If Evil, Why Hot?

And so it ends. I love an open ending - you're free to imagine what have they talked about afterwards, and how it went, and whether the Doctor found what he needed when he came looking for Grace, and whether it was with a heavy heart that Grace let him go again - or whether she made peace with her past and with herself of that past.

And both are written with such heartfelt precision. The Doctor is so on edge, so unsure of - well, pretty much everything, so wound up and deeply distressed, yet somehow determined. And Grace is seemingly - outwardly - fine, but still affected by what has happened, never not to be affected, and she knows it. She knows that no matter how much time passed, she would still be wondering and questioning her choice.

Part 3 of this untitled Doctor Who fic post Waters of Mars where 10 meets up with Grace Holloway again. (Well, I say untitled, and then I realized that when I posted the first bit to tumblr, I used the working title Saving Grace when linking it in this post, so let's go with that for now, shall we? It's better than my document title.) Posted for @gentildonna.

(Previous)

The Doctor made sure he was disconnected from all the machines before he set to work starting up his second heart. It wasn’t easy, not by himself. He would’ve liked to have someone else to help him. But he doubted the hospital staff would give him a good walloping on the back without what they deemed to be good reason, even if he specifically requested it. Not that he would, of course, because that would require explaining himself.

And when explaining himself didn’t work, he tended to run.

That would be slightly harder to do, given the conditions his clothes were in.

He’d started mending them, just a bit, so that he could get by. He could do a bit with the sonic screwdriver, mending fibres here and resonating dried blood off there. He was a bit surprised that, considering he had all manner of things in his pockets, he didn’t have a needle and thread. He made a mental note to put some in there in case anything like this ever happened again.

Though, if and when it did, he probably wouldn’t be wearing this suit anymore. Or this jacket.

Still. He’d worked quickly. Enough so that he’d finished before his scheduled appointment with the good Dr. Holloway. He doubted she’d be particularly disappointed, what with how she felt about him now.

He wished she hadn’t thought he was teasing her, poking fun at her stories. That hadn’t been his intention at all. He should have just come out and said it, but he hadn’t. He had such a gob on him in this regeneration, but did he open his mouth when he should? Of course not.

And now he’d missed his opportunity.

It was just as well. He shouldn’t have come. He managed to ruin them all, somehow, one way or another. This was simply proof that he was making more mistakes, not trying to compensate for his last one. How could he, when he ruined everything—everyone—he’d touched?

No shoes, but at least he was dressed in his suit again. Not that it fit quite as well as it ought to. Bit lumpy. He wasn’t the greatest at stitching. Never had liked all that domestic stuff. But it would do.

It wasn’t as conspicuous as a certain coat he’d worn in the past, one that would put the biblical Joseph’s to shame.

He’d get by.

Though he would like to find his trainers first.

Shouldn’t be too hard.

And then he could slip away to the TARDIS, no worse for the wear, and leave before he ruined Grace’s life any more than he already had.

-|-

The TARDIS refused to let him in.

Even when he claimed it would just be to get a change of clothes.

But she knew better, and he hadn’t been able to win an argument with her yet.

So he went back.

Not back to his hospital bed, no. No, he could do without that. He’d be fine. He’d only lost a bit of blood. Nothing serious. No broken bones, nothing lodged in his body, both hearts fully functioning, memory intact—not much more he could ask for.

He waited outside instead. It was, he thought, perhaps 2004, 2005. Grace may still be in San Francisco, but that didn’t mean she hadn’t moved. And, really, last time he’d been at her place, she hadn’t even had a couch, so she’d either have needed to buy quite a lot of furniture or move to a smaller place. And her place had been a bit of a hike from the hospital, if he remembered correctly. Not normally something that would bother him, but he was, perhaps just a little bit, under the weather.

The Doctor winced as he tried straightening up. Not quite healed up yet. Shouldn’t’ve tried running, really. That probably hadn’t helped. But he was sore enough that he figured pacing probably wasn’t the best way to pass the time, so he found a bench and sat down, waiting.

He was very quickly reminded why he rarely sat down with only his thoughts for company.

Ignoring the pain and his fatigue, he started walking, slowly, around and around and around the hospital grounds.

When he noticed someone watching him, he stopped that and sat down again.

But the itch to be moving remained, gnawing at him.

He wondered why he was doing this.

It wasn’t like he had a lot of time left, as far as he could tell.

His song was ending.

And here he was, waiting, doing nothing except thinking, rehashing everything he’d thought before, when there were worlds to see and places to explore and people to meet and—

Lives to ruin.

That kept him in place, that single thought.

The Doctor waited, deciding what to say the next time he saw Grace.

Because as far as he could tell, he’d only have one shot to get it right. And if he didn’t—if he started off on the wrong foot again—well, then, he wouldn’t get what he needed out of it. Not that he was entirely sure what he would get, or did need, precisely. Not closure. Not peace of mind. More…understanding. So that he would know for the future. So that, perhaps, once he regenerated—if the circumstances were such that he could regenerate—he might be able to see it, in the future. And if he could see it, he could avoid it.

And then he’d never, ever—ever—make that mistake again.

The fact that he’d done it once still scared him.

Almost as much as what would have happened, had someone else not taken it upon herself to correct it, even knowing what that correction would cost.

-|-

Dr. Grace Holloway was not happy to learn that their patient, the self-proclaimed Dr. John Smith, had somehow managed to escape the hospital and that not a single security camera had seen him leave. She hadn’t been particularly pleased with him, pulling the stunt that he had, but he wasn’t in good health, and if he really was a doctor—something she was strongly doubting—then he ought to at least acknowledge the foolishness of his actions. It was something too few people did, thinking they’d just pull through something on their own when they needed some sort of medical care.

