You could remove almost every female character from this series and nothing changes. Rather than discussing who goes, let's start with who stays. The list isn't long.
-Toga, because she's one of the villain team's MVPs and removing her from the story leaves a massive hole where she used to be. -Uraraka, removing her takes away a major supporting member of Deku's cast. It COULD be done. You COULD just restructure all of the moments between Toga and Uraraka to happen with Deku instead. It would just be really janky.
If we stick to canon's story beats, you'd have a scene where Izuku watches Toga kill herself after their fight and then he rushes off to kill Shigaraki. Uraraka stays. -Nana Shimura, since she's All Might's trainer and also Tomura's grandmother. -And either Mei Hatsume or Momo to act as tech support. Objectively speaking, you don't need them. Momo's contributions in canon were making the tracking devices that led the heroes to Garaki's nomu lab during Kamino, and she made a gas that knocked Gigantomachia out...AFTER everyone got finished jumping him and landing their hits, of course. You could write Momo out by conveniently having Mei invent devices that the heroes use before they know they need them. Or you could scrap both of them. They find the nomu lab because the cops analyzed power expenditure rates in the city and saw the warehouse. They assumed this was either a hydroponics weed farm, or something shady was going on. It turns out to be a nomu lab. They beat up Machia just as they did in canon, except he goes down and stays down. -Eri, on the other hand, is an edge case. She contributes nothing but two things towards the end of the series: restoring Mirio's quirk and healing Deku's arms. She's underdeveloped as a character entirely. She's not a character. She's a trauma prop and a moeblob. She's a major plot device and a reason the Overhaul arc plays out the way it does. You functionally could replace her if the story was willing to have Aizawa get abducted and Overhaul figures out some means to create bullets out of the guy's DNA. You'd have Present Mic there to attack the Yakuza alongside Deku in this universe instead. It's messy and it turns the Overhaul arc into the Aizawa Rescue Arc but it could be done. You'd just have Mirio either not get shot, or he does get shot and we have consequences for once. Mirio in canon proceeded to do basically nothing after his arc, showed up later to defeat Mister Compress, then help stall Tomura. For the sake of not having to change much, we keep her. But I do think a story where Deku rescues his teacher has better bones to it, since Eri does nothing after her arc. They make her smile at a school festival and her years of trauma are fixed. -Recovery Girl is another edge case but the story doesn't care about her as a person. She's a tool to heal main characters and enable them to recover near instantly from their injuries. You could replace her with a talking healing pod from DBZ and get the same end result. We just replace the scenes where she complains with Nezu doing it. Nezu, to All Might and Midoriya who are both in healing pods: You guys really ought to go less hard, eh? But who am I kidding? Plus Ultra! The rest of them? You could functionally ditch and not much changes. I'll go through all of them in a lightning round. Mirko: Replace her with Gang Orca. You know, the really tough mutant guy who could fight Inasa and Shoto at the same time? The guy the story barely used after? Yeah, we dust him off and slot him in. Midnight: Even her two best friends didn't care about her after she died. If we have to kill a teacher who doesn't affect the plot, kill Ectoplasm. Hagakure: Besides discovering Aoyama, what does she ever do? Deku could have just as easily discovered Aoyama...when All For One orders him to capture Deku. It's REALLY OBVIOUS Aoyama is the spy when he's attacking! Tsuyu: She saves Izuku from a shark mutant at the USJ and then does nothing else until she becomes Uraraka's video game assist against Toga. Mina: Her arc is already shared with Kirishima. You just have him eat the rest of her screen time and story beats. Kyoka: Absolutely superfluous. She sings a song once, loses an ear to AFO, and then makes the quirks in him briefly rebel. Have Tokoyami fight alone and we end up in the same place.
All the girls in class B: Class B was a waste of space and shouldn't have existed. Nejire: The big 3 didn't need to exist. Clearly only Mirio actually mattered. The story wanted to show how great Mirio was at the time. Let him fight Nejire and Suneater's foes and show off his POWER. Ryuku: Her most notable scene was getting beat up by Tomura, then is MIA until the final war, where she fights a background character. Magne: She existed just to get brutally murdered by Overhaul. The author NEVER cared about this character.
Inko: If she was never seen and the story didn't bother to get into who Izuku's parents are, what changes? Nothing. So we have 5 essential female characters: Uraraka, Toga, Momo/Mei, Eri, and Nana. 4 if you're willing to do an Overhaul arc rewrite and ditch Eri. 3 if you decide Momo/Mei's contributions aren't needed. This isn't a problem unique to MHA, by the way, this series is just especially bad about it.
Now that the first episode of the season is out, I can finally comment on how hilariously intense the meeting of the Upper Moons was.
Like, we really watched (I, even paid money to see in the cinema) the equivalent of Akaza just taking the elevator to the office, pass by the recepcionist, get greeted by the one coworker he can’t fucking stand, get chewed up by the boss like every Monday and having to insist to his bitchass coworker that he’d rather die than go ‘hang out’ after work.
We really saw that but with an animation budget that’s off the charts.
Sorry for not being on in, like, forever. Life’s just gotten in the way.
Anyways, that’s not what I wanted to talk about today. What I really wanted to focus on is something I’ve been thinking a lot on lately, and that’s the idea of asshole characters.
