Glitches25 - Untitled

a visitor

This is so fucking funny

Gaslight District Code

(so far)

been working on putting this together since premiere! hopefully someone can use it and i plan to update it if i find the last few letters! edit: Z update -Tophat

so i'm in this backyard chickens group on reddit and someone just discovered their hen is transitioning and everyone is stoked

anyway in case you didn't know chickens will sometimes spontaneously f2m and it's pretty cool

Thank you all for your feedback on the last poll! I did not expect so many people to vote for Hunsrück!

Now I can narrow down what posters could be good to include in a run like this. But there is still stuff to decide. While I could just post these naked I would prefer to give some context and information on the formation and animals depicted. So here a´few options I worked on.

Btw. if this goes well it might eventually end up as a book or I would at least try to turn it into one.

"𝙈𝙮 𝙢𝙞𝙣𝙙 𝙞𝙨 𝙘𝙡𝙚𝙖𝙧𝙚𝙧 𝙣𝙤𝙬…"

Deinosuchus: Giant Alligator or something older?

I know the title sucks, I couldn't think of anything poetic or clever ok? Anyways, still catching up on croc papers to summarize and this one did make a few waves when it was published about a week ago.

"Expanded phylogeny elucidates Deinosuchus relationships, crocodylian osmoregulation and body-size evolution" is a new paper by Walter, Massonne, Paiva, Martin, Delfino and Rabi, with quite a few of these authors having considerable experience with crocodile research. The thesis of the study is both simple and unusual. They suggest that several crocodilians traditionally held as stem-alligators, namely Deinosuchus, Leidyosuchus and Diplocynodon, weren't alligatoroids at all. In fact, if the study holds up they might not have been true crocodilians.

Ok, lets take a step back and briefly look at our main three subjects. Deinosuchus of course needs no introduction, a titan of the Cretaceous also known as the terror crocodile in some more casual sources, its easily one of the most iconic fossil crocodiles. It lived on either side of the Western Interior Seaway during the Campanian, fed on giant turtles and dinosaurs and with size estimates of up to 12 meters its easily among the largest crocodylomorphs who have ever lived.

Artwork by Brian Engh

Leidyosuchus also lived during the Campanian in North America and I would argue is iconic in its own right, albeit in a different way. It's historic to say the least and once housed a whole plethora of species, but has recently fallen on hard times in the sense that most of said species have since then been transferred to the genus Borealosuchus.

Artwork by Joschua Knüppe

Finally there's Diplocynodon, the quintessential croc of Cenozoic Europe. With around a dozen species found from the Paleocene to the Miocene all across Europe, it might be one of the most well studied fossil crocs there is, even if its less well known by the public due to its relatively unimpressive size range.

Artwork by Paleocreations

All three of these have traditionally been regarded as early members of the Alligatoroidea, one of the three main branches that form Crocodilia. In these older studies, Alligatoroidea can be broken up into three groups nested within one another. Obviously the crown is formed by the two living subfamilies, Alligatorinae and Caimaninae, both of which fall into the family Alligatoridae. If you take a step further out you get to the clade Globidonta, which in addition to proper Alligatorids also includes some basal forms with blunt cheek teeth as well as Orientalosuchina, tho jury's still out on whether or not they are truly alligator-relatives. And if you take a final step back and view Alligatoroidea as a whole, then you got our three main subjects neatly lined up outside of Globidonta in varying positions.

Below a highly simplified depiction of previous phylogenies. Deinosuchus, Leidyosuchus and Diplocynodon are often regarded as non-globidontan alligatoroids.

This new study however changes that long standing concensus. The team argues that several features we once thought defined alligatoroids are actually way more common across Crocodilia and even outside of it while also leverging some of the features of Deinosuchus and co. that have always been out of the ordinary. For instance, early alligatoroids are generally characterized as being comparably small, having had short, rounded heads, the afforementioned globular cheek teeth and of course the feature that still allows us to differentiate them from true crocodiles, the fact that they have a clear overbite. Now Leidyosuchus, Deinosuchus and Diplocynodon all have proportionally longer snouts than alligatoroids, their teeth interfinger like in crocodiles and most prominently (and namegiving for Diplocynodon) there is a large notch behind the snout tip that serves to receive two enlarged teeth of the lower jaw. These are of course just superficial examples, but if you wanna get into the nitty gritty check out the paper.

