How To Save Your Own Life, Erica Jong

thinking about shauna listening to jackie talk about jeff like he never even mattered when shauna is pregnant with his baby because she just wanted something jackie had and wanted to be wanted by someone who wanted jackie and now jackie doesnt even care anymore and shauna is stuck with this forever. and then jackie dies and then the baby dies but not before shauna has to give birth to him in the wilderness in winter surrounded by people who eat the dead and now fucking jeff sadecki is the last thing she has of either of them and what the hell is she supposed to do with that? she's stuck with him forever.

thinking about shauna beating lottie almost all the way to death to get all of that rage out of her and then when that rage is out of her they give her a knife and tell her to slit natalie's throat, and then when natalie runs and shauna is let off the hook for one thing for once they give her the knife again and tell her to cut up javi, the closest thing to a baby, so they can eat him, and now she's stuck with this, too. and all that rage she burned off didn't go anywhere, really. it's still right there.

and then im thinking about shauna watching lottie and everybody else crown natalie the queen for virtue of not dying, which is the same thing everybody has been doing, except for jackie and the baby and javi who all took chunks of shauna with them and left her with nothing but a knife.

im thinking about shauna who watches everybody gossip and laugh through the springtime knowing that when winter comes she will be the person who will have to cut them all up one by one so the rest of them can live and its very easy to see why she isnt friends with any of them anymore by then. she looks at them and she sees cuts of meat and how is she supposed to look at anybody normally ever again after that?

and its cruel, of course it is, everything she does to coach ben. it's not his fault, it's not about him at all, really, except that he is exactly the problem. he's innocent. he judges them. he sees what they have had to do to survive and pretends he never profited from any of it. pretends to be above it, uninvolved. he judges them. he judges her.

and shauna needs complicity from these people. she needs somebody else to know what it feels like to hold the knife. she needs people to be stuck with those guilty votes forever. tai with the gun and melissa with the knife and natalie at the butcher's table so that she's not the only one. and so ben is the sacrifice.

i saw somebody say that shauna doesnt want natalie to have to feel the pain of butchering a person, thats why she puts the cloth over his face. but that's not true. she *needs* natalie to know the pain of it, the guilt of it, the weight. The cloth is a lie she told herself would make it easier but she knows that Natalie is about to know what the inside of this man's joints look like either way and that she's going to be stuck knowing that forever.

they are going to be rescued someday and everybody will say "we did what we had to do to survive" and shauna needs to not be the only one who really has to mean that when she says it. and i guess she has that now. or she's about to.

i keep falling more and more in love with the recent stevie nicks interview

YUP YUP YUP THATS MY GOAT

highkey this little guy was the real Driver of the Day... p16 to p5 AND one of just 2 rookies to finish the race? Impressive

i love you trans history save me trans hsitory

iktr that's my goat

oscar piastri the man that you are… could have dnf’ed like 5 others this race but was the only one to fight back, get his ass back on track, UNLAP HIMSELF and get points. unbelievable drive.

Hello, my name is Fadi from Gaza. I am 35 years old. I work as a carpenter. I have lived through all the harsh details of the war on Gaza, including hunger, displacement, fear, terror, and the loss of my dearest people.

I no longer have anything to lose after the death of my father in this war, the destruction of my home, and the destruction of my workplace, which is the source of my income and that of my family, and that's why I'm speaking to you today.

I was in good condition before the war on Gaza, and I didn't imagine for a moment that I would ask for support from anyone, but as fate would have it, I lost everything I had:

my father, my home, my family’s home, and my place of work (the carpentry), and I would have no choice but to ask you to help me rebuild my workplace at least.

The amount required is much less than what is necessary, but I don't need more. I just want to have this amount with which I will be able to open smaller carpentry than the one I had, but at least I will be able to start my working life faster when this war ends.

Some achievements👇

This picture

Go found link ..Help, even if just a little

https://www.gofundme.com/f/help-me-establish-my-business-after-it-was-destroyed-in-gaza?lang=en_US&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_link

an intense hatred of capitalism vs an intense love of trinkets

indelible scars, pivotal marks

pairing: luke castellan x implied apollo!reader

summary: you might be the only person who actually knows luke castellan. you don't think anyone else is willing to try.

a/n: what if i told you i got yelled at a lot after writing this. enjoy! oh this is also my first x reader in the 5 years i've been writing who cheered. have fun !

Luke is fourteen the first time he can remember sleeping through the night. He’s barely been at Camp Half-Blood for three hours, skin still splotched purple and blue, Thalia’s yells echoing in his skull. There’s no silence, a steady hum of nature that’s leveled by the voices of people he doesn’t know, and he knows he shouldn’t sleep. They’ve lost Thalia, left her just beyond the borders of an unknown place, and it’s a risk to welcome the flimsy pillow they gave him. He does it anyway, eyes closing to the sound of Annabeth’s soft breaths. 

The respite lasts one night.

By morning, he’s recounted the last five years more than he ever wanted to. Annabeth clings to him then, a known comfort. She knows the broad strokes of the story, could recount them herself, but there’s gaps from before her time, and there’s things Thalia made him swear not to tell. If she notices, she doesn’t comment, just keeps her fingers close to her side. He knows that’s where she keeps her dagger - he wonders if Chiron can tell as well.

