Ever think about how Master Eiji was testing Mizu's . . . mettle ?
*finger guns*
No, but really, it cannot be an accident with this show that Master Eiji taps Mizu in the same manner he does ore and blades to test their soundness. He is testing this child, seeing how the child responds to instruction and correction--and Mizu never complains. He never has to tap Mizu more than once in an instance to impart the lesson. We're even shown a repeat moment where Mizu loses the rhythm of hammering and Master Eiji's tongs rise to admonish but he doesn't have to carry through because Mizu has already resumed.
Mizu is hard-working, diligent, self-motivated and -directed. Mizu does as told, is unobtrusive, and doesn't give up. Mizu listens, asks good questions, and is clearly learning. Mizu is being refined and shaped under Master Eiji's tutelage.
It's a shame, then, that "all metal wants to be a sword" and that Master Eiji failed to recognize and hear to what degree Mizu framed himself (as they acknowledge between them) in the symbolism of swords: the purification of hammering out impurities, the sword as the soul of a samurai (perhaps even evidence of a soul), the sword as the line between life and death.
Master Eiji indulges Mizu's stated desire to become a great swordsman--the greatest swordsman--but it's clear that in the moment Mizu declares his intention to leave to go seek revenge, Master Eiji had hoped his lessons would seep in and take root over the years, grow and overcome this foolish idea, that Mizu would become the artisan who makes swords rather than throw himself out into the world as the sword itself. Master Eiji had hoped the days working at the forge would burn out the impurities of a heart's worldly desires to leave behind a distilled will to create. Master Eiji says revenge is like gold, it doesn't rust, implying it can be pursued at any point in the future, but what he wanted was to delay to win more time so that he might get Mizu to forget all about revenge altogether. Master Eiji doesn't want Mizu to throw away his life, to go off and die. For what? To what end?
Master Eiji couldn't see Mizu and so couldn't be turned off by the sight of Mizu, but as a consequence Master Eiji couldn't measure the shame that permeated Mizu's cells. Master Eiji wanted to present language of purity as freedom--let go of all things in order to pour all of yourself into one task, cleanse yourself to begin again with each new work--but he couldn't see that every mention of purity was a cut into Mizu's psyche, who could only hear it as an indictment of her person. A half-breed. A woman. What Mizu touched, she believed, was made unclean. The shame prevented her from hearing what he said: steel too pure made fragile swords. The shame only heard "pure" and named a lack that refused to be filled by Master Eiji's efforts.
"I did not train you to be a demon . . . or a human. I showed you how to be an artist."
[...]
"Do you think revenge is an art?"
"Swords, pots, noodles, death. It is all the same to an artist."
"Then I am a bad artist."
The thing is, the unspoken thing, is that both Master Eiji and Mizu do need that human spark, the affection. "The people you collected." Master Eiji admits he made his best swords with an apprentice. Mizu survived thanks to Master Eiji--whatever kindness and compassion and sense of worth she has derives significantly from him. Perhaps if they could have said it . . .
It's significant that Mizu returned the meteorite ore to Master Eiji--with interest--as steel with the bits and bobs of people that Mizu had collected on her journey. All of herself. All her deeds. All she'd been given.
At her first departure she took that steel without permission, the act of successfully forging the stubborn metal acting as the justification, as if she earned it through mastery of smithing. The next time she will have to earn the forged steel by agreement, through connection with another person, with mutual trust and esteem and respect. A sword that could kill a god . . . but perhaps one that might not kill at all, if her heart is finally at rest, purified of its burdens.
The final shot of Season 1 in which Mizu is seen she's not carrying a blade. If she hasn't taken any of Master Eiji's blades with her, she has left everything behind. She faces whatever is to come uncovered: no hat, no tinted glasses, no scarf to hide her throat.
She made her choice. Perhaps if she can return, she'll have been or will be made anew again.
Mizu X Hikari
They r in love i tink
Mizu dakimakura commission
I REALLY LOVE IT SO MUCH THANK YOU
Nothing fleshed out or polished. Just... Mizu in my sketchpad because Mizu is an amazing character.
