Yesterday I visited the exhibit, Everywhen: The Eternal Present in Indigenous Art from Australia at the Harvard Art Museum. It was an incredibly moving experience. The exhibit was designed around these major ideas, transformations, seasonality, performance, and remembrance. The included in the exhibition was a combination of at traditional indigenous Australian art and culture and reactionary contemporary indigenous artwork.
The exhibition was very charged and powerful. You could feel the emotion, importance in each artwork. This was by far one of the best exhibitions I’ve been to in a while, I definitely recommend visiting it if you are in the area.
The artwork pictured:
Photo 2: Untitled (Detail), Naata Nugurrayi, 2006
Photo 3: Hideout, Lena Nyadbi, 2002
Photo 4: Untitled (Detail), Doreen Reid Nakamarra, 2007
Photo 5: Anwerlarr angerr (Big Yam), Emily Kam Kngwarray, 1996
CHRISTO AND JEANNE-CLAUDE
Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980-83
The Yerres, Rain, Gustave Caillebotte, 1875
“Out With The Old” Mixed Media Collage 2020 8″x10″
Hand painted papers, tissue paper, and magazine pages coated in polymer and heat set onto paper.
#Mixed media collage #Collage #Abstract #Colouful
Piet Mondrian (Dutch, 1872-1944), Dune Landscape, 1911. Oil on canvas, 141 x 239 cm.
Rusty Day #abstraction #rust #contemporaryart #contemporaryphoto
Carlo Nangeroni (Italian, b. 1922), Elementi dinamici, 1972. Acrylic on canvas, 80 x 80 cm