Bunita Marcus, Lecture for Jo Kondo, chant #7, 99chants, 2020. Written by Bunita Marcus. Words by Nico Vassilakis (‘Lowered and Illuminated’). Recorded at Andreaskriche Berlin. Performed by Ensemble Adapter & Bunita Marcus. Recorded by Romouldas Urba & Aron Kitzig. Supervision by Prof. Manuel Nawri. Mixed by David August. Mastered by Rafael Anton Irisarri. Artwork and design by Collin D. Fletcher & Taylor Giali
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Bunita Marcus, Lecture for Jo Kondo (Excerpt)
— JESS HANNAH RÉVÉSZ for DORÉ, 2018
Everybody asks this as if it is a taboo to move further than the designated area of the canvas. That says so much about our thinking in strict categories, doesn’t it? In a studio, it’s very normal to sketch on the floor, the wall, a chair or a torn piece of cardboard. It was a very natural move for me. Maybe I didn’t even realize that I began doing it in the first place. I started to observe more closely how my painting behaves differently under changing conditions. Then I started to be intrigued by how color can cause extremely powerful changes to its surroundings.
Katharina Grosse, Katharina Grosse Sticks to Her Guns, by Emily Wasik, Interview Magazine, November 4, 2014 (via inthenoosphere)
© Ida Pimenoff
Untitled, from the series "A Shadow at the Edge of Every Moment of the Day", 2010
Ganni x A Good Company Phone Case
Made of plant-based byproduct from organic flaxseed farming.
Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart.
Richard Siken, from “The Language of the Birds,” War of the Foxes (Copper Canyon Press, 2015)