Below a simplified version of the papers phylogeny. Borealosuchus clades with Diplocynodon and Leidyosuchus and Deinosuchus are successive taxa. Planocraniidae are the sister to Crocodilia, which consists of Crocodyloids, Gavialoids (together Longirostres) and Alligatoroids.

Something also worth addressing in light of these results is salt tolerance in crocodilians and paleogeography. Basically, if you ignore Deinosuchus and co. (or well, just follow this new paper), then it is most likely that alligatoroids originated on the continent of Laramidia, i.e. the western half of America back when it was bisected by an enormous inland sea. Today, alligatoroids are famously intolerant of saltwater, yes, there are instances where alligators have been known to enter coastal waters, but its a far cry from what true crocodiles can achieve (just an example here's my recent post on Caribbean crocodiles). Given that alligatoroids don't appear on Appalachia, the other half of North America, until after the inland sea closes, this very much suggest that this intolerance goes way back. This has however always been at odds with Deinosuchus, which famously showed up along both the eastern and the western coast of the inland sea and at least lived close enough to the coast to leave its mark on the shells of sea turtles. We know it inhabited various near-shore environments and even stable isotope analysis of its teeth points towards it consuming either saltwater or prey that lives in the ocean. To a lesser degree its worth mentioning Diplocynodon, which though usually a freshwater animal has at least one species from coastal deposits. Now I do think its worth highlighting that just being salt tolerant doesn't necessarily mean they can't have been alligatoroids, given that salt glands could have easily been lost after Deinosuchus split off from other alligatoroids. Nevertheless, a position as a stem-crocodilian does add up with it being salt tolerant, with the assumption being that being tolerant to saltwater is basal to crocodilians as a whole and was simply lost in a select few lineages such as alligatoroids.

Given that its range spanned both coastlines of the Western Interior Seaway as well as direct evidence for interactions with marine life, Deinosuchus likely ventured out into the sea from time to time like some modern crocodiles.

There's also the matter of timing. When alligatoroids first appeared 82 million years ago, we already see the classic blunt-snouted morphotype with Brachychampsa and our dear giant Deinosuchus. Now if both were alligatoroids, this would suggest that they've been separate quite some time before that to bring forth these drastically different forms, yet attempts to estimate the divergence date suggest that they split no earlier than 90 million years ago. So if Deinosuchus is not an alligatoroid, then the timeline adds up a bit better. However I think the best example of this new topology really explaining an evolutionary mystery doesn't come from Deinosuchus, but from Diplocynodon. Those that know me might remember that I started working on researching Diplocynodon for Wikipedia, a process that's been slow and painfull both due to the 200 years of research history and the good dozen or so species placed in this genus. Tangent aside, one big mystery around Diplocynodon is its origin. They first appear in the Paleocene and survive till the Miocene, tend to stick to freshwater and oh yeah, species of this genus are endemic to Europe. Given that previous studies recovered them as alligatoroids, nobody was quite sure where Diplocynodon came from. Did they originate in North America and cross the Atlantic? Where they salt tolerant before and simply stuck to freshwater once in Europe? Or are they a much older alligatoroid lineage that entered Europe via Asia after having crossed Beringia. You know, the kind of headbreaking stuff we get when the fossil record is incomplete. But this new study recovers Diplocynodon as being closely related to the non-crocodilian Borealosuchus from the Cretaceous to Paleogene of North America. And that makes some sense, historically the two have been noted to be similar, hell there were even cases when Borealosuchus remains were thought to be North American examples of Diplocynodon. And Borealosuchus has the same double caniniforms as the other crocs we discussed so far. So when our three former alligatoroids got pushed outside of Crocodilia, Diplocynodon ended up forming a clade with Borealosuchus. And since Borealosuchus was wide spread in America by the late Cretaceous, and possibly salt tolerant, then it could have easily spread across Greenland and Scandinavia after the impact, giving rise to Diplocynodon.

The results of this study seem to suggest that Borealosuchus and Diplocynodon are more closely related that previously thought.