Obviously asshole characters come in all shapes and sizes. Each have their own motivations for being an asshole and/or unfriendly individual. Katsuki, Shota, and Hitoshi are asshole characters themselves, but why is it that I dislike them so much?
At first I thought I didn’t like asshole characters in general. However, I then remembered that there are several characters people would classify as assholes/unfriendly individuals that are characters I adore. Lysithea from Fire Emblem 2 Houses and Natsuki from Doki Doki Literature Club are characters who are rough around the edges and aren’t nice to people immediately. The reasons behind their behavior aren’t too far off from why Shota and Hitoshi act the way they do, that being trauma, so why am I able to look past their behavior and not that of Shota and Hitoshi? With Katsuki, it’s obvious, but the other two had me scratching my head for a bit.
The answer, outside of the fact that Lysithea and Natsuki are multi-layered characters written far better than Shota and Hitoshi, is that the girls are REACTIVE assholes while Hitoshi and Shota are ACTIVE assholes.
What do I mean by that? Well both Lysithea and Natsuki for the most part keep to themselves. Something that someone does ends up causing them to snap. For Lysithea, it’s when she feels that her time is being wasted after someone approaches her about something irrelevant. For Natsuki, it’s a defensive mechanism triggered by a perceived attack on her character. Now, is that an excuse for their behavior? No. There are better ways to defend yourself and to get people to stop talking to you, but it’s at least understandable that they’d snap due to their traumas.
Katsuki, Hitoshi, and Shota aren’t like that. When they’re an asshole, it isn’t because they’re provoked into being one by someone else’s actions, but because they’re the ones doing the provoking. Katsuki’s rude and aggressive to everyone around him, choosing to make the life of another boy absolutely miserable without any provocation. Hitoshi decides to mock 1-A and issue his “challenge” not because anyone approached him, but because he himself is looking for trouble. Yeah, Katsuki gave off a shitty first impression, but Hitoshi already was planning on challenging 1-A from the beginning. Shota’s the one who controls his teaching style and is a position of authority. Rather than do his job, he’d rather tear someone down.
Am I supposed to sympathize with these so-called heroes? I for the life of me can’t seem to do so. Meanwhile, with characters like Lysithea and Natsuki, I can because they don’t mean to be an asshole, it’s just that they want to be left alone.
Now, am I saying reactive assholes are better characters than proactive assholes? No. Proactive assholes can have great character development. The problem is that proactive assholes are tougher to warm up to, especially when they’re meant to characters the audience is meant to root for. MHA’s writing does nothing TO make people want to root for these guys. They’re just assholes who wanna throw their weight around and never receive punishment for it/are called out for it. Hell, MHA seems to think these characters ARE in the right for being the way they are and/or doesn’t take the fact that they are assholes seriously (looking at you Katsuki).
Anyways, I thought I’d write this up to really explain more of my thought process and why Katsuki, Hitoshi, and Shota bother me so much whereas I find myself adoring characters such as Lysithea and Natsuki.
My 25 years of palaeoart chronology...
A zoom in at the male and female Caudipteryx in my painting, called "The Duet," commissioned by the University of Bristol.
Omg welcome back!! You've been sorely missed, I hope you're well <33
Also I'm not on twt and haven't paid attention to the spiky pompom in a while but people hate him now?? :O
Yep 🙌. Well, either they’ve woken up/changed their tune as they grew up/consumed better media or those who were once afraid of speaking out against him have begun doing so. It ain’t perfect but people can finally hate him without worrying about being doxxed 😂
bday gift for @/hanviito on twitter!!
Some of my favourite Muzan fanarts are those where his human self "meets" his future self
artist: @gywjd3
artist: @kawasemi500k
artist: @gimgiyak
Bakugou: *punches Izuku*
Izuku, starry eyed: "Woow, Bakugou, that was so cool!"
Kirashima: "What a manly punch!"
Eraserhead: *grumbles, but is secretly impressed by how good a punch it was, even though he wants to improve his form a bit*
Shigaraki: *nods* "I can see why you're the one closest to Deku."
All Might: "What good friends they are!"
story of my life
The most terrifying part of having memory issues is when you can feel something from 5 seconds ago be thrown out the window and there's an empty hole where it once was. You remember that you forgot something.
Tsubomi is probably aroace, honestly. Being queer in a predominantly non-queer setting can be quite isolating, which has its own additional aspects for aro and ace people, since we can't just translate the general experience of romance into something that makes sense to us the way people who do experience attraction can. She's described as having some distance between herself and her friends, and she doesn't seem to have interest in anyone romantically. When in the epilogue, it's revealed that Mob rekindled his friendship with her after all, it's not portrayed as being indicative of any romantic subtext. It's just what it is: a rekindled friendship.
Middle school is a time where a lot of allo people start to realize what kinds of people they're into, so it's a confusing time for aro and ace people. It's hard to pinpoint an absence, after all, and the world is so amatonormative. There's an expectation that wanting a straight romance with one other person is the norm, and anything else is thrown to the side. It's just as hard for people to realize they want something different as it is for people to realize they don't want any of it. Tsubomi's distance from her friends and her disinterest in any of the guys who asked her out seem to fit this.
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