It's alright Dalinar, babe, he got this. ------------------------------------------------------------------------- image description: A loosely scribbled and coloured comic page with several panels in four rows of the scene in Words of Radiance in which Kaladin joins the duel in the arena. The background in the panels is painetd very patchily implying the seats of the arena with half roofs offering shadow from the sun above. The first row has two panels, on the left we see an agitaed Dalinar, in his blue uniform with gold and white trimmings, as he leans forward, hands on the wall of the dueling pit in front of him, calling out "What happened to us?", "Where is our honor?". A smaller speechbubble to the side contains the words "Honor is dead". The panel to the right depicts Dalinar looking to the side to see who gave that cynical commentary. Kaladin stands there not far behind him, also in captain's uniform holding his spear and looking very grim. The next row has two smaller and on medium sized panel, they all show Kaladin from the side in profile – as Dalinar would see him. He inhales like he is fortifying himself for what comes next. On the exhale he looks down into the arena with mix of resignation and determination and utters the words "But I'll see what I can do." The speechbubble for it is already in the next panel, in which Kaladin is gazing towards us with a mournful expression as he says "If this goes poorly, take care of my men."
The third and fourth row are both each one long horizontal panel. The third row shows Kaladin as he vaults himself over the wall in the foreground. Dalinar stares at him seeming very shocked. The panel in the last row is a top down view into the arena. Kaladin stands in front of six people, four of them Shardbearers in full plate all now turning towards him. On the far left is Relis in his black plate holding a big shardblade. Adolin kneels next to him in the sand of the arena holding his broken shoulder. To his right stand Elis with a shardhammer in a grey plate, then Adrobar in a orange one with a blade. Further to the right is Jakamav in his green plate and the king's blade, Renarin standing blade- and plateless next to him.
I can't believe they saved the world through the power of therapy, being a Really Good Dude, severe childhood trauma, and homosexuality
the reason the forgers haven’t discovered each other’s covers yet is because they both have not idea what constitutes a regular person
Puppies on Roshar
Malata the Pharaoh Hound
Adolin the Golden Retriever & Renarin the Labrador Retriever
Veil the Greyhound & Shallan the Shiba Inu
Szeth the Chihuahua
Kaladin the Tervuren & Tien the Corgi
Navani the Poodle & Dalinar the Sarplaninac
Mayalaran the Chinese Crested Dog
Syphrena the Cavalier Spaniel
Pattern the ...?
The chronicle of the monk Herbert of Reichenau for the year 1021 ends “My brother Werner was born on November 1.“
1021 was not an uneventful year. The emperor began a campaign into Italy. Illustrious abbots died. There was an earthquake. But Herbert took the time to note, at the end of the year, that his brother was born.
Of such acts of tenderness is history made.
have the last five years been just a complete blur for anybody else
*pats you on the head* don't die of heart failure
GUYS UPDATE ON THE BI PANIC I HUGGED HER AOMSKDNRUCNEKZNSJDBDBRJFMSKSJDNEJXMSKJDNEJFNSKSNDBDBD TWICE SJDNRJCNDHDBSJNDXJBDHX OH MY GOD
@glittercrashhh @adultkiddo @narcissisticvictorian @fruitpunchsamurai16 SEND FUCKING HELP-
have most characters be non-minors, around the same age range. this is mostly to minimize underage nonsense.
while family relationships are important, save them as background elements, explored every now and then. focus mainly on the bonds of non-related characters and how their different backgrounds play off each other.
limit the overly edgy tone, where pain and suffering are near-romanticized. try to emphasize wholesomeness, health, and the various ways characters can have good relationships despite their differences. a lot of nintendo franchises are good examples.
avoid creating significant characters who are utterly irredeemable with harmful ethics. (for me personally, i limit elements such as abuse and discrimination for background conflicts while presenting more interesting, morally gray arguments, where either side is right/flawed) if you’re going to have a villain, either make them team rocket goofy or classic disney fun.
just. try not to have characters + relationships rely on racial tropes. if you overly rely on a tough dark-skinned / dainty light-skinned formula, you’re going to see some racist shipping. mix it up. round ‘em out.
same goes for gendered tropes. if a dude is downright violent and irresponsible and a level-headed girl has to put up with his flaws without him facing consequence, that’s a downright unbalanced relationship. and do keep in mind that if two boys utterly despise each other, people will absolutely take that a certain way. again, with #3, try to play off disdain as comedic or with exception rather than constant seething hatred.
obviously these aren’t hard and fast rules, and what/how you create will vary. but it’s how i generally approach my work
Is there something you planned to do before you got trapped in the endless tumblr scroll?
Are you yelling at yourself to get up and do the thing, but you can’t, because you’re trapped in the endless tumblr scroll?
Consider this your save point.
Put tumblr down, stand up, stretch, and go do the thing you planned to do. Future you will be incredibly grateful.