Been Rewatching Doctor Who Again, And I Forgot How Much I Love The Concept Of River Song. Two People

been rewatching doctor who again, and i forgot how much i love the concept of river song. two people time travelling in opposite directions. one is slowly starting to get to know this person that already loves them completely, mind and soul, and by the time they fall in love with this person, and they finally catch up in time, they meet a version of them that has no idea who they are. meanwhile, the other has to suffer as they watch the person they love slowly recognize them less and less every time they meet, dreading the day they meet again, only to realize the person they love has no idea who they are.

too bad moffat sucks at making it good lol

More Posts from Greensweetie and Others

1 year ago
I Need To Buy A Gun
I Need To Buy A Gun

I need to buy a gun

1 year ago

Aziraphale is the most character ever. He ran out of ideas so he declared war on hell. He canonically says fuck. His favourite colour is yellow. He’s literally an angel and can speak every language on earth but still isn’t fluent in french. He told his boyfriend to shoot him for his magic act and made him go through with it when their miracles weren’t working. He gave away his flaming sword and then lied about it for the next 6000 years. He has a bookshop that never sells books. No one’s doing it like him.


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1 year ago

Ahhhh too cute!

We Meet Again - (2023)

We meet again - (2023)

1 year ago

we definitely do not fucking talk enough about how Crowley was left in charge of the bookshop and within 0.05 seconds he was wearing fucking SLEEVE GARTERS like some kind of goth Aziraphale cosplay

We Definitely Do Not Fucking Talk Enough About How Crowley Was Left In Charge Of The Bookshop And Within

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1 year ago

It happened one night, in 1941.

(aka how to get away with an insane amount of romantic tropes and innuendos) Part two.

A close-up of a black&white polaroid, with Aziraphale (on the left) handing the rifle to Crowley (on the right) at the magic show.

I had to split this into two parts due to this app’s absolute lack of common sense in understanding that 10 images are not enough as a visual support for the 1941 flashback. Here’s the first part.

Now, where were we?

The bookshop. Crowley, wearing sunglasses, is sitting and unbuttoning his jacket and stroking his red tie. The gif has bright colors.

Yes, right. The proof that Aziraphale is indeed the strongest angel.

“I'm a lonely GI anxiously awaiting the arrival of the Ladies of Camelot. Amaze me. […] Go on, Mr. British man, wow me with your miracles.”

Yes, Aziraphale, wow him with your…

Jokes aside - or not… listen I can’t get over the level of shameless flirting in this whole American GI/magician roleplay. ANYWAY the real point here is to show us how comfortable they are with each other. Keep in mind that this whole “consorting with the enemy” thing is technically forbidden by both heaven and hell. And yet here they are: at ease, flirty and even a bit silly. Aziraphale with his ♪ The West End ♪ little dance, Crowley with his American accent: this is (chronologically) the first time we see them together in the bookshop and it's as if we’re taking a glimpse of domestic life. Or, rather, what it could be. The mood of the scene is light and fun and, for a while, they’re simply being themselves, without all the heaven/hell drama.

Aziraphale is often belittled by others. During season 1, Gabriel not only doesn't understand why Azi is consuming food, but in episode 4 he tells him to “lose the gut”. Shax call him “The softest touch. The one who went native” and then proceed to mock him “Do you need more big human meals, Aziraphale? Shall we send up the sushi?” Azi likes food, comfy clothes and a cozy environment, and others make him feel like he should be ashamed for it. But, with Crowley, he feels comfortable enough to show his interest in something human and trivial as magic tricks. And Crowley with his “You, my Nefertiti fooling fellow, are about to perform on the West End Stage. If that doesn't make you a professional conjurer, I don't know what does” makes him happy. Aziraphale feels valued, supported and encouraged, as he should be. Also, I don’t wanna say that he may have a praise kink, but… Antony J - acts of service - Crowley is good with words of affirmation too.

The magic shop. Aziraphale is on the left and Crowley on the right. They're both smiling in direction of the shopkeeper.

Then they go to the magic shop and flirt even more. Aziraphale is having the time of his life: he has found someone to share his special interest with, someone who doesn't judge him. And Crowley’s having fun too! They’re genuinely happy around each other.

“You're going to need a 100% reliable marksman. Someone you can really trust. Otherwise, it's lethal.”

“Oh, I've got the perfect man for the job.”

