Didn't Forgot About These Two Links

kyaaaa I'm late to vampire school *runs out while holding a dude by the neck in my mouth*

I love your personality

thank you! its pieces of everyone ive ever loved

put those big brown eyes away dude now is NOT the time

my favorite version of ghost is when the author describes him having a fucked up face, broken nose improperly set, chipped and missing teeth, scars everywhere, cleft lip, acne+acne scars. grabby hands. gimme

someone send me their thoughts about ghost being a gross little perv 👀

sorry, this was born out of a need to indulge myself featuring: gaz, ballerina!reader, stalking, intrusive thoughts, delusion, mentioned SA and kidnapping

Kyle first spots you on the Piccadilly line in London's underground.

He's usually wary of public transport – would really rather walk the hour from Knightsbridge to Hammersmith than risk the inevitable unsavoury interaction bound to happen in an overcrowded tube – but it was late at night, he'd just spent his day sitting in a hotel lobby gathering intel for Price, and the idea of ducking down narrow streets in the blistering cold was the last thing he wanted coming to fruition. That's how he ended up in a (thankfully empty) train car anyway; hoodie up and hands stuffed deep into his pockets, thumb brushing over the handle of a switchblade.

He's focused on the shady character stretched across three seats adjacent to him when you happen to prance in. Perhaps prance isn't that accurate an account either, but it's hard to attribute much else to you when you're dressed like a character from one of his sister's childhood storybooks. Angelina ballerina, or something of the sorts – mismatched leg warmers, knitted bolero sleeving a black camisole, basketball shorts over nude-coloured tights, and dance booties that look like little puffer coats for your feet.

The duffel bag slung over your shoulder concerns him briefly – it's hard to look at carryalls the same after serving the military, he finds – but the tired look on your face pacifies any suspicions he might have of your intentions. Wouldn't be wise to execute an offensive when one of your operatives is weary, especially given they're the only agent in sight. Regardless, he's hit with a distinct trepidation that takes a while to name.

You slide past the figure he'd been observing early, hop over Kyle's boots as well, fingers clasped over your behind as if to protect yourself from any wandering hands. The feeling rippling in his chest worsens, yet it's only as you slot yourself onto a far-away seat is he able to recognise it.

You shouldn't be here this late. This isn't the place for you.

With your hair neatly pulled away from your face, he's given full reign to ogle at your darling features. Round cheeks. Hydrated lips. Pretty thing. His molars grind against each other. There are no doubt men on this train that'd want to take advantage of that. Press your mouth open with a thumb on your tongue, rub themselves raw just to see cum decorate your lashes and drip over your brow. Barrack talk, the type of shit he hears floating between his comrades-in-arms when missions drag a little too long. Perversion brought on by desperation.

The intercom dings, and the lady with the soothing voice announces their arrival to Hammersmith. His stop, yet the thought of getting off and abandoning you is enough to keep him stuck to his seat. His stomach upturns as possibilities occur to him like frames in a technicolor film; none pleasant, all ending with you tied up in the trunk of some random van. Some part of him recognises his paranoia, the ridiculousness in his attachment to a perfect stranger (which chides him in a voice eerily similar to Price's, all gruff vowels and whispered consonants), but it does not change the fact that when the doors open to his station, he does not move.

Yeah. He stays on so long as you do – which fortunately is not an extensive length of time. You collect your stuff one stop later, standing to wait at the door once the lady announces Acton Town. He doesn't get up until you're a few seconds out though, slipping through the closing panels of the entryway to follow a few paces behind your heel. Up the escalator and down the block.

The night air nips at his nose, chilling his knuckles so they creak if he curls them. Are your nipples knotted under your layers? Or would they need the help of his fingers to perk up? His throat stiffens. He shakes the thought from his head.

You make a turn. Kyle stops for a second, breathes in, before veering left behind you. Heading towards the west part of town, now. It's a good place to live, all things considered. Still, he wonders if you deadbolt your doors, if you keep yourself safe online. You seem smart, but there are people who won't rest until they get their way. People like the one's he deals with at work – amoral men with biceps that could crush your head. Rotten, horrible men who are only rotten and horrible to cope with the tasks assigned to them. Depraved enemies, depraved friends. Only difference between the two being which flag they fight for.

You throw a look over your shoulder, shoulders shrinking as you wrap your arms tighter across your chest. He looks around, seeking the threat you seem to be so put off by. Nothing but brick-and-mortar storefronts and flattened cigarette butts.

He's compelled by the urge to shush you, to scratch your back as he tells you that there's no need to worry. He'll walk you all the way home. Make sure you get nice and situated, listen for the tell-tale lock of your deadbolt, watch for the dimming of your light. He'll stay until you fall asleep, then walk back to where he came from, take the returning line to Hammersmith – so when he flops back down into his own bed, he'll be reassured by the knowledge that you're safe a mere 4 miles away.

Might take a shower before then, though. Your arse looks great when you're speed-walking like this, pronounced even behind the loose material of your basketball shorts. He hopes the image remains as vivid when he's attending to the heavy mass between his legs later.

Kyle halts right in his tracks.

What is he doing?

You're nearly running now, shrinking away from him at an exponential rate, and duck another corner when you look back to see that he's no longer in pursuit. Completely out of sight.

His Captain’s voice comes to life once more, echoing in the part of his brain he has yet to compartmentalise.

You draw the line wherever you need it, Sergeant.

The best ship dynamic is actually just. "I love you and it terrifies me. I'm terrified how much I need you and how much I want you to need me. I'm terrified I'm no good for you and I'm going to hurt you and ruin you and I'm terrified of how I feel when you're around me but I can't bear to push you away completely because I'm terrified to be without you so now we're stuck in limbo and that's terrifying too. I'm terrified that if I lost you now it'd destroy me and I'm terrified that it's too late to do anything about it. I love you. And it's terrifying."

The answer to your problems is self-discipline

I do think about Simon Riley saying “here kitty kitty” to you in a dark alley a lot but it never becomes anything.

…