Hi everyone, we're back for another year! Make sure to read through this post for the introduction, application form, and schedule!
Paranatural Secret Santa is an event that takes place during the holiday season. You get assigned to a person to make a gift for, you create that gift, and you also receive a gift! This secret Santa is themed after the webcomic Paranatural, so if you are a fan of it and create fan content, this is perfect for you!
Gifts can be fanart, fanfic, panel edits, graphics, ect! Whatever you feel like creating.
You can apply for the Secret Santa here! (x)
November 20th - December 6th: applications open
December 7th - December 10th: applications closed, assignments created and sent out
December 11th - December 24th: working period
December 25th - January 21st: posting/receiving/extension period
Since the event got up and running later than usual this year, we're extending the posting period into late January. Make sure to tag this blog in your post and also use the tag pnatsecretsanta2023 so your gift can be reblogged!
If you have any questions/comments/concerns feel free to contact us! Thanks everyone, and let's have another awesome Secret Santa!
An excellent way to help others and progress research at the same time!
Yeah? Then have I got a list for you!
NASA’s Citizen Science section – NASA maintains a page here with links to all their citizen science projects and initiatives—and they have a LOT. All projects are helpfully color-coded by category/domain.
Zooniverse – Very good website, LOTS of projects. “The world’s largest and most popular platform for people-powered research”.
SciStarter – Another good hub for finding projects. SO, SO many projects available!
A list of citizen science projects that have you playing games
Wikipedia
National Geographic – Nat Geo always maintains a list here of a lot of good ones.
This list on Gizmodo that I LOVE, 10/10
Society for Science – Not only do they have a lot of great citizen science projects linked, they also have sections to help you start your own citizen science projects too.
Smithsonian Institution – Come on, who DOESN’T want to help out the SMITHSONIAN?
iNaturalist – Take pictures of plants, fungi, animals, insects, etc. around you and contribute to scientific data repositories for researchers!
budburst – Help scientists find and monitor plants in your area and improve their research on plant conservation!
eBird – If you love birding or just want to contribute to research on bird populations and migrations, this is the project for you!
Spotteron – There are a LOT of apps for a variety of ongoing projects here, both at global and regional levels.
Globe Observer – Help NASA by providing data from down here on Earth!
Insight – Give scientists data they can use to help understand and save pollinators by snapping pics and tracking ones near you in observations!
River Survey/Ocean Survey apps – The Ocean Cleanup has put out two different apps for helping track the pollution in our water! River Survey asks citizens to help by going to a nearby river and starting to count the plastic they see. Ocean Survey asks anyone who goes out on the ocean to record any plastic debris they spot floating on the ocean.
Have fun, be safe, and happy researching!
Parrots are far from the only bird able to mimic human speech. Many other birds, like the crow or the mynah. Other animals like my personal favorite, the Macgregor’s bowerbird (Amblyornis macgregoriae), can even mimic other environmental sounds. Here’s a very cool clip from the Netflix documentary Dancing with the Birds, showcasing the wide range of the Macgregor’s bowerbird.
If you like what I do, consider leaving a tip or buying me a kofi!
this is adorable!
I sketched this villager a few years ago, I'd still love to see these folks in my village. Little Pukei Pukei collecting bugs to eat :D
Welcome to the latest instalment in my ongoing series on crafting realistic wounds in fiction. After delving into stab wounds, burns, and gunshot wounds, we're turning our attention to another crucial element in bringing your characters and their stories to life: bruises.
Bruises are possibly the most common miswritten injury in fiction. As tempting as it might be to make the protagonist's skin bruise when the morally grey characters clutches her wrist, scenes like this only serve to ruin immersion and make your readers wonder whether this could realistically happen.
Unlike the other wound types I've covered in this series, the internet doesn't seem to have a lot of writing advice for bruises. So, here's my comprehensive guide to writing bruises.
Bruises are a common occurrence in everyday life, from the accidental bump into a table corner to the aftermath of an intense sporting event. But before we dive into the art of crafting realistic bruises in your writing, let's start by understanding how bruises form.
Bruises, also known as contusions, result from the rupture of blood vessels beneath the skin's surface, typically veins and capillaries. When these vessels break, blood leaks into the surrounding tissue. The body's natural response to this injury is to initiate the healing process, causing inflammation and discolouration.
Not all bruises are created equal. Understanding the various types of bruises will help you describe them accurately in your writing. Here, we'll explore the common distinctions among bruise types.
Contusions: Contusions are the most typical type of bruises. They often occur due to blunt force or trauma, resulting in pain and discolouration.
Subcutaneous Bruises: These are the most typical bruises resulting from blunt force trauma. Subcutaneous bruises appear as dark, discoloured areas under the skin and can change in colour as they heal, starting with red or purple and transitioning to green, yellow, and eventually fading away.
