By popular demand of (1) person in the comments of a post I’ve made briefly touching on this subject, I have compiled all of my thoughts on the portrayal of Tanizaki Jun’ichirou—and by extension, Naomi—in Bungou Stray Dogs in reference to the works of the real life Tanizaki Jun’ichirou-sensei (who I’ll be calling Tanizaki-sensei to differentiate from his fictional counterpart). Disclaimer that I don’t have the academic background to write as an expert on this subject. I will be citing all of my sources in the text.
Tanizaki-sensei (1886-1965) was an author who was well known for writing about sexual obsession and fetishes, and the exploration of Japanese versus Western culture in his works. His female characters were particularly reputable for having strong personalities (drawing upon the dofuku - “poisonous woman” or femme fatale troupe), and frequently fulfilled the domineering role in sadomasochistic relationships with men. This recurring theme is most likely the basis for Tanizaki and Naomi’s relationship in Bungou Stray Dogs.
In a similar vein, motifs such as dreaming, delusions, and fantasies (oftentimes of the erotic nature) frequently appear in Tanizaki-sensei’s works. This could be the basis for Tanizaki’s illusion projection ability, “Light Snow”, which is named after Tanizaki-sensei’s great novel, Sasameyuki (1948), also known as The Makioka Sisters, the title of the English translation, which was changed due to the nuance of the original title being difficult to convey in English.
Going on a slight tangent here, Tanizaki-sensei also wrote a handful of works depicting blindness, such as A Portrait of Shunkin (1933) and A Blind Man’s Tale (1931). In these works, blindness can be interpreted as a metaphor for blind devotion and obsessive worship of one’s love interest, even to the point of martyrdom. For example, in A Portrait of Shunkin (1933), the character Sasuke destroys his own eyesight for his vain mistress, who did not want to be seen after an incident destroys her beauty. Tanizaki and Naomi’s deep affection for each other is reminiscent of these themes (Tanizaki’s willingness to throw away his morals for Naomi, Naomi taking gunfire in Tanizaki’s place).
Unfortunately, we aren’t given any other concrete pieces of information about Tanizaki or Naomi that can be reliably connected to something in regards to the real life author…
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haii!! is it okay if i request some nagito rentry graphics? i'm not sure if you have a blacklist or not, so please let me know if danganronpa is in your blacklist (╥ω╥`)
((o(*>ω<*)o)) ❛ request by :: @jokerism ͜ ‿◞ ❜
・・・ “ Nagito Nagito, Nagito ! “,,
𓎟𓎟𓎟 Komaeda Nagito Graphics !! ( Danganronpa is on kyu’s whitelist !! )
f2u ◟ credits required ╱ do not remove kyuki’s watermark
no recolors ⠀⎯⎯⎯⠀or reposts w/o credits ,, tnk kyu !! ദ്ദി(。•̀ ,<)~
↳ REBLOGS , ᡣ𐭩‘s , && FLLWS ARE APPRECIATED 𐂯⠀⤹
♯ 0001 records :: please let the enthusiast know if kyuki needs to remake the graphics !! kyuki wld be happy to do so ! (..◜ᴗ◝..) beeep… [ RECORDED ]
Mori in the BSD Manga and Light Novels prides himself in always finding the optimal solution, in pushing his own feelings aside to accomplish the optimal goal for any given situation.
He is a man of logic and carefully wielded cruelty.
We see countless examples of the way he handles things and in the end achieves the best possible solution to his problems.
Killing the old Boss and having Dazai as his witness
Dazai pointing out that he himself is a possible danger to the initial plan
Chuuya remaining a loyal part of the Port Mafia
Driving Dazai away
Getting the Skilled Buisness Permit
The Great War and Yosano
There were all instances where we saw Mori put aside his own emotions and morality to achieve a greater goal. He wielded cruelty, facts and logic as weapons to achieve the in his mind most logical and optimal solution.
But Mori is human. And Humans can not completely disregard and turn off their emotions, no matter how hard they try.
Mori himself says that he has no regrets during the Guild Arc.
But does this like the face of a man void of regrets?
Or this?
In this instance Dazai is choosing the words that will invoke the feeling of Regret in Mori to push him towards choosing a truce with the ADA.
