— Édith Piaf

The way Aegon desperately wants to fill the conqueror's armor, even when it's evidently too large for him to fully take up. He looks like a boy slipping into his father's coat, a boy whose idea of his father as this invincible figure, who he can never quite reach, is destined to be popped some way or another.

Aegon isn't the only one who clings to the idea of the conqueror as this ideal. His shadow looms large over all of House Targaryen, this almost mythical figure whose legacy all Targaryen try to claim for themselves. They chase after his ghost, believing that to truly be a Targaryen, one must be like him: ruthless, powerful, and above all, victorious. They forget—or perhaps choose to ignore—that his victories were bathed in blood, that his crown was forged in fire and brutality. His legacy is a cursed throne, a throne that cuts most who sit upon it, a throne that pits people against each other.

Generation after generation, Targaryens name their children are after him. Aegon. A name dripping in history and blood and crushed dreams. They hope that this name will bring with them the strength and glory. A babe born to me, wearing the Conqueror's crown. But these hopes are often dashed. These children are caught in the endless cycle of violence that defines their bloodline. They keep meeting more and more horrific fates—murder, madness, betrayal.

The prophecy that the Conqueror himself used as justification for all the blood he spilt, the prophecy so many Targaryen feel like is theirs to fulfill—the promise of a hero who will save the world—only serves to further the rot. This prophecy, ever so vague and open to interpretation, is a way for them to give purpose to the endless wars and the pain. The Conqueror was no savior; he was a man driven by ambition and thirst for power, a man who saw kingdoms as prizes to be won and people as obstacles to be removed. He was a man who saw himself to be superior to others on the basis of what flowed through his veins.

~ Female face.

Date: ca. 280-150 B.C.

Provinience: Tarquinia, Tomb of the Orcus (Tomb of the Ogre, Tomb of Murina) (Tarquinia, Tomba dell’Orco (Tomba dei Murina)).

ACT UP, 1990

do you love me?

he got the job done 🫢

incredible

🩷

Marsha P Johnson with a snoopy plush <3

My Brilliant Friend (2018) dir. Saverio Costanzo

S1E7

mary oliver, ‘from this river, when i was a child, i used to drink’

[ID: “‘What, precisely, will you grieve for?’ For the river. For myself, my lost joyfulness. For the children who will not know what a river can be—a friend, a companion, a hint of heaven.” end ID]

Brothers & Sisters

A tragedy in the making.

Revenge of the Sith / George Lucas, Star Wars: Tales of the Jedi / Dave Filoni, Charles Murray, House of the Dragon, Dune Part Two / Denis Villeneuve, Antigone / Sophocles, Fire & Blood / George R.R. Martin

"My Brilliant Friend" // "Yellowjackets"