laughing while you swing the overstuffed duffel over your shoulder.

“Goodnight,” you say tensely, clutching the strap of your bag so tightly your knuckles turn white. Without waiting for a reply, you turned on your shoes and hurried out of the dressing room, their taunts echoing in your ears.

London streets glistened wetly as you made your way down the sidewalk. The recent rain left dark spots on the pavement. You pull your coat tighter around you, shivering in the damp night air. As you passed a rowdy pub, loud voices and laughter spilled out onto the street. Warm light and the smell of beer beckoned from within, but you hurried on without glancing in, not wanting to face anyone's eyes.

The entrance to the subway glimmers under the streetlamps. You descend the stairs slowly, your shoes clicking on the concrete steps. The underground platform was nearly empty at this late hour. A lone figure dozed on one of the wooden benches, and a teenage couple whispered together further down the tiles. Your eyes roam over the tiled walls and ads for shows you'd never see—anything to avoid looking at other people and risking a confrontation.

The screech of brakes announces the arrival of your train, followed by beams of lights illuminating the dark tunnel. You boarded the mostly empty carriage and sat down, watching the dark tunnel walls pass by. On the opposite side, your weary reflection in the glass glances back at you.

Soulless.

Soulless ballerina.

TWENTY-THREE YEARS HAVE GONE BY: Thirteen times, you were part of the corps de ballet in Swan Lake. And now, the new director—whom they “imported” directly from somewhere in France to replace the old one—announces that the next season will be Swan Lake. You don't have anything against it—why should you? Thirteen times. Thirteen times in the corps de ballet, and this time will make no difference to you; just another faceless dancer in the flock, never the Swan Queen—they wouldn't risk a soulless ballerina in the spotlight. But wouldn't audiences grow bored of the same classic retold so often?

"Now now, I know you are all tired of this ballet," he said calmly. "But we will be doing something different - a new interpretation, with a fresh artistic vision. This will be Swan Lake as you have never seen it before. Rehearsals will focus on bringing new emotional depth and dimensionality to these iconic roles. Who knows – maybe some new faces will emerge for leading roles. I’m looking forward to seeing what you all can do. Now let us begin."

The familiar piano notes of our warm-up piece drifted through the studio as you took your place at the barre, fingers curling around the worn wood. You close your eyes and focus on steadying your breathing. Even when your muscles hurt from fatigue, you persist through well-known stretching exercises with a focused effort. Your eyelids flutter open, and out of the corner of your eye, you see the new director watching silently at the edge, his sharp eyes taking in each dancer.

“One.. and.. two.. and..”

As you move on to tendus and plies, you let the rhythm of the count wash over you – “.. three.. and.. four.. and..” Your burning thighs, your stretching calves, your flexing toes. "First position...and plié. Second position...and tendu. Third position...and rond de jambe." and the coach's familiar count. Your mind wanders as the dancers continue, thinking about the director's words about seeking new depths. Stealing a glance through the mirror, your eyes returned to the man—his ringed fingers in front of his lips as he pondered.

The music continues to play, swelling with a crescendo. You concentrate on your movements again, lifting your legs high according to standard and extending your lines through fingertips.

You found your eyes drifting to the director's reflection in the mirror more and more. The coach's voice faded into a blur as you studied his intense expression, watching for any sign of interest or approval. But time and again, his gaze passed over you without pause, lingering instead on Claire or Amelia as they executed perfect pirouettes or graceful penche poses. A familiar ache of longing and envy twisted in your stomach. No matter how hard you focused or how flawlessly you hit each position, you remained invisible to him.

Your breaths are shallow, and your head is whirling. Your eyes couldn't stop following him; he was walking around watching dancers who weren't you. He spoke to the coach, then stepped back with his hands linked behind his back. Still not you. As the music nears the end and the dancers have transitioned into combination movements, he still doesn't look at you.

You know the truth: this will be your fourteenth Swan Lake, and you will once again blend into the anonymous corps de ballet. The reflection of a woman in the mirror—your reflection, somber with lifeless eyes and dull hair pulled back in tight bun. The director stated that he wanted to bring forth new depths and emotional aspects to distinguish his Swan Lake from those of other opera houses, therefore it's fitting that he didn't choose you. As an empty ache expands in your chest, you accept the truth: this is your fourteenth Swan Lake, being another swan for the fourteenth time.

The director won’t choose you.

He won't choose you.

He won't choose...

You.

He chose you. You don't know why or how.