Chiron brings them to Thalia, explains what happened and how lucky it is. Luke looks at the tree, the first time Thalia has stood taller than him since they met - something she always swore she would do one day - and leans back against it as Annabeth sobs into his shoulder. 

Mr D sends Annabeth to the Athena cabin before lunch. Luke doesn’t need to be told to make his way to Cabin 11. He knows who his father is. His backpack is left at the base of a bed in the far corner of the room, a group of boys gathered around the area turning to watch him the second he walks in. They move away but they don’t stop their stares.

Sleep doesn’t come as easily to him that night.

*

You meet Luke Castellan when you’re fifteen, standing on the edge of the lake as a golden sun rises in the horizon. It’s your first morning at camp, your first morning admiring the sunrise in months, and you think you could find a home here. Within the hour, you’re sure the calm won’t be the same – too many kids in the same space, swords and satyrs and strawberries guiding the day along – but for now there’s sunlight. 

“Breakfast isn’t for two more hours,” someone says from behind you. It should be scarier than it is, put you on high alert with the way he creeps into the space without a sound. “Just in case someone forgot to mention that.”

He’s pretty. Strong chin, dark eyes. On most people you’ve met, that’s where pretty ends. Not him. There’s this way he stands in your periphery; comfortable in his worn camp t-shirt, like he was made to live in it, to have it define him for an eternity. Very few people are pretty in a way that speaks of forever.

“I like to watch the sunrise.” 

He hums. “I’m Luke.”

He waits, steps away, until you offer him a seat beside you on the grass. It was something you were told once, an eclectic art teacher draped in shawls and chunky jewelry, how the sun is only as beautiful as it is when shared with another. As Luke sits next to you, you enjoy the quiet you’re positive isn’t built to last.

*

Luke becomes a counselor that summer. Everyone saw it coming, the way he’s known to everyone and not just the Hermes kids. Whispers of a legacy, of a potential legend in the making, followed him already, two years at camp creating grand ideas for his future – counselor status just helps to further them. It’s not that big of a deal normally. It’s potentially defining when you’re the best swordsman in almost three hundred years.

You find him on his way back from the Big House that evening, heading in no particular direction but with a clear idea of where he doesn’t want to be. It’s something you’ve learnt to read in the last few weeks, the way Luke fluctuates. How he dips in and out of personas as if it’s possible to switch them out. It comes with renown, you suppose. 

“Counselor Castellan, is it?” 

He smiles something bitter. “So they tell me.”

Without hesitation, you take hold of his hand. It’s warmer than yours and you feel the difference in your bloodstream. Luke doesn’t look at you, doesn’t comment, and you lead him away from the cabins and down to the lake. 

There’s maybe an hour until sunset. You’re almost attuned to it now, mornings spent watching it with rapt attention. Luke normally joins you, sword dropped between you. Some mornings, the thud of metal onto stone is the only reason you know he’s arrived, still so silent in his arrival that you wonder if it’s on purpose. 

“Does it make you anxious?” You ask when the silence stretches on for too long, when Luke stares unblinkingly at the horizon for longer than he should. He blinks, irises shifting from a glassy bronze and back to muted brown as the film clears. “Did they even ask if it was something you wanted?” 

He scoffs and you wonder if this is where everything changes. Luke always has things he wants to say, balancing on the tip of his tongue until he figures out how to swallow them down and burn them. It’s like you can see it play out in real time, his jaw shifting, arm tensing.

“Mr D told me it was a great honor. Chiron told me it was long overdue.” 

“You weren’t given a chance to say no.”

It’s a pattern you’ve noticed, not just within camp but with all the Gods. Clarisse was sent a spear with no note, but everyone knew who had sent it. Annabeth’s hat was exactly the same. Gifts. All gifts. No receipts or return addresses provided. Life at camp was something to be grateful for, always, considering the alternative most of you had already been forced to live. To comment on it would make you an enemy of those too powerful to consider.

Looking at the tense set of Luke’s shoulders, you kind of want to say it anyway.

“I’m about to have all the glory Camp Half-Blood could offer me,” Luke says and the sun begins to dip below the surface of the lake. His palm is warm in yours again. “Why would I complain?”

*

There’s a flurry of new arrivals no one anticipated the next summer They come in pairs, mostly, with the odd trio. Always one unclaimed within the group. Always one who gets marched to Cabin 11 in the middle of the night, sometimes after hours of questioning.

You know the nights that it’s happened, taking in the way Luke’s movements are less sharp, the way he breathes more shallowly. A conservation of energy. It doesn’t affect you much until it does, the sharp sting of Luke’s sword on your arm as he loses his footing, turns too suddenly at the sound of your footsteps. 

“This is insane,” you say as you press your shirt into the cut. It’s not bad, something that will heal quickly and fade into nothingness, but Luke locks his gaze on the red dotting your skin as if he doesn’t understand how it got there. “They can’t keep waking you up in the middle of the night for this.”

“The only other place they can go is the med bay and none of them have been beaten up badly enough to be worth waking an Apollo kid.”

