I sat down to write my reaction post to the second ep of HOTD and…realized Idk how to approach it, where to start. And not because I hated every single thing about it – like with ep1 there were lots of good or at least interesting moments. There were other choices I wouldn’t have personally liked in any circumstance but that weren’t necessarily bad in and of themselves if they’d been in another show, surrounded with other context or other scenes. The problem is how ridiculously biased this writing is and how that bias and the ridiculousness of it permeates everything, even the parts that were good or fine or reasonably in character. We knew, of course, even from S1, that the writing was biased. But this season it feels especially blatant.
How am I supposed to feel about say…Jae’s funeral? On one hand, a gut-wrenching scene, carried so well by Olivia and Phia’s superb understated acting. It’s a scene that has every reason to be there – royal funeral processions/spectacles were (and still are) normal. And even if it’s not a regular occurrence in this universe (questionable), it’s a very good and smart play by Otto. On the other hand, is it not suspect that the funeral of this child was less of a melancholy moment of mourning like Luke’s funeral (despite the obviously grieving family) but focused on Helaena’s panic attack at being too close to too many people, and with the distraction of Jae’s cart getting stuck in the mud (was that supposed to be symbolic of something???). Do we not remember TB shrieking long before the episode aired that the Greens have a public funeral for Jae “just to make the Greens look bad”? These people are known for the worst faith takes, so what does it say that the writers apparently agree with them?
How am I supposed to feel about Alicent’s inability to successfully, if at all, to comfort her children? Is this a potentially interesting exploration of how her own grief, guilt, self-blame/low self-esteem, and complicated relationship with her kids due to their common and individual family traumas (and, in Helaena’s case…neurodivergence, I guess?) have and are affecting her? Or is it just a low-key attempt at character assassination, given that last season she was shown as perfectly capable of showing affection to her children (more than one with Aemond, hugging Helaena and making other attempts when she was less receptive, even kissing Aegon at the coronation despite their turbulent relationship)?
Is Alicent’s self-blame and guilt a potentially interesting exploration of how grief can affect people, of what happens when a person feels they are breaking some moral or ethical or religious code of conduct that they sincerely believe in/believe they can be punished for breaking? Or does the narrative blame her too/knows that a large chunk of the audience will too or at least will find the self-blame and guilt pathetic or unsympathetic (because goodness knows that’s all Twitter/X has to say on the matter, it seems).
How am I supposed to feel about Aegon hanging the ratcatchers? Of course, Otto is right – this was a terrible thing to do, not just because it was politically a misstep, but first of all because there were many innocent people executed without trial. It’s a canonical event, and in context of Aegon’s grief and fury, it’s interesting in and of itself, it’s part of the commentary on the wreckage that war and nobles’ games cause. I’d have no issue with it, except…. Why was this made into a literal cartoon-villain-esque kick the dog moment? By making me feel sorry for the sad, cute puppy am I supposed to think that hanging Cheese was somehow wrong? After he sawed off a child’s head? And why is it that the smallfolk get angry when Aegon hands the ratcatchers but not when Rhaenys trembles dozens of smallfolk in the dragon pit? How come Aegon is held accountable for all his mistakes, at least by the people closest to him, and Criston very specifically sends a kingsguard member to impersonate his twin and kill Rhaenyra, but the show removed maximum responsibility from Daemon and of course made sure that Rhaenya was just appalled by the whole thing. (And suddenly cares about Helaena? I actually rolled my eyes at that line so hard it hurt.)
What am I to think of the messy/awkward/complicated TG family dynamics? They’re interesting! They’re fun! They could make for some great television (and fic lol). I could/should/would enjoy this. But on the other hand, when TB get all these bonding moments, or the potential messiness (e.g. Rhaena feeling ignored by her father) is ignored in like 85% of situations? And when this imbalance is not at all in the book? (When it feels like they wanted to cut/held off on Daeron specifically because he was so sweet and mild tempered and beloved by everyone?) It becomes frustrating, not fun.