An hour later, you find yourself standing in Studio A, facing uncertainly across the hardwood floor. Five of the girls sat at the end of the room while the director watched Claire give her interpretation of Odette in her white swan act. You watch her movements critically, noting the slight wobble in her lower back and how her port de bras could be straighter. Her pirouettes needed more control and spotting—you counted two extra turns that threw off her balance. Then she launched into the black swan's sinister variations. Gone was the white swan, replaced by a vixenish temptress oozing sensuality from her pores. The director made a few thoughtful comments you didn't quite catch before dismissing her.

The director breathed out your name and you were quick on your feet. He crossed his arms over his chest as you took your place in the center. You looked at the girls behind you through the mirror reflection, then at the director, then signaled the pianist to begin.

The famous White Swan melody plays, and you start. Plie, tendu, glissade—your limbs moved through the steps as they had a thousand times, polished, technically perfect. Your movements rely on muscle memory, analyzing your every move through a critical lens. First pose: left arm extended, back straight, neck long. Check. The second one: right leg stretched to the sky, toes pointed to the max. But was your ankle tilted just now? You furrowed your brows while making a mental note to adjust. Entering another glissade, you land on the ball of my foot, keeping your plie low. One.. and.. two. You count the seconds, nitpicking any imperfections.

“Slow down, dear, find your breath.” The director's voice cuts through your thoughts. Find your breath? You were in complete control of your breathing, hitting every mark precisely as the music demanded. What more should you find?

You barreled ahead through the choreography, unwilling to let up on your own rigid standards even as he continued offering feedback. "Loosen your shoulders...savor each moment rather than rushing to the next...let us see you feel the music, not just hear it."

But you are feeling it. You feel every crescendo and decrescendo—you stay in rhythm with the music as the score enters the ritardando section. How could he say you didn't feel the music when you lived and breathed each score? You knew this piece inside and out. From the opening notes, you have remembered not just the choreography but every key change and tempo variation. By the time you sank into your final pose, you were a bundle of nerves.

“Your technique is superb, but so tightly wound,” the director said. “Try to loosen up your lines and embrace the artistry, not just the steps. Now, show me your Black Swan.”

As the dark notes of the Black Swan coda swirl, you pour all your focus into hitting each precise movement with flawless technique. You arch into an arabesque, extending your working leg to the maximum while maintaining perfect turnout. Your spot was fixed, and your balance was unwavering. You continue through the practiced motions, and you fly into your final fouetté combo. As the last note faded, you struck your ending pose.

Slowly, you straightened your body and lifted your gaze to meet his, pressing your sweaty palms together tightly. The director remained silent, hand in front of his mouth, and looked you up and down in a way that made you want to flee. But, you restrained yourself, waiting patiently for his consideration. The pressure in the room was so intense that it made you suffocate.

After what felt like eternity, he gave a small nod – neither acceptance nor rejection. “Thank you, Mademoiselle, that was… illuminating. Please check the cast list tomorrow morning – we will announce our decisions then.”

The compliment is ambiguous, with two implications that you know tend toward the negative. Your anxiety failed to calm down, and all you could muster was a hushed thank you before you left the studio in a daze, questions still swirling around unanswered like always.

Now here you are, unfortunate enough to be under the wailing sky of London with minimal cover from a shuttered cafe. The dense fog and wind impede your eyesight, making it difficult to see the towering structures. On the left side, several cafes and pubs radiate their orange lights from within, beckoning anyone in need of somewhere to go for a quick drink or two. Anyone but you, apparently.

The city streets felt hauntingly deserted through the deluge of falling water. Shivering even in your coat and tights, you knelt down and tightened your scarf. Puddles of water begin to form in the potholes, and you desperately hope that the rain will stop soon; you still have a long ride home on the subway to prepare for tomorrow.

Just then, a splash of heavy footsteps caught your attention.

Through the sheets of rainfall, you glimpsed a tall figure hurrying down the sidewalk, taking in what little details you could discern. His leather jacket and boots, yet the way he hunched his broad shoulders against the storm conveyed a certain roughness. You squinted to make out his face, only to find it covered by a mask and a hood pulled too low. It's unsettling, but disturbingly, it makes you enthusiastically guess what lies beneath it—was he handsome or scarred? Young or weathered by experience? It intrigued you so much that you didn't realize he was only three steps away from you.

As the stranger approaches, you take more details that should have set off alarms. His all-black leather jacket may have been fine material, but it was worn and faded. And although broad-shouldered, his build spoke more of hardened muscle than gentility. Everything about him screams danger. When he drew up beside you, you intended to duck past and continue on your way.