Then again, if she were in another country without a passport or so much as a cent to her name, she might have run off, too.

Still, that didn’t explain why he’d singled her out, nor why he’d tried pulling that cruel joke. There was no reason for it. She’d learned, very quickly, to make the entire thing out as a story. And she’d told it, time and again, when she visited the children’s ward. She told other stories, too, but somehow, she always went back to that particular one.

Perhaps because that particular one wasn’t just any story—or just a story at all.

But the amount of detail she’d put into her retellings of it had some people questioning her. Perhaps because the details never changed, as the details of invented stories tended to do. She’d been shocked by the first remark she’d gotten, and even by all the ones that followed, despite knowing better by then. Not that anyone ever meant anything by it, really, as far as she could tell. They were only joking about it—with her, in their eyes. But the comments still stung.

To have snippets of the story repeated back to her, in a manner that hid the joke a little bit too well…. It felt cruel. Uncalled for. And it wasn’t even April Fool’s Day.

Perhaps it wouldn’t bother her so much if she hadn’t spent so much time thinking about it. Wondering, for the most part, what she had missed out on. Whether she’d made the right choice. Whether she’d change her mind, given the chance to. Whether it really had all been just a story or a dream.

The hospital records of that particular John Doe had been destroyed. Explaining away a dead man walking was a bit more difficult than simply burning a couple of x-rays and covering up the death in the first place, but it could be done. Rationalized. It had been late. The orderly had been confused, half-asleep, mixing up reality with that blasted movie he’d been watching. The door hadn’t been closed properly and had been loose on its hinges. It had been battered during normal use but had functioned well enough to not be reported, but its evident failure of function had ultimately required its immediate replacement, holiday or no holiday.

And things had simply fallen into place, logically, rationally, and everything that hadn’t fit had been shoved under the rug and had become unmentionable.

She’d even tried to find Chang Lee, once, when it was all said and done. She hadn’t been successful. She suspected it was because of the two bulging bags he’d held the last time she’d seen him. She still didn’t know what had been in them, but she knew they were from the Doctor. And that…that meant that they could have held anything within them from trinkets to cash to something as outrageous as gold dust.

Grace laughed, a bit bitterly. Oh, look at her now. Pining away after a forgotten possibility. All because some skinny idiot who had no idea what he was doing, how much he was hurting her, was dredging up her memories and shoving them in her face. Someone would have had to put him up to it, she was sure. They’d gone to a lot of trouble, telling someone all her stories. Perhaps he was a friend or relative of someone, thinking he’d have a go at her and have a laugh at her expense.

Although the wounds had been all too real. And the heart trouble wouldn’t have been faked, either. She wondered if they still had those x-rays. She’d be able to tell if his heart was overworked, as he’d kept insisting, by its size.

Grace put her coffee cup down. It was cold anyhow, though the brew had barely been lukewarm to begin with when she’d gone on her break.

Still. John Smith. Doctor. She should have seen through it immediately. The lack of ID, the odd things in the pockets, no money. And then the jelly babies. Oh, it had been planned, all right. Carefully. Not the stabbing, though she expected he’d have come up with one reason or another to see her. It was quite understandable that they didn’t replicate circumstances too much—and it wasn’t easy to fake a gunshot wound, not unless the entire hospital staff was in on it except her. The heart trouble may have been unexpected, or it may have been the reason he’d been the one to try it. She couldn’t be sure. X-rays inconclusive her foot. Perhaps they hadn’t even been taken.

Pursuing that thought, she went to check. But when she got there, she was informed that they had already been disposed of. She demanded to know why, without her even seeing them, particularly before they’d had a chance to take more, and had simply been told that it was out of their hands.

She cornered the newest addition to the staff. She didn’t know the man very well, and she wasn’t good at intimidating people, so she didn’t even try it. She merely pulled him aside and asked for the truth. What they had looked like.

Double exposure.

Double exposure. Yeah, right. As if she’d buy that after all this. Apologetic tone or not, even if he had been the one to take the blasted things— That didn’t matter. They were all in on it. What was this for? There was no rhyme, no reason. Who was trying to make her life hell?

She needed a break. And not just a measly five minutes. She wasn’t the only cardiologist in the hospital. They could cover for her. Oh, not easily, but they’d make do. She might lose her job, but, given the circumstances, she wasn’t so sure that wouldn’t be a bad thing. She’d thought about leaving after that first time, back in 1999. She hadn’t. She’d hung on, clinging to normality after her life had spun out of control. She’d used it as an anchor.

But some things you couldn’t bury so easily.

Given time, it would resurface.

Time.

She’d seen it backtrack, loop around, and play again. Just the once. But that experience had changed everything.

They always say that if it doesn’t matter in five, ten years, it doesn’t matter now, not really. Well, it had been five years. And it was still affecting her. And she was fairly sure another five wouldn’t change that.

She didn’t head to the parking lot, to her car. She knew she’d come back. But now…she needed to walk, now. Just to work off some of her frustration, expend her energy. She needed some time to think, where other things weren’t crowding her thoughts.

She nearly didn’t see him, sprawled on the bench as he was, fast asleep.