Of course Aziraphale hears the word “trust” and immediately thinks of Crowley. And if you dare to say iT’s oNLy BecAUSe cROwLey iS riGHt tHeRe I’m sorry, but you have to rewatch the series from episode one. I don’t make the rules.

“You'll do the shooting, I'll catch the bullet. I'll do all the hard bits. As a demon, you must have fired off a lot of guns, yeah?”

Yeah. I warned you about the innuendos. Crowley wants to be a supporting husband, but also wants to play the cool one and so he doesn’t admit that he had never fired a rifle. More important, they’re having a great time, Aziraphale is so excited at the idea of the show and Crowley doesn’t want to say no to his angel. He will never want to say no to him. Until he will be left with no other choice.

A secluded corner of the magic shop, lit by a warm light. Crowley (on the left) is holding out his hand towards Aziraphale (on the right). They are about to shake hands. Behind them, on the wall, there is a sword hanging above them.

Crowley sways, uncertain, and Aziraphale follows his gaze, maintaining eye contact. (On a sad note, Aziraphale will do the exact same thing in the final 15 minutes, but this time Crowley will say no, putting his sunglasses back on. It will be the last time Aziraphale will see his eyes. In this season at least).

Look at the picture above: we still have the warm, soft light - they are in a secluded corner and the colors are softer than the bright ones in the rest of the shop, to convey an idea of intimacy - but there’s a sword hanging over their hands. A bad omen indeed.

But don’t get sad: we are about to witness some real magic.

“I bet you're all thinking, "What's that man doing up there, on the stage? Is he here to amaze and befuddle us all with his prestidigitation… and jiggery-pokery?"

Which apparently is a real word. No, Aziraphale, I’m thinking about the fact that Furfur has blocked yours and Crowley’s miracles and so you two idiots (affectionate) are on your own.

On the stage of the magic show, Crowley and Aziraphale are turning around each other, shaking hands. Aziraphale says "my miracles aren't working". Crowley says "neither are mine".

“Aim for my mouth, but shoot past my ear. I just squeeze that there, do I not? Haven't you fired a gun before?”

I'll leave this up to your interpretation.

Crowley is forced to admit that this is his first time. With the rifle, I mean.

Then we have this sequence. If you're wondering why it was important for us to see the magic show, beyond the funny bits, here we are.

On the stage of the magic show, Crowley, with the rifle in his hands, murmurs "no" in direction of Aziraphale.

Suddenly the mood has changed, from funny to tense. Crowley is slighty shaking his head and mouthing a soft, but clear NO. And, if I just hear someone say iT’s bECaUSe oF tHe pAperWoRK…

“Never mind the paperwork, they probably won't be able to put him back together again.”

Thank you, Furfur. (On a lighter note: is Crowley wearing red nail polish in the picture above - and not in the close-up below - why am I discovering this only now??)

A close-up of Crowley's hand, that's trembling on the trigger of the rifle.

Crowley is worried. He's really, really worried. He’s afraid of hurting Aziraphale. Crowley knows to be an unreliable marksman, he knows that he should have told Aziraphale. And he knows that he would never, ever forgive himself if something bad has to happened to Aziraphale because of him. That would be unbearable. That "unforgivable, that’s what I am" would really become true, in the worst way possible.

Crowley doesn't know what to do. A 6000 year old immortal being and his hand is freaking shaking because is afraid to hurt his… whatever you wish to call. He knows he can't trust himself. But do you know who he can trust? Aziraphale. Aziraphale whispers “trust me” e so Crowley does. Even if he’s scared. Even if his finger is still shaking on the trigger. And that “trust me” from Aziraphale is a two-way street. It’s a “trust me, because I have trust in you”.

If you want a good visual reference of Crowley’s no and Aziraphale’s trust me I suggest this beautiful gifset by @rosettyller

The theater’s dressing room. On the right, there’s a large mirror illuminated by light bulbs. On the left, Aziraphale with arms raised, looks towards the door. He still has his magic show clothes on and a white feather boa around his neck. He's happy.

Obviously things go well. The audience applauds. We have the “no paperwork” line for all the paperwork aficionados and for lighten up the mood again. Aziraphale is over the moon. Crowley puts himself together as if he wasn’t shaking a few minutes before. They would be free to unwind in the dressing room, but Furfur barges in, accusing Crowley of collaborating with the enemy. Back into the “forbidden romance” trope territory again.