But something held you rooted to the spot.

Now, two strangers stood side by side, between them were raindrops dragged cruelly by the cold wind. His towering figure was as still as a statue; for a man his size, he was skilled enough to be almost invisible, almost. The scent of him washed over you then—alcohol, but not the refined wines and spirits of high society. This was something rougher, meant to burn away thought rather than enhance it. Beneath that, cigarette smoke and a musky men’s cologne, attempting to cover something.

The man is still silent, and you should've taken this as your second chance to leave. There are only two possibilities for a man like him: a perverted stalker or a serial killer—most likely the latter, because for what reason would he decide to take shelter under the awning of a dark bankrupt cafe with a woman when the surrounding pubs are still serving happy hour?

While the stranger settles against the wall, you notice his large hand drift casually into his pants pocket. Your breath caught in your throat, your heart pounding in panic wondering what weapon he might pull out – a knife, or worse. All instincts screamed to run away, but your feet remained rooted to the ground, frozen.

“Nasty night.”

Your body comes to a complete stop. The air is forgotten, and you wonder if you really heard him speak just now or if you were just hallucinating. He has a roughness to his voice, gravels, and a low range with a hint of timbre muffled by his dark mask. Unknowingly turning toward him, you stared at his side profile until he met your gaze, and you swiftly looked straight forward again.

“Uh, y-yes, quite a storm,” You stuttered in reply, cursing your trembling voice. Gripping your duffel bag tighter, you tried not to say anything that might offend him.

Minutes pass, the rain as the only noise. Finally, he spoke again, "Subway, yeah?" Between the sound of the rain and his muffled ones, you tried hard to make out what he was saying. After fully understanding it, you give it a nod.

“Yes, the subway. Though it may be closed by now with the weather.”

The man pulled out a pack of cigarettes. From the corner of your eye, you knew he was taking off his mask. Your heart beats fast as you resist the urge to turn your head, settling to look at the dark street in front of you instead. Smoke wafts between you both, creating faint, short-lived tendrils in the air.

The two of you were in silence. You wanted to talk to him again but didn't know what there was to say; it could be that he just wants to smoke with a company, a quiet company. He let out a puff of fresh cigarette smoke, and you inhaled it all. Toxins are bad for the skin and lungs, and yet you're better off suffocating than giving the impression that you're disturbed.

“Subway's closed, like you said. No sense waiting in the wet.” He took the last drag and threw the cigarette butt into the gutter. “Come on then. Pub's the best place for now.” His voice muffled again – he had put his mask back on.

You hesitated at his offer, biting your lip as you weighed the options rapidly in your mind. On one hand, the rain shows no signs of letting up, and this awning provides only a little protection at best. But to follow a strange man through the streets, alone, allowing him to take you to a spot where inebriation may be present—where his worst pals might be waiting. Girls your age being spiked is something you hear about a lot.

Shaking your head, you manage a small smile. “Thank you for the kind offer, but I'll be right here. Best not to trouble you further on such a night.”

He tilts his head, his eyes peering from the mask's shadows as if reading your unspoken fears. Does he see the consideration behind your polite refusal—how now you are a vulnerable woman, and this relative anonymity without further conversation is a safe option, despite the discomfort? Within his dark eyes, there was a stirring that you didn't understand. Pity? Or mockery? Under his towering height and massive body, you were nothing but a frightened rabbit.

Gusts of wind drive cold droplets under the awning. You suppressed a shiver, hugging yourself tighter. “Really, I'll be fine. The rain can't last forever." A forced laugh follows your words.

You seize the chance to stare back at him. It was impossible for you to know what calculations were going through his mind, or what emotion lay beneath that mask. It's pretty unfair, you think, that he can hide under a hood that nearly makes him invisible in the dark of night while he can see all of you—a greasy-haired woman hoping the man in front of her will respect her dumb decision. It's the least he can do.

Just when you think this staring game would go on for another minute, he turns his gaze. “Suit yourself, love.” His voice comes out gruff, and your heart drops thinking you've let him down (but, for what?). "But you'll catch your death waiting in the rain."

A pang of guilt crashes into you as he turns his shoe the other way. For safety's sake, you rejected him, thinking you're being sensible; but there's an authoritative voice in the back of your mind telling you, "He's the first nice guy in a long time, and look what you gave in exchange for his kind offer." Self-doubt is playing in your heart. His back was already turning, boots squelching away into the rain.

