‘hold-on’
La Cupola, Dante Bini, late 1960′s.
LA CUPOLA (2016)
Trailer for a film about this Sardinian dome, a building which was commissioned by Michelangelo Antonioni and Monica Vitti, who then separated before its completion. There’s an interesting piece in T Magazine about this and a couple of other iconic buildings (FLW’s Talesin and Eileen Gray’s E.1027) which were also born of ill-fated romance. (photo by Romain Courtemanche for M Magazine)
Sonora House, Estado Libre y Soberano de Sonora, Mexico,
by Davit Jilavyan & Mary Jilavyan
Bellini #5, Robert Rauschenberg, 1989, MoMA: Drawings and Prints
Gift of Emily Fisher Landau Medium: Photoetching and aquatint
http://www.moma.org/collection/works/62835
Ganni x A Good Company Phone Case
Made of plant-based byproduct from organic flaxseed farming.
If Not Now, graduation exhibition of the 2018−2020 MA Fine Art class of HKU University of the Arts Utrecht, Curated by Katia Krupennikova, BAK basis voor actuele kunst, Utrecht, September 30 – October 11, 2020. Designed by Studio Remco van Bladel. Feat. Isshaq Al-Barbary, Charli Herrington, Carina Jansen, Bennet Edwin Kruit, Sinwah Lai, Sol Enae Lee, Winston Nanlohy, Gerardo Gomez Tonda, Gizem Üstüner, M.C. Julie Yu, and Jinxiao Zhou
Wood dominoes (via Micah Lexier)
Moonrise
Joshua Tree National Park
December 2017
instagram: @juliana_johnson
Ananta Prayitno with Martian Press
Desire Paths is a zine featuring poems and illustrations created in loving ignorance of intent through the assistance of multiple AI scramblers and randomizers.
Printed in Violet, Bright Red & Black; 40 pages on gray paper.
Bunita Marcus, Lecture for Jo Kondo, chant #7, 99chants, 2020. Written by Bunita Marcus. Words by Nico Vassilakis (‘Lowered and Illuminated’). Recorded at Andreaskriche Berlin. Performed by Ensemble Adapter & Bunita Marcus. Recorded by Romouldas Urba & Aron Kitzig. Supervision by Prof. Manuel Nawri. Mixed by David August. Mastered by Rafael Anton Irisarri. Artwork and design by Collin D. Fletcher & Taylor Giali
(via void())
Bunita Marcus, Lecture for Jo Kondo (Excerpt)