“Dr. John Smith,” she said, looking him over. She frowned as she studied him further. She’d seen the condition his clothes had been in, bloodied and torn. And while they were a bit raggedy, there were no gaping holes, no dark red stains stretching across large portions of the shirt. But she knew it had to be the same, because there were smaller spots of blood still there. Only, when she moved closer to get a better look at the material, she couldn’t tell that it had ever been ripped. The holes had closed up as if they had never been there.

How the hell had he managed that?

She shook him, intending to wake him up. He didn’t stir.

She felt for a pulse and yanked her hand back. He was cold. How long had he been out here? She pried open his eyelids, wishing she had a flashlight to better test pupil reactions, and then tried checking for a pulse again. She couldn’t find it, but his pupils had contracted slightly in the light when she stopped shading them with her hand. He wasn’t dead.

He really was in trouble after all.

It was all a bit more serious than she’d been led to believe, then.

“I’ve got to get you back inside,” she said. She looked dubiously at the lanky body splayed over the bench. He’d be heavy enough if she had to carry him. She’d be better off going inside and getting a wheelchair or someone to help her than struggle with him alone.

“And here I only wanted some time to think,” she muttered as she arranged the unconscious man into the recovery position.

She’d just finished making sure his head was tilted at the right angle when his eyes snapped open.

It was a bit hard not to shriek at that.

A grin spread across his face. “Hello, Grace,” he said as he pulled himself into a sitting position. “Just the person I wanted to talk to.”

“You need medical help,” she hissed, too angry with herself for losing her self-control earlier and for letting her emotions interfere with how she’d treated a patient than to wonder about how quickly he’d woken up, let alone how he’d woken up at all.

“Nah, better now. Had a bit of a rest. Didn’t expect to. Well, didn’t mean to. I did expect it would sneak up on me. Haven’t had much the last few days, and then, what with getting stabbed and all, well, I do need to replenish my energy now and then. Even I can’t run full-out forever.”

She grabbed his arm and only just stopped herself from pulling him roughly to his feet. “Come with me,” she said, her tone not allowing for argument.

“I don’t need to check back into the hospital if that’s what you’re thinking. If I need anything, I ought to see if I’ve got another zero room hiding out in the TARDIS somewhere. Listen, please. I just…. I think I need to talk to someone.”

Oh, and he was still at it. TARDIS indeed. Not that she knew where he got that bit about a zero room from, but that was beside the point. “I’ll make sure someone will be there to listen to you.”

He frowned, carefully extracting his arm from her grip. “I don’t need a visit from psychiatric,” he groused. But then his expression fell again. “Or perhaps I do, by your terms. But it wouldn’t help. Well, not me. I don’t need to end up in a padded room, thank you very much. Plenty to do without having to deal with that.” He sucked in a breath. “Please. You have to listen to me. I….” He trailed off. “It’s different now,” he said, starting again. “I’m alone now. Gallifrey’s gone.”

“Why do you insist on doing this?” Grace demanded, but she was uncertain now. There was something in his eyes….

“I can regenerate twelve times. But don’t worry; you’re the only one to kill me by punching a hole through my second heart. I’m not about to make that mistake again. Not that it was working earlier. Sign that I wasn’t doing so well, that. But she’s pumping now.” He caught her hands and placed one on either side of his chest before she could think to fight him—maybe because she didn’t want to. Maybe because she wanted it to be true.

A near-impossible duality of rhythm beat beneath her palms.

“There, see?” he asked, giving her a lopsided grin. “I’m easy to find. I’m the guy with two hearts.”

This fic is an utter beauty.

I stumbled across it by chance while browsing the Tenth Doctor tag - and was immediately captivated, because it is masterfully written, steadfastly in character (oh, all those little mannerisms and the Doctor's incessant mental tossin' about!) and achingly bittersweet. With the emphasis on bitter, mind you, but there's absolutely nothing wrong with that, considering the moment in the Doctor's life when it's happening (aaand the fact that - for some of us at least - hurt is the crucial element of hurt/comfort).

I feel for him. I feel for Grace, too. It's heartbreaking. And it's beautifully, beautifully written. I've re-read it right now and I cried. Again. Twice.

Part 2 of this untitled Doctor Who fic where 10 meets up with Grace Holloway again. Posted for @scaehime, who was interested in more.

-|-

The Doctor jolted awake. He tried to claw the oxygen mask off his face, but a pair of gloved hands held it more firmly in place. “Don’t worry, Mr. Smith,” someone said. “It’s simply a precaution. We—”

But the Doctor wasn’t willing to simply listen. “I’m not signing anything,” he said, albeit with difficulty, and his voice was muffled anyway. “I’m not going to let you do anything. No x-rays, no—”

“Mr. Smith, please remain calm.”

“Calm?” the Doctor repeated, anything but. “Calm? You’re trying to...you…you….” He trailed off. An oxygen mask, he’d thought. But then he’d breathed it, and analyzed it. And it wasn’t just oxygen. At least, not anymore. He had to wonder if he’d even said what he’d meant to say, whether or not it had been heard.

This time he did manage to get the mask off his face. “How long,” he gasped out, “have I been in here?”

“You were brought into emergency three hours ago,” came the steady reply. “You’re stable now. You were in shock. Do you remember what happened?”

“Partially,” the Doctor replied, looking distracted. “Did a Vera Taylor tell you who I was?”

“That’s right. Dr. Taylor has insisted that we treat you as we treated her.” A small laugh. “Like everyone else, in other words. We try to give the best treatment possible. You’re in good hands, Mr. Smith.”