“Wait!” You called after him, hating how small and frightened you sounded. He paused and searched back, eyes questioning through the mask. Steeling your nerves, you step into the downpour. “I'm coming with you.”

If this guy thinks you're an indecisive woman who can't even commit to a decision for more than five seconds, thank goodness he didn't say anything other than give you another stare. He led the way as he went, holding the door of one of the busy London pubs. More liquor and tobacco smells. You both entered, bringing a burst of damp wind with you. The warmth and noise within are a shock after the storm outside.

He steers you towards the fireplace, shrugging out of his soaked jacket. “Get yourself by the hearth,” he said, nodding to an empty chair. “Dry off.”

You did as he said gratefully, holding your hands out to the flames. The colors returned to your cheeks; fear slowly evaporated away.

“What'll you have, love?” He asked, and you frowned before understanding. Oh, drinks.

“Something light,” is all you say, eyes lowered again. The man gave a nod and went to give the bartender the order.

He returned not long after, setting the drinks down and taking the chair opposite to yours, stretching out his long legs toward the fire. You took the gin with a murmured “thank you.” He settled with his own—whiskey in a glass, neat. You glanced at the remains of rainwater dripping heavily from his clothes in a growing puddle at his boots. The drinks were enjoyed in companionable silence, still trying to find calm after the storm's fury.

The fire crackles merrily as you sit. Finding your voice, you clear your throat gently.

“Thank you, for…” Your fingers tapped nervously on the glass. “Well, for everything, I suppose.”

His eyes lifted from the flames to meet yours, and you offered a small smile. “I’m (Y/N).”

As the name slips out, you berate yourself. How stupid, giving up something as personal as your name! This man was still a stranger, no matter his kindness so far. For all you know, bad intentions could be lurking behind that calm gaze even now. But in the cozy glow of the fire, your sense of awareness wavered, lulled to sleep in a false sense of security.

He merely nodded, moving his hand to the mask hook over his ear without expressing much emotion. Your eyes widened, and your heart was pounding. The breath in your lungs stilled in anticipation as the fabric peeled slowly back, inch by inch. Is he about to...?

The man removed his mask, appearing at ease and lacking in secrecy. He looks at you, and you quickly look aside, pretending to offer him a little privacy. You wait for him to finish, to put it on again, but he never does. Is it okay to look-

Deciding to no longer be the uneasy one (since the guy looks completely unconcerned as he takes a long sip of his drink), you follow suit and allow the liquid to cascade down your throat. There's a slight thump as your glass hits the aged wood. Your curiosity is piqued even more by the fact that he hasn't made any moves to wear it again. Slowly, you raised your gaze, meeting that unveiled gaze – a secret not meant for your eyes.

Blonde eyelashes – pretty. Faint shadows hung under the eyes. Light stubble. Scars dotted his jaw, thin white slashes earned from unknown origins. His nose sat slightly off-center, clearly broken more than once in past altercations—bar fights, perhaps? Though something about the precise thinness of the lines didn't seem right for brawling. Regardless of which one, he is clearly no stranger to violence, and being near him is enough for someone to sense the danger he was capable of.

But, there is something about that powerful jawline, the intensity found only in his hooded eyes, spokes of steel and intricate details that defy explanation. Fire in his eyes. Even after taking off the mask and grasping it between his lengthy fingers—just when you think all the curtains have been exposed—he still remains a mystery.

(And you're just another gullible woman who believes she knows how to solve the puzzle.)

You wait; surely he will offer his own name in return now that you've bared yours. But seconds ticked by in the silence, and still he said nothing.

A flush crept up your neck at the realization that he had no intention of reciprocating. Did you misread this entire meeting? Why did he bring you here if not to talk? You observe his stony profile, wishing you could see past him. Did he intend to remain a mystery—an enigma full of intrigue? Or is it actually a test to see how long your curiosity can last?

Your fingers fidget with the condensation on your glass. Under this new tension, the easy silence fell away. Seeking an escape from the awkwardness, you looked for something, anything. Your gaze landed on a group of regulars in the corner, laughing boisterously.

“Do you, um, come here often?” You ask lamely, cursing your inability to make small talk. But there was an amused glint in his eyes that put you back at ease.

“Aye, I'm 'ere often enough,” he replied, taking another sip. You assume he finds humor in your discomfort, rather than mocking it. The knot in your shoulders loosened, and you relaxed into a smile again.

