it’s always ‘do the right thing’ this and ‘pick the moral high ground’ that, well maybe i want the villain to spit in my mouth. have you considered that?
I need to know what happens next like rn
nyx in little purple onesies
his tiny wings getting stronger each day, flapping while being held but not yet flying
how tiny he is in cassian’s arms
playing with azriel’s shadows, giggling when they twirl around his head
playing with cas and az’s siphons
his little baby fists gripping rhy’s talons in his hands as if to say ‘i have those too!’
being obsessed with the planets in rhys’ study, so much so rhys makes one for his nursery
coming into his powers, sneezing out clouds of starlight
his magic changing based on his mood. when he’s happy it’s all constellations but when he’s fussy it’s rhys’ brand of darkness
rhys holding him in his study with feyre’s portrait looking over them when she’s away on court business
rhys freaking out when the baby accidentally falls over or coughs a little too loudly ‘feyre get the healer!’ (feyre meanwhile tosses the baby around ‘and he’s fine’)
Feyre was really hated because she didn’t want to starve..she’s blamed for “enabling” her father into not doing anything because him sitting on his ass for years wasn’t clear enough for her useless family, because she didn’t want to see everyone die and was psychologically and emotionally abused for it and she got no apology or closure for it….
idk but this song gives me nessian vibes
What do you mean when you say her books are not for the lazy reader?
Hey hon,
I’m going to explain this the best way that I can while I cook some pancakes: in literature in general (in some genres, like fantasy, more than in others) each book will provide you with some dots. Some authors will give you the dots and just that, so it’s up to you to connect them; other will give you the dots and the lines so you get a feel and then start connecting them; and others will give you the dots, the lines and then show you how to connect them.
A lot of authors are a combination of these dynamics, Sarah J Maas is one of those authors. Her books will give you the dots and sometimes she will give you the lines. But her books do rely on a reader that is willing to put in the effort and make those connections and complete the storyline/engage with the world. That’s why I say you can’t be lazy with her books and expect her to explicitly show you absolutely all. And it’s something that I see in the people who read her books, the complain that she didn’t explicitly had a scene or the characters verbally say something, but she has other ways of showing you that require active engagement.
This is something that it’s not just with her books, a lot of authors do that. For instance N. K. Jemisin did that with The Broken Earth Trilogy in a much more extreme way, literally only a few dots and a line thrown every now and then –which makes them incredibly engaging–. Brandon Sanderson is the opposite, if you read The Final Empire, he gives you dots and helps you connect them –and god bless him for this because his magic system alone is quite different and not without its set of complications–.
Sure you can read her books and be like “listen I don’t want to put in this effort I’m just here for the surface stuff” and that is perfectly fine, but then you need to be aware that you will not get everything her books have to offer. It’s like reading her books for the romance and then complaining that all you got was sex and romance – not to say that this is shallow because I do think her romances and sex are more than just tension and smutt–. Her books rely on you also putting two and two together and look beyond the hot fae and pay attention. For example she will not tell you that magic has limitations by listing them, but she will show you it has limitations in the fact that magic alone is not enough to perform a c-section. There you have the dots, it is up to you to connect them and understand that there is a difference between magic and knowledge and that magic does not necessarily give you knowledge
Her world building is also very reliant on the character she is focusing. Just think of how with each book in the original trilogy the map got more detailed as Feyre understood more of it. But you are not the character so heading into ACOSF you have a broader scope of this world, than Nesta for instance, because you come into with all that Feyre lived in the world, but still your tools to help you understand the world better are still anchored on what the character knows or discovers.
So yeah can read the books and be there for what she explicitly tells you and have fun or you can read her books and partake on the story. People don’t give her nearly enough credit for her writing. Like all authors she has room for improvement in how she handles narrative, characters and world building (and I do have a few critics); but still she does not get the credit she deserves for how she crafts her work.
People also demand perfection from her books that I have not seen demanded of other authors.
STOP LMAOOO
I know some people don't get it but its okay to hate on movies songs novels but what is not okay is to belittle others who like them. you hate somethings no one is stoping you but going on social platforms and telling people who like it that they are wrong and what kind of monsters they are to like it and how insensitive they are to some communities because of their choices is unacceptable. Because some of those fans belong to those communities and reading such accusations they start to doubt themselves and start hating something they love and this is in no way okay and is nothing else but bullying.
Jude(whenever she sees Cardan in wicked king): I am gonna kill him!
also Jude: fuck me!!!!!