At what point do I need to decide that this show isn’t worth it? After all, I think the sentiment that “maybe this is just not telling the kind of story you want to hear/watch” is generally a wise approach. Except…that would hold if this was an original show or if it was one of those “loosely based on/inspired by” things that were not pretending to be adaptations. But when you’re advertised an adaptation, you’re not coming in blind. Ideally, you’re coming in knowing what sort of story you’re coming for, at the very least. Unlike ASOIAF, the Dance is a fully finished story. There shouldn’t have been any “nasty surprises” like some people got in the last seasons in GoT…
But they mentioned Daeron by name. Tom’s acting is incredible. We know I’m not going anywhere for now lmao.
Maybe I won’t do my usual type of notes/reaction post this time, after all I’ve said so much of what I most feel right now anyway.
Sorry for the depression/pessimism guys. I’m just so tired.
"I thought I wanted it. But the burden is a heavy one. It's too heavy. If you wish me to bear it then defend me. And my children."
I wonder what burden she feels she's holding at this moment. We know that she isn't speaking of the burden of ruling and managing the realm for the last several years while her father was sick, because while she was on Dragonstone, those duties fell to the Hand and the Queen. As far as the show tells us, Rhaenyra has no specific duties she's fulfilling as heir, nor has she been doing anything in particular to prepare to rule. We're not shown that she's doing anything with her time beyond anything beyond managing Dragonstone with Daemon and growing her family. So what exactly in her life at this moment is she seeing as this massive burden that she bears because she's heir to the throne?
I think the burden she's speaking of here is actually the pressure she's feeling as she's finally being faced with the idea that her father won't always be around to help her avoid the consequences of her actions. So even though it's obvious that he's on the edge of death, in immense pain, barely hanging on, and despite the fact that she hasn't visited him at this point in literal years despite knowing about his ailing health and she's done nothing to support him in ruling in his last years, she still feels entitled enough to demand that he do another massive favor for her. At this point, Rhaenyra has been enabled by her father for so many years that she doesn't know how to solve a problem without him. So she plays the heir card on Viserys to get him to defend her one more time: if you want me to be queen, and you don't want me to be held accountable and face consequences, help me get away with it one more time.
Rhaenyra is upset not because of any real burden she has as heir but because she feels like the walls are closing in and she's under attack. I would feel some sympathy for her if it weren't for the fact that she wouldn't be in this situation if she'd made better choices. If literally anyone else in the realm had obvious bastards they were using to usurp a seat of power, there would be huge consequences. Rhaenyra knows this and is doing it anyway because she thinks her position as heir to the throne gives her the power to be able to do it and get away with it. Her birthright as a Targaryen says she deserves absolute power because she's better than other people, so she can do no wrong and nobody can say otherwise to her. She believes she's clever enough to pass the deception, and otherwise her father can punish anyone who speaks up... until Vaemond goes to court, and her father is not there to blankly support her no matter what. Now, she's faced with people who intend to uphold the law of the land and she's upset that she might actually be confronted with her problems head on and not have someone to shield her this time.
the way i liked the thought of alicole as a ship but now that it's an alleged reality i could throw up. alicent and criston both are pledged to duty and care for each other in a platonic but intimate way, where they were there for each other at the other's worst and still supported each other. there is nothing they could write or add into the show that would make them having sex make any sense. and if that does happen, i fear for both characters but especially alicent bc of how the general audience already views her--but i feel like if this happens the show is just trying to make criston and alicent both huge jokes?? bc they already face so much scrutiny online and them having sex would just make it all so much worse.
i'm literally praying that these leaks aren't true because wtf. and then olivia described s2 in 5 words and one of them was "sexuality." i'm so afraid rn guys...
(someone should recreate the oscar slap tonight but harder and with gal gadot)
as a gentile(?) it really turns my stomach seeing the way y'all normalise violence against jewish/jewish israeli women because you've been convinced they are settler colonists in their own fucking ancestral homeland. it would turn my stomach even IF they were what you claim them to be.
im not really talking about gal gadot here, im talking how as a whole jewish women/israeli women have been dehumanised to the point where y'all feel comfortable saying on twitter a woman should be physically assaulted because she happens to be israeli.
sorry but its not acceptable.
