Oh No! 

Finally, someone else admitted to liking this episode!

8x04 Some takeaways (P1)

Although I’m quite frustrated that D&D still deprive us of Starks’ moments and the pack vibes, in general, 8x04 is quite a good episode in my opinion. Here I’d like to share with you my thoughts on some of the key moments in the episode. I will mainly focus on the state of warfare, my interpretation of the main players’ motivations and concerns, and my view on whether their decisions (based on the set of information each one has in hand) are good for the realm. Always keep in mind that beside Family-Duty-Honour, the running theme since the beginning of the series has always been anti-war. 

1. Fact: The Stark-Targaryen alliance is not in good shape for another warfare

The episode starts with the aftermath of the Long Night. Tens of thousand died. The survivors are all wounded, drained out and devastated. Let’s do some maths to compare the Stark-Dany’s force to that of Cersei-Euron’s at the moment.

Stark-Dany: Before the battle against the Dead, the North and Vale had 20.000 soldiers. Dany had 40.000 Dothrak, 8.000 Unsullied, the remaining of Yara’s force and 2 dragons. In total, they had around 70.000 soldiers and 2 dragons. After the battle, the size of the alliance shrinks massively. Half of the Unsullied are gone and so are the Northmen, so I assume the same survival ratio applies to the Vale and Dothraki. Thus, altogether they have around 30.000 soldiers left and 2 dragons, however all in bad shape. 

Cersei-Euron: the remaining of the Lannister army, the Iron Fleet (full strength), 20.000 sellswords from the Golden Company. So I assume they have more or less the same number of soldiers as Stark-Dany alliance. Well-rested, well-armed, well-positioned for defense behind the high walls of KL, and fully-equipped with balistas to counter the dragons. 

I will discuss the rational strategy for each side in later part. For now, we clearly see that any wise leader must understand this is not the time to wage another war. Best thing to do now is giving everyone a rest to recover from the battle fatigue before starting a new campaign. (Better not to actively wage another war at all. But if they really have to, give the soldiers a break first.)

2. The King’s speech

As usual, Jon delivered his iconic “coming together” speech. Despite giving away his crown, he is still the true commander-in-chief. By the way, where was Dany? The Queen is not really familiar with “setting aside differences to fight and die together so that others might live”, hers are more about “will you kill my enemies in their iron suits and tear down their stone houses” or “bend the knee or die”. So Jon took the job, and he did it well. 

It is our duty and honor to keep them alive in memory for those who come after us and those who come after them for as long as men draw breath.

Highlight: This war for the survival of mankind is a war worth fighting and dying for, because it ensures hope and a surviving chance for the future generations. (But the coming war for the Throne might not because it sacrifices lives for power.) Note that Sansa was always in the background during this part of Jon’s speech.  –> Hint: They might very well be the ones that pass on these memories to the future generations. Having children of their own, perhaps?

3. Dany legitimizing Gendry as a way to exert her power

The next scene was the banquet, where Dany legitimized Gendry to everyone’s surprise. There was tension in the Hall with several reaction shots before Dany finally revealed her offer to make him Lord Gendry Baratheon of Storm’s End.

Gif: gendry-aryas

Tyrion: And a Lord of Storm’s End who will be forever loyal to you. 

Dany: See? You’re not the only one who’s clever. 

Was Dany trying to gain an ally? Not necessarily. Gendry does not have yet any bannermen or wealth, so he is not of immediate use to her. What Dany wanted to show people was, she was a powerful Queen who was to fear, but she could grant mercy as she wished and make or break a Lord in just seconds. Pay attention to her word choice. She first highlighted to Gendry his father’s crimes to her family and herself to make him scared: “You are aware he took my family’s throne and tried to have me murdered?”. Then she showed everyone that she could be merciful if she wanted to, and she could grant one title and wealth at her will, “You are Lord Gendry Baratheon of Storm’s End, the lawful son of Robert Baratheon. Because that is what I have made you.” 

If Dany really wanted to reward Gendry because of his contribution in the war, she would have highlighted the fact that he fought bravely and he was a great blacksmith who forged the weapons to fight the Dead, so he deserved this. No. She didn’t talk about his contribution at all. She made it clear to everyone, he became a Lord because she wanted to. 

People in the background chanted: That’s easy, isn’t it?

If the Queen could easily do everything at her will, she could make a Lord and give wealth to him in seconds, then she can strip away titles and wealth in seconds too. What is more interesting was the exchanging look between Tyrion and Sansa thereafter, both did not seem to be excited with the Queen’s generousity at all. They both knew that the relationship between the Queen and the Lady of Winterfell was strained and tried to figure out what kind of underlying message Dany wanted to convey. 