Hematoma: A hematoma is a more severe type of bruise caused by the collection of blood outside of blood vessels. Hematomas often appear as a raised lump under the skin and can take longer to heal.
Petechiae: Petechiae are tiny, red or purple pinpoint spots that can form when small blood vessels near the skin's surface break. These are often a sign of more severe underlying medical conditions.
Ecchymosis: Ecchymosis is a large bruise that covers a wider area, typically caused by substantial trauma or medical conditions. These bruises tend to be darker and may require more time to heal.
Tattoo Bruises: Sometimes, an object's pattern or texture may leave a distinct mark, resembling a tattoo. These can occur when someone is subjected to direct pressure from an object with an intricate or textured surface.
These distinctions will enable you to convey the type of bruise accurately in your storytelling, reflecting the nature and severity of the injury your character has endured. So, when crafting a scene in which your character sustains a bruise, you can choose the type that best suits your narrative.
Bruises can occur for various reasons, and knowing these causes will help you craft believable narratives. It's important to note that not every physical interaction results in a bruise, and your characters shouldn't bruise from actions that typically don't lead to bruising. For instance, someone holding another person's arm tightly is unlikely to cause a bruise.
Blunt Force: The most common cause of bruises is blunt force trauma. This can occur from falls, accidents, or impacts, such as bumping into furniture or being struck by an object.
Pinching or Squeezing: Intense pinching or squeezing, especially on delicate skin areas, can lead to bruises. For example, if a character pinches their arm or thigh too hard in frustration, a bruise may develop.
Repetitive Motion: Overusing or repeatedly striking a particular area, like through strenuous exercise or certain work activities, can cause tiny blood vessels to rupture and lead to bruising.
Medical Conditions: Some medical conditions, like blood disorders or certain medications, can make a person more prone to bruising.
Ageing: As skin becomes thinner and more fragile with age, it's more susceptible to bruising even from minor bumps or impacts.
It's crucial to consider the appropriateness of a bruise in your story. Understanding when and how a character can realistically develop a bruise will help maintain the credibility of your narrative.
Accurately depicting bruises in your writing involves considering various characteristics, such as:
Colour Changes: Bruises typically undergo a series of colour changes during the healing process. They usually start with shades of red, purple, or blue due to the initial bleeding under the skin. As the bruise heals, it can turn green, yellow, or brown before fading entirely. These colour shifts can be an essential detail when describing the progression of a character's injuries.
Size and Shape: The size and shape of a bruise depend on the impact's force and the underlying blood vessels' distribution. Bruises can be small, like a fingertip mark, or large, covering a significant portion of the body. Irregularly shaped bruises may indicate multiple impacts or trauma.
Tenderness and Swelling: A fresh bruise is often tender to the touch, and the area around it may be swollen. Describing your characters' reactions to this tenderness and swelling can make the injuries feel more lifelike.
Pain and Discomfort: Bruises can be painful, and the level of pain may vary depending on their size and location. Detailing your character's pain and discomfort can enhance the realism of your narrative.
Itching and Healing: As a bruise heals, it may become itchy. This can be an interesting detail to add, showing the progress of the injury and your character's recovery.
Duration: Mention the duration of a bruise. Some may heal relatively quickly, while others can linger for weeks. Knowing how long a character's bruise lasts can impact their daily life and the story's timeline.
Bruises aren't one-size-fits-all injuries. Their appearance and healing process can vary based on several factors:
Location: Bruises can look different depending on where they occur on the body. For instance, a bruise on a bony area, like the shin, might appear more pronounced compared to a bruise on a fleshier part, like the thigh.
Age and Health: The age and overall health of your character play a significant role. Younger, healthier characters may heal faster and have bruises that change colour and fade more quickly. Conversely, older characters or those with health issues might have bruises that take longer to heal.
The severity of the Injury: The force and severity of the impact determine the size, shape, and colours of the bruise. Consider whether the injury was caused by a minor bump, a hard fall, or a violent struggle.
Character's Skin Tone: The appearance of a bruise can be affected by the character's skin tone. It might be more challenging to spot a bruise on darker skin, and the colours may appear differently.
Treatment and First Aid: The way a character treats a bruise can affect its healing. Mention how characters apply ice, warmth, or topical remedies to their bruises.
Character's Pain Tolerance: Some characters may have a higher pain tolerance and can bear a bruise without much discomfort, while others might find even a small bruise painful.
Clothing and Cover-Up: Characters may conceal bruises with clothing or makeup. This can impact how they are perceived by others.
By understanding these factors, you can tailor your descriptions to create a more authentic portrayal of bruises in your writing.
A key element in writing realistic bruises is depicting their healing process. Here's how to effectively describe it:
Gradual Changes: Highlight the evolving nature of the bruise over time. The progression of colours—red to blue, green, and yellow—is a visual cue that indicates the bruise's age. This chronological shift in colour offers readers insights into the passage of time within your narrative.
