Ilytreasurelily - Hey Staples Centre Wtf Is Up

be busy. busy not checking messages. busy reading those books you never started or finished. busy having a good night of sleep. busy taking care of yourself and your skin. busy moving your body. busy helping your community. busy reflecting on your life and what you can improve. busy doing things aside from the capitalistic viewpoint of “productivity.” busy slowing down.

“why do you have a gap in your resume” idk why is there a gap in your staff. worry about that

Beyoncé in 2003･ﾟﾟ･｡ᡣ𐭩

i love this tweet bc it’s the exact same genre of culturally tapped in unnecessary haterism i also peddle in

JINSOUL / ‘FLIP THAT’ MV

Im gonna be so real can yall actually talk about ways we can support trans women in the UK instead of giving all the attention to fucking JKR. I already know that Harry Poter sucks, I wanna know how to actually HELP people. Something something you have to love the oppressed more than you hate the oppressor

people say folks with adhd struggle with "delayed rewards" aka long term goals and as such we tend to focus more on short term rewards. what they don't talk about is that at when we Do accomplish long term goals we don't actually feel anything proportionate to the amount of work we did to achieve it. In my head I suffered for a while and then money spontaneously appeared in my bank account.

i dont care i say, caring deeply

I found an interview with Ryan Coogler and Ludwig Goransson talking about the music of Sinners, and there's a very touching part about how the mid-credits scene came to be. So, spoilers below:

The final scene in the film, technically a post-credits scene, was actually the first one shot chronologically. Coogler wanted to show a more recent link to the story’s century-old events, and he really wanted his uncle’s favorite blues musician, Buddy Guy, to be involved. But he quickly learned that Guy, now in his late 80s, hadn’t been to a theater since the “fish movie,” a.k.a. “Jaws,” and he despaired of his chances. Still, he arranged to go see Guy play in Chicago. “I get to the show,” says Coogler, “and his whole family is in the backstage room — his grandkids. And they’re like, ‘Oh, cool, we’re going to bring you to see our grandpa.’ And me and Zinzi go in there and sit down, and he’s like, ‘Yo, man.’” “I’m not a movie guy,” the bluesman said, in Coogler’s retelling of this momentous meeting, “but my kids love your movies and they tell me that I gotta meet with you. So I’m here — whatever you need. You want me to sing? I’ll sing. You want me to act? I’m on for the work. But I got you.” “I pitched him what the movie was,” Coogler continues, “and he told me his life story about being a sharecropper as a kid and going up to Chicago and trying to learn how to play. I broke down crying, because everything I had just written in the script, this dude lived.” “Outside of the supernatural stuff,” Coogler clarifies.

(x)

cry for me sana ✨ for anon