/whisper/ I Did It Again... I’m S O R R Y

Person A: Whoah! Your muscles are huge!

Person B: *sips energy drink* Thanks, it’s from carrying emotional baggage and repressed trauma.

*experiences romance once* augh… my delicate constitution… *develops consumptive fever and falls into a coma*

BSD Dark Era Stageplay: Thoughts

Back from Dark Era stageplay and not really breathing. 

Below is a review of the stageplay, hence please do not read it if you are going to catch the play and wish to avoid spoilers! This is not in chronological order of events; I’m focusing on what impressed me and commenting on the adaptation to stage. 

All images below are borrowed from Natalie’s coverage of the play. 

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In case you missed this heart warming exchange

Article

Person A & B: *reading an article together *

Person A: “ lgbt people were proved to have a shorter life than straight people”

Person A & B: *look at each other*

Person A:*dead inside* perfect

Person B: NO-

What are your thoughts on Nikolai Gogol so far?

Using the two chapters we have of him, and with zero knowledge of the RL author and his works: 

Out of all the characters, I think Gogol is the one who is most concerned with and acutely aware of the power of performance. I feel that a character like Dazai is well-versed in the art of wearing masks and using deflection, but he’s more subtle about it, and if read carefully enough it’s possible to see when he drops his masks and what his true feelings are. With Dazai, everybody can sense the wall that he puts up, but it thins or disappears entirely depending on whom he’s with and what emotion he shows (be it positive or negative).

In contrast, Gogol is in an almost constant state of performance: 

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trying to talk to your crush like

just because i don’t have anything doesn’t mean i can’t do something

Me: Duuuude, vampire stories suck it’s pure bullshit n drama jesusss OMG

Also me, after seeing a vampire!au fanfic: