I Can't Explain Why But "i Love You" / "it'll Pass" Is Genuinely One Of The Most Comforting Pieces Of

every time something bisexual happens in another show destiel gets gripped tight and raised to the trending page

“This guy has found love fina… Well, I think love finally.”

The love word now being dropped for BuckTommy, my heart is so full.

This relationship has me down bad

(JLH interview X)

9-1-1 SEASON 7: FAVORITE MOMENTS ↳ part 25/? +bonus

Things bookworms are upset about

- sequels coming out in a different size than the first book

- damaged book mail

- that we can’t read through our tbr pile before we die

- that time the Library of Alexandria got burned down

- the book waiting list in our local library

“You know you’re always ready to fight. There’s no way I would believe you if you said otherwise.”

“Even if I could have chosen to do things differently, I wouldn’t. Not after everything else.”

“You can’t be that dense. Of course I love you.”

“Will you stop talking to the shadows? One of them might follow you home.”

“I’ve never demanded perfection, mostly because I know it doesn’t exist.”

“I was waiting for a chance to ask you to dance with me, but you were gone.”

Killing off characters: the shoulds and shouldn’ts

1. Why you should

The death is a major plot point

It reveals some shocking plot twist

It supports your themes/what you’re trying to say with your book

Your novel explores the afterlife

You are George R.R Martin and the selling point of your work is that everybody dies

It suits the genre/mood of your novel

2. Why you shouldn’t

The character isn’t serving any purpose (this isn’t the Sims)

You want your readers to be shocked for the sake of being shocked

You want to be edgy

You think your MG story needs more gore

You want to romanticise grieving/loss

3. How you should

This really depends on your genre and target audience

If you’re writing something that isn’t intended to be graphic/traumatic, you can stick to the impact the death has on the other characters. If your novel explores illness, focus on that rather than on the disturbing death scene itself. Perhaps you’re writing a drama/tragic romance - you might want to ease up on the gore here. For these genres, I would suggest focusing on the emotional aspect of the death - the sobbing, the last words, the bright white lights (whatever floats your boat). Think of Mufasa in The Lion King - the actions are suspenseful, but we don’t see him being trampled with his guts spilling everywhere. But it’s still one of the most impactful deaths in fictional history.

If you’re writing in a more mature and gritty genre (like thriller, dark fantasy or crime), you can go all out. If there’s blood and guts, you readers probably want to see it in vivid detail to get their violence fix for the day.

Whichever genre your novel falls into, you should also go with what feels comfortable to you. Even if you’re writing adult dark fantasy, you don’t have to write graphic violence to make a character death impactful.

4. How you shouldn’t

Please don’t let your character have a three-pages-long monologue after they’ve been stabbed in the throat. It’s not realistic and it’s often very boring. Yes, a few well-written last words can have a great impact. Just make sure that your character would realistically be able to speak at that point and that it doesn’t become a cheese fest.

Unless you’re aiming for very dark/nihilistic humour, afford your characters some dignity in the way they kick the bucket. (e.g. don’t use the phrase “kick the bucket”). Having someone slip on a banana peel and then choke on a pretzel is a little ridiculous and will make the entire story seem silly. Once again, this really depends on what you’re going for. If your genre is serious and your character is important and beloved, try for emotion rather than whimsy.

Don’t let your characters die only to be resurrected again and again and again. Look, I love Supernatural (long may they reign), but even I have to admit that the Winchester brothers’ luck with death has become a bit ridiculous. Doing this takes away from the impact of the death - it removes the fear and suspense, and will leave your readers emotionally stunted.

5. Who you shouldn’t

Your only female character in a bid to make the male hero feel something and become a better person

Your only LGBTQIA+ character, who is just too pure to live in this terrible world

Your only character of colour, who dies to save the white hero

Your only disabled character, who can now finally find release from life with disability

The one character who has never experienced a sliver of joy and bears the brunt of the tragedy, right when happiness is finally within their reach

The main character in the middle of the story - unless you have a REALLY good plan for what happens next

Reblog if you found these tips useful. Comment with your own thoughts on killing off characters. Follow me for similar content.

“If you remain idle, you will lose that brilliant light. 

That aforementioned darkness is stalking your light.”

Michael and Alan play a practical joke on Daniel during one of their takes. (x)

important PSA about when your car is smoking

like literally smoking from the engine

white and you smell pancakes? it’s the coolant. panic and pull over, but you’ll live

a slight blue tinge? it’s the oil. panic and pull over, but you’ll live

grey, looks like fire smoke? gasoline; the most combustable and dangerous. pull over and leave the vehicle, pray.

sharing because i didn’t know this when my car started smoking white yesterday and i was so afraid for my life.

truly nothing about house md prepares you for wilson. he's fucking insane. he's been divorced three times. he's the only person who can scheme just as well as house. he gives a patient his own liver bc he felt bad for him - a patient who didn't even know wilson's name. btw. he noticed a patient had depression bc he never mentioned his grandkids. he starred in a porno. he dosed house with antidepressants for several weeks. he allowed his boybestie and his gf to share custody of him and didn't even try to stop it. house told him to buy a piece of furniture that represented who he was, and he bought a $4000+ organ for house. he was gonna torpedo his career to talk abt euthanasia bc one of his patients suffered longer than he had to. he let house move into his 1 bed apartment bc his therapist thought it'd be a good idea. this man would do anything for anybody if they let him. he'd fucking quit his job to save a snail off the sidewalk. bro is not normal in the slightest