They Color Match Their Outfits With Each Other's Eyes

Did you know that many gastropods can create a pearl, including terrestrial snails? The difference is nacre which is only found in some species of mollusks and which which gives pearls their beautiful shine. Terrestrial snails occasionally produce very small translucent white pearls which are usually lost. One non-nacre secreting sea snail, the melo melo, produces gorgeous pearls that are extremely prized and rare.

The impact of toxic family dynamics in Till the End of the Moon (长月烬明)

A bit random and I have never done character analysis posts so I won't be as good at it as some other people on here but bear with me.

I'm watching Till the End of the Moon (ep 25) and the recent development of Ye Bingchang's character into a full blown villain has made me hate her, but also empathize with her in ways I didn't expect.

To contextualise, Ye Bingchang 叶冰裳 is the second child and first daughter of the Ye family, and she is basically the perfect daughter of a noble Chinese family. She's sweet and kind, beautiful but not attention seeking, smart but not a smart ass, dutiful and filial, delicate and thoughtful. She shares a beautiful love story with Prince Xiao Lin 萧凛, the 6th son of the Emperor, so she's going to marry in the Imperial Family and no doubt bring honor to the Ye Clan. She seems to be doing everything exactly right.

And yet she's a second class citizen in her own family, who openly favours her younger sister Ye Xiwu 叶夕雾.

Now there are two levels to this.

1) They're openly and unabashedly favouring one child over the 3 others, but then still ranking the other kids, and somehow Ye Bingchang ranks lower than her brother who is a lazy and stupid gambler. Her family simply doesn't see her, she's completely forgettable to them, like her existence only matters because sure, she's their blood, but she's a complete afterthought.

2) The daughter they favour over her is Ye Xiwu, and Ye Xiwu is a monster of a golden child. She's completely selfish and narcissistic, she explicitly abuses her husband, she schemes again and again to seduce and try to rape Prince Xiao Lin, her sister's one true love and fiancé, and when this doesn't work she becomes physically violent towards Ye Bingchang as well.

Ye Xiwu is an extremely abusive and horrible person, straight up. And her family continuously makes excuses for her violent behaviour, dotes on her, spoils her, and barely has a look for Ye Bingchang, expecting her to forgive and turn the other cheek. The golden child / black sheep dynamic is at its peak.

I find it quite rare that in this type of situation, a show will have the golden child as our hero ; almost always, if there are complicated family relationships, the main character is the one who's rejected, underestimated, and who has to rise through those challenges (which applies to our main male character Tantai Jin 澹台烬 btw, and I think we could say a lot of the parallels between Tantai Jin and Ye Bingchang).

I can think of other cases where the child who was favoured is the main character over the child who is rejected (Jiang Cheng 江澄 in The Untamed 陈情令, Feng Chang 丰苌 in Who Rules the World 且试天下) but they're not as clear cut as this (Jiang Cheng being his mom's favorite and the only actual son of the family while Wei Wuxian 魏无羡 is also a black sheep on many levels, Feng Chang's more favoured brother Feng Lanxi 丰兰息 being fairly rejected as well and having to fight not to be poisoned).

The golden child as a main character works here because it isn't actually Ye Xiwu : we discover her character and the situation when the spirit of Li Susu 黎苏苏 travels back in time and takes possession of Ye Xiwu's body. Our main character is really Li Susu, and like the audience she's horrified to learn everything Ye Xiwu has been doing, disgusted by her abusive behaviour towards her sister and her husband, and at first disapproves of how much the Ye family favours her over Ye Bingchang. But she also comes to love the Ye family as her own, and the fact that they would neglect one of their daughters so much doesn't impact her affection for them.

We only learn about Ye Xiwu's abuse through flashbacks, so it doesn't have the same emotional impact for us as an audience, and we only brief moments of those memories so we don't have to confront the full magnitude of how horrible she was, including to Ye Bingchang. Again, Ye Xiwu tried to rape her sister's one true love and fiancé, and even after getting married herself she continued to throw herself at him, and when it didn't work she turned to actual physical violence on Ye Bingchang.

