THE KINGMAKER HISTORIES - A STEAMPUNK FANTASY ADVENTURE

ROUND 4

the updated autopsy report

Is it really that important?: yes

Why is it important?:

it's iconic, and it's a much memed line in the fandom. also, it's actually plot-relevant, as it resets all the progress that you've made and really shows the shitty tactics edgeworth uses in court.

Cocoa (Hot chocolate)

Is it really that important?: At first you think it isn’t, but then it becomes like the most important object ever

Why is it important?:

Okay, so I’m hoping this counts, because the object isn’t a specific cup of cocoa but rather the cocoa itself, which is made new and served and drank in a variety of different cups by a variety of different people throughout the course of the series. Despite it being *technically* new cocoa every time it appears, it is still the same recipe and serves the same purpose in the story. The cocoa comes from a French cafe and is frequently imported and drank by the one of show’s main character: The Interviewer. The Interviewer adores the drink, and consumes and ungodly amount of it. To express his enthusiasm for it, he has described it as “as pure as the angles”, “divine as deity”, and “sweet as sin”. He frequently offers it to his clients, who are people that come to him asking to fake their death and start over with a new life. Almost all of these clients, as well every other character in the show that tries the cocoa, remarks on how incredibly delicious it is. For the first couple seasons, you think it’s just a funny running gag. As time goes on, however, it is revealed that the cocoa actually has magic healing properties. The recipe involves adding a substance nicknamed “Patience” that can fix wounds and cure illnesses and just make you feel better in general. That is one of the main reasons everyone loves it; though I’m sure the cocoa by itself was probably pretty good too. Additionally, the reason the Interviewer drinks so much of it is because he is actually over 3,000 years old, and has been using the cocoa to keep himself alive and basically immortal. This becomes very plot relevant when the Interviewer no longer has access to the magical version of cocoa and starts to die because of this lack.

Shadow of a Doubt (1943) it is

jonathan sims, head wet cat of the magnus institute everybody

+ bonus drawing of jon as a cat

when i grow up i want to be myself

Netflix has seriously harmed it's reputation with how often it is now cancelling shows. What used to be seen as the go-to service for saving cancelled shows, has now become the very thing it swore to destroy {Hello There Obi-Wan Kenobi reference). Netflix likes to repeat it's standard line that they have never cancelled a successful show, but they conveniently never tell us how they measure success, because this doesn't ring true with their shows like Lockwood & Co and Shadow & Bone, that got to both Number 1 and Number 2 respectively in Netflix's own published streaming charts, and that still wasn't enough to save those shows from cancellation. Also Netflix clearly has favourites in terms of marketing, for example I enjoyed the show Everything Now, but you've probably never heard of it, and I searched Facebook - Netflix did one post about it when they dropped the trailer 3 weeks before it's worldwide release, and that was it; but other shows like Bridgerton, you can't fail to know it's there because they post daily about it on their socials for weeks up to and including release and for weeks after too. You even have actors in a new show saying they have to search their show to find it so they can watch and it's not even advertised on Netflix's own home screen, let alone anywhere else, so no wonder these shows get cancelled as they are never given a fair shot to succeed.

It seems unless you go viral or break Netflix's own streaming records, like Stranger Things or Wednesday, then even getting the number one or number two spot is not good enough to save a program from cancellation. Netflix needs to remember that not all releases are an overwhelming overnight success - even some of the best and most popular shows took a while to find their audience, like Breaking Bad, Game of Thrones, The West Wing, The Sopranos, but then when they did find their audience they became what everyone was talking about, and people who had never seen the show, still knew about them from it's impact on the cultural audience. Somebody else said, and I truly believe it, that if Netflix had made Breaking Bad today, they would have cancelled it after two seasons, and then think what great storytelling we would have missed out on, all because the show wasn't a record hit in it's opening week.

And now Netflix finds itself in a self-fullfilling loop where they have now trained their audience to not try new shows and get attached as they'll likely be cancelled. Think about it, how many new shows can you think of on Netflix that got renewed last year. It only seems to be people will tune in for shows like Bridgerton, Emily in Paris, Outer Banks, as they have had time to grow with the characters, so now Netflix has got themselves in to a model where customers don't try a new show, like KAOS or Everything Now, and they'll wait and see if it's renewed, and when after only a month since it's release, it does indeed get cancelled, the consumer hasn't wasted time getting invested in a show & characters that get cut short, especially nowadays when there is so much to watch across traditional TV and now streaming services too, that just because the audience doesn't come running to watch as soon as it drops, doesn't mean it's not there or interested.

2025 see's the return of some of Netflix's biggest shows like Squid Game, Wednesday and Stranger Things, but 2 out of those 3 also end this year too and then what shows will be left that are associated with the Netflix brand - they had Stranger Things, House of Cards, Orange Is The New Black when Netflix first got going, it'll be hard to say by the end of this year what big shows Netflix will have left to draw customers in

Unless Netflix, and the wider industry, change their perception to not only see massive, viral numbers as success and that shows with strong-moderate success are allowed to grow and widen their audience, then there will eventually reach a tipping point where they will cancel one show too many that either customers leave their service, or creatives will decide that Netflix isn't a good partner to work with where you put years of work in writing, filming, producing, editing a project just for it to be cancelled a month after it's release, so if you have a story that needs more than one film or a one and done series to tell it in, then Netflix probably isn't your best bet any longer.

Sasha! ... Sasha?

creature