For good or ill, this man stirred something deep inside you—and you're desperate to scavenge for light, safe conversation topics to continue the conversation.

“So, um, what kind of work do you—” You catch yourself, cheeks warming. Too personal to ask a stranger met by chance. You let out a dry laugh. “Sorry, I don't mean to pry. It’s just… making conversation.”

At the small thud of his glass meeting the scarred wood of the table, your eyes darted up in surprise. Already empty—have you been so lost in thought that you missed him finishing? A swell of questions rose inside you as you watched his movements for a clue. Would he signal the bartender for a refill, extending your time together? Or was this the end—the strange encounter came to a close because you somehow offended him for prying too much?

“Military.”

Unexpectedly, he gave a single-word reply. Military—that explains a lot, from his physique and bearing to the scars and the lingering scents that cling to his coat.

"Oh!" was all you could think of as a response. More questions swim to the surface, demanding to be asked, but you quash them, not wanting to risk being presumptuous a second time.

Feeling indebted, you then offer, "I do ballet, with the Metropolitan Opera." The words slip out before you can check them, and inwardly you curse yourself once again. 

Great. Name, job, and workplace. Why don't you give him your address next?

You bit your lip. Risking a glance up, you hope he won't take your openness as foolishness. His quiet acceptance has so far calmed your nerves, and now you find yourself craving that ease again.

“Must be rewarding,” is all he offers—you grow accustomed to his terse responses. Plain, perhaps even half-hearted, but you smile as though he had read you a lovely poetry full of flattery.

“Yeah, it's really rewarding to dance and like, share that joy with others.”

Liar. What can a soulless ballerina have to share? So far, frustration is what you inflict on your director, and criticism is secretly a “reward” for your fellow dancers. You understand perfectly well, from the top of your head to the balls of your toes, that there is no joy that you can share. However, this man didn't know. He doesn't know who or how you are. Since the very beginning, you have spoken truth to him; allow this one deception to pass.

Your fingertips made a gentle squeak as they rubbed across the condensation on your glass. “If I may ask… what inspired you to serve?”

For a moment, he was quiet, considering with eyes turned to the flames.

"It was a calling, I suppose," came the gruff reply. “The world had its darkness even then. Felt a duty to stand against it.”

After providing an answer, the two of you returned to silence. You gazed thoughtfully into the flames, thinking of how you might spark another conversation that didn't rely solely on question and answer. The last thing you want is for him to view you as overbearing or pushy.

“What drew you to ballet, then?”

It was unexpected for him to pose a question, and you were taken aback when he did. Your lips curved into a smile as you thought about the answer, and your mother's role in starting it all.

"Well, I think it started because Mom thought ballet was 'cute'." A tone of amusement permeates your voice. “She had no idea about the art or discipline—she just wanted to see her little girl swirl and spin in frilly costumes. But I had fun dancing, dressing up, and listening to the music...”

Somewhere in your head, your mother's voice echoes again. Bitter and resentful, encased in an everlasting nightmare. Your mother stood in the audience, and you ran towards her, tutu skirt fluttering gently. She wiped her eyes and knelt down in front of you, whispering, "You were marvelous, sweetheart," as she drew you in. She smiles, but it stops short of her eyes. Then a string of apologies, saying that he’s gone—that she knew he had promised you to be here, but he's gone. Dad is gone. And he'll never see what you can do.

“My first real performance, in elementary school… I was so proud when the curtain fell.” You continue, remembering another face that has long been a ghost in the past.

("Why did you let that man walk away?")

You clear your throat softly. “After that, it just felt right, you know? Like I'd found where I belong.”

Liar.

Steering away from the bitter past, you change the direction of the conversation again. “Are you from around here?” It's a simple question, maybe even stupid. His accent alone makes it plain he grew up in this land, but, no matter how long you've lived in England, you have a small grasp of regional dialects within the country.

“I mean, I know you're obviously from here—your accent kind of gives it away.” You waved. “I just meant—is this area home for you? Or are you from elsewhere originally?”

The barest upturn of his lips catches your eye. Was that a smile? On this gruff, grumpy stranger who has only revealed so little so far? Your heart beats at the sight, rare as a summer snowflake. He reached into his pocket, took out a cigarette, and held it between his dry lips. The lighter ignited, and white smoke was blown out.

“Manchester, originally,” he said, intonation hanging. He took another drag of his cigarette before exhaling slowly and adding, “A different world now. You?”