And throughout this, the Ye family excuses it all away, and even Ye Bingchang excuses it away. She forgives before Ye Qiwu even apologizes, because she knows that's what's expected of her, and she just tries her best to be a kind soul still defending her sister from people spreading rumors about her. In a way, she's a victim of domestic violence who forgives an abuser and thinks she just needs to be softer, sweeter, weaker, so maybe they don't feel like bullying her anymore.

So when Ye Bingchang tries to use the affection of men to get protection, to feel love and be sheltered from her condition, it's very understandable and to me resembles a lot of things I've seen in real life. And when she turns to resentment over her condition and decides she needs to gain control over her situation through getting some amount of power so she can protect herself, it's an arc we could expect from a main character.

She only becomes a villain after the arc of Bo're Life, in which our four main characters Tantai Jin, Ye Xiwu/Li Susu, Xiao Lin and Ye Bingchang are absorbed into a dragon's dreams of its past as a War God centuries ago. Ye Bingchang is "reincarnated" in this dream as a powerful immortal, a scorned lover but who has the power to actually be vengeful over the woman who steals the man she loves. The object of her ire being Ye Xiwu, reincarnated in a very sweet clam spirit woman, Ye Bingchang gets a taste of what power feels like, of what manipulation feels like, and of what revenge over Ye Xiwu would feel like. And when even in this dream life, Ye Xiwu is preferred over her and she ends up dying, she comes back to herself determined to change and not let others control her life anymore.

Every character (except Xiao Lin really) seems deeply influenced by what they lived in Bo're Life, having identity crises of sorts over who they actually are now. As an aside, it works as a pretty good plot device to suddenly get Tantai Jin a lot more open to Ye Qiwu/Li Susu and move their romance along, it almost feels like cheating but I'll allow it.

Anyway, Ye Bingchang has now slowly become as manipulative and cruel as her counterpart in Bo're Life, and it's easy to just see it as that counterpart taking over her body in a way.

But this manipulative and cruel streak is born out of the profound reality that she can not count on her family to protect her, and that the people who were supposed to love her unconditionally preferred her literal abuser over her.

She did everything right and it was never enough, so now it's time for her to claim her life back.

And again, in another show (like the Story of Yanxi Palace 延禧攻略 for example), this urge to climb to power so no one can hurt you anymore and take revenge on the people who ruined your life along the way, it would make you the hero.

But here, Ye Bingchang still can't win, and she actually turns into a villain.

"Would you still love me if I-" I would still love you if we reincarnated a million times and you killed me in each and every one of them. And I would be grateful that your face is the last thing I get to see before I die in every lifetime. Next.

Scrolling through nct's account and I decided to become angsty

words to use instead of ______

"Very"

Mild: clearly, decidedly, distinctly, markedly, considerably, notably, largely, recognizably, especially, indubitably Moderate: especially, surprisingly, substantially, uncommonly, chiefly, incredibly, obviously, unmistakably, considerably, awfully, wonderfully, particularly Bold: profusely, unequivocally, strikingly, astonishingly, exceedingly, absolutely, exceptionally, extremely, unquestionably, vastly, incontestably

"A Lot" (time)

Mild: often, oftentimes, sometime Moderate: frequently, usually, various, generally Bold: regularly, recurrent, persistent

"A Lot" (size)

Mild: many, much, several Moderate: numerous, bountiful, considerable Bold: multitude, profuse, vast

"Big"

Mild: sizable, ample, large, considerable, great, above average, important Moderate: ponderous, significant, crucial, vast, copious, magnificent, substantial Bold: enormous, immense, colossal, extensive, endless, paramount, boundless, prodigious, imposing, gigantic, voluminous, limitless, essential

"Small"

Mild: slight, limited, trivial, minor, light, puny, superficial, undersized, dinky, negligible, faint Moderate: scant, petite, inconsiderable, microscopic, dwarf, unsubstantial, minimum, miniature, tiny Bold: insignificant, minute, meager, infinitesimal, ineffectual, undetectable, inconsequential

"Good"