The Doctor thought for a moment, cursing whatever they’d given him. He hated being slow on the uptake. “Did you say,” he finally asked, “that I’ve been here for three hours?” Without waiting for a reply, he continued, “And, oh, three hours is a long time, isn’t it? Lots of lovely tests you could run.” He sat up abruptly, wincing as his movement partially dislodged an IV from his arm. He pulled it out carefully and turned to assess the nurse who was taking care of him. He scrutinized her for a moment, seeing if he could place her face among his blurred recollections of the time he’d woken up on the operating table, but couldn’t. That was a bit of a relief.

“Mr. Smith, I have to ask you to—”

“Sorry,” he interrupted. He squinted at her nametag. “But, Rachel, I’m fine now. I don’t need oxygen, I don’t need an IV, and I don’t need whatever else you were going to give me.” He glanced down. “Though, I wouldn’t mind my clothes, bloodied or not.” He frowned. “That’ll take a bit of mending. Shame. I hate mending. I can take it to Neo-Sydney, I suppose. They’ve expert tailors there. Then again, the prices, and they don’t fancy taking….” He trailed off and cleared his throat. “Still. Better than making do with a costume again.”

“Mr. Smith—”

“Yes, I know, it’s against regulations and all that, but, without them, I can’t show you my ID to—” He stopped, frustrated. “Oh, what’s it matter. I can’t stay. I have more important things to be doing. I shouldn’t even have come in the first place.”

“Mr. Smith, your condition has stabilized for the moment, but I would advise not disregarding the doctor’s recommendations by—”

“Oh, but I wouldn’t be disregarding the Doctor’s recommendations,” the Doctor cut in. “Because I think I know my body a bit better than you, thanks.” He reached for the chart at the foot of the bed.

Rachel smirked at him. “So it’s true. Doctors are the worst patients.”

The Doctor, however, wasn’t paying attention. He flipped from one page to the next and back again, then skipped ahead and frowned. “You’ve scheduled me for an appointment with a cardiac specialist?” he asked slowly.

“Your heartbeat was erratic,” Rachel pointed out. “Even accounting for the shock, the range was worrisome.”

“Speeding up and slowing down,” the Doctor murmured, deciding he’d better not ramble too much in case she decided to have psychiatric check up on him. Twenty-eight beats a minute, then racing to well over a hundred and twenty-eight in an effort to compensate for the fact that his right heart still wasn’t beating. He was lucky he hadn’t slipped into a healing coma. He was liable to find himself locked up in the morgue again if he did.

At the very least, he was lucky they hadn’t cut him open with the intention of putting in a pacemaker or some such nonsense.

“Dr. Taylor was able to pull a few strings,” Rachel informed him, gently pulling the chart away from his hands. “Dr. Holloway will see to you herself.”

“Oh. Right.” The Doctor frowned. He’d managed to walk right into this, hadn’t he? Sure, he’d been debating having a quick conversation with her, and he had landed and set off, but if he was set to meet up with Grace again, this wasn’t what he’d pictured. Him tracking her down, yes, but if he went into the hospital, he wouldn’t have gone in as a patient. At least, not with injuries of this sort. Still, perhaps just bumping into her on the street would’ve been best. But not this. Well, could be worse, he supposed. He wasn’t on the operating table again.

Nearly had been, but wasn’t.

“Clothes?” he prompted, looking up at Rachel again.

“You’ll want someone to bring you a fresh set,” she admitted.

Oh, brilliant. They’d gone and cut them off him, then. He might just be reduced to making off with someone else’s. Again. What would it be now, the third time? There was his third regeneration, and his eighth, and—

“But my coat?” he asked. He didn’t want to lose his coat. He had important things in that coat. Come to that, he had important things in his suit pockets, too. “And, er, you haven’t disposed of my suit yet, have you?”

“Your things are safe, Mr. Smith.” Rachel stood up. “I’ll ask you to wait here while I call Dr. Miller in to speak with you personally.”

“If I going to talk to a doctor,” the Doctor replied, “I would prefer it to be Grace, if that’s possible. Is she free?”

“She didn’t—”

“Brilliant,” the Doctor interrupted. “Thank you. Off you go now, Rachel; time’s a-wasting.” He settled back into bed, waiting for her to leave. She looked startled, but she did as she was told.

The minute she was out the door, the Doctor allowed himself a small moan. Ooh, how humans could stand it with just one heart, he didn’t know. Though, he was lucky they hadn’t tried to give him anything. Probably had something to do with the good Dr. Taylor, that. She’d held up remarkably well, all things considered. She reminded him a bit of Grace. And even a little of Sarah Jane, come to think of it.

But he didn’t have time to think of it. He had to get out of here. They’d taken x-rays. And he wasn’t sure they’d just chalk it up to a double exposure again. He wasn’t even quite sure when he was—something he hated admitting; he had a reputation to uphold, after all—and he didn’t fancy going through anything like 2012 Utah again, to name one of the more recent unpleasant experiences he’d had on Earth. 

Now was not the time to draw attention to himself by trying to start up his right heart.

He slowly made his way down the hallway and a couple flights of stairs, alternately trying doors and dodging into rooms, occupied or otherwise, to avoid anyone who looked overtly official. He wasn’t sure how far he’d get, dressed as he was, but he was willing to give it a shot. And he could always pretend he was lost. It was fair enough, he figured, even if it was, likely as not, going to get him a ticket to psychiatric. Ah, well; he deserved a bit of fun. He hadn’t had as much as he liked lately. The last time he’d gone looking for it, things hadn’t exactly gone according to plan.

If hadn’t been for one wise, stubborn human, he would have knowingly destroyed an entire timeline.

