It’s been a few months since Empires s2 came to an end and I wanted to make a piece reflecting on the time we spent with these characters 🥰✨ When season 1 ended I did a series of paintings set to the End Poem, and so I decided to revisit the concept once again, making sure to switch up which line corresponded to which person. This series means a lot to me—in fact, this is one of two big Empires s2 projects I’ve been working on! There’s another one still in the works :D
Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll.
Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast.
Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention.
Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them.
Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently.
ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face.
Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.
Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone.
A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way.
If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword.
ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters. (CLICK ME)
If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability.
People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot.
Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME)
If you want a more in-depth medical chart, try this one. (CLICK ME)
Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here.
Hey kid you want a job?
Great get online and go to a job board. Indeed, Linkedin whatever. Now you're gonna search for a role that's in your city, fits your qualifications, and doesn't seem like a bad time.
See that easy apply button? Don't hit it they just throw those in the trash. Now you're gonna want to go to the company's website and check their careers page.
Oh? That job doesn't exist anymore. Cool go back to the job board and find another one.
Great you found another job, you're on the company's career page and the job exists!! So you're going to need to make an account on the career page website. They're using Workday, the same site as the last job you applied for? Who cares? You need to make another account for THIS job's workday page.
Now you're going to upload your resume. That'll autopopulate about 15 boxes with everything on your resume, except formatted wrong and with tons of errors. So just go through and painstakingly check the dates on all of that and rewrite everything you already laid out in an aesthetically pleasing format on your resume.
Ok time for the cover letter, explain why this specific job and company are deeply important to you. You love their mission statement and wouldn't even laugh if their ceo was gunned down in the street. You'll really want to reiterate the things you just spent the last 20 minutes filling out on the resume section
(Remember to include language from the job description, people who work in HR are lower than dogs and they need patterns or they get confused.) Write about a page, but hey don't sound too desperate or robotic this is where they judge your character!
Maybe add your portfolio site at the end here, who knows if that helps no one has ever clicked mine haha.
Anywayyy time to hit apply! Congrats! You'll see that confirmation email come in and you should be getting the rejection letter in about 2 weeks. Unfortunately your resume didn't have the right buzzwords and the AI auto rejected you :(
Time to start again and try not to kill yourself!
People seemed to like my boatem immortal au so here is them being silly
the concept and idea of “you can always start trying to be a better person” is extremely important to me both in media and irl and i continue to be deeply deeply disturbed by the trend on this site pushing that these ideas in media are bad writing or even morally reprehensible
because theyd rather someone stay terrible or just straight up die than become a better person
from a compassionate point of view it’s deeply distressing and from a pragmatic point of view it’s outright frustrating
it’s fucked up.
We hit a sub goal a while back for me to put out a big list of all the Sherbert’s favorite things and it’s finally done!
I present: a very long list of favorites
A bunch of the categories I got from you guys, and some I made up myself! Some answers are pretty obvious, some are surprisingly quirky! But here you go!!
(breath of the) wild geese by mary oliver
one thing i find really cool about fable but i don't think i've ever seen any one talk about is the intentionality you can see when you look at who ascended when and why
we get our first glimpse at this in texts about deltavera: they were born into a time of great food insecurity, developed the idea of animals as a solution, and ascended so that they could continue putting that plan into action. the gods are responses to needs; it's the primordials' way of helping. they may be detached but they are also aware of the problems the realms are facing
of course, we get an up close and personal look at this in the back half of season 3. the worlds are all out of wack and on the verge of collapse? make a god of balance to keep everything under control until the issue is dealt with
everyone's memories are all fucked up from half a decade of resets? get a new god of memory on the ground to help
the way the worlds are structured is fundamentally flawed and needs to be dismantled and rebuilt from the ground up? make sure the heir of destruction is ready, and throw in a god of rebirth as a bonus
no one to keep the overworld anchored anymore? goddess of the world.
and all this is why i absolutely adore malitae on a conceptual level. because they ascend in the middle of the war. people are suffering horribly; their communities are ravaged, they're losing friends and family left and right, it seems that the gods who were supposed to care for them see them as cannon fodder.
and what do the primordials give these people? a god of expression, of the arts, of taking all that pain and emotion and making something beautiful out of it. because in the middle of tragedy, art is not just important, it's necessary for survival. malitae is the embodiment of that one Brecht quote; "in the dark times, will there also be singing? yes, there will also be singing. about the dark times." and i love them for it.
good things will happen 🧿
things that are meant to be will fall into place 🧿
I think it’s really important to talk about how different people have different power fantasies.
For example:
For some people, the idea of someone redeeming a villain is a power fantasy.
For other people, the idea of a villain being defeated is a power fantasy.
And for other people, the idea of a character owning their villainy is a power fantasy.
I would argue a lot of fandom conflicts re: villains come from people being unable to see that their fantasies, which put them in control of a narrative (and all three of these are designed to give the author or reader control of the narrative in different ways) are someone else’s horror stories.