“I've been in the city for years now, but I'm from San Francisco.” You said. “When the chance came up to transfer here from my old opera house back home, I leapt at it. Felt it was time for a fresh start, to spread my wings and live on my own. And maybe get out from under my mom's feet—love her to bits, but she can be a bit much sometimes.”

From your own remarks, you can't help but question if mothers are as harsh on their sons or if this is solely reserved for daughters. Girls are taught to keep close to home and their hearts, while boys are free to roam and explore. Is it any wonder, then, that spreading your wings felt like escaping? You wanted to ask him but ended up lacing your tongue tightly.

The fire's burned low, just embers burning gently in the fireplace. Time passed unnoticed as the two of you sat chatting quietly. But outside, the rain began to subside until it was a fine patter on the roof.

“Storm’s passed, seems.”

As he speaks, you glance up to find his guarded mask has fallen once more into place. The easy openness that had soothed tired nerves now closed again – strangely making you bereft. A feeling of melancholy welled up in your chest at the thought of parting, of kissing away the intimate bubble the two of you had crafted and going back out there into the cold reality where you would be strangers again. Your fingers fidgeted in your lap as you searched for words.

“I suppose you're right… it has eased off some.” Your voice came out small and awkward to your own ears. Licking your dry lips, you added, “thank you, for your company. It was…nice, not to feel alone.”

 He stood up, stretching his tall frame. After this, the spell of the evening will evaporate, and everything will return to the reality of loneliness once again.

“C'mon then, let's get you home,” he said gruffly, offering a hand to help you up. His strong hand envelops your smaller one—rough yet tender, sending warmth through your limbs that have little to do with the fire now dying.

Pushing through the heavy doors, the night air is a contrast to the warmth of the pub. Thick fog covered the streets, rain-slick stones glistening under the street lights. He waved at the first cab that passed—and you prayed it wouldn't stop so you could buy a little more time with him.

It stopped. The night was set to end.

He holds it while you slip inside. Through the open window, your eyes met his; he crouched beside the window, broad shoulders hunched. He's talking to the cab driver, but you can't hear it—not when your heart flutters madly in your breast over a single question. The ache of still not knowing his name. It seems wrong, unfair, that he knows you so well, yet you know nothing of him in return.

The cab lurches into motion, snapping the spell. Panic rises in your throat; you can't let him disappear into the night—to the back of your head like another passerby.

“Wait—please! I don't know your name."

Before you can stop yourself, the words tumble out in a desperate rush.

The second ticks by as you wait. He finds you foolish, for sure—just another desperate, nosy girl who wants to play detective the second she sees a puzzle. The clinginess in your request must have given the impression that you were a fool in love—gullible and name-obsessed.

Something shifts in his dark eyes, and you hope it's a wall crumbling away. Then, in his low rumble – “Simon.”

Your eyebrows furrowed, almost parting your lips in question before—

“Name's Simon,” he repeats.

(And the sun breaks through storm clouds.)

SUPPORT ME THROUGH KO-FI! CHECK MY WRITING COMMISSION.

god DAMN

that 141 x reader you just did was so good! i need to know what happens next. like after reader is better, do they stay in the military? stay in 141? or do they take a discharge? I’m not the original ask but it was just so good.

love your writing btw!

thank you! here’s part two :)

part one here / part three here

you were beginning to hate the infirmary.

the white walls. the moans of pain. the smell of bleach and blood.

the reminder of why you were here. of who put you here.

your friends. your family. your team. john. johnny. kyle. simon.

you’d told the doctor to not let your teammates in, and she had tried, but there was only so much she could do. she couldn’t monitor the door all the time, and so a week after waking up from your coma, john price is sitting at your beside once again.

his hands are clasped together, knuckles white with the intensity of his grip. he’s leaning forward, elbows resting on the bed, hands under his chin. his position conveys his regret and worry. he looks like he should be in church, knelt between the pews and spewing silent prayers to a god that isn’t listening.

you haven’t spoken to him since he sat down ten minutes ago. the second you saw him step inside the infirmary, you knew he was there for you. there to try and speak to you, to apologize.

fuck him and his apologies.

you turned your head to the side, eyes staring at the white curtain separating your bed from the next. you studied the stitching while you listened to him breathe next to you. he hadn’t spoken either— just sat down and watched you.

it made your skin crawl, how he thought this was okay. how he thought this would be the way to get back into your good graces.

he clears his throat then, a sound you’ve heard a million times before. it makes you want to gag now.

