The sequel
ALIEN is about a megacorporation coercing some salvagers into transporting a dangerous creature without telling them what it is, all because the creature could be a great bioweapon for them. When a survivor of this failed transport mission wants reparations, they screw her over to avoid a scandal.
ROBOCOP is about another mega-corporation experimenting with a cop's body and declaring him their property, trying to reduce him to an obedient killing machine who can maintain the status quo for them.
JURASSIC PARK is about a rich billionaire going all out to make a dinosaur-themed amusement park, not caring about the real-world implications of resurrecting giant lizards. He also underpays ONE guy to maintain the entire park's security systems so predictably, that one guy betrays him at a crucial moment.
The best movies weave their politics with plot & character, so you can enjoy them as entertainment but can also notice the themes. Movies without themes wind up being all spectacle and no substance, just noise and color like Michael Bay's Transformers franchise. Yeah, they make money, but they'll be forgotten in 2 generations.
Pov you stan with your cult leader canceled wife
it's always "you gnawed off your own leg to escape like an animal caught in a trap" and never "why didn't anyone try to help you out of the trap" or "why weren't you provided with any other resources to escape the trap with except for your own teeth"
forget me not šŖ»šæ
I saw this and wanted to cope so I made it sillierš
some recent works
"suguru, i've finally caught up with you."
sunshine x grumpy is a good trope but it's at it's best when these characters have unexpected mutual understanding. when the sunshine is actually unexpectedly pessimistic while still maintaining a good attitude and cheerful way of acting and the grumpy character has a naivety and innocence to them because they move through life without any expectations even though they tend to be antisocial and easily bothered.... sunshine characters who are sincerely fun while also using their own personality as a shield and guarding their more unsavory feelings and grumpy characters who are honest with other people to the point it's always been off-putting but feels very refreshing to their sunshine in particular...... you know.....
Baby Megumi whose mom died at a young age, whose father abandoned him and sold him to the Zenins, whose step-mother ran away with the money they got from the Zenin clan. I wholeheartedly believe that kid would have grown up with serious abandonment issues. That little boy who only wanted the best for his step-sister because in the end she didnāt abandon him like the rest of his family so thatās why he has to protect her, her kindness, he has to become a jujutsu sorcerer so he can be strong enough to save her. That kid meeting another kid who is kind, compassionate, silly enough to eat a curse object, but he loves that kid now and that means he needs to save him too. This boy who only wants to save his sister and this new kid he befriended but ends up harming them both, killing his elder sister with his own technique and unable to do anything as the curse residing in his body harms the pink-hair boy he loved and wanted to save while his soul sinks deeper and deeper. Soā¦he gives upā¦he gives up fighting because who else is left, there is no one, no body that wants him around anymore.
That little kid hearing the words āitāll be lonely without you aroundāā¦.i can only imagine the feeling of being wanted, being needed that would have rushed into him after hearing that. The feeling of āI am not aloneā, āthere is someone that wants me for meā coming from that one boy that he needed from the most.
the way Satoru does not want any of his students to experience the same loneliness he went through when Suguru left him.