:>
gato sketch :3
in snow
uwu
uhhh thinkin about how mizu and taigen's relationship was described as "this meeting of the minds, this meeting of the swords, that they could not share with anybody else" in one of the netflix articles about the show
and i'm going crazy because YEAH they're both equally invested about swords and fighting in a way that nobody else in their lives are. and that's just. so important considering we're talking about mizu, who sees her sword as her own soul.
and it's not JUST mizu who's obsessed with fighting. taigen is too. cuz like after their duel at the shindo dojo, as taigen is examining his bald spot in the mirror where mizu cut off his hair, he literally interrupts his own turmoil over losing his honour, just to express his awe, openly admiring mizu's skill DESPITE the fact that mizu just beat his ass and stripped his honour and status from him
then in the next episode, mizu says a very similar line when she examines the cut flower that fowler had pinned to heiji shindo's robe.
this was also such a sudden thing to notice in the middle of their conversation (my interpretation of this is that it hints to fowler's own skills with a blade, and gives mizu information about her enemy being a formidable opponent), but the fact that mizu had such a keen eye and managed to hone in on such a tiny detail from like a foot or two away is interesting because it shows us just how attentive mizu is, especially when it comes to blades and anything to do with them
to mizu (when she's not spiralling and agonising over her own self-hatred and the way the world treats her), swords are not a mere tool for revenge, but an art form which she is fascinated by and loves and admires. we see this from time to time, during rare moments of respite, like when she admires the duel in the beginning of ep4
mizu also takes to heart all the teachings from her years training, while taigen is interestingly less strict about them, basically disregarding some of those teachings as mere pedantry, or even if he doesn't actually really think so, he at least tells mizu as much in his attempt to comfort her after her sword breaks
but that doesn't mean he doesn't care for the more formal aspects of his training at all. because in ep3 when he says this
this line about mount sumeru is not talking about the literal mountain in front of them, but is a recitation of a line from the lotus sutra, which is among the mahayana sutras that they learned as part of their spiritual training, as zen buddhism forms a lot of the basis for samurai doctrines and philosophy. the sutra given more emphasis in the show is the heart sutra that mizu writes on her body in ep7 during her rite of rebirth
so taigen saying this line, as i see it, is a way to bond with mizu, or at least make conversation over their shared knowledge, as we see him await a reaction as soon as he says this. but mizu gives him none, and he looks disappointed/annoyed/frustrated or what have you as he watches her walk off without a word
also we see a little more of their shared knowledge of swordsmanship in the last episode when it's clear that mizu has been training ringo in sword fighting techniques
and later taigen recognises it instantly
they're both nerds about swords and fighting!!! they both respect each other's skills!!!
GOD i really hope in future episodes they get to bond some more over their shared passion and common training and just samurai camaraderie in general!!! mizu clearly loves the artistry of sword fighting so much, she deserves to have a confidant who shares that with her, someone she can talk openly about these things to!!!
because like remember when mikio was telling her about the naginata, she looked soooo uwu in love!!! admiring her husband as he showed off the weapon and told her the benefits of using it!!! believing at the time that she'd found a match who she could openly share her love of martial arts with!! she was having so much fun sparring him too. everyone says fighting is part of her love language and YES it IS!!!
except the difference is that mikio—due to, among other things, their large age difference and subsequent gap in life experience—believes he is mizu's teacher, rather than her equal. this is the role he's readily taken throughout their marriage, from teaching her how to throw a knife to cut down fruit (not like she needed that particular lesson), to teaching her equestrian skills.
meanwhile taigen and mizu were both kids growing up poor in the same backwater fishing village, which means that they are and always have been PEERS. and this becomes even more pronounced once taigen is stripped of his giant ego and unlearns his prejudice, allowing them both to fully respect each other and view each other as equals
which is again why it frustrates taigen when mizu admits later in this scene that she basically doesn't care about saving the shogun. like he gets mad because it upends his initial belief in their shared goals and aligned values, believing them both to be samurai of equal standing and honour.
ALSO i'd like to add, that though mizu is the better swordsman as we see her win all their brawls and matches, she doesn't surpass him by that much, and mizu knows this.
these words coming from mizu is such a huge compliment all things considered, acknowledging that he was strong enough to deserve fighting her, because shortly before this mizu was just about to say "no one has given me much of a challenge" only for taigen to enter the scene and, well, challenge her.
now combine this with her saying that chiaki's broken blade suits him well, giving to him HER sword which SHE made AND won, as a surety, promising him a duel that he "deserves". it's proof that even though she finds taigen an annoying brat and oftentimes an obstacle to her mission for revenge, she DOES respect him and does value his skills.
IN CONCLUSION nobody else is on their level, nobody else shares their love of swordsmanship and that is such an important factor to their bond and the way they relate to each other. i rest my case your honour
Just some art bc I haven’t posted in a while 😋😋
The last three are only 100x100 pixels so yes they look bad and yes that’s on purpose