“love,” his voice is soft, caring. you want to hit him in the jaw.

“can we talk? please?”

you don’t turn over, don’t even spare him a glance. you keep your gaze trained on the curtain. the only giveaway that he has your attention is the fists you clench at your sides.

he takes the silence as an invitation, that bastard.

“what happened—” he begins, then grunts. stops. takes a second, then begins again.

“what we did,” he says, and you roll your eyes. “it wasn’t right. the intel was from a trusted source. we—” he sighs then, and you can tell he’s rubbing his temple. he did that when he was stressed. when he was anxious.

“we were wrong to believe them over you, love. and im— im sorry.”

silence ensues. you don’t give him any indication that you’ve heard what he said. he sighs again, inhaling deeply.

“you’re still part of this team. johnny and gaz, they’ve been sitting outside this damn room like sentries. can barely pry ‘em away for drills.” he chuckles then, but it’s sad. pitiful. mournful.

“there’s nothing we can do to make this right,” he tells you. you’re still mulling over what he said about johnny and gaz. still hung up on the fact that he didn’t mention simon at all.

simon, who did the most damage to you, both psychologically and physically. simon, who shared your bed. simon.

simon, who is too much of a coward to face you for his crimes.

“but we want to try,” price is speaking again. “if you’ll let us.”

he stops talking. waits a beat, then two. then, you hear his chair scrape. he’s getting up, and that’s when you turn your head to face him.

he looks bad. bags under the eyes, skin pale, beard overgrown. you think he deserves this. deserves worse than this. his eyes meet yours, and they widen the tiniest bit at the attention you’re showing him.

your voice is full of venom as you speak.

“nothing,” you seethe, angry tears blurring your vision. “will ever undo what you did to me. what he did to me.”

price knows you’re talking about simon. the whole team knew you were a thing. hell, when they’d strapped you to that chair and debated who would ‘interrogate’ you, they hadn’t even thought to include simon. why would he want to torture the person he loved?

to their surprise, he had volunteered to take point.

“when i get out of this bed,” you continue. “im gone. and i never, never, want to see any of you again, or else im putting a fucking bullet between your eyes.”

the captain doesn’t speak. you can see the remorse on his face. you couldn’t care less about his feelings.

he gives a short nod, and without another word, he turns and leaves the room.

after john’s visit, no one else tries to visit you. you no longer catch glimpses of kyle or johnny outside the infirmary door. you’re glad they’re starting to get the hint.

but you’re still getting flowers. you don’t know where they’re coming from. sometimes they’re dropped off by a nurse, other times they appear in the morning after a restless sleep. there’s never a note. never anything to suggest who would be leaving them.

you know it’s one of the 141, but you don’t know exactly who. you feel certain it’s not simon.

but, unbeknownst to you, it is him. he knows you don’t want to see him— to see any of them. price had told them all about what you’d said to him during your talk.

price had also told them that he’d already started preparing your transfer papers. that had caused an uproar from soap, who’d quickly been quieted by a saddened price.

simon had expected it. expected worse, actually. he knew that if the roles had been reversed, he wouldn’t have been as merciful as you. it made him hate what they’d done to you so much more.

there had been the tiniest doubt in his mind when all the evidence pointed to you. he hadn’t believed it at first— and then things became damning. everything pointed to you. trusted sources were pointing their fingers at you, and everyone listened. he had listened.

he had volunteered to torture you because he’d been angry. rage he hadn’t felt in years bubbled to the surface of his skin, and he wanted to tear you limb from limb. how dare you come into their lives— his life— and betray them so substantially?

simon didn’t trust easily. he was battered and broken and scarred. shattered and malformed pieces hastily glued back together. he let the team in. let you in. let you see his face. let you into his bed. let you into his fucking heart.

and you turned around and drove a dagger into him. or so he thought.

he thought his anger and actions had been justified. thought he was doing the world a favor by butchering you. but he was wrong. the team was wrong.

he finds himself regretting how he hadn’t listened to your pleas, but there’s nothing he can do about it now.

he knows the chances of you forgiving him, of letting him back into your life, are slim to none. but how could he not at least try?

you’d know each other for years. been together for years. all of it thrown away because he still knew the hurt of betrayal all too well. because it was too easy to fall back into the mindset that it was him against everyone. that the only person he knew, the only one he could rely on, was himself.

so he left flowers. your favorite ones. and he did so without making you face him, without apologizing or groveling. it was the least he owed you.