My interpretation: The Queen was sending a fair warning to the Lady of Winterfell. See how easily I reward Gendry, a bastard son of the man who stole the Throne from my family? You’d better behave, or I can strip you off your title and land as easily as I make a Lord out of him. 

Gif: allons-ymrholmes

So very probably, Dany wanted to warn Sansa that the Queen could strip away her land and title at ease. But if she intends to do so, who would she grant Winterfell to? The possible candidates are Bran (the only living trueborn son of Ned) and Jon (the supposed bastard, if he stays silent about his parentage). Some of you might think that this is a very Tywinesque move that Dany could never think of. But I think this is very possible. Otherwise, Sansa and Tyrion would not have exchanged that suspiscious look.

Both Tyrion and Sansa were aware of Dany’s possible hidden agenda. Tyrion then did a bit of reality check with Bran. He was always curious about the crippled boy and his adventure, and now he wanted to test what the boy wanted. He praised Bran’s extensive knowledge and said that it would be useful as Lord of Winterfell. Arghh, but Sansa is currently the Lady of Winterfell, why did Tyrion give hint to Bran that he was the only trueborn son of Ned Stark and should be the Lord of Winterfell? I think Tyrion was trying to figure out the power dynamic within the Stark family and what each of them might want. Do they want power, or do they want something else? Bran made it clear to Tyrion that he didn’t really want to be the Lord of Winterfell anymore. (Maybe he did when he was a kid, but now he doesn’t.) Since Tyrion didn’t know about Jon’s parentage yet, so to his knowledge the contenders for Winterfell are only Jon and Sansa. In Tyrion’s eyes, Jon is clearly in Dany’s favor since he is her lover. If Dany legitimizes Jon and gives Winterfell to him, Sansa would be empty-handed. To certain extent, Tyrion cares for Sansa’s well-being, that’s why he approached Sansa and raised his concerns to her before he left.

- to be continued -

I don’t usually talk about my personal life here, but I really need to vent. 

I have misophonia and it’s ruined my life. I have left jobs, schools, limited contacted with family members, considered suicide, self-harm, etc. due to certain triggers, the main one being throat clearing. It might sound ridiculous to someone who doesn’t understand what misophonia is, but I want you to try a little experiment: count how many times your co-workers clear their throats in a single work day. If you work in an office, it’s a lot. In one of my jobs, it’s constant. 

One of the worst parts of it is the feeling of helplessness and complete and utter rage that comes with each trigger. I’m a 10 out of 10. I feel physical and mental pain when I hear my triggers. It’s like having someone stabbing my brain and my ears over and over again, sometimes all day long. 

There is no cure. 

I’ve tried to get certain family members to care and understand, but many still insist on making the triggering sounds whenever I’m around over and over and over agin. If I can’t even get my own family to listen and understand, how can I possibly explain this situation to co-workers? 

At this point, I’m seriously considering giving up one of my dream jobs because of my misophonia. I know quitting is a dumb decision during these uncertain times, but I physically and mentally need to get away from people. 

Are there any jobs out there (besides I.T.) that involve rarely interacting with people? I’ve tried doing online jobs, but people are so demanding and rarely pay you any money, plus there are tons of scams out there. 

I’m at the end of my rope here. All this pressure and pain has been building for years. I think I’d be better off living as a hermit, but even hermits have bills to pay.

If Martin had finished the books earlier I think we’d all have a different opinion on different plot points, but because he waited so long we’ve just built things up in our heads for years now so that nothing he writes can live up to what we want. He’s essentially screwed himself on so many levels.

i feel like when/if twow comes out(when he’s not distracting himself) it’ll divide so many ppl who made theories thinking its canon and if anything contradicts this in a book that’s been cooking for more than a decade(not to mention grrm kinda went everywhere in his world building and characters) , the fandom is just going to go nuclear

I get the feeling that before this is over he and Ceresi are going to get it on, at least once. He is her type after all. Why else cast an actor this attractive? He looks like Jamie does in the books. 

I can imagine Ceresi sleeping with him, thinking it’ll placate him (a callback to the Euron scene in episode one), only for him to immediately reply:

Harry: “That was all well and good, but you still need to pay the gold cloaks our salary. Our real salary.” 

I can’t wait for the memes if that happens. 

Don’t judge, but I ship this new character, Harry Strickland, with Sansa

Edmund: My only....sister. Yep, that’s right... [Starts to sweat]

I love Mansfield Park—there's a reason it's so important to my dissertation—and it's not only for the things that seem appropriate enough, but also the ones that kind of break my brain a little.

For me, the Peak WTF has to go to Edmund (surprise), after his sisters have separately run off with two fairly shitty men. He greets Fanny in a burst of emotion:

she found herself pressed to his heart with only these words, just articulate, “My Fanny, my only sister; my only comfort now!” She could say nothing; nor for some minutes could he say more.