Dazai is aware that Mori has regrets.
But so is Hirotsu.
His inclusion in any conversations Dazai and Mori have regarding the old Boss tells us, as the reader, that Hirotsu knows the full picture.
He isn't just aware that Mori killed the old Boss like other people, but also of Mori's goal from that act.
Hirotsu even goes as far as to tell Mori that Dazai understands why Mori did what he did, implies that Dazai would also understand other actions Mori takes to reach the optimal solution.
But this also shows us something different.
Mori needs reminders.
After Mori killed the old PM Boss Dazai became a constant reminder of why he did what he did. It was inevitable that Dazai would forever remind Mori of the act itself and the initial reasoning behind it, since Dazai was present and Dazai helped him plan it.
Once Dazai left the Mafia Hirotsu transformed into a reminder of it all. In some way Kouyou is also a reminder of what he did and why he did it.
But why these two?
They were there during the reign of the old Boss.
But how does Mori remember the regrets of another part of his past? How does he remind himself of a time where he miscalculated, where he should have taken the emotions of the people he regarded as tools into account?
How is Mori reminded of the mistakes and regrets of the Great War, of Yosano?
Elise.
Elise is Mori's ability, Vita Sexualis. A humanoid puppet to control as he wishes.
But also to shape as he wishes.
During the Great War Elise is nothing more than a robotic being wearing a human skin, void of emotions, thoughts and autonomy.
Mori has always made Elise take the form of a younger girl.
While it is speculated in the fandom that this could be linked to his Lolicon, I believe otherwise.
Elise is for one inspired by the Novel The Dancing Girl from the real life author. But since she is Mori's ability in BSD she will be influenced by his subconcious.
Elise shows us that Mori, even in his twenties, wanted an apprentice. He wanted to impart his knowledge on someone else but until he found Yosano he did not have someone to do this with.
(Im Beast Elise takes the form of a women. Mori already has children to take care of and bestow his knowledge upton, he doesn't need her to fill thie role. But he does need another caretaker, so that is what Elise becomes)
Yosano herself says in the Manga that she respected Mori as a doctor.
Choosing a young and mallable girl as his apprentice did make her easier to manipulate, to create an army that can not die. But young people are also sponges for knowledge.
And here we come to his regret.
Mori does regret how he handled the situation with Yosano.
He liked that strong willed and opinionated young girl he drafted, and he broke her.
We do not see much of Elise until Dark Era, so we can not tell how long it took for Elise to display Yosanos personality after Yosano was redcued by Fukuzawa and Ranpo.
In this official Art we see Yosanos shadow in Elise, a clear indication of teh fact that Mori's impression of Yosano was bleeding into Elise. But we also see her still wearing pigtails.
Her hair and general clothing tells us that this is between loosing Yosano and Dark Era. With time, Elise will resemble Yosano more.
(The bow resembles the butterfly hairpin of Yosano.)
In this scene Mori tries to convince Elise to try on a new dress.
She refuses and clearly displays Yosano's personality in thsi interaction. From the way Mori handles it this isn't knew.
Their dynamic had already shifted into something more like Yosano and Mori instead of the Ability and Mori.
But her hair is different from the last picture.
Elise now has open and wavy hair. Does this remind you of someone?
(For a boy Dazai has always worn his hair longer than traditional seen as boyish, which in turn let's his ends curl and wave more noticable)
But why would Elise take on appearance markers of Dazai?
Simple.
Because there is something Mori regrets.
He only openly mentiones it in Beast but since Beast is a mirror of Canon, that shows us how different choices will change the same people, we can assume this are also the feelings of Canon!Mori.
Mori regrets not being able to really help Dazai.
And his regret will only get deeper as he makes another choice for an optimal solution.
Driving Dazai away and getting Oda killed fulfilled many positives for Mori, what he reached was the optimal solution. He just had to lose his right hand man.
(Light Novel Dark Era)
This is not the behavior of a man not regretting driving away the boy he cared about for 4 years to this point.
To this day Mori leaves Dazai's spot as executive open. He invited Dazai back into the Mafia.
And when we see Elise after Dark Era she has changed once again.