And since this is a Deinosuchus paper...of course theres discussion about its size. A point raised by the authors is that previous estimates typically employ the length of the skull or lower jaw to estimate body length, which might not be ideal and is something I definitely agree with. The problem is that skull length can vary DRASTICALLY. Some animals like early alligatoroids have very short skulls, but then you have animals in gharials in which the snout is highly elongated in connection to their ecology. Given that Deinosuchus has a relatively long snout compared to early alligatoroids, size estimates based on this might very well overestimate its length, while the team argues that head width would yield a more reasonable results. Previous size estimates have ranged from as low as 8 meters to as large as 12, which generally made it the largest croc to have ever existed. Now in addition to using head width, the team furthermote made use of whats known as the phylgenetic approach, which essentially bypasses the problem of a single modern analogue with peculariar proportions influencing the result. Now there is a bunch more that went into the conclusion, but ultimately the authors conclude that in their opinion, the most likely length for the studied Deinosuchus riograndensis specimen was a mere 7.66 meters in total length. And before you jump to any conclusions, DEINOSUCHUS WOULD HAVE GOTTEN BIGGER TRUST ME. I know having read "12 meter upper estimate" earlier is quite a contrast with the resulting 7.66 meters, but keep in mind this latter estimate is just one specimen. A specimen that in previous studies was estimated to have grown to a length of somewhere between 8.4 - 9.8 meters. Now yes, this is still a downsize overall, but also given that this specimen is far from the largest Deinosuchus we have, this means that other individuals would have certainly grown larger. Maybe not those mythical 12 meters, but still very large. So please keep that in mind.

Two different interpretations of the same specimen of Deinosuchus. Top a proportionally larger-headed reconstruction by randomdinos, bottom a smaller-headed reconstruction by Fadeno. I do not care to weigh in on the debate other than to say that size tends to fluctuate a lot between studies and that I'm sure this won't be the last up or downsize we see.

Regardless of the details, this would put Deinosuchus in the "giant" size category of 7+ meters, while early alligatoroids generally fall into the small (<1.5 meters) or medium (1.5-4 meters) size categories. The authors make an interesting observation relating to gigantism in crocs at this point in the paper. Prevously, temperature and lifestyle were considered important factors in crocs obtaining such large sizes, but the team adds to that the overall nature of the available ecosystem. In the case of Deinosuchus, it inhabited enormous coastal wetlands under favorable temperature conditions and with abundant large sized prey, a perfect combination for an animal to grow to an enormous size. And this appears to be a repeated pattern that is so common its pretty much regarded as a constant. To quote the authors, "a world with enormous crocodyliforms may have been rather the norm than the exception in the last ~ 130 million years." For other examples look no further than the Miocene of South America, the extensive wetlands of Cretaceous North Africa or even Pleistocene Kenya.

One striking example for repeated gigantism in crocodilians can be found in Miocene South America, when the caimans Purussaurus and Mourasuchus both independently reached large sizes alongside the gharial Gryposcuhus. The illustration below by Joschua Knüppe features some of the smaller earlier members of these species in the Pebas Megawetlands.

So that's it then, case closed. Deinosuchus and co aren't salt-tolerant alligators, they are stem-crocodilians. Deinosuchus was smaller than previously thought and Diplocynodon diverged from Borealosuchus. Leidyosuchus is also there. It all adds up, right? Well not quite. This all is a massive upheaval from what has previously been accepted and while there were outliers before, the alligatoroid affinities of these animals were the concensus for a long time. Future studies will need to repeat the process, analyse the data and the anatomical features and replicate the results before we can be sure that this isn't just a surprisingly logical outlier. Already I heard some doubts from croc researchers, so time will tell if Deinosuchus truly was some ancient crocodilian-cousin or if previous researchers were correct in considering it a stem-alligator. I for one will keep my eyes peeled.

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

Again, please, please PLEASE reblog this post instead of the one I sent originally. All the information is here, and it's driving me nuts to see the old ones are still passed around, sending people on wild goose chases.

Thank you all so much.

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

Consider supporting me on ko-fi if you find this to be helpful.

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!

second way more important edit: How are people seeing this post where I specifically talk about burn survivors being normal, real people, and still tag this as "TW body horror"? Not a single one of these drawings or pictures is a fresh injury. All of them are healed. How the hell would you feel if someone tagged a photo of you as "trigger warning: gore"?

Disabled people are not your fucking body horror. Grow up.

*whispers* behold. a goddess w/ deadly accuracy.