c!dream š
abandoned pubby
sugar, iāve developed a taste for you
reference
"Angelā¦would you let me, ifā¦if I were to kiss you now?"
"ā¦you know we canātā¦"
"Thatās not what I asked."
My take on what could have happened between 1941 and 1967. Itās 1958 and Crowley was feeling wine-brave and love-sick.
Spiderverse thots
i dont know why youāre not here and i really miss you
Tlsp is just two dudes with a dream and an exhibitionism kink
āLoads of songs for this album were written in the studio. āFiresideā is the great exception: that was the only song that Iāve had laying around for a while and had written on my guitar. Funny: someone from the record company said that āFiresideā was the song that sounded āthe most Los Angelesā, yet thatās the only song that I had written in London. (ā¦)Ā that song is obviously a song about desire. For something or someone. If desire would be liquid, then it wouldnāt be something you easily sail through, but a rough sea that whirls you around. The rhythm of that song has those wild motions of desire. If desire is something liquid, it is a rolling boil ā Like when youāre boiling potatoes.āā Alex Turner.
The confession we saw was rushed. I think Crowley could tell something was different. It was now or never. And thatās why he started to confess then. But
his original plan was to take Aziraphale to the Ritz. They would get into the Bently, yellow tulips on the backseat, like we can see. Because yellow is pretty, like the angel said before. And A Nightingale Sang In Berkeley Square would play, he had put it on queue, we heard it. And they would get to the Ritz, have a wonderful breakfast. He would give him the flowers, take him back home, give him a lift, like in the movies, and then he would confess. And they could kiss at the door before they went inside.
But instead his confession was rushed and desperate and not at all like what they show in the movies. It was painfully real and unmagical.
he doesn't know how it's made