a month after your coma, you were finally allowed out of the infirmary. you were still healing, skin still tender and bruised. pink, jagged scars lining your skin; eternal reminders of the pain you’d been subjected to.

you’d been given a t-shirt and a pair of jeans, which you’d pulled on with much fuss. every time you struggled or stumbled, you found yourself getting angry. angry at the men who did this to you.

the anger was going to eat you alive, at least that’s what the psychologist that had been dropping by to see you had said. she’d told you you need to let it go, and you’d laughed in her face.

how do you let something like this go?

you didn’t know. you didn’t think you were strong enough to do that. not a good enough person to forgive the men that had carved into you.

once you had dressed, you shuffled out into the hallway. you’d profusely denied an escort, and the doctor had reluctantly acquiesced. she’d let you go, with just the promise that you’d keep your iv hooked in.

so here you were, trudging down the halls of the base, iv pole rattling along behind you.

you could feel eyes on you, but no one dared to get too close. you were glad. you didn’t want more empty apologies and sympathetic words.

you still remembered the way to price’s office like the back of your hand. you doubted you’d ever forget it.

time and time again you’d found yourself here. sometimes, getting reprimanded. others, congratulated. a few times you’d shown up in tears, and price had let you in without a word.

now you were standing outside his door, trying to contain the rage in your veins.

you raised a hand. knocked once, firm and loud.

“come in!” price called from inside.

you were already twisting the door knob, pushing into the room.

your eyes found price first. he was leaning against his desk, arms crossed over his chest. his hat was absent from his head, instead resting beside him on the desk.

and then you noticed simon.

he was wearing all black. his hands were covered, bones decorating the black gloves. gloves you’d seen many times before. gloves that had been pressed to gunshots, trying to stop the bleeding.

the lower half of his face was covered, allowing you to see from his eyes up. his sandy blonde hair was ruffled.

you quickly turned your attention back to price.

“love, what are you doin’ here? you should be in bed—” he began, but you waved a hand as you stepped further into the room. you pulled your iv pole in behind you, then kicked the door shut.

“don’t talk, just listen. i still mean what i said when you came to visit. the only reason im here right now is because you haven’t put in for my fucking transfer.” you hissed.

the captain’s eyes widened, his face taking on a sheepish expression at the revelation that he’d been caught. simon stood quietly beside him, eyes trained on you. you ignored him.

“love, i didn’t want to do anything before you were ready—” he began. you cut him off.

“bullshit! you didn’t want to do anything because you don’t want me to leave. you want me to forgive you, right? hear you all out? come back and be a happy little family again?”

the room fell eerily silent as you stared at the captain. your heart was roaring in your ears.

“put in the fucking transfer, john.” you finished.

he reluctantly nodded. he inhaled, his eyes glancing at his lieutenant briefly, before he spoke again.

“of course, love. ‘m sorry.”

you didn’t say anything else. you turned to go, your back to the men, when simon’s voice cut through the air.

“you should be respectful to your captain, sergeant.”

you froze as you took in his words. was he fucking serious?

you didn’t turn around. you trained your eyes on the door as you spoke words through gritted teeth.

“you should watch your tongue, lieutenant, before I fucking cut it off.”

with that, you pulled open the door and stepped into the hallway, slamming it loudly behind you.

author’s note:

apologies for the wait! I hope everyone enjoyed! (this is being posted before proofreading, so I hope it’s okay— I’ll read through it later, it’s just late and im tired lol)

Hngggggg. Nikto being balls deep inside you, face buried into your shoulder, murmuring in Russian about how perfect you are, how tight and warm and loving. Made for him. Reparations from the universe for all his pain and suffering. He’ll never leave you, never. He is yours and you are his. He doesn’t care if he has to chain you to him and throw away the key.

Necessities.

my brain rumbles with johnny mactavish a/b/o thoughts

medically discharged alpha johnny with an overgrown beard who relocates to a farm in the highlands in frustration, angry that he’s physically inept now, bullet to the head ruining some of his motor functions, fucks with his memory.

and you, the omega who moved into the abandoned neighboring farmhouse a few weeks ago, stopping by to introduce yourself— asking him if he has any tips on fixing the barbed fencing around your property.

and yeah, his hands shake in uncoordinated movements these days, and he has a hard time judging distance and picking out the right words— but there’s a deep ache in him that he can’t forget.

and he knows of it as clear as he breathes, damaged brain all but likened to a discussion about the weather.

he remembers the sweetness of an omega on his tongue, and you’re right in front of him.