OMG it's NSU dice!
𝐸𝓉𝑒𝓇𝓃𝒶𝓁 𝒮𝓊𝓃𝓈𝑒𝓉 ✨ A dreamy memory of the past, preserved forever | webstore link
It's new years Eve, but everyday is halloween if tou try hard enough
TOMORROW IS HALLOWEEN!!!
Hello to you too! I'm already really interested in the books you have!
Hello!
My name is Ian and I’m a writer so I figured it was about time I joined the writeblr community.
I’m 24 and use he/they pronouns.
I have a degree in Music Industry that I am currently not using. I also have a certificate in Writing and Publishing which I am sort of using.
I’ve been writing stories for as long as I can remember, but only started pursuing it as a career about three years ago. Since then I have self-published two books that I am very proud of.
In addition to writing I have interests in music, film & television, and linguistics. I also love to read so this will probably be a little bit of a bookblr too.
As I said, I have two books currently available in paperback and ebook. They’re called It Could Always Be Worse and Will It Ever Get Better? They are both part of a series called the Woodview Stories, which I plan to continue. I’m currently working on the next book.
It Could Always Be Worse
After a traumatic experience in her hometown of Miami, Elena Flores moves away to live with the father she’s never met. It’s not easy starting a new school in the middle of October, so when her half sister invites her to a party, she thinks “what’s the worst that could happen?” Elena must learn to navigate her new life in the wealthy suburbs of Long Island and try to build relationships, but that’s hard to do when she doesn’t know who to trust and she can’t let go of her anger and sadness.
Order here.
Will It Ever Get Better?
Jo Reilly has dealt with a lot of big changes lately. She’s sharing a room with a surprise half-sister, her parents are always fighting, her best friends aren’t speaking to her, and she’s falling for someone totally unexpected. All she wants is to be normal, but what does that even mean? Jo must learn to shed her insecurities, resentments, and preconceived notions, in order to be true to herself and find the people who really care about her.
Order here.
Woodview Stories
Woodview Stories is a Young Adult contemporary fiction book series. It tells the coming of age tales of a diverse group of teens living in the affluent Long Island neighborhood of Woodview. The overarching story progresses through the books chronologically with each installment switching narrator to focus on a different person's point of view. It all begins with Elena, whose sudden move to Woodview from Miami sets off a chain of events that affects the lives of everyone around her.
The majority of what I write in YA, like the books I have already written. I also tend to stick to contemporary, but sometimes drift to other genres.
I also dabble in screenwriting. I’m currently working on a teleplay as a side project. I’ll probably post a lot about that in addition to my main project.
I don’t know if I’ve put the right stuff in the intro post, but here it is anyway.
That’s all for now. Bye!
just a random question
I know that people do open species, I was wondering if I could do that but for an entire world? because I realize that I'd have much more fun worldbuilding than writing, and I'd like to share my work with people because I'm really proud of it.
via beautiful_places_in_japan
This is funny, and kinda reminds me about how I found out that the black and white movie that Kevin watches in home alone is fake
Like, oh my god my whole childhood was a lie
SO APPARENTLY MY ENTIRE LIFE IS A LIE HOW HAS YOUR GUYS’ NIGHT BEEN
I love these colors
carrieaf_ on ig
I'm now prepared for if I ever have the sudden urge to go swimming in winter
Anyway that’s why you wear wool and a life jacket babeeeyyyy
CHARACTER VOICE TAG:
I was tagged by @somethingclevermahogony. And given the line "Get down from there!"
I find it sort of ironic that Im doing this without first doing character intros, but i think it's fun.
Xanthe Nylia: "your bones are priceless, and so is that vase so please get off of the roof!"
Richard Underhill: "I don't think you're much suited to heights dear."
Starlee Veda-Nylia: "No,no,-no,no,no- you're not supposed to be up there!"
Vallentin Ellisia: "I-I really do think that it would be best if you just got down, please."
Alia Jenanins: "How did you get up there!? You know what, no, I don't wanna know, just get down."
Sunhite Blaey: *sigh* "here, let me get a ladder to help you down."
Once again gently poking @nerdexer, and anyone else who wants to play. Your line is: "How did you get here?"
Fish know about austrailia
Me, trying to figure out how to say my name, but it's late so: tommorrow problem.
This is still so cool though
I made this before but looking through it again I missed some things and made some mistakes, and so here is an updated version of this for y'all! As with the Kishite spoken language, the Kishic script descends from and is largely identical to the Shabalic script, thus the term Kishite-Shabalic. Kishite-Syllabic is one of three scripts used in Kishetal along with Kishic hieroglyphs (reserved for religious/cultic purposes) and the logographic Shetalic script, which has fallen almost entirely out of favour.