Sure, it had reasserted himself, skirting around a few anomalies, but he’d been willing to…. He’d tried to sacrifice.... He’d….

“These are his things?”

“Yes. That’s all we found his pockets. No ID, no money—nothing to support his claims to Dr. Taylor.”

Grace. And someone he didn’t recognize. He’d better get out of here. Quickly. He could nip back and gather his things, then be on his way no worse for the wear. Grace might wonder, but he didn’t recall carrying anything on him now that she would recognize. He’d even had the locks changed; the TARDIS key was different. Though that was more because he couldn’t stand the constant reminder of Gallifrey than anything else. Still. New key, new sonic screwdriver….

New body.

Twice over.

And he had no right to ask. To ask would be to burden her with his problems, because she was the sort of person who would take the burden without being asked and wouldn’t lay it down, no matter what he told her. No matter how much he pleaded with her. And he had no right to do that. She’d built a wonderful life for herself. Moved on, just like she should have. Because she’d recognized—

The Doctor dashed into the nearest room. “Oh, hello,” he greeted cheerfully as a rather frail lady looked up at him. “I seem to have gotten the wrong room. I was looking for a Ms. Jones?” He phrased it as a question, but spent some time looking about the room, wandering deeper into it—and away from the doorway—and making it clear that he didn’t expect an answer. “Terribly sorry,” he added. “I’m the, ah, man from just down the hall. John Smith.” He stuck out his hand, grinning widely.

“Dorothy Mae,” the woman replied finally, taking his hand. “You shouldn’t be up and about, young man. I may not be a doctor, but I’m a mother and a grandmother, and you should be in bed. You’re too pale. Never mind that this is a hospital. I’m here after my hip replacement. You,” she added pointedly, looking him up and down again, “look like you got on the wrong side of a fight.” She didn’t sound particularly approving.

The Doctor tugged on an ear. “Yeah, well,” he said, shrugging his shoulders a bit. “Wasn’t intentional. Just trying to help, me. Nothing serious. They’ll be letting me out as soon as they can process the paperwork, I daresay. Need the beds, I think. But my friend—”

“If they’re going to release you when you look like that,” Dorothy Mae interrupted, “then I will be speaking with my doctor about the sort of care they’re giving here.”

The Doctor began to think that perhaps engaging the woman in conversation had not been his best idea. He pasted a smile on his face. “Oh, well, no, it’s not the care. I’m checking out. Against their recommendations, admittedly. But, really, it’s just a form or two to sign, and—”

“You,” declared the outspoken, if well-intentioned, Dorothy Mae, “ought to be ashamed of yourself. You’re liable to get yourself killed if you don’t smarten up.”

She looked like she could have berated him for longer, but the Doctor hastily began extracting himself from the conversation. “Yes, true enough; I will reconsider, I suppose, but I ought to go and tell them that, so I’ll just leave you be, won’t I?” He grinned at her and made his escape.

He bumped into someone and tried to continue on his way, but whoever it was caught his arm. “Mr. Smith,” drawled a man’s voice, “I believe you were assigned to room 403?”

“Dr. Miller, I presume?” the Doctor asked, trying not to look guilty. If he’d waited just one more minute.... “Yes. And may I ask why you are a full two floors from your assigned room?” Over Dr. Miller’s shoulder, the Doctor had watched Grace’s face fall. Perhaps she had thought to connect the dots. He didn’t recall telling her that regeneration worked more than once. Granted, he hadn’t exactly had time to explain anything. Common theme in his life, that.

“Oh, well,” he said slowly. “Fancied a bit of a jaunt, that’s all. Looking to see if I could get a cup of tea, to be honest.” Well, partially honest. He wouldn’t mind a cup of tea now. He needed something to clear his head. “And, I was wondering about my things. Could I have them back? Even the suit? I know an excellent tailor.”

“We can discuss this at a later time, once we have you back in your room.” Dr. Miller steered him towards the lift.

“I’ll join you when he’s settled,” Grace said shakily. The Doctor glanced over his shoulder to get a better look at her. She hadn’t changed, really. So perhaps it wasn’t that long after all. Blimey, it better not be before the millennium. He’d be in a spot then. But surely….

The Doctor accepted his scolding meekly, knowing that if he had any chance of getting out of here, it would be better to throw them off guard. And, sometimes, if you played your cards right, and you acted like you really needed something, they’d give it to you. Like shoes. Shoes would be an excellent thing right now. You can only make it so far without shoes. All right, last time he’d made it over to Grace’s house without shoes, but he’d needed the toe tag on as proof, hadn’t he?

The Doctor did his best to ensure that his conversation with Dr. Miller was short. Grace entered shortly after Dr. Miller had finished his scolding—well, chiding, more like, as if he were a child. But when she came in, holding his coat—and it would take a bit to get those stains out—and a small paper bag, presumably his other things, he almost didn’t want Dr. Miller to leave. He regretted being so apologetic and compliant. He might’ve bought more time if he hadn’t been.

Because, really…. He didn’t want to face her.

He shouldn’t have come.

“John Smith?” she asked softly, depositing his things at the foot of the bed and settling down on the chair by its head. He saw the sleeve of his suit jacket poking out from the bundle that was his coat. Excellent; she’d gotten that, too.

Still, he had to answer her question. He hesitated, and nodded once, sharply and definitively.

“Where are you from?” she asked, keeping her voice light.

“Nottingham,” he answered. “Brilliant place. You ought to visit it sometime.”

