golddvstwoman

Latest Posts by golddvstwoman

"When you're intelligent and pretty, you can meet anyone you want to" - Bianca Jagger

George Harrison at the Gunnar Nilsson Memorial Trophy, 02.06.79 [x] [x]

Velvet Goldmine 1998 dir. Todd Haynes

the curves of your lips rewrite history

I'm a thousand different people. Every one is real.

 Candy Darling, My Face for the World to See

Candy Darling photographed by Jack Mitchell in 1971 💌

Jane B. par Agnès V. (1988) dir. Agnès Varda

Brigitte Bardot & Jane Birkin Don Juan 73 | dir. Roger Vadim

Marianne Faithfull and Anita Pallenberg fly to Tangiers with their Rolling Stones boyfriends in 1967

Linda McCartney rehearsing with the Rockestra including Ronnie Lane, Kenney Jones, John Paul Jones, Steve Holley, and John Bonham. Photographed by © Laurence Juber.

“In my opinion, camp is simply a matter of doing things as if you are doing them. Diving into a swimming pool? Throw your arms heavenward and give it the full Esther Williams treatment. When you dive into a pool as if you are diving into a pool, as opposed to executing an earnest quotidian plop, the result is magical—that pool is transformed from a grody Band Aid–strewn chlorine bath into a veritable LAGOON! Smoking a cigarette? Perform the action as if you are a French existentialist.” — Simon Doonan, Transformer: A Story of Glitter, Glam Rock & Loving Lou Reed

LINDA McCARTNEY (then EASTMAN) in Day 19 (January 28, 1969). From THE BEATLES: GET BACK Part III.

“She's the lady who wears those flashing eyes”

I love that no one who’s watched Velvet Goldmine and has liked it dresses normal, we’re all either goths, punks, hippies or glam rockers AND I DIG THAT

Cracked Actor (1974)

Cynthia: you are the most jealous man I know.

John: YOU KNOW OTHER MEN?

Remembering Stuart Sutcliffe, who passed away on this day in 1962.

‘Come Foreward’ [sic] by Stuart Sutcliffe, February 1958:

“Perhaps when spring is near with skies and conscience clear will come the breath of light which through my sight will puff and blow the webs away will break the chains one day until through my lazy eye I’ll see all.”

Photo: Astrid Kirchherr, 1961/62.

Performance (Donald Cammell and Nicolas Roeg, 1970)

Charlie and his chauffeur (mid-1990s)

reblog if you agree

Linda on what she liked about Paul when staying with him during the White Album period

LINDA: I stayed for a few weeks, while they were finishing the White Album…What I liked about Paul when I lived there in London was the books that were around and painting. Paul would say, ‘Let’s paint,’ and he and Ivan Vaughan would get paints and go down in the basement and the three of us would paint on the canvas. It was fun. Paul is so much more cerebral than people think, because he was quote 'the cute Beatle’. I hate this 'Was it John or was it Paul?’ thing because they were both talented. They were both artists. They are equal for number one.

From: Many Years From Now, by Barry Miles

“I had a drum kit up in the attic – it was like a cinema attic, music, whatever you want to do up there. Charlie came, and so did John Bonham. We’ve got three drummers, just hanging out.

Bonham got on the kit. But because it was just like … you know, it’s not like onstage, where you nail them down, so they’re steady. It was just, like, there. So as he was playing, the bass drum was hopping away from him.

You think, ‘Ah, man! [Laughing] That would have been a great little video, a TikTok or a photo that would have gone worldwide!

But in the ‘70s, I had parties, and you’ll never find any photos because I wouldn’t let you take photos, you know, in my house. But I always think, that would have been a great shot to have.”

-Ringo Starr on the time he, Charlie Watts, and John Bonham played drums together. (from a press conference promoting his EP “Change the World”, 2021)

let’s talk about how aesthetically pleasing and iconic this movie was

Mick Jagger and Tina Turner performing live at the Tokyo Dome (1988).

The Beatles at EMI Studios in London, England | 14 April 1966 © Leslie Bryce

Released this week, Aftermath was the Rolling Stones' first album to feature exclusively Jagger/Richards compositions and, keen to see what their closest competitors but good friends were up to, the Fabs sent an aide out to purchase copies from the HMV shop on Oxford Street.