Mild: acceptable, favorable, agreeable, pleasing, satisfactory, satisfying, super, able, relevant, accomplished, efficient, reliable, ample, useful, profitable, adequate, adept Moderate: great, honorable, admirable, commendable, sound, splendid, superb, valuable, wonderful, worthy, clever, proficient, qualified, apt, skillful, thorough, wholesome Bold: excellent, exceptional, gratifying, marvelous, reputable, stupendous, superior, exemplary, virtuous, expert, solid, advantageous, flawless, extensive, perfect

"Bad"

Mild: cheap, dissatisfactory, faculty, off, mean, wrong, unpleasant, unwell, low, grim, sour, regretful Moderate: careless, defective, inferior, imperfect, deficient, rough, ill-suited, inadequate, unsatisfactory, delinquent, sinful, unruly, wicked, rancid, grave, harsh, terrible, downcast Bold: awful, unacceptable, corrupt, dreadful, putrid, erroneous, detrimental, ruinous, vile, villainous, diseased, adverse, evil

˗ˋˏ ♡ ˎˊ˗ CEZHOU MARRIED ˗ˋˏ ♡ ˎˊ˗

QJJ audio drama

How to Give Your Character Unique Dialogue: A Guide for Writers

Hey there, fellow writers!

Crafting memorable characters isn’t just about their backstory or physical traits—it’s also about how they speak. Unique dialogue can make your characters stand out and feel more real. Here’s a quick guide on how to give your characters a voice that’s all their own:

1. Know Your Character Inside Out

• Background: Where did they grow up? What’s their education level?

• Personality: Are they sarcastic, formal, shy, or bubbly?

• Motivations: What drives them? How does this affect their speech?

2. Use Distinctive Speech Patterns

• Catchphrases & Slang: Does your character have a favorite saying or unique slang?

• Rhythm & Pace: Do they speak quickly when excited or slowly when thinking?

• Filler Words: Um, like, you know—these can reveal a lot about a character’s confidence and background.

3. Reflect Their Environment

• Regional Dialects: Incorporate local idioms or accents.

• Professional Jargon: Use specific terms related to their job or hobbies.

4. Show Their Emotions

• Tension & Relaxation: How does their speech change under stress or when they’re relaxed?

• Subtext: What are they not saying? Use pauses and interruptions to show this.

5. Keep it Consistent

• Consistency is Key: Ensure their dialogue remains true to their character throughout your story.

6. Read Aloud

• Test it Out: Read your dialogue out loud. Does it sound natural? Does it fit the character?

7. Edit Ruthlessly

• Trim the Fat: Remove unnecessary words. Make every line count.

• Avoid Info-Dumping: Let dialogue reveal character and plot naturally, not as an exposition dump.

Example Time!

Here’s a snippet showing how distinct dialogue can differentiate characters:

Aloof Scientist:

“The quantum flux anomaly is, frankly, quite perplexing. However, if we calibrate the resonator to precisely 9.42 terahertz, we might just mitigate the interference.”

Street-Smart Rebel:

“Look, I don’t know shit about your fancy science talk, but if it’s gonna help us bust outta here, I’m all in. Just tell me where to hit.”

Happy writing, and may your characters’ voices ring true!

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“Please.”

The hero barely heard the whispered word. Their head was throbbing, the world around them swimming in and out of focus and there was so much blood so much blood so much blood everywhere and agony ripping through their chest—

“You have to live. You have to, you have to, you have to, please.”

The hero was hallucinating, they had to be, because those were the villain’s eyes looking down at them, that was the villain’s voice, filled with pain and panic and something else the hero couldn’t name. The hero blinked and they were lost again, gone in a haze of blood and darkness, spinning away into nothingness…

“No!” the villain cried out, desperation creeping into their voice as they pressed their hands tighter to the hero’s side, a hopeless attempt to stop the bleeding. “You can’t die,” the villain whispered, voice hoarse and cracking, chest heaving with silent, broken sobs. “I’ll do anything you want, be anything you want, I promise. Just live.”

The hero fought to hold on to the words, to open their eyes to see something, to open their mouth to say something but they were slipping away, falling

falling

falling

“Please.”

It's only the start of the year but I'm tired already