“And may I ask why you wanted to speak with me, and why you told Dr. Vera Taylor that I knew you?”

“Oh, well, I just….” The Doctor trailed off. Grace was smart, and lying wasn’t his forte in this regeneration. “It’s been a long while, that’s all. I knew you wouldn’t recognize me.”

She was thinking it. He could tell by the expression on her face. Blinking abruptly, she reached for his chart, scanning it. He watched her shoulders fall. “They want to keep you for monitoring,” she noted. “You’ve a bad heart.”

“It’s just overworked,” the Doctor said bluntly. “Temporary. A victim of circumstances, if you will.”

“X-rays inconclusive?” Grace repeated, looking up from the chart. “You’re due for another round, to make sure you didn’t crack a rib. First round was faulty.”

The Doctor was silent for a moment. “Grace,” he said, slowly, deliberately, “may I have my things?” He held out his hand. “Just the bag for now, if you will.”

“I’d prefer Dr. Holloway at the moment, Mr. Smith.”

“Doctor,” the Doctor corrected.

Grace smiled slightly. “Oh, yes,” she amended. “I do recall Vera mentioning that. Dr. Smith, then.”

“Doctor,” the Doctor repeated, watching her hand falter as she reached for the bag.

She turned back to look at him. “I’m afraid, Dr. Smith, that I do not take to calling anyone simply by their profession. Particularly those from Nottingham.” She passed the paper bag to him.

The Doctor took it and smiled. “Well, it’s a bit more than a profession.” He overturned the bag to see what he could find. They hadn’t found much. Sonic screwdriver, TARDIS key, wallet of currently blank psychic paper—pity, that; might be a bit harder to fool them, if they recognized the covering—and his spectacles. Just some surface things, nothing from too deep in his pockets.

And nothing Grace would recognize.

Though, he had to decide, now, whether or not he was going to go through with it. He’d meant to. But then, he thought maybe it would be best if he didn’t. Because the only reasons he’d meant to have any conversation at all with her were selfish reasons. He wanted to know what she’d seen, and how she’d recognized it—how she’d seen what he, and so many others, couldn’t.

A friend had once told him that if you could choose who lives and who dies, you would be a monster. And he’d agreed whole-heartedly at the time. It wasn’t even that long ago. How could he have forgotten that conversation? How could he have turned his back on that so utterly? How could he have disregarded everything and gone and done it anyhow?

He’d needed to be taken down a few pegs.

It hadn’t taken much.

But it was too much all the same.

One life had had to be ended to keep history on track.

And he hadn’t been the one to realize that.

He’d been the one to ignore it.

And then he’d been shown how important it all was, and how foolish and arrogant he’d been, and how wrong he’d been, to stray from that, even once. He’d seen what he’d become.

A monster.

“Dr. Smith? Are you all right?”

The Doctor blinked. Grace repeated her question, moving closer to check on him.

No. He couldn’t just leave. He’d come here, and the TARDIS had made sure he’d come this far, sneaky as she was. He wanted to run from this, like he’d run from everything else. But he couldn’t keep everything inside him forever, keeping silent. He had to tell some things to someone.

Someone who would listen.

Someone who might help him to understand.

Someone he’d touched but not destroyed.

“I’m always all right,” the Doctor croaked, pulling away from Grace. He reached instead for his coat, digging in the pockets. He had some in here, he was sure of it. He’d gotten them the same time he’d picked up that chocolate egg at Easter, since he hadn’t had any for years and he had had a bit of a liking for them. They wouldn’t be too old; a couple of months, that’s all.

“Dr. Smith, you should just relax. Your heart—”

Right. Dr. Miller had insisted on hooking him up to that again. Bother it all. “Is compensating,” the Doctor cut in. “That’s all. Temporary, like I said.”

“You’re not well.”

No, he wasn’t. But he was on the mend, now—if he could just stop running, just for a moment, long enough to have a conversation.

“Grace—”

“Dr. Holloway.”

“Grace,” the Doctor repeated, very deliberately, as his hand closed upon a small paper bag of candy. He pulled it out of his coat pocket and offered it to her. “Jelly baby?”

She looked at him uncertainly. “I was informed that they’d gone through your pockets.”

The Doctor shrugged. “They didn’t know what they were looking for. Would you like a jelly baby?”

Grace’s expression hardened. “Stop it,” she hissed.

The Doctor was taken aback. “What?” he asked, blinking at her. He hadn’t meant to actually offend her. Yet that was how she was acting.

“Who put you up to this?” she continued angrily. “I’m not having it, you hear? I’ve had enough with people laughing at me. I’m not telling that story anymore.”

Oh.

He hadn’t expected that.

Of course, he wasn’t entirely sure what he had expected.

He hadn’t thought about it all too much.

“What year is it?” he asked slowly.

Wrong question, it seemed, with what she thought of him now. “I’ll thank you not to persist in telling tales in an attempt to speak to me again,” she said sharply, rising to her feet. “Good day, Mr. Smith.”

“Doctor,” he corrected again.

She glared at him. “Dr. Smith, then. Good day.”

“I’d missed you, Grace,” he said truthfully. “But I’d still thought that I was doing the right thing by not coming back. After you’d made your choice, I mean.”

It wasn’t enough to catch her attention, and she started out the room, ignoring him.

And, well, now that he’d made the decision to talk to her, he wanted to talk to her.

So he made sure that he did catch her attention. “The Master survived, you know. Getting sucked into the Eye. But she’s closed now. Room’s locked, good and tight. Even I can’t get into it. Don’t think I will, unless circumstances change.”