“I’ve seen some of the kids when they’ve gotten here, Luke,” you mutter, shirt hem dropping as the wound stops bleeding. You glance up at him. “They could do with being patched up.” 

He sinks down to the floor. You stay on your feet. “This is what I signed up for when I took the position.”

There’s this way Luke’s voice gets sometimes, sharp and low and just a little spiteful. A build-up of years with little mercy granted. That’s how it is now, speaking through clenched teeth, completely biting back the vitriol and pretending there’s no heat to his words. 

He’s always been pretty in the sunrise, from the day you met, but you think he might be prettiest right now – lying to himself more than he can lie to you in the moments before there’s any sunlight at all. When you would let darkness spill into itself, Luke forces light to filter in. If you caught him at the darkest hour, you wonder if that would remain.

Taking in the way he digs his nail into the fabric of his pants, you doubt even he would know how to stop himself then. 

*

You aren’t chosen for Luke’s quest. He finds you after the ceremony, face pulled taut and bag thrown over his shoulder already. There’s no regret in his eyes, no determination either. You stand straighter when you hear him approach, grateful that he cared enough not to take you by surprise for once. 

“Don’t be mad at me.” 

“Why would I be mad?” You say. It’s disingenuous to your own ears, the way it pitches, so you fold your arms across your chest. “Chris and Ethan will be great questmates. A band of brothers.”

Luke swallows. “Is that really what you think this is? That I wanted to make my quest a guys trip?”

“I don’t think anything of it, Luke.” 

In the middle of the day, you can see him clearest. See the golden boy of Camp Half-Blood the way everyone else does. In broad daylight, there’s few things more noticeable on Luke Castellan. The slope of his nose, the straightness of his back, the comfortable weight of his sword on his hip – almost a tether to who he proclaims himself to be. It’s your least favorite version of him.

“I would’ve chosen you. In a heartbeat, I would’ve chosen you,” he says, brown eyes shifting from dim to desperate in moments. A plea to be heard. You know you’re the only one to ever truly listen when he speaks.

“Doesn’t really seem that way.”

“I just needed a reason to come back when it’s over.”

It stills the air around you. The words tangle themselves together in your brain, drown out the archers in the distance, the birds overhead. They echo and twist and they maintain their tone, the low pitch Luke uses when he’s decided to say something he doesn’t want to be heard. They bury themselves in the corner with the other times he’s used it, forever ingrained, and you don’t know what to make of them. How to define them at all.

He waits, gaze firm, until you nod slightly. You keep your chin low, determined to give little satisfaction to the situation. To Hermes giving Luke a reused quest, to the possibility of losing him because you aren’t there. It curdles deep in your gut, refusing to remain unknown.

There’s a moment where Luke hesitates, his hand twitching slightly, arm moving minutely higher from where it hangs down by his waist. Instead, his fist clenches and he exhales long and low. 

“Promise to be here when I get back?” 

“I’ll be really annoyed if you’re not the one knocking on my cabin door.”

He turns back to face you after he joins Chris and Ethan at the border. They’re all capable, with a history of working together. They’ll succeed, return to praise and glory and everything they deserve to have. The sun beats down on Luke as he nods goodbye and you wonder if it shines on anyone else at all.

*

The scar becomes a part of him. 

It fades into his skin with time, going from raised and rotten to a streak of pale across his cheek. You overhear some of the Ares kids praising it as symbolic of his win, a prize of sorts, and some of the Aphrodite kids saying it makes him more appealing, makes him look stronger. You’re not sure what you think of it, tracing it with gentle fingers as it heals. 

It becomes a habit, running a knuckle down Luke’s cheek each morning. Feeling where the skin tied itself back together. He never comments. You want to ask if he minds, that you’ll stop if it’s too much. The first few times you did it, in the days right after his return, he had flinched, features pinching together. Your hand had dropped, all too aware of the matted skin, how it probably still ached but Luke had taken your hand and placed it back where it had been. 

His scar becomes a statement, a badge of skill that everyone at camp can recognise. There had been little debate on the truth of his swordsmanship before but now it hardly existed, undeniable proof the first thing people noticed when introduced to him. 

Most people don’t bother to ask Luke about it. Percy Jackson isn’t most people.

“You got attacked by a dragon?” 

It’s the first time in years that anyone has joined you and Luke at the lake this early. Annabeth used to, on the rare occasions the worst of her nightmares returned. It’s different with Percy, like being close to the water rewires him completely. It makes sense days later when you watch him push open the door to the empty Cabin 3.

“Last year,” Luke hums, one hand resting softly in yours and the other keeping a loose grip on the sword handle in his lap. Percy had wanted to see him in action after hearing the stories, so you’d both obliged. “I made a wrong call and I paid for it.”

“At least it looks pretty cool.” 

The way Percy says it is different to everyone else. It’s not ingrained with this odd lust, whether for adventure or the story or Luke himself. It’s more muted, a fact of life. He’s not saying it to make anyone feel better – he’s saying it to disregard. A scar is just a scar to Percy Jackson, as if he’s known too many to care.

“I guess it kind of is,” Luke says and the three of you listen to the morning begin.