Shoutout to Bran Stark for calling out Jaime and his shit ass defense about being at war for all the horrible things he did. Jaime was not at war when he pushed Bran out of a window, he looked that child in the eyes and without any regard or humanity shoved him out of a window. “The things we do for love.” Is a call out to his bullshit and the way Jaime’s face shifted and his eyes widened, he knows, he knows he still has a lot to answer for no matter what he’s been through.
Jonathan: so you like the Clash, huh?
Will:
x
There's something about the flamingos in Wonka. Something about the fact that their wings aren't clipped and they only haven't flown away yet because they haven't seen anybody do it before. There's something about Wonka being that person showing them how to fly to freedom.
There's also something about Noodle. Something about the fact that she never tried to escape the laundromat because she hadn't seen anybody do it before. There's something about Wonka being that person showing her how to be free.
There's something about Noodle as the flamingos and Wonka being the one to bring them both freedom
got meme: 2/6 relationships ↳ the stark children and their direwolves
There are five six pups. One for each of the Stark children. The direwolf is the sigil of your House. They were meant to have them.
We all need to leave now!
would you prefer to learn French or Italian before you die?
the threatening aura of this message reads like it was sent by the duolingo owl
“When I see photos from that day I think: Relationships are hard, at any age. And adding in that you don’t really understand exactly how it works when you’re 18, trying to navigate all that stuff didn’t make it easier. I mean, you’re a little bit awkward to begin with. You’re on a date with someone you really like. It should be that simple, right? It was a learning experience for sure. But at the heart of it – I just wanted it to be a normal date.“”
— About his date in Central Park with Taylor Swift
““Are they ever coming back?” Bran asked him. “Yes,” Robb said with such hope in his voice that Bran knew he was hearing his brother and not just Robb the Lord. “Mother will be home soon. Maybe we can ride out to meet her when she comes. Wouldn’t that surprise her, to see you ahorse?” Even in the dark room, Bran could feel his brother’s smile. “And afterward, we’ll ride north to see the Wall. We won’t even tell Jon we’re coming, we’ll just be there one day, you and me. It will be an adventure.” “An adventure,” Bran repeated wistfully. He heard his brother sob. The room was so dark he could not see the tears on Robb’s face, so he reached out and found his hand. Their fingers twined together.”
—
Bran IV, A Game of Thrones
(via ashara)
here’s the thing about greta gerwig’s little women. it’s really not just about jo anymore. almost every adaptation of little women has been a version of here’s jo and her sisters who have two dimensional stories. meg marries off, she’s happy. beth dies and nobody is really that sad because we never got to know her well. amy married laurie and everyone is confused. but with gerwig’s telling, she affords every sister real autonomy and story. she showed the struggle and sacrifice and love that meg has. she gives beth one of the most beautiful story arcs ever. she lets beth exists in the movie and grow on us before her death. and she completely translates amy to a character that may have always been right there, but not properly communicated. amy and laurie make sense. you feel beths absence. you understand meg. and you still have jo right there in focus. but they all feel real. the other three don’t feel like accessories anymore but real and important characters of the story. and it’s fucked if gerwig doesn’t get nominated for best adapted screenplay and direction because she took a 150 year old story and made it seem brand new.