She turned back at the doorway to look at him. “How long?” she asked, her voice still cold.

“Pardon?”

“How long have you spent listening to my stories, gathering every bit of information from every story I’ve ever told the children in the recovery ward? And why do you insist on patronizing me?”

She was defensive. Hurt.

Because of him.

Because she’d believed in him and had told her story.

He’d still managed to….

“I’m sorry,” he said, genuinely contrite. “I am so, so sorry, Grace. I didn’t know.”

“Dr. Holloway,” she corrected, but her voice had softened slightly.

And then she was gone.

Actually, it's really interesting how Crowley was right in episode 1. Keeping Gabriel around *was* endangering their lives. Beelzebub told him about the extreme sanctions, and Crowley learned how bad it all was, and he knew he had to go back to protect his angel. So he goes back to the bookshop and apologizes. Not because he was wrong though, but because he knows full well the angel made up his mind. Aziraphale WILL do what he thinks is right, even at the cost of himself. Crowley knows him too well. And so he apologizes, even though he was right, and spends all season protecting them both. Perhaps he doesn't tell Aziraphale about the book of life because he full well knows that it wouldn't make a difference. Save some kids and go to hell. Love a demon and be destroyed. Help an old enemy and be erased from existence. It wouldn't matter. So he spares Aziraphale the stress of it and he decides to help as best as he can. The result of it all being that Aziraphale sees all of this as him and Crowley teaming up to do the right thing, and Crowley sees it as saving Aziraphale when he knows Aziraphale won't save himself.

I knew that! Flipping conspiracy!!

end of time secret ending (the bbc wont tell you about this one)

A scene I wanted to address, because I think we need to, because there is some understandable concern over this.

So, Aziraphale's first taste of human food... he goes pretty nuts. He eats it as fast as he can get it down. He can barely stop to breathe. And I can see why that evokes the Greedy Fat Person trope for some.

Given that Gaiman is no fan of fatphobia, I'm pretty sure that's not the intent. But I won't lean on that. I'll go further, and explain what that scene evoked for me, and see if it makes sense to anyone else.

(To preface, I'm a fat person with blood sugar problems who DOES eat like a starving animal and has 0 shame about it. So I'm not just Not Seeing It because of skinny privilege etc. To get that out of the way.)

So first off, of course, it's his first EVER attempt at eating human food. The absolute lack of moderation could be explained by that alone. But I think it's significant that it's specifically meat.

Those who are familiar with the Old Testament know what I mean when I say that God is carnivorous. It's the entire reason he was a bitch to Cain and not to Abel. The Abrahamic god was one of many at the time that accepted burnt animal offerings, before later revisions attempted to wave that away because oops, it sounds too pagan. Flesh of livestock was a common and expected offering, and burning it assured that the smell and smoke and 'essence' would rise to the heavens.

With that in mind, consider what the taste of meat would do to an angel. What it might awaken in them, the first of God's creations?

Maybe it's the monster-lover in me, but I didn't see a fat man gobbling food. I saw an inhuman ancient entity of immense power that only disguises itself as a man, briefly succumbing to a primal and Earthly urge. It wasn't comical to me. It was almost frightening, in a very intentional way. Rarely do we see through the human guise in this series, see just how eldritch these ethereal beings really are, especially Aziraphale. But here he is, ripping almost uncontrollably into the flesh of another life-form with ominous music and thunder overlying the whole scene, and a demon staring at him with intense satisfaction and fascination throughout.

That's what I took from it. If I had to guess, I'd say that's closer to the intent. Again, partly from knowing the author, but also from the way the scene is shot. We're watching an angel partake in literal pleasures of the flesh for the first time, taking formerly living matter into his body. I can totally vibe with Crowley's reaction, tbh.

when the doctor used the tardis like a skateboard and pushed with his lil foot reblog if u agree

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

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Bonus feature: the very silly notes I made to myself that inspired this post

Before, during, after

Guys. Let's talk about the Eccles cakes. Shall we?

When Crowley orders six shots of espresso, Aziraphale considerately asks for something that "calms people down". Nina then suggests him to get Eccles cakes.

Now the word, "Eccles" originally means "The church". It foreshadowed the season finale where Aziraphale asks Crowley to join heaven. It is a callback to Crowley being the (sauntered-vaguely-downwards) fallen angel. Crowley was given a choice to join heaven again. To eat the Eccles cake. But he doesn't. He doesn't want to be calmed down and hushed. He has found his voice, his own side. He knows the truth about Heaven and Hell and God.

The Eccles cake is also called the "squashed fly cake' because the inside is filled with black currants. This could be a metaphor for hell. How Crowley was also asked back to hell and he said no.

Aziraphale ordering Eccles cakes shows the inner struggle that he is facing. He cares for Crowley. He wants to be there for him. But at the same time, he believes whole heartedly in heaven. He still thinks of God's plan as ineffable. As indubitable. He believes that Crowley and he will be happier in Heaven. He fails to see that even if heaven seems to be the side of "truth and light", on the inside it's all squashed flies. It's just as bad as hell. That when heaven ends life on earth it will be just as dead as hell ended it.

I've read so many versions of the analysis of THAT scene, and, to be honest, most of them were at least very interesting, but this one, in my opinion, is the ultimate.

I should watch the season once again… but, frankly, I'm not ready yet.