The Kishite-Shabalic script is syllabic, thus each symbol is representative of one syllable composed of a consonant and a vowel. In addition there are characters which serve as punctuation used to symbolize the conclusion of a thought, in similar fashion to the Latin "." and "?", and the presence of a proper noun or divine status. Though it should be noted that these are not always actually used.
Unlike the Shetalic script which is traditional formed using styluses pressed into clay, Kishite-Shabalic is typical written either through carving or the use of charcoal/ink.
Shetalic is shown below on the left with Kishite-Shabalic on the right, both say the same thing.
Keep reading for more linguistic babbling!
As a general rule when transcribing the Kishite script, when two of the same vowel are put next to one another, they are treated as a single vowel, rather than elongated as we might see in English with words like book or meet or feat. Two different vowels, such as O and E, E and A, and so on, are almost never put directly beside each other. In the rare instances when this does occur the "stronger" of the two vowels will cover the other. The order of strength from least to greatest is as follows:
i-e-a-o-u
The vowels of the Kishite language are pronounced phonetically
Thus:
I as in sweet or pin
E as in egg
A as in palm
O as in coat
U as in tool
e.g. the substantive adjective "the Mighty" Urjali- + -ul (substantive ending) Urjaliul Urjaliul Urjalul (OOr-Jahl-OOl)
Special Note: One important differentiation between the Shabalic language and the Kishite language is that the Kishite language allows for the placing of multiple consonants in sequence. Take for example the Kishic name Ninma, in its original Shabalic form it would be Ninama (NI-NA-MA). Because of the fact that Kishite does have this trait, it has developed its own unique form of punctuation, the vowel drop. When placed below one of the syllabograms shown above, it cancels out the vowel, in essence rendering it mute. Ninma could alternatively be spelled using the formulation NI-IN-MA, similar to how Narul was spelled above, this is largely a matter of personal preference. The more traditional (Shabalic) form is often times considered more in keeping with nobility.
The Kishic language primarily follows a subject-object-verb structure.
Naru(u)l Nina(a)ma kimagiga(a)s Narul Ninma kimagigas. Narul Ninma carried. Narul carried Ninma.
Tamel kim(u)unur fabiguta(a)s Tamel kimunur fabigutas Tamel gates broke. Tamel broke gates.
Otilya (there is no -ia symbol in Kishite) Korithub luku ga. Otilya Korithub luku ga Otilia Korithia from is. Otilia is from Korithia
Enni Wi tuba chi Jahubur horu jawishaga The wind down the Mountain hard blows. The wind blows hard down the mountain.
The Kishic language system consists of the following cases: nominative, genitive, dative, accusative, and possessive (the Shabalic language includes an instrumental case), and distinguishes between two numbers (singular and plural) and four genders, Masc/Neutral (undefined groups or individuals), Feminine, Inanimate, and Divine.
Divine beings such as gods and certain spirits as well as the Sun, Mountains, Rivers, and the Sea are always referred to in the Divine gender. Some monsters also fall under this category. (Water Bi (Inanimate), Lake Bi (Divine))
Objects which are not and have never been alive are rendered in the Inanimate gender. This can get confusing in some instances, for example while the word corpse Nahoku would utilize the masc/neutral form, the word bone, hashudi, would utilize the inanimate. Another example of this is the word Oli which can mean either blood or wine based on whether it utilizes masc/neut or inanimate declensions.
Not all inanimate objects are rendered into the inanimate. Words like spear shukala use the masc/neutral. This group typically consists of weapons and tools. The stem used will depend on the root word.
Plants as a rule are always rendered into the feminine.
Cities and countries are neutral.
Royal Titles have a specific declension.
A few examples of declension are given in the tables below.
Verb stems always end with -i. The exception to this is the verb to be, which rather takes the form of the conjugation, thus the first person singular indicative present sample or "am" would be wa.
Talk: Akki
Breathe: Ki
Eat: Ushki
Struggle: Nari
Sleep: Eshsi
Fight: Orishri
Hunt: Pabakazi (Literally Bow art(ing))
Dance: Irteti
Kiss: Mishuzi
Copulate (and the more vulgar equivalent): Seshiti/Tu(u)ki
More verbs will be provided below.
There are two conjugation groups within Kishite verbs, the ha/za/hi-conjugation and the wa/ya/wi-conjugation. Which conjugation is used is dependent on the verb in question, typically words with a Shabalic root use the wa -conjugation while words derived from native languages more often use the ha -conjugation.