Concealment and Exposure: Address the issue of concealing or revealing the bruise. Depending on its location, characters may need to don concealing clothing, apply makeup, or use other means to hide or reveal their injuries. Such choices can significantly impact the character's interactions and relationships.
Medical Care: Mention whether the character seeks medical attention for their bruise. Medical professionals can provide insights into the severity of the injury and the potential complications that might arise during the healing process. Additionally, you can explore any treatments, remedies, or advice offered by healthcare providers.
Impact on the Character: Describe how the presence of a bruise affects the character's daily life, activities, and interactions with others. A prominent facial bruise, for instance, can influence the character's self-esteem, social interactions, or how they are perceived by those around them. Emotions and psychological effects should not be overlooked.
Varied Healing Timelines: Recognize that the healing process can vary from one character to another. Factors such as age, overall health, and the severity of the injury can affect how quickly the bruise fades. This variation can add depth and authenticity to your character's experiences.
Scarring and Discoloration: Note that severe injuries may leave lasting scars or discolouration on the skin. Explore any permanent marks or changes that remain after the bruise has healed.
By incorporating these aspects into your narrative, you can create a nuanced portrayal of the healing process of bruises and its impact on your characters.
I hope this blog on Everything You Need To Know About Writing Bruises will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!
hey whoa, this looks nice! Let’s see what I can cook up...
WELCOME to the start of Spectober 2020, everybody! Today’s prompts are as follows:
Remember to tag your submission with #spectober2020 and as a reminder, you don’t necessarily have to do the prompts in order!
We can’t wait to see what you come up with!
I like the juxtaposition between the message of “the medic is beautiful” and just how ominous he looks in this image. (”You’re Beautiful” plays as he ominously walks towards you, syringe in one hand and snapping his fingers with the other)
Medic from TF2 is beautiful
Requested by @the-man-in-green
People talk a lot about how reading is necessary for writing, but when you really want to improve your writing, it’s important to go beyond just simple reading. Here are some things to do when reading:
Note how they begin and end the story. There are a ton of rather contradictory pieces of advice about starting stories, so see how they do it in the stories you enjoy. Don’t only look at the most popular stories, but look at your more obscure favorites.
See what strikes you. Is it fast or complicated scenes with a lot of emotions? Is it stark lines? Pithy dialogue? What do you remember the next day?
Pay attention to different styles. It’s not just whether they use past or present tense, first or third person. It’s whether the writing is more neutral or deeper inside character’s heads. Do they use italics? Parentheses? Other interesting stylistic choices? Take the ones you like and try them out in your own writing. See what works and what doesn’t.
Keep track of how they deal with other characters. Do we see a lot of secondary character each for very brief periods of time or are there a couple that show up a lot? How much information do we get about secondary characters? Do they have their own plots or do their plots revolve entirely around the main characters?
Count how many plots there are. Is there just one main plot or are there multiple subplots? Are the storylines mostly plot-based or character-based?
Pay attention to what you don’t like. If you don’t like what’s going on in a book or even just a scene, note what it is. Does the dialogue feel awkward? Are the characters inconsistent? Does the plot feel too convenient or cobbled together? Does the wording just feel off? See if you can spot those issues in your own writing, especially when reading a completed draft or beginning a later draft.
Yooo this is so neat
http://www.sci-news.com/paleontology/paludirex-vincenti-09178.html
max tries several unimpressive new tactics
There’s nothing worse than getting hooked into a piece of media by a really cool concept—only to be let down through shallow exploration. The entire story I’m distracted from what’s happening by what could have been had they gone more in depth into what they promised.
The good news is, avoiding this in your own writing is fairly easy as long as you remember to continuously do one thing: ask questions.
I talk about this a lot, but making room to explore the implications (especially of worldbuilding and events, not just actions) is only going to deepen your narrative and create a more satisfying, well-rounded world. As well, the decisions you make here are going to set the use of your concept apart from the other stories we’ve seen it in.
If your concept is a character who has lived on a boat their entire life finally hits the shore, think about what it would mean for someone to have never seen land—how would they feel about trees, valleys, mountains, buildings. They would probably be very familiar with stars and constellations, navigation, the dark, swimming, fishing, and danger surrounding the water. They may prefer cramped spaces, sleeping under a low roof, a gentle rocking or white noise.
If there’s magic in the world but say only some people have it, how does that impact politics, healthcare, parenting? Do people have biases against magic users or non-magic users? Are there laws set to prevent or limit magic use in certain places, or at all?
You could ask endless amounts of questions about a concept, and you should. If you introduce something big, exciting, and full of consequences—you must also be willing to commit to it, and explore it to its fullest.
Good luck! If you feel like sharing, tag a concept you’ve come up with and some interesting implications that go with it!
A Cozy Cabana for Crocodiles, Alligators and their ancestors. -fan of the webcomic Paranatural, Pokemon, Hideo Kojima titles -updates/posts infrequently
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