A very long meta explaining why the confession scene in Good Omens is the best that has ever been written and performed on screen

First of, the scene begins with two different realisations that makes each of them believe that their dynamic will significantly change (Crowley wanting to confess his love and Aziraphale wanting to break out the news about heaven). This, you can see, creates an unprecedented shift in their energy, makes them super excited (Azi) and super nervous (Crowley) to break the news to one another. And despite the two matters being drastically different, when Aziraphale begins his revelation we don't get the Miscommunication trope where Crowley listens to the offer and passively retreats back his emotions. No. He is steadfast in his resolution, in his love for Aziraphale.

And that right here is king attitude no.1, because even if Aziraphale just threw something so godforsaken on him, he won't allow himself to be cowardly or let go of the one person he loves more than eternity. Crowley still bares his heart, still lets it all out, because he will not lose Aziraphale in his naivete of still believing that Heaven is good and Hell is evil. (I write this with supreme detachment of my own beliefs lol) He tries to make Aziraphale understand that sides didn't do them any good the past 6000 years, that the only solid foundation they ever had was them, and that Crowley would rather have them than have everything.

Now you see here a moment of disbelief on Aziraphale's behalf, because he doesn't understand why Crowley would refuse going back to heaven with him when all Aziraphale remembers of Angel!Crowley was how utterly bright his eyes shone when he lit up the stars and surely Crowley must miss that too? He wants the same thing Crowley is saying, just in a different dimension. The “I can make a difference” immediately changes to “We can make a difference” because that's all what’s ever been for Aziraphale; them changing the small engines of the world according to their partnered will. He is genuinely benign and not ill-intentioned when he says “Nothing lasts forever”, because he truly wants a better life for them, a better existence. And that's when it gets better: Crowley has his walls back up, he's walking away, because he can't bear that he was never enough as he is for Aziraphale. That he was never worth reciprocation.

The way you hear Tennant's voice breaking when he said “And we spent our whole existence pretending that we aren’t”, is the perfect reflection of how Crowley genuinely despairs the time they lost and wouldn't have any more of it. And even with how bare and raw he's feeling with revealing all this, he still goes on. He still tries to tell him and I would like to spend our whole existence together, but struggles and struggles because he's strung wide open. But he keeps trying.

But Aziraphale doesn't let him leave.

And that's when it gets reaaally interesting. Aziraphale's expression then turns from sorrowful desperation to rageful desperation, because he's baring his heart and Crowley is walking away from him. Their solid ground is completely shaken when he says “I don't think you understand what I'm offering you” because he's trying to be subtle about his love for Crowley and still direct as much as he can, but Crowley responds with a condescending “I think I understand a whole lot better than you do” and if this isn't peak human beings in their arguments, I don't know what is. Because we all think we are so misunderstood every time we get into an argument with someone we love, and we absolutely despise it when we feel patronized, so it's no wonder Aziraphale bitterly says “Then there's nothing more to say”, because if Crowley understands, truly does, then he'd see right past his fear to how much he loves the ground Crowley walks over.

And that is king attitude no.2, because he doesn't want Crowley to leave when things are strewn all over the place that they don't know where they stand. All Aziraphale ever wanted was for them to stand on the same ground. He asks him to come back to him but hides it by finishing it with “to heaven!” because the whole conversation is going too fast for him, and he's undergoing a religious crisis of sorts that does not end in 6000 years, yet even so he still doesn't want to lose Crowley because he's everything he has and he can't do it without him and “I — I need you!”

And on the other hand I don't believe Crowley truly meant to be patronizing, but in a desperate last attempt he wanted to make Aziraphale understand what he is trying to say, what he spent his entire eternity feeling for Aziraphale, what Aziraphale would be giving up if he goes to heaven. What their life sounds like with no nightingales.

“You idiot, we could've been.. us” is the very culmination of love confessions. It took every single emotion and equated it. Tennant's delivery of it was unsurpassed in the way that it truly covers everything. And the way he grabbed Aziraphale, not entirely lovingly but desperately and angrily and, honest to God, awfully, is the reason why their kiss is so perfect. No queerbaiting, no beating around bushes. It is raw and sad and giving and agonising. Crowley wants to say see what you're giving up? See what we can have? And all Aziraphale thinks is how could you lay this on me now after everything, after every chance we could've been something, after me loving you from the first time I've met you. He's angry towards himself too, because nothing he can offer Crowley will be good enough that he chooses him instead of his choices. Sheen's choice in making his character grab Crowley's shoulder and let it go and then grab it once more in desperation is so unexplainably perfect of how much Aziraphale wants to hold onto Crowley.

And when Crowley lets go of him, not the other way around because of course it is Crowley who must let go and detach from the utter pain that pierced his heart, you can see his expression being one of defeated longing. He sees all expressions passing across Aziraphale, sees how torn apart the other man is, too, and awaits just a semblance of anything they could work with. But instead, Aziraphale's face closes, and he tells Crowley “I forgive you”, and Crowley thinks this must be his second falling, because he's never felt more pain. “Don’t bother”, he says, yet still waits for Aziraphale outside and doesn't leave until Aziraphale has left him. Because in the end, Crowley would always be there for Aziraphale, even if he doesn’t feel worthy of it.

But in the back of his mind, Crowley isn't choosing the same. Instead, Crowley's choosing to run from something that no doubt will rebound in their faces. They are angels and demons of heaven and hell, how could Crowley expect they could run and hide without being a repercussion later on? At least what Aziraphale is suggesting ensures that they will have a high position of power, enough to make them together, enough to make them happy, but instead, Crowley is walking away.

And that, my beloveds, is why eternity will remember this scene.