rewatching ep5 we light the way and the way the wedding vows are being said over this scene of criston attempting suicide and alicent saving him...the real union of the night being between them. in this episode they're finally disillusioned of the roles they've been playing. they realise they'd been lied to and used. and at the end of the episode, they are just raw mirrors of shame and naivety staring back at each other asking for help. one flesh, whatever may come
if you have “zionists dni” in your bio, i do not trust you. at all. bc y’all have proven that “zionist” can mean anything from “actual kahanist who hates arabs and thinks that bombing gaza into oblivion is great” to “doesn’t want every single israeli to be violently murdered or expelled.”
i do not have time to figure out if you’d consider me an antizionist bc i’m highly critical of the israeli government and think the occupation of the west bank and siege of gaza are wrong, or if you’d consider me a zionist bc i think the jewish people originated in eretz yisrael and that antisemitism is bad even when it’s coming from progressives and leftists. i do not have the luxury of giving the benefit of the doubt to ppl who say “death to zionists” when there’s a very real chance they are including me and pretty much every other jew on the planet in that statement. you (hopefully) would not expect queer ppl to have a calm conversation with each person who says something questionable just to check if by “kill all pedophiles” they were including us in that statement. extend the same consideration to jews when using a word that has been used, within living memory, to systemically persecute and murder us in several countries.
what if he doesn't want it to mean anything?? (lie)
this post has been haunting me
i had a dream that time travel was invented and too many people choose to travel back in time to save the titanic from sinking (the question of whether unsinking of the titanic deserved so much attention in the face of human history was the subject of both heavy academic and online discourse), which caused a rift in the space-time-continuum that led to the titanic showing up indiscriminately all over the world’s oceans and sea in various states of sinking.
this caused a lot of issues both in terms of fixing said space-time-continuum and in terms of nautical navigation, and after a long and heavy battle in the international maritime organization it was decided that the bureaucratic burden of dealing with this was to be upon Ireland, much to their dismay. the Irish Government then released an app for all sailors and seafarers so they could report titanic sightings during their journeys, even though they heavily dissuaded you from reporting them given the paperwork it caused.
anyway i woke up with a clear image of the app in my head and needed to recreate it for all of you:
the thing is. the THING is. no one. absolutely NO ONE thought Aegon would be able to rule. he was this piece of clay to be moulded by Otto, Alicent, and the small council. the only thing those people wanted from him was his uselessness. and the FUNNY thing is. he FAILED at being useless.
Aegon, the family failure, failed at failing.
Let's be honest: Criston's offense’s more than justified and well-reasoned. Another question is how much this very offense is, but everyone will judge this through their own internal compass. Let me explain Cole’s motivation and worldview, maybe I'll open someone's eyes.
Let’s simulate the situation: we have a son from a humble family (so low that his position was low even for an engagement), who, with sweat, blood, his skills and efforts, carved out a place for himself in the Kingsguard, taking into account that, thanks to the goodwill of a representative of the royal family, - who has a golden spoon in her mouth, we remember, was able to get a healthy assessment of her capabilities and skills without watered calculations.
- “I know what it’s like to fight for something that others don’t value.”
He owes his new position precisely to the favor of the princess, and we have no reason to refute Criston’s conscience, because BEFORE any traumatic and drastic changes/events, he manifests himself as a conscientious and devoted knight, with a clear worldview.
They spend a lot of time together, and already at Aegon’s name day we see that the level of trust between Rhaenyra and Criston is high, moreover, it is rapidly gaining momentum when she opens some part of her soul, shares things that can be called “personal”, laments his situation and outlines the problems he faces. Most notable:
— “My father is trying to sell me to Jason Lannister. I was named heir to the throne only to improve the position of Lord Casterly Rock.
— Should I kill him?”
This is literally a joke about killing the LORD that Criston makes in the presence of the princess, and it is remarkable that they both laugh without taking it seriously.
— “You can choose your own path, you are lucky. Many would gladly change places with you.
— “I am the princess of Dragonstone, but I am toothless.”
— “Once, not so long ago, you were able to write my name in the White Book. A position in the Kingsguard is the highest honor for the Cole family. I owe you everything. And I wouldn’t call it toothless.”
He provides her with sincere support, without greedy or hypocritical intent, and she accepts it with open arms.
