Is Hound Colorblind Like Dogs? How Does This Go Over With Mirage Since He's One Of The More Artsy Ones?

honor the request

I redrew one of my first digital drawings for Ulquiorra’s birthday🦇

today anti-LGBT legislative package passed in Georgia (Sakartvelo)

Civil Georgia

Anti-LGBT Legislation Passed in First Reading - Civil Georgia

On June 27, the parliamentary majority passed in first reading an anti-LGBT legislative package cons

can we talk about that for a moment?

i'm living in tbilisi now. i'm not sure i'm gonna stay here after THAT, unfortunately. sakartvelo is a great country. i'm so fucking grateful it welcomed me and my family here.

please speak about georgia. speak about sakartvelo. this is NOT OKAY. the "georgian dream" party wants to create russia 2.0 out of georgia. this is the exact same legislation package that made me and millions of other queers leave russia.

i don't see any posts about this because oh well it's soccer european championship going on or something but GUYS THIS IS REALLY IMPORTANT.

I’m going to post separately because I don’t want to keep hijacking the interview quote that someone who clearly loved the show posted.

When TFATWS first ended I was disappointed, but not resentful. Sam and Bucky got where they needed and Anthony and Sebastian looked like they genuinely enjoyed the time making it. There was healing, albeit a bit awkwardly rushed in episode 5, but it got both the characters to a better place than at the start.

Then I watched interviews about the creative process and I haven’t stopped fuming since. Skogland freely admits that she had no idea about the characters or the story before she came in to pitch her idea, which was simply “this is the most important story of the century”. Which of course it is, but her wording gives a sense of how she approached the telling - she is using the characters to tell a particular story, rather than telling a story about the characters while addressing those same issues they want to convey.

Now there’s nothing wrong with writing a story around the portrayal of a social issue, particularly one as topical as TFATWS did. But crafting a story around an idea, then using established characters takes a level of finesse that neither Skogland nor Spellman had - as well as a level of love and respect for the characters’ histories that neither of them cared about.

The level of pain on Sam’s face when he heard about Isaiah being imprisoned and experimented on for 30 years is completely undermined by his lack of empathy for Bucky - who was imprisoned and experimented on for 70 years. We can meta the heck out of those scenes (and I have - check my AO3/shameless plug) but it doesn’t change the sense that the intention of the creators was to make us horrified at the the prolonged victimisation of a black man, while at the same time minimising a very similar victimisation of a white man. Throughout the series, Sam empathises immensely with Isaiah and Karli, but barely sympathises with Bucky and John Walker - while pre-TFATWS Sam definitely would because managing vets with PTSD was his line of work.

As someone who enjoys writing stories, I know how hard it is to use the "connect the dots" method of story writing, because it's always hard to connect dramatic scenes in a logical way that works within the world and for the characters. Civil War did it with some success, but here the creators were barely trying. I also know that as a writer you need to be very cautious about your biases, because it's so tempting to always keep your favourite character in the best possible light which inevitably means another character will have to do all the problematic things to push the plot along or create conflicts. This is the sense I'm getting with TFATWS and that's what irks me the most. It just reeks of lazy, biased writing, because half the time it completely broke Bucky's character and didn't make sense for his motivations. Keeping Sam "in the best possible light" also meant he avoided conflicts at all costs which ironically made him come across like a pushover who sympathised more with his enemy than his friends and allies.

I might come across sounding like I hate Sam but I don't - otherwise I wouldn't have just written 16k words from his POV. I hate what they've turned both him and Bucky into for TFATWS, by using him to sell a particular story without making the story about him, as it really should have been. And let's face it, Sam-Bucky only worked because of Stackie's amazing chemistry, because as much as Anthony waxes lyrical about the "tenderness" and "bro code" between Sam and Bucky, I definitely couldn't see it on screen for the first 4.5 episodes until they suddenly became a married couple in episode 5.

This comic is, as is usual for Wednesday’s comics, chosen by my Patrons. Speaking of…

Check my Patreon out if you’d like to support the comic, even a little bit helps. Or just to check out the reward tiers, there’s some neat bonus stuff and I tried to make them fun: https://www.patreon.com/waitingforthet

picketing terf conferences is OUT, releasing 6000 live crickets into the audience of a terf conference and watching chaos erupt as everyone scrambles to evacuate is IN

Dame Archer kicks McDougal’s Scots ass there in the rain at the Washington Midsummer Renaissance Faire - August 11, 2018 - Photo by Douglas Herring

a helpful slideshow created by my friend @the-celestial-bitch and her sister who can no longer access her blog from her country and has asked me to post in her stead instead

this is what she said:

this is a direct response to all the people whose reaction to what’s happening in iran is a calling them islamophobic and blocking them, furthering the oppression they’re experiencing by the government’s hands. please read this, and repost it on Twitter or Instagram and stop the misinformation from spreading

Reblog to make it die faster

my life as a transgender meme