Animation test for personal project during the lock down. It is enjoyable to paint frame by frame, stress free. follow my instagram: https://www.instagram.com/elliscky/
Fredrik Paulsen :: Mikado
Indya Moore photographed by Agnes Lloyd-Platt
Close eye. Trust. Concentrate. Think: only tree. Make a perfect picture down to last pine needle. Wipe your mind clean. Everything but tree. Nothing exists whole world. Only tree.
Mònica Subidé (Spanish, b. 1974), La casa, 2018. Oil, pencil and collage on wood, 36 x 50 cm
Flowers, Andy Warhol, 1970, Minneapolis Institute of Art: Prints and Drawings
Suite of 10 color screenprints; background color: pink; flower color clockwise direction: yellow, orange, blue Size: 36 x 36 in. (91.44 x 91.44 cm) (image, sheet) Medium: Color screenprint
https://collections.artsmia.org/art/67868/
Poesia concreta. Brossa, Iglésias del Marquet i Viladot, Petite Galerie, Lleida, 1971 [Fundació Joan Brossa, Barcelona]
Everybody asks this as if it is a taboo to move further than the designated area of the canvas. That says so much about our thinking in strict categories, doesn’t it? In a studio, it’s very normal to sketch on the floor, the wall, a chair or a torn piece of cardboard. It was a very natural move for me. Maybe I didn’t even realize that I began doing it in the first place. I started to observe more closely how my painting behaves differently under changing conditions. Then I started to be intrigued by how color can cause extremely powerful changes to its surroundings.
Katharina Grosse, Katharina Grosse Sticks to Her Guns, by Emily Wasik, Interview Magazine, November 4, 2014 (via inthenoosphere)
Yayoi Kusama (Japanese, b. 1929), Coffee Cup, 1979. Acrylic on canvas, 18 x 15 in.