Kinuko Y. Craft
HOLLIDAY GRAINGER AS LUCREZIA BORGIA THE BORGIAS 2.08
kisses him on his mouth
elethea is so fucked up even gay sex would not fix her i'm afraid
Something's crawling under your skin...
"That's not meant to look like that."
"Your veins are turning black..."
"You're not meant to be blistering like that..."
"I'm worried about what's wrong with you."
"Something's wrong."
"You don't look right, can I help?"
"Wait - why is that black?"
"It's like you're... rotting. From the inside out."
"You need to bandage that before it gets worse."
"How did this happen to you..?"
"You're diseased or something."
"I can see it, crawling through you..."
"Gods help you now."
"We can't fix this, can we? You're just going to rot away."
"It's fine, I'm sure, it just... keeps crawling through me."
"There's some kind of rot in me."
"I can feel it, squirming into my skin."
"Gods, it's getting worse - I can see the lines crawling up."
"How deep does this go into me? My heart?"
"It's in my eyes now, I think."
"I want to cut it out of me, but I don't think I can."
"It all tastes bad."
"There's something... in me... it's bad... I think..."
"I can see the lines crawling up towards my heart..."
Yes, Elethea was trained to fight from an early age (I imagine her martial training started when she was about 12-13) but it was always the graceful, noble type of fighting. It involved a lot of proper forms, precision, and whatnot. But the fighting Elethea actually winds up doing during the Blight is ugly and violent. It is closer to berserker/barbarian style fighting, she screams and growls, making dirty moves, and biting when she has to. And she loves it, she loves the power it gives her, especially in a time when she has been made to feel utterly powerless, with every choice taken from her. She loves killing, and that's the problem.
✱˚。⋆ ↪ 𝐀 𝐂𝐈𝐓𝐘 𝐎𝐅 𝐓𝐑𝐄𝐄𝐒 . ( a collection of action prompts. feel free to reverse roles as desired. this prompt will be updated. )
[ REDWOOD ] sender lashes out at receiver when it isn't their fault.
[ WILLOW ] sender embraces receiver in a moment of extreme distress.
[ PINE ] sender fervently resists receiver's attempts to comfort / care for them.
[ BIRCH ] sender finally ends a tense argument by reaching out to apologize.
[ POPLAR ] sender mentors receiver through learning a new skill.
[ PALM ] sender and receiver avoid / ignore the stresses of real life together.
[ ELM ] sender lends receiver aid in a time of urgent need.
[ MAGNOLIA ] sender, believed to be dead, arrives at receiver's door.
[ DOGWOOD ] sender gifts receiver a token of good luck / protection.
[ MULBERRY ] sender and receiver take a long walk through nature together.
[ HAZELNUT ] sender begrudgingly patches up receiver's wounds.
[ CAMPHOR ] sender suddenly pushes receiver out of danger's path.
[ CASHEW ] when they're finally alone, sender invites receiver to dance.
[ LAVENDER ] sender lays their head in receiver's lap and closes their eyes.
[ BEECH ] it comes to light that sender has betrayed receiver.
[ HIBISCUS ] sender invites receiver to go traveling with them.
[ HICKORY ] sender pushes receiver to admit that they need them.
[ MAPLE ] sender shakes receiver's shoulders, begging them to wake up.
[ CHERRY BLOSSOM ] sender revels in receiver's beauty, stunned.
[ JOSHUA ] sender offers receiver a safe place to hide / crash .
[ ASH ] sender and receiver become reacquainted after many years.
[ FIG ] sender, knowing receiver is hungry, pressures them to eat.
[ YEW ] sender beckons for receiver to join them in the water.
[ CYPRESS ] sender shamelessly flirts with receiver.
[ LINDEN ] sender cares for receiver, who took a hit to protect them.
more random dialogue prompts ,
“why do you have that look on your face?”
“finish what you’re doing, we have to talk.”
“what have you done to yourself?”
“did you do something different with your hair?”
“it doesn’t do any good to get worked up.”
“when was the last time we had a real conversation.”
“are you in the witness protection program, or what?”
“there’s something wrong with me.”
“no, i don’t hate you.”
“hey stupid.”
“we’re aren’t them.”
“looks like i’ll live long enough to make you pay.”
“you know you’re wrong.”
“i don’t understand, why are you doing this?”