I always think ... well, having Edmund refer to Fanny as his sister that late in the book, while simultaneously disowning his actual sisters, is certainly a choice. I don't actually mind it because I don't read MP for Fanny/Edmund, lol, but I find it interestingly bizarre.

(It reminds me distantly of Lord Orville presenting himself as a brother figure to Evelina in Evelina, but iirc that pretty obviously falls apart further from the end and it's clear that he doesn't really see her that way.)

hi, sorry to be a bother, but i was wondering if u knew any alternatives to Philippa Gregory?? I really want to get into Tudor history and I love historical fiction but I've heard so much criticism of her work xx

Unfortunately a lot of period books are going to be steeped in a certain level of creative license which sacrifices historical details to the ideal or romanticised effect. Most major Tudor writers – Weir, Plaidy, Gregory - are guilty of this. Personally I can look past this and enjoy the content for its historical setting and loose interpretation, but if that is a deal breaker for you there are a slim number of authors who will likely appeal to you. If you are disinterested in Gregory, I would recommend Alison Weir and Jean Plaidy. Their novels are chock full in historical references and are of a similar style to Gregory.  As I understand it their’s are more credible, the exception being Weir tends to take a biased standpoint, and Plaidy is more of a story-writer than she is a historian.

You’ve probably already heard of Hillary Mantel’s Wolf Hall series. I read its entirety and enjoyed it, but there are errors strewn through it. On the opposite end, Adrienne Dillard’s works tend to be more true to history and from what I’ve gathered the author herself is an all-around good person. I highly enjoyed The Raven’s Widow as opposed to Gregory’s interpretation to Jane Boleyn.  Olivia Longueville is also a recommended author. Sharon Kay Penman, Ken Follett, Katharine Longshore, Diane Haeger, and Margaret George all have interesting and well-researched reads. I loved the Autobiography of Henry VIII by George. It reads fantastically.

I hope this helps! Enjoy your summer reading. 

I once saw a parent take their 7-10 year old child to see Prometheus. Needless to say, the child was traumatized by the alien birth scene. 

Also, I can’t help but laugh at the parents who let their 10-year-olds watch Deadpool and then complain about the language, violence, and sexual content in a film that is clearly rated R. 

why the fuck would you bring young children to an 11 pm screening of “Joker.” There is absolutely nothing in that movie for children, what are you doing. It’s almost midnight and this movie is rated “R”

I don’t know about anyone else but I don’t go to late night screenings of R rated movies with the expectation that there will be children in the theater with me. 

At least once the children actually started getting upset she left, but jeez, maybe make sure a movie is appropriate for children before you buy tickets. 

Could write an essay like this on Bran? I still don’t understand why GRRM chose him of all people to be king at the end. His story has almost nothing to do with being a leader and ruling. Am I missing something? I feel like Daenerys’ storyline was always (in the show and the books) much better written and plotted than Bran’s, but maybe I’ve just been overlooking something all these years.

Floppy Ears

A Dance with Dragons is the most important arc Daenerys has had since she hatched her dragons at the end of A Game of Thrones, and is a huge turning point for the trajectory of her character. And while GRRM’s books have always been incredibly detailed and focused on character, this book and A Feast for Crows is when he really mastered that style. Those two things combined make Daenerys’ ten chapters incredibly dense, and full of very important details. If I were to write it all out in one post, it would be just ridiculously long (and considering the length of my other posts, that’s really saying something…). To try and keep these posts from turning into books, I’m going to split my analysis of Dany in A Dance with Dragons into three separate posts; one dealing with the political aspects of her arc, the next a look at the outside forces that influence Dany’s decision making, and the last will center on the personal struggle that defines her arc. Here is the first, where I breakdown the political merits of Queen Daenerys Targaryen…

Holding Court

Running parallel to all of the symbolic choices and struggles Daenerys makes in A Dance with Dragons is the practical decisions she makes as Queen of Meereen. GRRM is famous for his quote about “Aragorn’s tax policy”, and it is clear that he tries to answer that question in this book. We get chapter after chapter that gives Daenerys a new political trial, and get to see and examine how she decides to move passed it. The first three books gave us small moments to look at and decide how Daenerys would rule Westeros, but A Dance with Dragons gives us definitive examples of how she would. This book asks would Daenerys be a good queen? and also gives us the answer: No.

Keep reading

The Pale Blue Eye Review, Brief

Oh movie you were doing so well...up until the last third. 

The ending is...an acquired taste. 

But still, Harry Melling’s take on a young Edgar Allen Poe is very compelling and watchable. I’d watch an entire movie with him playing Poe again. 

I wasn’t so sure if I wanted to see this movie. Then I saw the third screenshot. Well I’m sold.

“Then I would leap over these logs!” Boooooiiiiiiiing! 

Here's the best part of 1995's Jefferson in Paris