Within the Kishite language there are two voices (active and medio-passive), three moods (indicative, subjunctive, and imperative), three aspects (perfective, imperfective/continuous, and simple), and three tenses (Past, Present, and Future)
The present tense can be identified by -i/-a/-u/-o, past by -as/-os/-us, and future by -ad/-id.
Active: The Subject is the agent of the verb.
Mediopassive: The agent acts as a reflexive agent of the verb (acting upon itself) OR the subject is the target of the verb.
Present Simple Active: Narul is hungry Past Simple Active: Narul was hungry Future Simple Active: Ninma will not be hungry Present Simple Mediopassive: Narul is accompanied by Ninma/ Narul cleans (himself). Past Simple Mediopassive: Narul was accompanied by Suru Future Simple Mediopassive: Narul will be accompanied by Mikrab Present Perfect Active: Narul has slept Past Perfect Active: Narul had slept Future Perfect Active: Narul will have slept. Present Perfect Mediopassive: Bop has been carried Past Perfect Mediopassive: Bop had been carried Future Perfect Mediopassive: Bop will have been carried Present Imperfective/Continuous Active: Narul is walking Past Continuous Active: The Deep Sun used to speak Future Continuous Active: Zatar will be fighting Present Continuous Mediopassive: Bop is being carried Past Continuous Mediopassive: Bop was being carried Future Continuous Mediopassive: Bop will be being carried
There is no Future conjugation for the Subjunctive, rather future events are expressed in the present through the use of may or might.
Additionally the Subjunctive is used for the following:
Jussive: used for suggestions and negative commands: What "should" or "should not" happen used only in the first person," we should leave/we should not leave" esh = should, na(e)sh = should not
Indefinite clauses: (if/until/whenever/whoever/however) ek = if, ekib = until, kowa(a)b =whoever, bowa(a)b = whenever, lowa(a)b = wherever, mowa(a)b = however
Purpose Clauses: "So that/ in order that" am = so that/in order that
Doubtful Assertions: "May not/Might not" er = may/maybe, na(e)r = may not, eb = might, nab = might not
Certain Future Assertions: "There certainly will..." erna = certainly (literally without maybe), na(e)rna = certainly not
Present Simple Active: We should run/ Narul wishes for rain Past Simple Active: Narul wished for rain Present Simple Mediopassive: If Ninma is stopped Past Simple Mediopassive: If Ninma was stopped Present Perfect Active: Narul has wished for rain Past Perfect Active: Narul had wished for rain Present Perfect Mediopassive: If Bop has been carried Past Perfect Mediopassive: If Bop had been carried Present Imperfective/Continuous Active: Narul is wishing for rain Past Continuous Active: Narul used to wish for rain Present Continuous Mediopassive: If Bop is being carried Past Continuous Mediopassive: If Bop was being carried
Imperative is only conjugated in the second and third person singular or plural. Imperative is only used in the present and future, not for the past. Orders in the past are expressed as indicative. There are only Perfect and Imperfect Imperatives.
In the mediopassive form the imperative is translated as "Let them/you" for the first person of this the subjunctive is used "I/We should"
Present Perfect Active: Stop Future Perfect Active: You will stop Present Perfect Mediopassive: Let it stop Future Perfect Mediopassive: Let it be stopped. Present Imperfective/Continuous Active: Always stop Future Continuous Active: You will always stop Present Continuous Mediopassive: Let it be stopped (continuously) Future Continuous Mediopassive: Let it be stopped (continuously)
Additionally, the verbal system displays infinitives and participles in the present and past tenses.
There are four genders of pronouns; Masculine, Feminine, Neutral, and Divine. Objects with the Inanimate designation are given neutral pronouns. Only deities receive divine pronouns, other entities and places in the divine categorization will typically receive feminine pronouns, with the exception of celestial bodies which always receive masculine pronouns.
It is considered improper to address both royalty and deities with pronouns, as such there are no specific first or second person pronouns for the Divine category.
As with pronouns there is no "inanimate" article group, rather inanimate subjects are given masc/neut articles.
This post and the dictionary post are why, despite being back, I still haven't been all that active. I'll respond to a couple tag games tonight and I'll try to do more tomorrow. I'm still planning on doing the Korithian Recipes! Money is just tight at the moment so I'm waiting for paychecks!
If y'all notice any mistakes or typos in this, send me a message so I can fix them! Same goes for if you have questions!
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