“now, before i say anything, promise me you’ll stay calm.”
“what makes me so special?”
“you have no idea what i’ve been through.”
“you really don’t have to do that, not for me.”
“did you really think you’d get a second chance?”
“how about we don’t do that.”
“i have a lot going for me, but humility is not one of them.”
“you’re the worst.”
“i don’t need you right now.”
“don’t just stand there, looking at me.”
“i thought you were supposed to call me.”
“take my hand.”
“i need you.”
“you’re allowed to need help sometimes.”
“for someone who doesn’t like to feel things, you sure feel a lot of it out loud.”
“when this is all over, i want it to be you and me.”
“why won’t you tell me what happened?”
“you don’t know what this means to me.
“i know it doesn’t make sense.”
“i’m trying really hard to keep it together.”
“i know you’re new, but we do things a little differently here.”
“your voice is putting me to sleep.”
“did you find what you were looking for?”
"you knew and you didn’t even warn me?”
“well, i guess that’s broken.”
“i thought it was part of the act.”
“you think u don’t know you’re only here because they sent you?”
“you promised to call me if you didn’t know what to wear.”
“you can keep a secret, can’t you?”
“how could you do this to me?”
“put the gun down, dearest. i have news!”
“i know you don’t have any reason to trust me, but you need to know something.”
“if you’re here to tell me what happened last night, someone beat you to it.”
“people think i’m weird.”
“i think i’m losing myself again.”
“you can’t be here.”
“i wish you’d come to the funeral.”
“do you know what today is?”
“so, you broke my favourite mug… and you’re breaking up with me?”
“i need to get out.”
“it’s like i’m cursed or something.”
“you are remarkably well-behaved tonight, what have you been up to?”
“you gonna eat that?”
“sir, the pony rides are for children only.”
“i don’t want you to worry about that anymore.”
“we’ll never make it in time.”
“you’d be late for your own funeral.”
“you should have seen it coming.”
“oh, good, you’re here! hold this.”
“why can’t you just be happy for me?”
“on a scale of one to ten, how do you feel about nachos right now?”
“is this how you flirt with everyone?”
“how much longer till we’re there?”
“what have you done?”
“it’s time for you to repay that debt you owe me.”
“where did you get that? who gave it to you?”
“what kind of mother has thoughts like that?”
“i know I haven’t been what you needed, but i’m here, and i wanna help.”
“i never want to hear you say that again.”
“you’re all i have.”
“i know it’s not perfect, but i did follow the recipe this time.”
“i was doing so well until you showed up.”
“don’t eat that! i made it ‘specially for our guest.”
“it’s not that i don’t like my life, it’s that i don’t have the energy to enjoy it.”
“how can you stand this place?”
“don’t take this the wrong way, but you don’t exactly blend in.”
“you need to stop.”
“i don’t like that look, what happened?”
“is that seriously your password?”
“what’s your problem?”
“you had no right to use it without asking.”
“oh, wow, you weren’t kidding.”
“i couldn’t trust my own parents to protect me.”
“i’m surprised you haven’t been arrested yet. wait, no, i’m not.”
“why do you want to help me?”
“ten bucks for that piece of crap?”
“we have to hurry, they’re coming!”
“hey, look what came in the mail!”
“do you want to get a drink or something?”
“please tell me you didn’t eat that.”
“the worst part is you didn’t even notice.”
“if i wanted help, i would have asked.”
“wanna tell me what’s going on with your grades?”
“you need to leave.”
“talk to me, okay? i need to know what’s going on.”
“i do blame you.”
“sometimes life deals you a bad hand, but you can still play your cards right and win.”
“you’re no longer useful to me.”
“i’m not good with sarcasm: if you don’t like me, just say it.”
ELETHEA COUSLAND, SECOND OF HER NAME — VANQUISHER OF URTHEMIEL, HERO OF FERELDEN, TEYRNA OF GWAREN. GWAHREN, a private & highly selective blog for elethea cousland of the dragon age series. headcanon based & heavily canon divergent. written by nan (23, she/her).
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A STUDY IN: the dutiful daughter, theseus' paradox, the ends justifying the means, to do what must be done, losing yourself to grief / finding yourself in rage, the fall from grace & the bloody climb back to the top, the unwilling hero, the obsession with perfection, the true meaning of ruthlessness, keeping the peace by any means necessary, niceness vs. goodness.