The development of their relationship, on the initiative of the princess, follows immediately when, after some time, abandoned by Daemon (I condemn) in a brothel, she persuades Criston to have sex. Rhaenyra lures him into the room, plays with the helmet, kisses him, not allowing him to leave, and then tries to free the knight from his armor. Yes, Criston could more than experience romantic feelings towards his princess, but above all, it was a kind of admiration, sincere gratitude for what bestowed her favor on the rootless commoner. His representation of Rhaenyra may seem banal and naive, namely as “a poor princess, enslaved by her position,” we will note this in the future. But based on his pure motives, he faces a choice in which his feelings equally suffer, his vows and, of course, the wishes of his object of desire, in relation to whom Criston has never crossed the line before, are called into question. Many may underestimate the pressure that arises between the statuses and titles of total opposites, and only in the example of “maid - prince” do some realize the problematic nature of such a union, but not “princess - knight”. Please note: despite gender, it is still a class difference that breeds power with abuse. And, unfortunately, Cole cannot know and be sure that Rhaenyra’s need to get sex here and now has nothing to do with her love for him. He hesitantly follows the princess's lead, putting aside his white cloak.
Next we see and hear that Criston is ashamed of himself for violating his honor, neglecting his duty, although he listened to his heart, to his duty to Rhaenyra.
— “You occasionally confided in me... Over the years of acquaintance. And it seems to me that I know you. A little.
— “More than a little.”
Another imaginary confirmation in Christon’s eyes of reciprocity.
— “You have said many times how you despise your position. That you will be married off at the whim of your father, without thinking about the inclination of your heart. And this day has come."
He imbues her with the problem mentioned in the past; driven not only by his dilemma, but also by Rhaenyra's “confinement,” a literal shackle that equally binds and constrains them both.
— “I ask you to come with me. Away from all this, from the humiliations and burdens of your heritage. Let's leave all this and look at the world together. We will be free, nameless. We are free to go wherever we want, to love whoever we want. Will you marry me? Not for the crown. For love.
— “I’m the Crown, Ser Criston. Or I will be her. I can complain about my debt, but would I choose infamy in exchange for a barrel of oranges, or a ship to Asshai? It is my duty to marry a noble of a great house. But my marriage is not the end all be all. Ser Criston, Laenor and I have come to an understanding. I gave him the right to do what he wants. He granted me the same”.
— “Do you want to make me a whore?”
— “I want what started to continue.” You are my protector. My white knight”.
— “I made a vow, a vow of chastity. I have nothing but my white cloak, and I have stained it! I thought the wedding would cleanse him.”
Literally, Criston pours out not only his soul to Rhaenyra, but also to us, as viewers. He dictates the reality of his situation, assures that he can provide and protect the princess as much as possible. But, of course, for the blood of the dragon, for the heiress, for the father’s daughter, who was previously brought up in the conditions of “do you want it? Get it!” such a prospect is worthless. Naive of Cole? Yes, but not without reason.
After everything, he feels extremely vulnerable, as well as after a sincere confession to the Queen - which responds even more precariously and nervously to any conscience and confidence, despite her gratitude. Already at the wedding of Rhaenyra and Laenor, Cole, like a taut string, stands at the service, but restlessly and nervously looks at the princess.
— “I’m on duty, what’s your business?”
— “You don’t know me, Ser Criston, but this alliance is very important to both of us.”
— “If you have something to say, Ser Joffrey, speak.”
— “Ser Laenor is as dear to me as I know the princess is to you. We must swear to keep them and their secrets. We’re not in any danger yet... They are safe.”
Sounds like a threat to a pins and needles knight with a stained cloak and a sense of duty, don’t you think? Criston can only guess how Joffrey knows about his affair with the princess, and only one of the options may look convincing - Rhaenyra telling Laenor about this, who could notify his lover along the chain. Again, every possible inclination towards princess on his part is undermined when their secret is at stake. Yes, Criston succumbs to anger and panic, resentment and hopelessness, for which he commits a much more terrible act than calling a woman names. But even so, Cole feels guilt, boundless disappointment, and at the lynching he also feels remorse. He plans to voluntarily commit suicide and admits his every mistake. This scene is literally the rebirth of a knight in the rays of Alicent’s understanding and favor.
And as a result: people complain countless times and blame Criston for swearing towards Rhaenyra, for which he apologizes. Cool. Let's think critically and delve into the story and characters, and not spit hypocrisy.