But this time it is not her appearance that changed, it is her attitude.
Elise displays a very much Dazai-like attitude when talking to Mori.
Where Yosano - and until the end of Dark Era Elise - were strong in their oppinion but polite and steadfast in their refusal, Dazai was bargaining. Dazai more often than not wanted something in exchange for doing something he deemed unpleasant/bothersome/boring.
During the recent timeline Elise also does this.
She doesn't just refuse things, she makes deals.
And she doesn't lie during negotiations, just like Dazai.
In the end Elise changes to be more like the people Mori feels a form of regret over. Elise is a constant reminder of his Regrets and Mistakes.
To support this, here are Asagiris words about Mori from the BSD Exhibition:
“He who fell out of the optimal solution”
Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss.
There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting]
Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”.
[Translation by @popopretty here on Tumblr]
A true optimal solution would leave Mori with no regrets. But whenever Elise changes and reminds him of regrets he feels, it is also a reminder of the time he did not truly reach an optimal solution.
Jean-Paul Valley first entered the post-Crisis DC Universe in the 1992 4-issue miniseries 'Batman: Sword of Azrael', written by Dennis O'Neil and penciled by Joe Quesada. A former graduate student at Gotham University, Jean-Paul's life would irreversibly change when his father would crawl to his door dying, dressed in the garb of Azrael, the Avenging Angel - an assassin for the Catholic cult Order of Saint Dumas. Thus began a series of events that would activate 'The System', conditioning that had been programmed into Jean-Paul since birth that allows he - as his father and his grandfathers before him - to give control over to the Order's personal punisher and access latent superhuman skills and abilities.
Jean-Paul and Azrael would go on to become Batman in the stead of Bruce Wayne as Bruce recovered from spinal trauma inflicted by Bane, star in their own 100-issue solo series, escape (and destroy) Jean-Paul’s father’s sect of the Order, and become members of the first iteration of what is most well known as the Bat Family until their death. They played a vital role in DC's Knightfall, Contagion, and No Man's Land story arcs.
After the New 52 reboot, they would go on to play big roles in Detective Comics: Rebirth, Justice League Odyssey, and star in a second solo miniseries. As part of the New 52 and Rebirth initiatives, Jean-Paul and Azrael's backstory and details would be changed, though as of 2022 it is implied that aspects of their New Earth origin have been re-established.
Linked below is a spreadsheet including most/all of Jean-Paul Valley and Azrael's comic appearances from their debut up to their most recent issues. Sorted chronologically and divided into sections based on arcs and events, each row features information such as title date and writer/penciller, which identity/mantle is most prominent in each appearance, personal notes on the contents of each issue, and a section for any content warnings that may need addressed.
This spreadsheet is continually updating/a perpetual WIP. New issues are added as they release.
Happy reading!
I swear any male character from this show could be left in a room alone together and they’d end up fucking no matter how much they supposedly hate each other.
reminder that being against ai also means being against character.ai and not using character.ai and not interacting with character.ai
i've never talked to chatgpt i've never talked to character.ai i have no interest in talking to a chatbot even if it's fun or based on my comfort character. if we want companies to stop using ai we need to tell them we aren't going to interact with it - so don't.
don't talk to robots. full stop.
every peter parker needs an origin story. unluckily for Peter, his spider bite hurt pretty damn badly. and unfortunately for Connors, this would change everything for both of them
ALPHYS GRAPHIC SET ( • ̀ω•́ )✧ ⠀ ⿻ ⠀ art credits ⠀ ⦂ ⠀ ⠀ ⠀01. ⠀ x ⠀ 02. ⠀ o 💌
(。•̀ᴗ-) FOR @skeletonenthusiass's #PAPYRUS250EVENT - A character you think gets mischaracterized a lot or a character you think is underrated
𐂯 f2u with credit && reblogs !
︵︵ notes: i kinda cheated bc alphys is kinda both of these but!! i had the underrated in mind while making these so... this graphic was created by kit ☕
areiden and acevi shippers in shambles after the chapter two trial:
charwhit shippers: thats wack but WE STAY WINNINGGGG
Happy DRDT 5th Anniversary!
(I'm late)
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