“The miraculous Bullet Catch requires the use of a trusted stooge and confidant.”

Give me strength. Even Furfur has figured out what's going on - that's how started the rumors that Aziraphale and Crowley were an item. Luckily, Azi manages to recover the polaroid, which is the only evidence of his and Crowley’s… whatever you wish to call it. WHERE is this polaroid now? I need to know.

The image is dimly lit, but we see Aziraphale and Crowley sitting at a candlelit dinner. Aziraphale (on the left) is in focus: he’s holding a glass of red wine and looking towards Crowley (out of focus, from behind, on the right). On the table, a bottle of red wine and Crowley’s glass.

“I knew you would come through for me. You always do.”

“Well, you said trust me.”

“And you did. You could've walked away. If you were truly as evil as you like to paint yourself, you would've done that.”

“Nah. That's the trouble with you lot. You don't just see things in black and white. Sometimes, you've just gotta blur the edges.”

“Well, maybe there is something to be said for. Shades of grey.”

*scraping all the lame jokes about a certain book and shades of grey out of the draft*

That’s it. That’s the all point. First, trust. Mutual trust. From the beginning in the church to the magic show, trust is the recurring theme of the 1941 flashback. It’s also the foundation of their relationship. I can always rely on you, you can always rely on me. Over the centuries, they have influenced each other. Aziraphale, despite the prejudices he has been indoctrinated into, has come to trust a demon. Crowley, despite his rejection trauma, has come to trust someone again, an angel no less. That’s because, over the time, they repeatedly chose each other, they repeatedly gave each other a reason to be the object of their respective trust. And so we can see a little moment like this, where the labels "angel" and "demon" don't matter, as they shouldn’t. When they’re alone, just like that, they’re themselves, they’re them, they’re an us.

Also, the shades of grey. Angels are not inherently good and demons are not inherently evil. The system is wrong to its core and it must be dismantled.

The same candlelit dinner of the picture above. This time Crowley (on the right) is in focus. He’s wearing the sunglasses, but he’s clearly staring at Aziraphale (out of focus, on the left, still holding his glass of wine).

Now, let’s take a moment and a deep breath.

It is common belief in the fandom - and I agree - that the 1941 flashback isn’t over yet. We leave Crowley and Aziraphale all lovey-dovey, sitting at a candlelit dinner, alone, with a bottle of red wine. The romantic setting par excellence. I don't think they kissed - because everything in s02e06 suggests that THE kiss is a first kiss, at least in my opinion - but something else must have happened that evening. We know that Aziraphale did the apology dance at some point. We know that A Nightingale Sang in Berkeley Square was written in 1939 and published in 1940. It’s plausible that they heard it that night. And we know that Azi, for some reason, will say You go too fast for me, Crowley in 1967.

BuT AzIRaPhalE wAS tALKiNg AbOUt The cAR.

Please just rewatch the show.

1 year ago
GOOD OMENS + TEXT POSTS [1/?]
GOOD OMENS + TEXT POSTS [1/?]
GOOD OMENS + TEXT POSTS [1/?]
GOOD OMENS + TEXT POSTS [1/?]
GOOD OMENS + TEXT POSTS [1/?]
GOOD OMENS + TEXT POSTS [1/?]
GOOD OMENS + TEXT POSTS [1/?]
GOOD OMENS + TEXT POSTS [1/?]
GOOD OMENS + TEXT POSTS [1/?]

GOOD OMENS + TEXT POSTS [1/?]

Bonus:

GOOD OMENS + TEXT POSTS [1/?]
1 year ago

i love how the kiss was awful. i love how it wasn’t a show of love but a desperate, viscerally angry gesture to try to get aziraphale to see exactly what he was losing and what crowley has, from his point of view, already lost. i love how the kiss was awful.

1 year ago
Let There Be Light
Let There Be Light

Let there be light

A set of two 🤍


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1 year ago

Aziraphale really was like. Are those the pillars of creation or are you just happy to see me

1 year ago
Good Lord They Are So Made For Each Other
Good Lord They Are So Made For Each Other

good lord they are so made for each other

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greensweetie - a green sweet
a green sweet

🏳️‍🌈 🏴󠁧󠁢󠁷󠁬󠁳󠁿 just in some fandoms

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