The Relationship Between Zionism, Nazism, And Hindutva In ‘hostile Homelands’ By Azad Essa

a wikipedia poem on software entropy

I can't stand Child free people, as a child free person.

Like I have a legit trigger based in children screaming. That is a PTSD thing from years of abuse when I was a child. So I can't hardly deal with children in public but guess what!!! That's a personal problem! I deal with that by not going at times when kids are there! Or by putting in headphones!

But demanding the world become more hostile to children than it already is is just the peak of fucking entitlement.

"Oh but my wonderful anniversary dinner shouldn't be ruined by the sound of a baby screaming"

Go to a restaurant that doesn't allow children. They do exist! They tend to be more expensive but they exist! Or! Or! Better yet! Don't eat out! Rent out somewhere for the night and cook your own damn food!

"I shouldn't have to listen to a baby screaming on a plane"

That baby is far more uncomfortable than you are. It's literally in pain because of pressure changes in the cabin. Parents hate it too! There is no good answer for this so suck it up! Get noise canceling headphones and listen to a podcast or a book or music.

Children are human beings. They're not annoying pets that people happen to create. They have a right to be in public, to exist just like anyone else.

If you want eternal calm and quiet move out to the country and become a fucking hermit.

everyone always says that the word Q is too early in the alphabet and should be further back with all the "weirdo"s and "freak"s. but take a look at this -> p q. They're twin brothers. Would you seperate twin brothers? Just because one is a little artistic?

I found an interview with Ryan Coogler and Ludwig Goransson talking about the music of Sinners, and there's a very touching part about how the mid-credits scene came to be. So, spoilers below:

The final scene in the film, technically a post-credits scene, was actually the first one shot chronologically. Coogler wanted to show a more recent link to the story’s century-old events, and he really wanted his uncle’s favorite blues musician, Buddy Guy, to be involved. But he quickly learned that Guy, now in his late 80s, hadn’t been to a theater since the “fish movie,” a.k.a. “Jaws,” and he despaired of his chances. Still, he arranged to go see Guy play in Chicago. “I get to the show,” says Coogler, “and his whole family is in the backstage room — his grandkids. And they’re like, ‘Oh, cool, we’re going to bring you to see our grandpa.’ And me and Zinzi go in there and sit down, and he’s like, ‘Yo, man.’” “I’m not a movie guy,” the bluesman said, in Coogler’s retelling of this momentous meeting, “but my kids love your movies and they tell me that I gotta meet with you. So I’m here — whatever you need. You want me to sing? I’ll sing. You want me to act? I’m on for the work. But I got you.” “I pitched him what the movie was,” Coogler continues, “and he told me his life story about being a sharecropper as a kid and going up to Chicago and trying to learn how to play. I broke down crying, because everything I had just written in the script, this dude lived.” “Outside of the supernatural stuff,” Coogler clarifies.

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using a tape measure as a packer so i can give myself a comedically large boner whenever its funny

butch is a noun, s. bear bergman 2006

You have 14 to 28 days 🫵🏻

So true ⭐️💋

the song made me giggle a lil as a trans guy